WEBVTT 00:06.433 --> 00:12.933 align:start position:10% line:74% size:72.5% >> THE AUSTIN TOWN HALL FIELD 00:07.866 --> 00:14.300 align:start position:10% line:74% size:72.5% HOUSE IS A PIECE OF MUNICIPAL 00:10.633 --> 00:16.400 align:start position:10% line:74% size:77.5% ARCHITECTURE BUT IS IT ALL JUST 00:12.933 --> 00:17.966 align:start position:10% line:74% size:22.5% A FACADE? 00:14.300 --> 00:19.200 align:start position:10% line:74% size:80% GEOFFREY BAER IS HERE TO RIP THE 00:16.400 --> 00:19.700 align:start position:10% line:74% size:67.5% COVER OFF OF THAT AND OTHER 00:17.966 --> 00:21.100 align:start position:10% line:74% size:72.5% VIEWER QUESTIONS IN TONIGHT'S 00:19.200 --> 00:22.766 align:start position:10% line:74% size:37.5% "ASK GEOFFREY". 00:19.700 --> 00:24.433 align:start position:10% line:74% size:40% GOOD TO SEE YOU. 00:21.100 --> 00:24.433 align:start position:10% line:79.33% size:55% LET'S GET TO A MUSICAL 00:22.766 --> 00:24.433 align:start position:10% line:84.67% size:27.5% QUESTION... 00:39.200 --> 00:43.400 align:start position:10% line:74% size:45% >> HOW ABOUT THAT? 00:39.833 --> 00:44.433 align:start position:10% line:74% size:67.5% AS YOU CAN HEAR IT IS NOT A 00:43.033 --> 00:47.500 align:start position:10% line:74% size:22.5% QUESTION. 00:43.400 --> 00:50.333 align:start position:10% line:74% size:45% IT IS A STATEMENT. 00:44.433 --> 00:53.533 align:start position:10% line:74% size:80% BUT WE ARE GLAD OUR VIEWER WROTE 00:47.500 --> 00:54.600 align:start position:10% line:74% size:55% WITH WITH THAT BECAUSE 00:50.333 --> 00:57.700 align:start position:10% line:74% size:52.5% ANTOINETTE RICH WAS A 00:53.533 --> 01:01.633 align:start position:10% line:74% size:47.5% FASCINATING PERSON. 00:54.600 --> 01:02.700 align:start position:10% line:74% size:65% WHEN SHE WAS 30 SHE INDEED 00:57.700 --> 01:05.566 align:start position:10% line:74% size:65% FORMED A 12-PIANO SYMPHONY 01:01.633 --> 01:10.966 align:start position:10% line:74% size:52.5% ORCHESTRA IN CHICAGO. 01:02.700 --> 01:14.466 align:start position:10% line:74% size:70% >> WHAT IS A PIANO SYMPHONY? 01:05.566 --> 01:16.066 align:start position:10% line:74% size:77.5% >> IT IS AN ENSEMBLE MADE UP OF 01:10.966 --> 01:17.966 align:start position:10% line:74% size:70% PIANOS ARRANGED TO EVOKE THE 01:14.466 --> 01:20.466 align:start position:10% line:74% size:52.5% SOUND OF INSTRUMENTS. 01:16.066 --> 01:23.033 align:start position:10% line:74% size:70% ALL THE MUSICIANS WERE YOUNG 01:17.966 --> 01:25.066 align:start position:10% line:74% size:55% WOMEN FROM AGES 18-30. 01:20.466 --> 01:26.500 align:start position:10% line:74% size:80% RICH CLAIMED IT WAS THE ONLY ALL 01:23.033 --> 01:27.433 align:start position:10% line:74% size:75% WOMEN ORGANIZATION OF ITS KIND 01:25.066 --> 01:29.800 align:start position:10% line:74% size:32.5% IN THE WORLD. 01:26.500 --> 01:31.100 align:start position:10% line:74% size:70% >> IMAGINING WHAT THAT MIGHT 01:27.433 --> 01:33.233 align:start position:10% line:74% size:45% HAVE SOUNDED LIKE? 01:29.800 --> 01:35.033 align:start position:10% line:74% size:30% >> SO WAS I. 01:31.100 --> 01:35.966 align:start position:10% line:74% size:70% LET'S COMPARE WHAT A REGULAR 01:33.233 --> 01:38.233 align:start position:10% line:74% size:70% ORCHESTRA SOUNDS LIKE WITH A 01:35.033 --> 01:41.533 align:start position:10% line:74% size:40% PIANO ORCHESTRA. 01:35.966 --> 01:41.533 align:start position:10% line:79.33% size:67.5% FIRST WE HAVE A CLIP OF THE 01:38.233 --> 01:41.533 align:start position:10% line:84.67% size:72.5% CHICAGO SYMPHONY ORCHESTRA... 01:44.300 --> 01:54.500 align:start position:10% line:84.67% size:12.5% [♪♪♪] 02:10.666 --> 02:15.100 align:start position:10% line:74% size:50% >> THAT WAS THE CSO. 02:12.466 --> 02:17.966 align:start position:10% line:74% size:30% >> POWERFUL. 02:12.933 --> 02:19.766 align:start position:10% line:74% size:60% >> AND WE DON'T HAVE ANY 02:15.100 --> 02:21.500 align:start position:10% line:74% size:62.5% RECORDINGS OF MS. RICH'S 02:17.966 --> 02:23.700 align:start position:10% line:74% size:65% ORCHESTRA BUT WE FOUND THE 02:19.766 --> 02:25.800 align:start position:10% line:74% size:72.5% MOVEMENT AT THE MUSIC LIBRARY 02:21.500 --> 02:29.400 align:start position:10% line:74% size:75% PLAYED BY A FAMILY OF PIANISTS 02:23.700 --> 02:39.733 align:start position:10% line:74% size:62.5% THE FIVE BROWNS, WHICH IS 02:25.800 --> 02:39.733 align:start position:10% line:79.33% size:80% SIMILAR KIND OF PIANO ORCHESTRA. 02:29.400 --> 02:39.733 align:start position:10% line:84.67% size:12.5% [♪♪♪] 02:59.166 --> 03:06.400 align:start position:10% line:74% size:80% >> SO THAT WAS JUST FIVE PIANOS. 03:02.100 --> 03:09.200 align:start position:10% line:74% size:80% IMAGINE MS. RICH'S ORCHESTRA 12 03:06.066 --> 03:11.133 align:start position:10% line:74% size:17.5% PIANOS. 03:06.400 --> 03:16.133 align:start position:10% line:74% size:72.5% SHE HAD SOLOISTS ON TWO GRAND 03:09.200 --> 03:19.000 align:start position:10% line:74% size:67.5% PIANOS TWO MORE ON THREE UP 03:11.133 --> 03:21.066 align:start position:10% line:74% size:80% RIGHT PIANOS, AND TWO GIRLS EACH 03:16.133 --> 03:23.966 align:start position:10% line:74% size:75% ON SEVEN MORE UP RIGHT PIANOS. 03:19.000 --> 03:25.533 align:start position:10% line:74% size:70% AND ON STAGE THE PIANOS WERE 03:21.066 --> 03:26.066 align:start position:10% line:74% size:75% ARRANGED ON TIERED RISERS WITH 03:23.966 --> 03:28.166 align:start position:10% line:74% size:80% ANTOINETTE RICH CONDUCTING UP AT 03:25.533 --> 03:30.333 align:start position:10% line:74% size:20% THE TOP. 03:26.066 --> 03:31.600 align:start position:10% line:74% size:75% THEY WERE ARRANGED SO THAT THE 03:28.166 --> 03:35.266 align:start position:10% line:74% size:75% PIANISTS HANDS WERE VISIBLE TO 03:30.333 --> 03:38.433 align:start position:10% line:74% size:32.5% THE AUDIENCE. 03:31.600 --> 03:40.500 align:start position:10% line:74% size:80% ALL OF THE WOMEN WORE LONG WHITE 03:35.266 --> 03:44.100 align:start position:10% line:74% size:77.5% GOWNS AND LIGHTING EFFECTS WERE 03:38.433 --> 03:45.733 align:start position:10% line:74% size:62.5% USED TO COLOR SELECTIONS. 03:40.500 --> 03:49.366 align:start position:10% line:74% size:80% RICH AND THE ORCHESTRA PERFORMED 03:44.100 --> 03:51.233 align:start position:10% line:74% size:70% THROUGHOUT THE 40s INCLUDING 03:45.733 --> 03:55.333 align:start position:10% line:74% size:77.5% THIS PERFORMANCE PICTURED HERE. 03:49.366 --> 03:59.633 align:start position:10% line:74% size:67.5% THEY WERE PERFORMING WITH A 03:51.233 --> 04:02.066 align:start position:10% line:74% size:75% CHORUS AND A HARP IN A CONCERT 03:55.333 --> 04:04.066 align:start position:10% line:74% size:72.5% CELEBRATING THE BA HIGH FAITH 03:59.633 --> 04:05.600 align:start position:10% line:74% size:75% BA'HAI FAITH AND THEY TRAVELED 04:02.066 --> 04:06.366 align:start position:10% line:74% size:67.5% AND PERFORMED IN FESTIVALS. 04:04.066 --> 04:08.433 align:start position:10% line:74% size:72.5% >> WHAT ELSE DO WE KNOW ABOUT 04:05.600 --> 04:10.366 align:start position:10% line:74% size:40% ANTOINETTE RICH? 04:06.366 --> 04:14.100 align:start position:10% line:74% size:80% >> SHE WAS BORN ON THE WEST SIDE 04:08.433 --> 04:15.733 align:start position:10% line:74% size:80% OF CHICAGO AND BECAME INTERESTED 04:10.366 --> 04:18.033 align:start position:10% line:74% size:80% IN PIANO SYMPHONIES DURING THREE 04:14.100 --> 04:20.166 align:start position:10% line:74% size:77.5% YEARS SHE SPENT IN PHILADELPHIA 04:15.733 --> 04:22.766 align:start position:10% line:74% size:80% WORKS AS AN ACTRESS AND A MODEL. 04:18.033 --> 04:26.000 align:start position:10% line:74% size:75% WHILE SHE WAS THERE SHE HELPED 04:20.166 --> 04:28.133 align:start position:10% line:74% size:55% THE AUSTRALIAN PIANIST 04:22.766 --> 04:30.133 align:start position:10% line:74% size:60% CARLNIZELY TO ORGANIZE A 04:26.000 --> 04:33.600 align:start position:10% line:74% size:72.5% SYMPHONY ORCHESTRA BUT IT WAS 04:28.133 --> 04:35.533 align:start position:10% line:74% size:57.5% NOT EXCLUSIVELY FEMALE. 04:30.133 --> 04:36.966 align:start position:10% line:74% size:77.5% AND HE FORMED HIS OWN ALL WOMEN 04:33.600 --> 04:38.266 align:start position:10% line:74% size:75% PIANO SYMPHONY WHICH YOU MIGHT 04:35.533 --> 04:40.133 align:start position:10% line:74% size:75% CEMENT HE CLAIMED WAS THE ONLY 04:36.966 --> 04:40.933 align:start position:10% line:74% size:42.5% ONE IN THE WORLD. 04:38.266 --> 04:44.000 align:start position:10% line:74% size:75% >> AND SO WHAT HAPPENED TO HER 04:40.133 --> 04:47.033 align:start position:10% line:74% size:40% ANTOINETTE RICH? 04:40.933 --> 04:48.166 align:start position:10% line:74% size:72.5% >> WE COULD NOT FIND ANYTHING 04:44.000 --> 04:50.266 align:start position:10% line:74% size:77.5% ABOUT HER OR HER PIANO SYMPHONY 04:47.033 --> 04:51.700 align:start position:10% line:74% size:27.5% AFTER 1949. 04:48.166 --> 04:53.700 align:start position:10% line:74% size:72.5% SO IF ANY OF OUR VIEWERS KNOW 04:50.266 --> 04:56.633 align:start position:10% line:74% size:77.5% ANYTHING ABOUT HER LET US KNOW. 04:51.700 --> 04:59.266 align:start position:10% line:74% size:77.5% THE VIEWER WHO MENTIONED HER TO 04:53.700 --> 05:00.833 align:start position:10% line:74% size:72.5% US, SAID SHE WAS DIVORCED AND 04:56.633 --> 05:02.366 align:start position:10% line:74% size:75% MOVED TO LAS VEGAS AREA BUT WE 04:59.266 --> 05:02.700 align:start position:10% line:74% size:72.5% COULD FIND NO EVIDENCE OF HER 05:00.833 --> 05:05.533 align:start position:10% line:74% size:77.5% STARTING A SIMILAR ORGANIZATION 05:02.366 --> 05:05.533 align:start position:10% line:79.33% size:15% THERE. 05:02.700 --> 05:05.533 align:start position:10% line:84.67% size:72.5% >> WHAT AN INTERESTING GROUP. 05:17.533 --> 05:23.933 align:start position:10% line:74% size:75% >> BEFORE AUSTIN WAS A CHICAGO 05:19.833 --> 05:26.066 align:start position:10% line:74% size:70% NEIGHBORHOOD IT WAS INDEED A 05:22.033 --> 05:28.766 align:start position:10% line:74% size:60% PROSPEROUS TOWN BUT THIS 05:23.933 --> 05:29.700 align:start position:10% line:74% size:75% BUILDING WHICH IS LABELED TOWN 05:26.066 --> 05:33.100 align:start position:10% line:74% size:77.5% HALL WAS BUILT AFTER AUSTIN WAS 05:28.766 --> 05:36.166 align:start position:10% line:74% size:47.5% ANNEXED TO CHICAGO. 05:29.700 --> 05:39.966 align:start position:10% line:74% size:77.5% IT NEVER SERVED AS A TOWN HALL. 05:33.100 --> 05:42.100 align:start position:10% line:74% size:77.5% HISTORY OF AUSTIN WAS DEVELOPED 05:36.166 --> 05:44.100 align:start position:10% line:74% size:72.5% AND MODESTLY NAMED IN 1865 BY 05:39.966 --> 05:46.500 align:start position:10% line:74% size:70% HENRY AUSTIN WHO WAS A CIVIC 05:42.100 --> 05:49.200 align:start position:10% line:74% size:65% LEADER IN NEARBY OAK PARK. 05:44.100 --> 05:51.266 align:start position:10% line:74% size:65% AUSTIN WAS A FANATIC ABOUT 05:46.500 --> 05:53.933 align:start position:10% line:74% size:80% TESTIMONY PRESENCE THAT WHEN OAK 05:49.200 --> 05:55.866 align:start position:10% line:74% size:52.5% PARK WAS VOTED DRY HE 05:51.266 --> 05:57.166 align:start position:10% line:74% size:70% BOUGHT UP THE LAST TAVERN IN 05:53.933 --> 06:00.233 align:start position:10% line:74% size:72.5% TOWN AND POURED OUT OUGHT THE 05:55.866 --> 06:01.800 align:start position:10% line:74% size:57.5% LIQUOR INTO THE STREET. 05:57.166 --> 06:03.166 align:start position:10% line:74% size:72.5% AND HE ENVISIONED AUSTIN AS A 06:00.233 --> 06:05.533 align:start position:10% line:74% size:75% SETTLEMENT WITH GRACIOUS HOMES 06:01.800 --> 06:08.633 align:start position:10% line:74% size:25% AND PARKS. 06:03.166 --> 06:11.800 align:start position:10% line:74% size:80% AUSTIN BECAME THE SEAT OF CICERO 06:05.533 --> 06:13.200 align:start position:10% line:74% size:80% TOWNSHIP AND A TOWNSHIP HALL WAS 06:08.633 --> 06:14.833 align:start position:10% line:74% size:80% BUILT IN 1870 ON THE SITE OF THE 06:11.800 --> 06:18.933 align:start position:10% line:74% size:75% LATER BUILDING THAT OUR VIEWER 06:13.200 --> 06:21.633 align:start position:10% line:74% size:30% ASKED ABOUT. 06:14.833 --> 06:23.300 align:start position:10% line:74% size:75% AUSTIN GOT INTO A RIVALRY WITH 06:18.933 --> 06:25.100 align:start position:10% line:74% size:72.5% OAK PARK OVER EXTENDING THE L 06:21.633 --> 06:26.866 align:start position:10% line:74% size:70% AND AUSTIN WANTED IT AND OAK 06:23.300 --> 06:28.733 align:start position:10% line:74% size:30% PARK DIDN'T. 06:25.100 --> 06:30.800 align:start position:10% line:74% size:80% AND SINCE AUSTIN WAS THE LARGEST 06:26.866 --> 06:31.166 align:start position:10% line:74% size:70% COMMUNITY IN THE TOWNSHIP IT 06:28.733 --> 06:34.066 align:start position:10% line:74% size:72.5% USED ITS CLOUT AND IT WON THE 06:30.800 --> 06:37.233 align:start position:10% line:74% size:17.5% BATTLE. 06:31.166 --> 06:37.566 align:start position:10% line:74% size:72.5% AND OAK PARK AND OTHER CICERO 06:34.066 --> 06:39.800 align:start position:10% line:74% size:75% TOWNSHIP COMMUNITIES GOT THEIR 06:37.233 --> 06:41.933 align:start position:10% line:74% size:20% REVENGE. 06:37.566 --> 06:43.366 align:start position:10% line:74% size:70% THEY VOTED AUSTIN OUT OF THE 06:39.800 --> 06:46.100 align:start position:10% line:74% size:60% TOWNSHIP OFF THE ISLAND. 06:41.933 --> 06:48.866 align:start position:10% line:74% size:57.5% ANNEXING IT TO CHICAGO. 06:43.366 --> 06:51.100 align:start position:10% line:74% size:75% BY 1920, AUSTIN WAS A THRIVING 06:46.100 --> 06:52.833 align:start position:10% line:74% size:77.5% NEIGHBORHOOD OF UPWARDLY MOBILE 06:48.866 --> 06:54.966 align:start position:10% line:74% size:60% IMMIGRANTS FROM GERMANY, 06:51.100 --> 06:56.133 align:start position:10% line:74% size:77.5% SCANDINAVIA, IRELAND AND ITALY. 06:52.833 --> 06:58.266 align:start position:10% line:74% size:77.5% THE OLD TOWN HALL WAS TORN DOWN 06:54.966 --> 07:00.966 align:start position:10% line:74% size:70% AND REPLACED BY THE BUILDING 06:56.133 --> 07:03.566 align:start position:10% line:74% size:75% THAT OUR VIEWER NOTICED AND IT 06:58.266 --> 07:06.733 align:start position:10% line:74% size:77.5% IS A PARK DISTRICT FIELD HOUSE. 07:00.966 --> 07:09.233 align:start position:10% line:74% size:70% SO THE NAME AUSTIN TOWN HALL 07:03.566 --> 07:09.966 align:start position:10% line:74% size:57.5% REFERS TO THE PARK THAT 07:06.733 --> 07:12.500 align:start position:10% line:74% size:77.5% SURROUNDS IT CALLED AUSTIN TOWN 07:09.233 --> 07:14.133 align:start position:10% line:74% size:25% HALL PARK. 07:09.966 --> 07:14.600 align:start position:10% line:74% size:65% AND YES, IT DOES LOOK LIKE 07:12.500 --> 07:18.966 align:start position:10% line:74% size:67.5% PHILADELPHIA'S INDEPENDENCE 07:14.133 --> 07:20.300 align:start position:10% line:74% size:12.5% HALL. 07:14.600 --> 07:22.600 align:start position:10% line:74% size:77.5% THE ARCHITECTS WERE INSPIRED BY 07:18.966 --> 07:26.200 align:start position:10% line:74% size:35% THAT BUILDING. 07:20.300 --> 07:29.000 align:start position:10% line:74% size:77.5% AS AUSTIN DREW MORE PEOPLE MANY 07:22.600 --> 07:30.300 align:start position:10% line:74% size:65% EARLY VICTORIAN HOMES WERE 07:26.200 --> 07:32.800 align:start position:10% line:74% size:72.5% REPLACED WITH BRICK TWO FLATS 07:29.000 --> 07:36.066 align:start position:10% line:74% size:35% AND BUNGALOWS. 07:30.300 --> 07:36.600 align:start position:10% line:74% size:70% AND MY MOM GREW UP IN AUSTIN 07:32.800 --> 07:38.500 align:start position:10% line:74% size:80% DURING THE DEPRESSION HER FAMILY 07:36.066 --> 07:41.033 align:start position:10% line:74% size:30% MOVED THERE. 07:36.600 --> 07:41.366 align:start position:10% line:74% size:80% THEY LIVED IN AN APARTMENT ABOVE 07:38.500 --> 07:43.633 align:start position:10% line:74% size:75% THEIR JEWELRY STORE ON MADISON 07:41.033 --> 07:45.533 align:start position:10% line:74% size:17.5% STREET. 07:41.366 --> 07:47.500 align:start position:10% line:74% size:67.5% IN THIS PICTURE YOU SEE THE 07:43.633 --> 07:49.600 align:start position:10% line:74% size:75% UPSTAIRS WINDOWS HER APARTMENT 07:45.533 --> 07:51.133 align:start position:10% line:74% size:80% WAS OUT OF THE FRAME ON THE LEFT 07:47.500 --> 07:53.700 align:start position:10% line:74% size:65% ON THE SECOND FLOOR THERE. 07:49.600 --> 07:56.100 align:start position:10% line:74% size:80% THEY WERE RIGHT NEXT DOOR TO THE 07:51.133 --> 07:56.366 align:start position:10% line:74% size:70% STATE THEATER A MOVIE PALACE 07:53.700 --> 07:58.500 align:start position:10% line:74% size:77.5% WHICH MY MOM USED TO LOVE TO GO 07:56.100 --> 08:00.866 align:start position:10% line:74% size:7.5% TO. 07:56.366 --> 08:02.966 align:start position:10% line:74% size:75% MY GRANDPARENTS STILL LIVED IN 07:58.500 --> 08:03.800 align:start position:10% line:74% size:80% AUSTIN WHEN THE NEIGHBORHOOD WAS 08:00.866 --> 08:05.266 align:start position:10% line:74% size:80% CHANGING FROM TO ALMOST ENTIRELY 08:02.966 --> 08:06.600 align:start position:10% line:74% size:60% ALMOST AFRICAN-AMERICAN. 08:03.800 --> 08:09.033 align:start position:10% line:74% size:70% MY GRANDPARENTS SAYING AFTER 08:05.266 --> 08:11.200 align:start position:10% line:74% size:67.5% MARTIN LUTHER KING, JR. WAS 08:06.600 --> 08:12.800 align:start position:10% line:74% size:80% KILLED, THEY COULD SEE THE SMOKE 08:09.033 --> 08:14.766 align:start position:10% line:74% size:70% FROM THE RIOTS AND THE FIRES 08:11.200 --> 08:17.366 align:start position:10% line:74% size:77.5% OUTSIDE THEIR APARTMENT WINDOWS 08:12.800 --> 08:17.800 align:start position:10% line:74% size:72.5% FOR DECADES, THE NEIGHBORHOOD 08:14.766 --> 08:19.500 align:start position:10% line:74% size:52.5% HAS BEEN ECONOMICALLY 08:17.366 --> 08:22.266 align:start position:10% line:74% size:35% DISADVANTAGED. 08:17.800 --> 08:23.733 align:start position:10% line:74% size:47.5% AND THERE HAVE BEEN 08:19.500 --> 08:26.166 align:start position:10% line:74% size:77.5% NEIGHBORHOOD-BASED EFFORTS THAT 08:22.266 --> 08:27.766 align:start position:10% line:74% size:80% REVITALIZATION AND SOME OF THOSE 08:23.733 --> 08:28.300 align:start position:10% line:74% size:75% OLD HOMES REMAIN IN THE AUSTIN 08:26.166 --> 08:28.833 align:start position:10% line:74% size:45% HISTORIC DISTRICT. 08:27.766 --> 08:30.833 align:start position:10% line:74% size:37.5% >> INTERESTING. 08:28.300 --> 08:32.900 align:start position:10% line:74% size:47.5% GEOFFREY THANK YOU. 08:28.833 --> 08:34.666 align:start position:10% line:74% size:37.5% >> MY PLEASURE.