WEBVTT 00:03.866 --> 00:08.733 align:start position:10% line:74% size:80% SIEGL TOOK OUT TO THE FRONT OF A 00:05.966 --> 00:10.300 align:start position:10% line:74% size:32.5% MOVING BARGE. 00:06.666 --> 00:12.100 align:start position:10% line:74% size:60% >> HE IS AN ACCOMPLISHED 00:08.733 --> 00:13.666 align:start position:10% line:74% size:65% PHOTOGRAPHER AND POLITICAL 00:10.300 --> 00:16.233 align:start position:10% line:74% size:67.5% ACTIVIST AND TWICE INDUCTED 00:12.100 --> 00:18.400 align:start position:10% line:74% size:77.5% MEMBER OF THE ROCK 'N ROLL HALL 00:13.666 --> 00:20.933 align:start position:10% line:74% size:75% OF FAME, GRAHAM NASH COFOUNDED 00:16.233 --> 00:24.400 align:start position:10% line:74% size:80% THE HOLIES AND CROSBY STILLS AND 00:18.400 --> 00:25.366 align:start position:10% line:74% size:80% NASH AND IS GOING STRONG HERE IS 00:20.933 --> 00:35.700 align:start position:10% line:74% size:57.5% A TASTE FROM HIS LATEST 00:24.400 --> 00:35.700 align:start position:10% line:79.33% size:25% RECORDING. 00:25.366 --> 00:35.700 align:start position:10% line:84.67% size:12.5% [♪♪♪] 00:39.700 --> 00:45.800 align:start position:10% line:74% size:72.5% GRAHAM NASH IS TOWN FOR THREE 00:42.433 --> 00:46.333 align:start position:10% line:74% size:77.5% SOLD OUT SHOWS THIS WEEKEND AND 00:43.633 --> 00:47.233 align:start position:10% line:74% size:72.5% WE ARE PLEASED TO HAVE HIM ON 00:45.800 --> 00:48.300 align:start position:10% line:74% size:45% "CHICAGO TONIGHT." 00:46.333 --> 00:49.666 align:start position:10% line:74% size:62.5% THANK YOU FOR BEING HERE. 00:47.233 --> 00:51.066 align:start position:10% line:74% size:47.5% >> YOU ARE WELCOME. 00:48.300 --> 00:53.600 align:start position:10% line:74% size:30% HOW ARE YOU? 00:49.666 --> 00:57.166 align:start position:10% line:74% size:55% >> GREAT, HOW ARE YOU? 00:51.066 --> 00:58.166 align:start position:10% line:74% size:77.5% >> I FEEL GOOD, I SPENT AN HOUR 00:53.600 --> 00:59.933 align:start position:10% line:74% size:60% NEXT TO THE SHINEY BEAN. 00:57.166 --> 01:00.533 align:start position:10% line:74% size:60% >> THE BRITISH SCULPTOR. 00:58.166 --> 01:02.833 align:start position:10% line:74% size:67.5% >> IT IS A BEAUTIFUL PIECE. 00:59.933 --> 01:03.133 align:start position:10% line:74% size:32.5% >> THANK YOU. 01:00.533 --> 01:04.966 align:start position:10% line:74% size:75% WE APPRECIATE YOU BEING IN OUR 01:02.833 --> 01:06.266 align:start position:10% line:74% size:12.5% CITY. 01:03.133 --> 01:07.900 align:start position:10% line:74% size:70% MYSELF AT LAST THAT WE HEARD 01:04.966 --> 01:09.700 align:start position:10% line:74% size:67.5% AFTER 50 YEARS IN THE MUSIC 01:06.266 --> 01:12.600 align:start position:10% line:74% size:72.5% BUSINESS AND ALL THE HITS YOU 01:07.900 --> 01:13.000 align:start position:10% line:74% size:70% HAVE, IS THIS A STATEMENT OF 01:09.700 --> 01:15.266 align:start position:10% line:74% size:62.5% WHERE YOU ARE PERSONALLY? 01:12.600 --> 01:16.933 align:start position:10% line:74% size:17.5% >> YES. 01:13.000 --> 01:18.166 align:start position:10% line:74% size:77.5% AND THAT IS WHAT MUSICIANS DO T 01:15.266 --> 01:20.233 align:start position:10% line:74% size:72.5% WE HAVE TWO THINGS TO DO: WE 01:16.933 --> 01:21.433 align:start position:10% line:74% size:72.5% HAVE TO TELL THE TRUTH AND WE 01:18.166 --> 01:23.766 align:start position:10% line:74% size:70% HAVE TO REFLECT THE TIMES IN 01:20.233 --> 01:26.733 align:start position:10% line:74% size:35% WHICH WE LIVE. 01:21.433 --> 01:28.200 align:start position:10% line:74% size:77.5% IT IS THE ONLY WAY THAT YOU CAN 01:23.766 --> 01:30.400 align:start position:10% line:74% size:77.5% REALLY JUDGE ANY HISTORY OF ANY 01:26.733 --> 01:31.700 align:start position:10% line:74% size:20% CULTURE. 01:28.200 --> 01:33.333 align:start position:10% line:74% size:72.5% AND I WILL BE FASCINATED WITH 01:30.400 --> 01:36.000 align:start position:10% line:74% size:75% FUTURE HISTORIANS LOOKING BACK 01:31.700 --> 01:38.033 align:start position:10% line:74% size:70% AT THE SUMMER OF LOVE IN THE 01:33.333 --> 01:38.566 align:start position:10% line:74% size:70% 60s AND ALL THAT AND SEE HOW 01:36.000 --> 01:43.433 align:start position:10% line:74% size:62.5% THEY HAVE REACTED TO THAT 01:38.033 --> 01:45.400 align:start position:10% line:74% size:20% CULTURE. 01:38.566 --> 01:45.666 align:start position:10% line:74% size:77.5% VERY SIMILAR TO VIENNA, TURN OF 01:43.433 --> 01:47.333 align:start position:10% line:74% size:70% THE CENTURY AND PARIS IN THE 01:45.400 --> 01:47.600 align:start position:10% line:74% size:10% 30s. 01:45.666 --> 01:50.200 align:start position:10% line:74% size:80% SUMMER OF LOVE IS AN INTERESTING 01:47.333 --> 01:52.333 align:start position:10% line:74% size:10% ERA. 01:47.600 --> 01:54.566 align:start position:10% line:74% size:80% I WILL NOT BE AROUND, OF COURSE. 01:50.200 --> 01:57.500 align:start position:10% line:74% size:65% >> THE POSTSCRIPT IS BEING 01:52.333 --> 01:58.766 align:start position:10% line:74% size:75% WRITTEN AND YOU WROTE A LOT OF 01:54.566 --> 02:04.066 align:start position:10% line:74% size:72.5% POLITICAL MUSIC BEING HERE IN 01:57.500 --> 02:07.666 align:start position:10% line:74% size:75% CHICAGO, OBVIOUSLY CHICAGO ONE 01:58.766 --> 02:09.300 align:start position:10% line:74% size:72.5% OF YOUR MOST FAMOUS SONGS, WE 02:04.066 --> 02:12.033 align:start position:10% line:74% size:72.5% HAD JUDD JUDY COLLINS TALKING 02:07.666 --> 02:13.466 align:start position:10% line:74% size:75% ABOUT TESTIFYING AT THAT TRIAL 02:09.300 --> 02:14.733 align:start position:10% line:74% size:80% WHAT WAS IT THAT INSPIRED YOU TO 02:12.033 --> 02:16.333 align:start position:10% line:74% size:57.5% WANT TO WRITE ABOUT IT? 02:13.466 --> 02:18.966 align:start position:10% line:74% size:70% >> ONCE YOU HAVE BEEN EATING 02:14.733 --> 02:20.666 align:start position:10% line:74% size:67.5% YOUR DINNER AT 6:00 AND YOU 02:16.333 --> 02:23.033 align:start position:10% line:74% size:65% WATCH THE NEWS AND YOU SEE 02:18.966 --> 02:26.500 align:start position:10% line:74% size:80% PEACEFUL PROTESTORS BEING BEATEN 02:20.666 --> 02:29.433 align:start position:10% line:74% size:72.5% UP BY THE POLICE, IT'S GOT TO 02:23.033 --> 02:31.300 align:start position:10% line:74% size:47.5% GET YOUR ATTENTION. 02:26.500 --> 02:33.300 align:start position:10% line:74% size:80% BECAUSE IT'S A TINY EXAMPLE WHAT 02:29.433 --> 02:35.666 align:start position:10% line:74% size:60% WAS GOING ON CULTURALLY. 02:31.300 --> 02:37.666 align:start position:10% line:74% size:72.5% AND COMING OUT OF THE 50s OUT 02:33.300 --> 02:39.533 align:start position:10% line:74% size:75% OF THE GRAY EISENHOWER ERA AND 02:35.666 --> 02:41.400 align:start position:10% line:74% size:80% J.F.K. AND THE ASSASSINATION AND 02:37.666 --> 02:43.400 align:start position:10% line:74% size:60% THE BEATLES ARRIVING AND 02:39.533 --> 02:47.333 align:start position:10% line:74% size:77.5% STIRRING EVERYTHING UP AGAIN, I 02:41.400 --> 02:48.933 align:start position:10% line:74% size:77.5% THINK THAT THE TREATMENT OF THE 02:43.400 --> 02:50.300 align:start position:10% line:74% size:62.5% CHICAGO 7 WAS ABOMINABLE. 02:47.333 --> 02:52.866 align:start position:10% line:74% size:77.5% YOU CANNOT CHAIN A MAN AND CALL 02:48.933 --> 02:57.333 align:start position:10% line:74% size:40% IT A FAIR TRIAL. 02:50.300 --> 03:04.266 align:start position:10% line:74% size:75% THAT DOESN'T MAKE SENSE TO ME. 02:52.866 --> 03:04.966 align:start position:10% line:74% size:62.5% >> IN THIS CURRENT ERA OF 02:57.333 --> 03:07.600 align:start position:10% line:74% size:72.5% POLITICAL TU MUTT DO YOU FIND 03:04.266 --> 03:08.466 align:start position:10% line:74% size:30% INSPIRATION? 03:04.966 --> 03:10.400 align:start position:10% line:74% size:75% >> MY FRUSTRATION AND ANGER AT 03:07.600 --> 03:11.666 align:start position:10% line:74% size:72.5% THE PRESENT ADMINISTRATION IN 03:08.466 --> 03:14.233 align:start position:10% line:74% size:67.5% THE COUNTRY IT MAKES ITSELF 03:10.400 --> 03:16.266 align:start position:10% line:74% size:47.5% KNOWN IN PAINTINGS. 03:11.666 --> 03:18.733 align:start position:10% line:74% size:75% I HAVE DONE 16 PAINTINGS SINCE 03:14.233 --> 03:20.933 align:start position:10% line:74% size:32.5% NOVEMBER 8TH. 03:16.266 --> 03:23.000 align:start position:10% line:74% size:57.5% THEY ARE CHAOTIC ANGRY, 03:18.733 --> 03:23.466 align:start position:10% line:74% size:70% FRUSTRATED AND THAT IS HOW I 03:20.933 --> 03:24.900 align:start position:10% line:74% size:62.5% HAVE BEEN REACTING TO THE 03:23.000 --> 03:25.266 align:start position:10% line:74% size:37.5% ADMINISTRATION. 03:23.466 --> 03:25.666 align:start position:10% line:74% size:72.5% >> MORE IN YOUR ART THAN YOUR 03:24.900 --> 03:27.300 align:start position:10% line:74% size:15% MUSIC. 03:25.266 --> 03:28.400 align:start position:10% line:74% size:17.5% >> YES. 03:25.666 --> 03:29.200 align:start position:10% line:74% size:60% BUT THE MUSIC WILL COME. 03:27.300 --> 03:30.900 align:start position:10% line:74% size:40% >> IT WILL COME. 03:28.400 --> 03:33.500 align:start position:10% line:74% size:27.5% >> OH, YES. 03:29.200 --> 03:34.833 align:start position:10% line:74% size:75% >> DO YOU THINK THAT THE BANDS 03:30.900 --> 03:36.233 align:start position:10% line:74% size:62.5% OF TODAY ARE SPEAKING OUT 03:33.500 --> 03:38.700 align:start position:10% line:74% size:80% POLITICALLY LIKE YOU DID AND THE 03:34.833 --> 03:40.500 align:start position:10% line:74% size:62.5% BANDS OF YOUR GENERATION? 03:36.233 --> 03:41.333 align:start position:10% line:74% size:67.5% OR IS THERE A LACK OF THAT? 03:38.700 --> 03:43.300 align:start position:10% line:74% size:77.5% >> THERE IS A LACK AND THERE IS 03:40.500 --> 03:45.400 align:start position:10% line:74% size:35% A GOOD REASON. 03:41.333 --> 03:45.733 align:start position:10% line:74% size:77.5% THE PEOPLE THAT OWN THE WORLD'S 03:43.300 --> 03:49.366 align:start position:10% line:74% size:65% MEDIA YOU CAN COUNT ON TWO 03:45.400 --> 03:51.900 align:start position:10% line:74% size:15% HANDS. 03:45.733 --> 03:54.633 align:start position:10% line:74% size:70% THEY DO NOT WANT TO ROCK THE 03:49.366 --> 03:54.900 align:start position:10% line:74% size:72.5% BOAT ALL THEY WANT ARE SHEEP. 03:51.900 --> 03:56.333 align:start position:10% line:74% size:77.5% LIE DOWN, BE QUIET WHILE WE RUB 03:54.633 --> 03:57.566 align:start position:10% line:74% size:10% YOU. 03:54.900 --> 03:58.966 align:start position:10% line:74% size:62.5% THAT IS WHAT IS GOING ON. 03:56.333 --> 04:00.200 align:start position:10% line:74% size:70% >> PEOPLE THAT OWN THE MEDIA 03:57.566 --> 04:02.400 align:start position:10% line:74% size:60% COMPANIES AND THE RECORD 03:58.966 --> 04:03.333 align:start position:10% line:74% size:72.5% COMPANIES THEY WANT ACTS THAT 04:00.200 --> 04:04.066 align:start position:10% line:74% size:72.5% ARE NOT GOING TO SAY ANYTHING 04:02.400 --> 04:05.566 align:start position:10% line:74% size:65% POLITICALLY CONTROVERSIAL? 04:03.333 --> 04:07.433 align:start position:10% line:74% size:42.5% >> THAT IS RIGHT. 04:04.066 --> 04:09.433 align:start position:10% line:74% size:75% WHY WOULD YOU WANT TO PUT THAT 04:05.566 --> 04:11.300 align:start position:10% line:74% size:52.5% ON YOUR RADIO AND TV? 04:07.433 --> 04:12.800 align:start position:10% line:74% size:70% IT'S BAD NEWS THAT SELLS BUT 04:09.433 --> 04:13.900 align:start position:10% line:74% size:70% LOOK AT THE GREAT STUFF THAT 04:11.300 --> 04:15.966 align:start position:10% line:74% size:77.5% GOES ON IN THE COUNTRY THAT YOU 04:12.800 --> 04:18.166 align:start position:10% line:74% size:42.5% NEVER HEAR ABOUT. 04:13.900 --> 04:21.233 align:start position:10% line:74% size:67.5% >> TURNING BACK THE CLOCK A 04:15.966 --> 04:23.133 align:start position:10% line:74% size:80% LITTLE BIT OBVIOUSLY YOU STARTED 04:18.166 --> 04:25.566 align:start position:10% line:74% size:70% THE HOLIES WITH YOUR FRIEND. 04:21.233 --> 04:29.866 align:start position:10% line:74% size:72.5% IS IT TRUE THAT THEY REJECTED 04:23.133 --> 04:31.633 align:start position:10% line:74% size:70% SONGS THAT WENT ON TO BECOME 04:25.566 --> 04:33.000 align:start position:10% line:74% size:60% HUGE HITS, MAIER CONCERN 04:29.866 --> 04:42.233 align:start position:10% line:74% size:72.5% EXPRESS, TEACH YOUR CHILDREN. 04:31.633 --> 04:43.900 align:start position:10% line:74% size:77.5% >> TEACH YOUR CHILDREN WAS ONLY 04:33.000 --> 04:45.133 align:start position:10% line:74% size:77.5% HALF FINISHED BUT MARCH CONCERN 04:42.233 --> 04:47.900 align:start position:10% line:74% size:77.5% EXPRESSION WHICH WILL NEVER SEE 04:43.900 --> 04:49.400 align:start position:10% line:74% size:42.5% THE LIGHT OF DAY. 04:45.133 --> 04:54.833 align:start position:10% line:74% size:80% >> WE DON'T KNOW ABOUT THE SONG. 04:47.900 --> 04:57.566 align:start position:10% line:74% size:72.5% >> THEY BEGAN NOT TO TRUST ME 04:49.400 --> 05:00.366 align:start position:10% line:74% size:67.5% AFTER A SONG I HAD WRITTEN. 04:54.833 --> 05:01.800 align:start position:10% line:74% size:72.5% NORMALLY, EVERY HOLLIS SINGLE 04:57.566 --> 05:04.600 align:start position:10% line:74% size:47.5% WENT TO THE TOP 10. 05:00.366 --> 05:07.166 align:start position:10% line:74% size:27.5% KERRY ANNE. 05:01.800 --> 05:08.100 align:start position:10% line:74% size:62.5% >> AND WHEN KING MIDAS IN 05:04.600 --> 05:11.333 align:start position:10% line:74% size:80% REVERSE THEY STOPPED TRUSTING MY 05:07.166 --> 05:13.966 align:start position:10% line:74% size:37.5% MUSICAL VISION. 05:08.100 --> 05:16.433 align:start position:10% line:74% size:77.5% >> AND I READ WHERE YOU STARTED 05:11.333 --> 05:16.733 align:start position:10% line:74% size:72.5% DOUBTING YOURSELF UNTIL DAVID 05:13.966 --> 05:18.133 align:start position:10% line:74% size:70% CROSBY SAID NO THIS STUFF IS 05:16.433 --> 05:20.000 align:start position:10% line:74% size:15% GREAT. 05:16.733 --> 05:21.200 align:start position:10% line:74% size:70% >> WHEN YOUR BAND TURNS DOWN 05:18.133 --> 05:22.266 align:start position:10% line:74% size:75% SOME OF WHAT YOU'VE WRITTEN IT 05:20.000 --> 05:24.166 align:start position:10% line:74% size:42.5% STRIKES YOU HARD. 05:21.200 --> 05:26.166 align:start position:10% line:74% size:25% IT DID ME. 05:22.266 --> 05:27.666 align:start position:10% line:74% size:77.5% I THINK THE WORST THING YOU CAN 05:24.166 --> 05:29.466 align:start position:10% line:74% size:67.5% DO TO A WRITER IS HAVE THEM 05:26.166 --> 05:31.400 align:start position:10% line:74% size:42.5% DOUBT THEMSELVES. 05:27.666 --> 05:33.333 align:start position:10% line:74% size:67.5% BUT AT THE SAME TIME, DAVID 05:29.466 --> 05:34.966 align:start position:10% line:74% size:65% CROSBY SAID WAIT A SECOND. 05:31.400 --> 05:36.033 align:start position:10% line:74% size:50% THAT IS A FINE SONG. 05:33.333 --> 05:38.700 align:start position:10% line:74% size:52.5% DON'T LISTEN TO THEM. 05:34.966 --> 05:41.266 align:start position:10% line:74% size:70% >> AND, OF COURSE, THE FIRST 05:36.033 --> 05:43.233 align:start position:10% line:74% size:77.5% TIME YOU MET CROSBY AND STILLS, 05:38.700 --> 05:44.133 align:start position:10% line:74% size:70% THE FIRST TIME THAT YOU SANG 05:41.266 --> 05:46.333 align:start position:10% line:74% size:80% WITH THEM YOU NOTICED THAT MAGIC 05:43.233 --> 05:46.866 align:start position:10% line:74% size:27.5% RIGHT AWAY. 05:44.133 --> 05:48.366 align:start position:10% line:74% size:70% COULD YOU DESCRIBE WHAT THAT 05:46.333 --> 05:49.500 align:start position:10% line:74% size:10% WAS? 05:46.866 --> 05:51.800 align:start position:10% line:74% size:60% >> IT'S HARD TO EXPLAIN. 05:48.366 --> 05:54.600 align:start position:10% line:74% size:60% HERE IS WHAT HAPPENED... 05:49.500 --> 05:55.166 align:start position:10% line:74% size:75% I HAD COME TO LOS ANGELES FROM 05:51.800 --> 05:57.266 align:start position:10% line:74% size:72.5% LONDON TO SPEND SOMETIME WITH 05:54.600 --> 05:59.366 align:start position:10% line:74% size:40% JOANIE MITCHELL. 05:55.166 --> 06:01.200 align:start position:10% line:74% size:77.5% AND I GOT TO JOANIE'S HOUSE AND 05:57.266 --> 06:03.766 align:start position:10% line:74% size:75% OTHER PEOPLE WERE IN THERE AND 05:59.366 --> 06:05.566 align:start position:10% line:74% size:67.5% THAT KIND OF WAS UPSETTING. 06:01.200 --> 06:06.566 align:start position:10% line:74% size:80% I WANTED TO SPEND TIME WITH JOAN 06:03.766 --> 06:09.133 align:start position:10% line:74% size:70% BUT IT WAS DAVID AND STEVEN. 06:05.566 --> 06:11.366 align:start position:10% line:74% size:42.5% SO WE HAD DINNER. 06:06.566 --> 06:12.800 align:start position:10% line:74% size:67.5% AND WE SMOKED A BIG ONE AND 06:09.133 --> 06:14.566 align:start position:10% line:74% size:75% DAVID SAID TO STEVEN PLAY THAT 06:11.366 --> 06:16.733 align:start position:10% line:74% size:72.5% SONG WE HAVE BEEN WORKING ON. 06:12.800 --> 06:18.966 align:start position:10% line:74% size:80% AND DAVID HAD BEEN THROWN OUT OF 06:14.566 --> 06:22.366 align:start position:10% line:74% size:72.5% THE BIRDS AND THE SPRINGFIELD 06:16.733 --> 06:23.266 align:start position:10% line:74% size:67.5% HAD BROKEN UP AND DAVID AND 06:18.966 --> 06:24.800 align:start position:10% line:74% size:75% STEVEN WERE TRYING TO DO A DUO 06:22.366 --> 06:26.333 align:start position:10% line:74% size:15% THING. 06:23.266 --> 06:27.900 align:start position:10% line:74% size:72.5% AND SO THEY WERE WORKING ON A 06:24.800 --> 06:28.966 align:start position:10% line:74% size:72.5% SONG CALLED YOU DON'T HAVE TO 06:26.333 --> 06:31.266 align:start position:10% line:74% size:77.5% CRY AND IT IS A BEAUTIFUL SONG. 06:27.900 --> 06:33.066 align:start position:10% line:74% size:32.5% THEY SANG IT. 06:28.966 --> 06:34.700 align:start position:10% line:74% size:57.5% AND I WENT INTERESTING. 06:31.266 --> 06:36.600 align:start position:10% line:74% size:35% SING IT AGAIN. 06:33.066 --> 06:37.000 align:start position:10% line:74% size:77.5% AND THEY SANG IT A SECOND TIME. 06:34.700 --> 06:38.433 align:start position:10% line:74% size:57.5% AND I SAID THIS IS VERY 06:36.600 --> 06:40.366 align:start position:10% line:74% size:30% INTERESTING. 06:37.000 --> 06:42.366 align:start position:10% line:74% size:32.5% BEAR WITH ME. 06:38.433 --> 06:44.666 align:start position:10% line:74% size:35% ONE MORE TIME. 06:40.366 --> 06:47.600 align:start position:10% line:74% size:80% AND THE FIRST TWO TIMES THEY HAD 06:42.366 --> 06:48.666 align:start position:10% line:74% size:77.5% DONE IT, I LEARNED THE WORDS, I 06:44.666 --> 06:51.033 align:start position:10% line:74% size:75% LEARNED MY PART, I LEARNED HOW 06:47.600 --> 06:52.466 align:start position:10% line:74% size:52.5% CROSBY WAS BREATHING. 06:48.666 --> 06:54.433 align:start position:10% line:74% size:70% I WAS WATCHING STEVEN'S BODY 06:51.033 --> 06:56.766 align:start position:10% line:74% size:77.5% LANGUAGE WHEN HE WAS STARTING A 06:52.466 --> 06:59.733 align:start position:10% line:74% size:72.5% PHRASE AND ENDING A PHRASE AT 06:54.433 --> 07:02.500 align:start position:10% line:74% size:80% THAT MOMENT I REALIZED MY ENTIRE 06:56.766 --> 07:04.166 align:start position:10% line:74% size:77.5% LIFE HAD TO CHANGE THAT WAS HOW 06:59.733 --> 07:05.900 align:start position:10% line:74% size:75% POWERFUL THAT VOCAL BLEND WAS. 07:02.500 --> 07:07.533 align:start position:10% line:74% size:70% >> OF ALL THE SONGS THAT YOU 07:04.166 --> 07:09.433 align:start position:10% line:74% size:70% WROTE WITH THEM ONE COMES TO 07:05.900 --> 07:10.966 align:start position:10% line:74% size:77.5% MIND IS WASTED ON THE WAY WHICH 07:07.533 --> 07:11.733 align:start position:10% line:74% size:62.5% IS ABOUT YOUR UP AND DOWN 07:09.433 --> 07:13.033 align:start position:10% line:74% size:77.5% RELATIONSHIP WITH THEM OVER THE 07:10.966 --> 07:14.600 align:start position:10% line:74% size:35% LAST 50 YEARS. 07:11.733 --> 07:17.266 align:start position:10% line:74% size:70% WHERE DOES THAT RELATIONSHIP 07:13.033 --> 07:19.200 align:start position:10% line:74% size:45% STAND AS WE SPEAK? 07:14.600 --> 07:21.433 align:start position:10% line:74% size:80% >> AS WE SPEAK IT STANDS THE WAY 07:17.266 --> 07:24.033 align:start position:10% line:74% size:45% IT'S ALWAYS STOOD. 07:19.200 --> 07:24.300 align:start position:10% line:74% size:80% THERE'S FOUR KIDS WITH HUGE EGOS 07:21.433 --> 07:26.066 align:start position:10% line:74% size:70% AND GREAT TALENT SOME PEOPLE 07:24.033 --> 07:28.100 align:start position:10% line:74% size:10% SAY. 07:24.300 --> 07:29.733 align:start position:10% line:74% size:80% AND WE'RE BROTHERS AND SOMETIMES 07:26.066 --> 07:31.700 align:start position:10% line:74% size:80% WE LOVE EACH OTHER AND MAKE FINE 07:28.100 --> 07:33.533 align:start position:10% line:74% size:70% MUSIC AND SOMETIMES WE DON'T 07:29.733 --> 07:34.200 align:start position:10% line:74% size:77.5% LIKE EACH OTHER AND DON'T PLAY. 07:31.700 --> 07:36.033 align:start position:10% line:74% size:75% I HAVE NOT SPOKEN TO CROSBY IN 07:33.533 --> 07:36.733 align:start position:10% line:74% size:25% TWO YEARS. 07:34.200 --> 07:38.133 align:start position:10% line:74% size:80% THAT IS THE FIRST TIME IN ALMOST 07:36.033 --> 07:40.466 align:start position:10% line:74% size:22.5% 50 YEARS. 07:36.733 --> 07:42.533 align:start position:10% line:74% size:77.5% >> AND YOU ARE SAYING HE IS THE 07:38.133 --> 07:43.533 align:start position:10% line:74% size:80% GUY THAT GAVE YOU THE CONFIDENCE 07:40.466 --> 07:46.900 align:start position:10% line:74% size:52.5% WAY BACK WHEN SO THAT 07:42.533 --> 07:49.066 align:start position:10% line:74% size:52.5% RELATIONSHIP TUMBLED. 07:43.533 --> 07:51.900 align:start position:10% line:74% size:80% BUT YOU DID SAY BECAUSE OF TRUMP 07:46.900 --> 07:52.933 align:start position:10% line:74% size:67.5% IT MIGHT INSPIRE YOU TO PUT 07:49.066 --> 07:54.233 align:start position:10% line:74% size:77.5% ASIDE YOUR PERSONAL BAGGAGE AND 07:51.900 --> 07:55.733 align:start position:10% line:74% size:47.5% COME BACK TOGETHER. 07:52.933 --> 07:57.033 align:start position:10% line:74% size:70% >> HOPEFULLY SO, I THINK THE 07:54.233 --> 07:59.100 align:start position:10% line:74% size:70% PROBLEMS FACING AMERICA WITH 07:55.733 --> 08:01.833 align:start position:10% line:74% size:70% THIS ADMINISTRATION ARE MUCH 07:57.033 --> 08:04.533 align:start position:10% line:74% size:75% BIGGER THAN OUR PERSONAL EGOS. 07:59.100 --> 08:06.466 align:start position:10% line:74% size:70% WHEN YOU LOOK AT IT IN THOSE 08:01.833 --> 08:08.300 align:start position:10% line:74% size:77.5% TERMS, WHAT IS KEEPING US APART 08:04.533 --> 08:11.266 align:start position:10% line:74% size:60% IS ALMOST TEENAGE STUFF. 08:06.466 --> 08:12.000 align:start position:10% line:74% size:67.5% YOU KNOW WE SHOULD GROW UP. 08:08.300 --> 08:14.133 align:start position:10% line:74% size:80% I HAVE I'M 75 BUT WE SHOULD GROW 08:11.266 --> 08:16.433 align:start position:10% line:74% size:30% UP A LITTLE. 08:12.000 --> 08:18.066 align:start position:10% line:74% size:72.5% AND I THINK THAT THE PROBLEMS 08:14.133 --> 08:20.000 align:start position:10% line:74% size:70% FACING US ARE FAR, FAR WORSE 08:16.433 --> 08:21.233 align:start position:10% line:74% size:62.5% THAN US GETTING TOGETHER. 08:18.066 --> 08:23.233 align:start position:10% line:74% size:80% >> AND WHERE WOULD NEIL YOUNG BE 08:20.000 --> 08:25.866 align:start position:10% line:74% size:20% ON THAT? 08:21.233 --> 08:28.033 align:start position:10% line:74% size:75% >> I HAD BREAKFAST WITH NEIL A 08:23.233 --> 08:29.600 align:start position:10% line:74% size:25% MONTH AGO. 08:25.866 --> 08:31.400 align:start position:10% line:74% size:70% I KNOW THAT HE IS INCREDIBLY 08:28.033 --> 08:33.333 align:start position:10% line:74% size:75% INTERESTED IN WHAT IS GOING ON 08:29.600 --> 08:35.800 align:start position:10% line:74% size:77.5% I'M SURE THAT MUSICALLY IT WILL 08:31.400 --> 08:36.166 align:start position:10% line:74% size:42.5% COME OUT IN NEIL. 08:33.333 --> 08:38.600 align:start position:10% line:74% size:72.5% WE DID NOT TALK ABOUT GETTING 08:35.800 --> 08:38.900 align:start position:10% line:74% size:22.5% TOGETHER. 08:36.166 --> 08:40.666 align:start position:10% line:74% size:67.5% BUT IN A WAY THAT IS A GOOD 08:38.600 --> 08:41.500 align:start position:10% line:74% size:12.5% SIGN. 08:38.900 --> 08:43.433 align:start position:10% line:74% size:70% WE WEREN'T TALKING ABOUT NOT 08:40.666 --> 08:44.733 align:start position:10% line:74% size:42.5% GETTING TOGETHER. 08:41.500 --> 08:45.366 align:start position:10% line:74% size:57.5% >> THAT IS A GOOD SIGN. 08:43.433 --> 08:50.233 align:start position:10% line:74% size:80% >> OVER THE YEARS HE HAS COME IN 08:44.733 --> 08:53.066 align:start position:10% line:74% size:20% AND OUT. 08:45.366 --> 08:53.500 align:start position:10% line:74% size:70% WHAT DETERMINES WHETHER IT'S 08:50.233 --> 08:56.466 align:start position:10% line:74% size:30% CSNY OR CSN? 08:53.066 --> 08:59.266 align:start position:10% line:74% size:22.5% >> SONGS. 08:53.500 --> 09:01.066 align:start position:10% line:74% size:62.5% WHEN YOU HEAR A SONG IT'S 08:56.466 --> 09:02.133 align:start position:10% line:74% size:57.5% OBVIOUS IF IT SHOULD BE 08:59.266 --> 09:05.033 align:start position:10% line:74% size:72.5% THREE-PART HARMONY OR FOR THE 09:01.066 --> 09:05.366 align:start position:10% line:74% size:27.5% FOUR OF US. 09:02.133 --> 09:07.466 align:start position:10% line:74% size:75% YOU DO NOT KNOW UNTIL THE SONG 09:05.033 --> 09:07.733 align:start position:10% line:74% size:20% ARRIVES. 09:05.366 --> 09:09.800 align:start position:10% line:74% size:72.5% IT'S SONGS THAT DRIVE WHAT WE 09:07.466 --> 09:11.100 align:start position:10% line:74% size:7.5% DO. 09:07.733 --> 09:14.100 align:start position:10% line:74% size:77.5% IF NEIL COMES UP TO ME AND SAYS 09:09.800 --> 09:15.800 align:start position:10% line:74% size:77.5% LISTEN WHAT DO YOU THINK OF THE 09:11.100 --> 09:17.833 align:start position:10% line:74% size:72.5% SONGS AND THEY KNOCK ME ON MY 09:14.100 --> 09:20.033 align:start position:10% line:74% size:77.5% BACKSIDE, AAS A MUSICIAN I WILL 09:15.800 --> 09:20.966 align:start position:10% line:74% size:65% GO FOR IT I AM A MUSICIAN. 09:17.833 --> 09:23.500 align:start position:10% line:74% size:80% >> AND YOU TALKED ABOUT WHAT THE 09:20.033 --> 09:24.933 align:start position:10% line:74% size:55% RECORD COMPANIES WANT. 09:20.966 --> 09:26.133 align:start position:10% line:74% size:70% DO YOU FEEL A RESPONSIBILITY 09:23.500 --> 09:28.833 align:start position:10% line:74% size:57.5% THAT YOUR GENERATION OF 09:24.933 --> 09:30.300 align:start position:10% line:74% size:80% MUSICIANS AGAIN IS GOING TO LEAD 09:26.133 --> 09:35.300 align:start position:10% line:74% size:80% THE CHARGE IN TERMS OF POLITICAL 09:28.833 --> 09:39.366 align:start position:10% line:74% size:15% MUSIC? 09:30.300 --> 09:42.100 align:start position:10% line:74% size:70% >> IT'S VERY OBVIOUS THAT MY 09:35.300 --> 09:43.766 align:start position:10% line:74% size:77.5% GENERATION IS FADING SERIOUSLY. 09:39.366 --> 09:45.200 align:start position:10% line:74% size:72.5% HOW MUCH LONGER CAN IT GO ON? 09:42.100 --> 09:46.533 align:start position:10% line:74% size:35% I'M 75, RIGHT? 09:43.766 --> 09:48.566 align:start position:10% line:74% size:65% BUT WE DO NEED THE YOUNGER 09:45.200 --> 09:50.433 align:start position:10% line:74% size:57.5% PEOPLE TO GET INVOLVED. 09:46.533 --> 09:54.800 align:start position:10% line:74% size:80% BECAUSE THIS IS THEIR WORLD THAT 09:48.566 --> 09:55.166 align:start position:10% line:74% size:70% THE POLITICIANS ARE RUNNING. 09:50.433 --> 09:57.766 align:start position:10% line:74% size:67.5% AND THEY HAVE TO UNDERSTAND 09:54.800 --> 10:00.000 align:start position:10% line:74% size:25% EXACTLY -- 09:55.166 --> 10:02.100 align:start position:10% line:74% size:75% PEOPLE SAY WELL, POLITICS THAT 09:57.766 --> 10:04.200 align:start position:10% line:74% size:77.5% IS LIKE OVER THERE BUT THEY ARE 10:00.000 --> 10:04.500 align:start position:10% line:74% size:50% RUNNING THEIR LIVES. 10:02.100 --> 10:06.233 align:start position:10% line:74% size:67.5% I ALMOST SAID RUINING THEIR 10:04.200 --> 10:08.033 align:start position:10% line:74% size:15% LIVES. 10:04.500 --> 10:09.233 align:start position:10% line:74% size:80% BUT THEY ARE RUNNING THEIR LIVES 10:06.233 --> 10:10.000 align:start position:10% line:74% size:60% AND YOUNG PEOPLE NEED TO 10:08.033 --> 10:11.333 align:start position:10% line:74% size:57.5% UNDERSTAND THAT AND GET 10:09.233 --> 10:14.100 align:start position:10% line:74% size:22.5% INVOLVED. 10:10.000 --> 10:15.366 align:start position:10% line:74% size:67.5% 48% OF THE PEOPLE THAT WERE 10:11.333 --> 10:16.666 align:start position:10% line:74% size:80% ELIGIBLE TO VOTE IN THIS COUNTRY 10:14.100 --> 10:18.366 align:start position:10% line:74% size:17.5% DIDN'T? 10:15.366 --> 10:19.733 align:start position:10% line:74% size:10% 48%. 10:16.666 --> 10:21.733 align:start position:10% line:74% size:70% YOU GO TO SEE FOOTAGE ON THE 10:18.366 --> 10:23.100 align:start position:10% line:74% size:72.5% NEWS ABOUT THE PEOPLE IN IRAQ 10:19.733 --> 10:24.533 align:start position:10% line:74% size:72.5% AND THEY HAVE A PURPLE FINGER 10:21.733 --> 10:25.666 align:start position:10% line:74% size:77.5% BECAUSE THEY VOTED AND THE NEXT 10:23.100 --> 10:28.366 align:start position:10% line:74% size:72.5% THING THEY KNOW THEY ARE DEAD 10:24.533 --> 10:31.366 align:start position:10% line:74% size:47.5% BECAUSE THEY VOTED. 10:25.666 --> 10:34.266 align:start position:10% line:74% size:75% AND YET 48% OF THE PEOPLE THAT 10:28.366 --> 10:36.100 align:start position:10% line:74% size:72.5% WERE ELIGIBLE TO VOTE DIDN'T. 10:31.366 --> 10:38.233 align:start position:10% line:74% size:80% >> IT IS A LARGER APATHY PROBLEM 10:34.266 --> 10:38.566 align:start position:10% line:74% size:75% THAT IS SPREADING TO THE MUSIC 10:36.100 --> 10:40.200 align:start position:10% line:74% size:65% WITH THE LACK OF POLITICAL 10:38.233 --> 10:42.566 align:start position:10% line:74% size:17.5% LYRICS. 10:38.566 --> 10:46.100 align:start position:10% line:74% size:80% I WANT TO TALK ABOUT YOUR LATEST 10:40.200 --> 10:47.433 align:start position:10% line:74% size:70% RECORD IS THERE A DIFFERENCE 10:42.566 --> 10:51.466 align:start position:10% line:74% size:80% BETWEEN A GRAHAM NASH SONG AND A 10:46.100 --> 10:52.800 align:start position:10% line:74% size:72.5% SONG THAT YOU'VE TALKED ABOUT 10:47.433 --> 10:53.533 align:start position:10% line:74% size:75% THIS THAT IS A CSN SONG DO YOU 10:51.466 --> 10:54.933 align:start position:10% line:74% size:80% WRITE DIFFERENTLY WHEN IT'S JUST 10:52.800 --> 10:57.200 align:start position:10% line:74% size:20% FOR YOU? 10:53.533 --> 10:59.700 align:start position:10% line:74% size:72.5% >> I DON'T WRITE DIFFERENTLY. 10:54.933 --> 11:01.133 align:start position:10% line:74% size:75% I DON'T THINK 0 OWE IT BECOMES 10:57.200 --> 11:04.333 align:start position:10% line:74% size:80% OBVIOUS WHEN I WRITE A SONG LIKE 10:59.700 --> 11:06.500 align:start position:10% line:74% size:75% TEACH YOUR CHILDREN AND THEN I 11:01.133 --> 11:08.366 align:start position:10% line:74% size:80% SHOW IT TO STEVEN AND DAVID THAT 11:04.333 --> 11:10.733 align:start position:10% line:74% size:37.5% IS HOW IT GOES. 11:06.500 --> 11:13.233 align:start position:10% line:74% size:72.5% THE SONG I CAN'T TELL YOU HOW 11:08.366 --> 11:14.233 align:start position:10% line:74% size:77.5% IMPORTANT THE SONGS ARE IN WHAT 11:10.733 --> 11:15.900 align:start position:10% line:74% size:67.5% DRIVES US TO DO WHAT WE DO. 11:13.233 --> 11:17.900 align:start position:10% line:74% size:37.5% IT'S NOT MONEY. 11:14.233 --> 11:18.933 align:start position:10% line:74% size:35% IT'S NOT FAME. 11:15.900 --> 11:21.233 align:start position:10% line:74% size:37.5% IT'S NOT GIRLS. 11:17.900 --> 11:22.766 align:start position:10% line:74% size:27.5% IT'S MUSIC. 11:18.933 --> 11:24.000 align:start position:10% line:74% size:77.5% IT ALL COMES DOWN TO THE MUSIC. 11:21.233 --> 11:26.000 align:start position:10% line:74% size:77.5% >> AND YOU MENTIONED IT'S WHERE 11:22.766 --> 11:27.733 align:start position:10% line:74% size:52.5% YOU ARE AT RIGHT NOW. 11:24.000 --> 11:28.500 align:start position:10% line:74% size:77.5% WHAT ARE PEOPLE GOING TO EXPECT 11:26.000 --> 11:29.833 align:start position:10% line:74% size:70% THIS WEEKEND AT THE OLD TOWN 11:27.733 --> 11:31.500 align:start position:10% line:74% size:17.5% SCHOOL? 11:28.500 --> 11:33.633 align:start position:10% line:74% size:65% >> 60 YEARS OF GRAHAM NASH 11:29.833 --> 11:36.233 align:start position:10% line:74% size:15% MUSIC. 11:31.500 --> 11:37.833 align:start position:10% line:74% size:77.5% >> SO THE OLD STUFF, NEW STUFF? 11:33.633 --> 11:38.200 align:start position:10% line:74% size:70% YOU ARE NOT JADED TO PLAYING 11:36.233 --> 11:40.800 align:start position:10% line:74% size:50% TEACH YOUR CHILDREN. 11:37.833 --> 11:42.400 align:start position:10% line:74% size:15% >> NO. 11:38.200 --> 11:43.900 align:start position:10% line:74% size:72.5% I AM AS PASSIONATE WITH THOSE 11:40.800 --> 11:45.400 align:start position:10% line:74% size:72.5% SONGS WHEN I FIRST WROTE THEM 11:42.400 --> 11:47.200 align:start position:10% line:74% size:60% AND THAT IS THE PROBLEM. 11:43.900 --> 11:49.166 align:start position:10% line:74% size:70% >> HOW DO YOU STAY THAT WAY? 11:45.400 --> 11:49.466 align:start position:10% line:74% size:62.5% >> BECAUSE I OWE IT TO MY 11:47.200 --> 11:50.966 align:start position:10% line:74% size:77.5% AUDIENCE TO GIVE THEM VALUE FOR 11:49.166 --> 11:53.200 align:start position:10% line:74% size:15% MONEY. 11:49.466 --> 11:55.666 align:start position:10% line:74% size:70% THEY HAVE GOT TO KNOW THAT I 11:50.966 --> 11:57.533 align:start position:10% line:74% size:42.5% WANT TO BE THERE. 11:53.200 --> 11:57.800 align:start position:10% line:74% size:75% AN AUDIENCE CAN TELL INSTANTLY 11:55.666 --> 11:59.733 align:start position:10% line:74% size:77.5% WHETHER YOU WANT TO BE THERE OR 11:57.533 --> 12:03.833 align:start position:10% line:74% size:10% NOT. 11:57.800 --> 12:05.800 align:start position:10% line:74% size:72.5% THEY KNOW I WANT TO BE THERE. 11:59.733 --> 12:08.033 align:start position:10% line:74% size:70% HAVING DECIDED THAT, IT IS A 12:03.833 --> 12:10.800 align:start position:10% line:74% size:70% CHAOTIC LIFE, IT'S CRAZY OUT 12:05.800 --> 12:12.600 align:start position:10% line:74% size:70% THERE POLITICALLY AS WE KNOW 12:08.033 --> 12:13.333 align:start position:10% line:74% size:75% MAYBE FOR A COUPLE OF HOURS WE 12:10.800 --> 12:15.133 align:start position:10% line:74% size:77.5% CAN HAVE A GREAT TIME LISTENING 12:12.600 --> 12:16.600 align:start position:10% line:74% size:22.5% TO MUSIC. 12:13.333 --> 12:17.933 align:start position:10% line:74% size:77.5% >> AND A FEW POLITICAL MESSAGES 12:15.133 --> 12:18.966 align:start position:10% line:74% size:75% I'M SURE YOU WILL NOT HESITATE 12:16.600 --> 12:19.733 align:start position:10% line:74% size:40% TO PUT THOSE IN. 12:17.933 --> 12:21.200 align:start position:10% line:74% size:27.5% >> I DON'T. 12:18.966 --> 12:22.500 align:start position:10% line:74% size:70% >> GRAHAM NASH THANK YOU FOR 12:19.733 --> 12:24.600 align:start position:10% line:74% size:27.5% JOINING US. 12:21.200 --> 12:26.933 align:start position:10% line:74% size:67.5% AND GRAHAM NASH PLAYS THREE 12:22.500 --> 12:28.800 align:start position:10% line:74% size:77.5% SHOWS AT THE OLD TOWN SCHOOL OF 12:24.600 --> 12:30.600 align:start position:10% line:74% size:80% FOLK MUSIC AND THEY ARE SOLD OUT