WEBVTT

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>>> A TALE OF TWO STORIES IS 

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TAKING CENTER STAGE AT THE 

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RICHARD H. DRIEHAUS MUSEUM AS IT

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EXPLORES THE ARCHITECT LOUIE 

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SULLIVAN.

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WHAT RICHARD NICKEL SAW. 

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>> WE'RE MOVING BOTH NARRATIVE 

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FORWARD THROUGHOUT THE WHOLE 

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EXHIBITION.

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AND IT'S SORT OF LIKE AN OPERA I

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FELT.

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THE MUSIC GOES FORWARD AND THEN 

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THE DRAMA.

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SO WE HAVE TWO STORIES WE'RE 

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TRYING TO TELL. 

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>> IT'S A STORY OF ARCHITECT 

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LOUIE SULLIVAN AND PHOTOGRAPHER 

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RICHARD NECKEL.

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TWO ARTISTS EXPECTED THROUGH 

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THEIR WORK BUT NEVER IN LIFE.

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>> RICHARD NICKEL COMMITTED HIS 

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LIFE'S WORK TO DOCUMENTING 

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SULLIVAN'S ARCHITECTURE AS BOTH 

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A PHOTOGRAPHER AND 

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PRESERVATIONIST.

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IT'S THE DECISION HE MADE WHILE 

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LEARNING OF LEWIS SULLIVAN'S 

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WORK. 

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>> RICHARD NICKEL WAS TRYING TO 

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RECORD THE BUILDINGS.

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ONE, THROUGH TAKING PHOTOGRAPHS 

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OF THEM.

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AND SECOND, BY SALVAGING 

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ARCHITECTURAL ORNAMENT BECAUSE 

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THE ORNAMENT WAS VERY IMPORTANT 

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TO SULLIVAN'S IDEA OF ADDING 

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BEAUTY AND AESTHETIC DIMENSION 

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TO HIS HOUSES.

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SO THE EXHIBITION IS NOT ONLY 

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THE PHOTOGRAPHS THAT RICHARD 

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NICKEL TOOK BUT ALSO THE 

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ARTIFACTS SALVAGED.

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>> WERE BEING DESTROYED IN THE 

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1960s AND 70s.

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A PRESERVATIONIST. 

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>> WE'RE TRYING TO TELL THE 

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STORY ABOUT RICHARD NICKEL'S 

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PHOTOGRAPHY.

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FOR EXAMPLE, THE AUDITORIUM 

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PHOTOGRAPH OVER THERE, RICHARD 

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HAS CLIMBED UP HIGH ON THE 

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BUILDING ACROSS FROM THE 

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AUDITORIUM TO GET THIS 

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MAGNIFICENT VIEW.

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HE HAD NO FEAR OF HEIGHTS.

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HE WAS A PARATROOPER DURING THE 

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KOREAN WAR.

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HE JUST JUMPED ON TOP OF 

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BUILDINGS TO GET THESE GREAT 

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SHOTS.

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HE WAS A DOCUMENTARY 

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PHOTOGRAPHER.

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AND HE TOLD IT AS IT WAS.

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WARTS AND ALL, HE SHOWED THE 

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BUILDING IN A DOCUMENTARY 

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FASHION NOT TO MAKE THE MOST 

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BEAUTIFUL BUILDINGS.

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THOUGH OF COURSE THE PHOTOGRAPHS

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ARE BEAUTIFUL.

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BUT TO REALLY DOCUMENT TO SHOW 

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THE BUILDINGS AND HIS GOAL WAS 

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TO PUBLISH A BOOK.

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AND HE WAS GATHERING THE 

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PHOTOGRAPHS.

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AND OF COURSE THE INFORMATION, 

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THE DOCUMENTATION ON THE 

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BUILDINGS.

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AND HE DISCOVERED BUILDINGS THAT

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WERE UNKNOWN BY ADLER AND 

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SULLIVAN.

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SO HE WAS DOING RESEARCH. 

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>> NICKEL'S RESEARCH IN THE 

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EXHIBITION HAS BEEN BROKEN UP IN

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FOUR THEMES.

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THE OTHER TWO ON THE CHICAGO 

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STOCK EXCHANGE BUILDING.

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THAT BUILDING IS ALSO THE 

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LOCATION OF RICHARD NICKEL'S 

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DEATH.

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HE DIED IN 1972 WHILE ATTEMPTING

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TO SALVAGE PIECES OF THE 

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BUILDING WHEN IT COLLAPSED ON 

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HIM.

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AND WHILE HIS COMMITMENT TO 

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PRESERVATION, AND HIS WIFE'S 

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MISSION LIVES ON IN MORE WAYS 

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THAN ONE. 

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>> AFTER RICHARD NICKEL DIED, 

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JOHN CREATED THE RICHARD NICKEL 

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COMMITTEE WHICH HAD HIS 

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ARCHIVES.

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ALL HIS NEGATIVES.

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ALL THE DOCUMENTATION.

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MAYBE A DECADE LATER THEY GAVE 

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THIS TO THE CHICAGO ART 

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INSTITUTE AND IT'S NOW IN THE 

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LIBRARY AT THE ART INSTITUTE.

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SO NOW THERE'S A WHOLE NOTHER 

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GENERATION WHO NEED TO HEAR THE 

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STORY AGAIN ABOUT HOW RICHARD 

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NICKEL REALLY GAVE HIS LIFE FOR 

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TO SAVE BUILDINGS, AND THAT WAS 

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A MISSION THAT CAN INSPIRE US 

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FOR TODAY.

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>> FOR CHICAGO TONIGHT, I'M 

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ANGEL ITO.