1 00:00:04,766 --> 00:00:11,333 [♪♪♪] 2 00:00:00,000 --> 00:00:11,666 >> GOOD EVENING AND WELCOME TO 3 00:00:00,000 --> 00:00:14,133 "CHICAGO TONIGHT" I'M PHIL 4 00:00:00,000 --> 00:00:16,600 PONCE. 5 00:00:00,000 --> 00:00:18,100 ON THIS MONDAY DECEMBER 21... 6 00:00:00,000 --> 00:00:19,766 >> WE MEET THE HIJAB WEARING 7 00:00:00,000 --> 00:00:21,633 WHEATON COLLEGE PROFESSOR 8 00:00:00,000 --> 00:00:23,333 SUSPENDED SIX MONTHS FOR THE WAY 9 00:00:00,000 --> 00:00:26,166 SHE MAY HAVE CONNECTED ISLAM 10 00:00:00,000 --> 00:00:27,233 WITH CHRISTIANITY. 11 00:00:00,000 --> 00:00:28,766 FORMER U.S. SECRETARY OF 12 00:00:00,000 --> 00:00:30,233 TRANSPORTATION RAY LAHOOD 13 00:00:00,000 --> 00:00:30,733 REFLECTS ON HIS TIME AS THE ONLY 14 00:00:00,000 --> 00:00:33,600 REPUBLICAN IN THE OBAMA 15 00:00:00,000 --> 00:00:37,066 ADMINISTRATION. 16 00:00:00,000 --> 00:00:39,533 [♪♪♪] 17 00:00:00,000 --> 00:00:43,600 A SPECTACULAR NATIVITY SET AT 18 00:00:00,000 --> 00:00:44,100 THE ART INSTITUTE BLENDS DRAMA 19 00:00:00,000 --> 00:00:45,266 WITH EARTHLY DELIGHTS. 20 00:00:00,000 --> 00:00:47,833 >>> RECOVERY! 21 00:00:00,000 --> 00:00:50,000 HE DID IT ALL! 22 00:00:00,000 --> 00:00:50,300 >> IT WAS A MISERABLE AFTERNOON 23 00:00:00,000 --> 00:00:52,600 FOR JAY CUTLER AND THE CHICAGO 24 00:00:00,000 --> 00:00:54,900 BEARS. 25 00:00:00,000 --> 00:00:56,466 JAMES BIG CAT WILLIAMS IS HERE 26 00:00:00,000 --> 00:00:58,366 WITH HIS TAKE ON THE BEARS 9TH 27 00:00:00,000 --> 00:00:59,400 LOSS OF THE SEASON. 28 00:00:00,000 --> 00:01:01,766 >> I DON'T DRESS PRACTICAL, I 29 00:00:00,000 --> 00:01:05,400 DRESS ROYAL. 30 00:00:00,000 --> 00:01:06,233 >> A PLACE IN TIME THAT ONCE 31 00:00:00,000 --> 00:01:08,033 EXISTED OPPORTUNITY CHICAGO'S 32 00:00:00,000 --> 00:01:11,400 SOUTH SIDE. 33 00:00:00,000 --> 00:01:13,033 A BOOK SHOWCASES WITH THE IMAGES 34 00:00:00,000 --> 00:01:15,166 OF THE WORDS OF A CELEBRATED 35 00:00:00,000 --> 00:01:18,900 SLAM POET. 36 00:00:00,000 --> 00:01:21,100 >> THE ORIGINAL PLAY FOUR COPIES 37 00:00:00,000 --> 00:01:24,766 OF OUR PIECE OF THE STAR. 38 00:00:00,000 --> 00:01:26,266 >> AS "STAR WARS" FANS THRILLED 39 00:00:00,000 --> 00:01:28,933 TO THE FORCE AWAKENED WE LOOK AT 40 00:00:00,000 --> 00:01:29,800 THE CHICAGO COMPUTER SCIENTIST 41 00:00:00,000 --> 00:01:31,700 WHO MADE THE FIRST "STAR WARS" 42 00:00:00,000 --> 00:01:33,600 MOVIE MAGICAL. 43 00:00:00,000 --> 00:01:33,933 AND WE ANNOUNCE THE WINNER OF 44 00:00:00,000 --> 00:01:35,233 OUR SECOND "CHICAGO TONIGHT" 45 00:00:00,000 --> 00:01:41,500 PUZZLE. ALL THAT AND MORE NEXT ON "CHICAGO TONIGHT." 46 00:01:42,566 --> 00:01:52,166 [♪♪♪] 47 00:01:53,133 --> 00:01:58,500 >> THANK THANK HERE IS WHAT IS 48 00:00:00,000 --> 00:02:00,066 HAPPENING IN CHICAGO TONIGHT. 49 00:00:00,000 --> 00:02:02,066 250,000 SIGNATURES CALLING FOR 50 00:00:00,000 --> 00:02:03,366 RAHM EMANUEL AND ANITA ALVAREZ 51 00:00:00,000 --> 00:02:04,866 TO STEP DOWN. 52 00:00:00,000 --> 00:02:05,966 ACTIVISTS DELIVERED THE 53 00:00:00,000 --> 00:02:07,433 SIGNATURES AT THE THOMPSON 54 00:00:00,000 --> 00:02:09,000 CENTER AND CITY HALL. 55 00:00:00,000 --> 00:02:09,800 THE PETITIONS ARE SAID TO 56 00:00:00,000 --> 00:02:11,800 INCLUDE SIGNATURES FROM AROUND 57 00:00:00,000 --> 00:02:14,066 THE COUNTRY. 58 00:00:00,000 --> 00:02:14,933 THE MAYOR AND STATES ATTORNEY 59 00:00:00,000 --> 00:02:16,233 HAVE BEEN UNDER FIRE FOR THE 60 00:00:00,000 --> 00:02:17,400 HANDLING OF THE LAQUAN 61 00:00:00,000 --> 00:02:20,933 McDONALD CASE AND ISSUES OF 62 00:00:00,000 --> 00:02:21,366 POLICE REFORM. 63 00:00:00,000 --> 00:02:23,000 BOTH DEFIED CALLS FOR THEIR 64 00:00:00,000 --> 00:02:23,300 RESIGNATIONS. 65 00:00:00,000 --> 00:02:25,166 >>> THE THEATER IS CLOSING ITS 66 00:00:00,000 --> 00:02:28,133 DOORS. 67 00:00:00,000 --> 00:02:29,800 THE INSPECT PROFIT WHICH OPENED 68 00:00:00,000 --> 00:02:31,033 IN 1990 HAS BECOME BEST KNOWN 69 00:00:00,000 --> 00:02:33,500 FOR THE CHICAGO FIRE FESTIVAL. 70 00:00:00,000 --> 00:02:34,100 AFTER A ROCKY IS THAT RIGHT IN 71 00:00:00,000 --> 00:02:36,100 THE CHICAGO RIVER IT WAS HELD ON 72 00:00:00,000 --> 00:02:37,600 NORTHERLY ISLAND. 73 00:00:00,000 --> 00:02:39,600 BUT IN OCTOBER, THE CITY PULLED 74 00:00:00,000 --> 00:02:41,533 FUNDING AND THE THEATER HATS 75 00:00:00,000 --> 00:02:44,166 BEEN TAKEN TO COURT BY THE 76 00:00:00,000 --> 00:02:46,033 LANDLORD OVER UNPAID RENT. 77 00:00:00,000 --> 00:02:47,666 JIM LAST CO-SAYS RED MOON HAS 78 00:00:00,000 --> 00:02:51,333 TRIED TO COME UP WITH WAYS TO 79 00:00:00,000 --> 00:02:53,700 FUND ITS PROJECTSISM OUR MISSION 80 00:00:00,000 --> 00:02:55,266 IS TO GET AS MUCH WORK AS WE CAN 81 00:00:00,000 --> 00:02:57,700 INTO PUBLIC PLACES AND BE AS 82 00:00:00,000 --> 00:03:00,533 LARGE A SCALE AS POSSIBLE TO 83 00:00:00,000 --> 00:03:03,233 IMPACT THE CITY AND GIVE AWAY 84 00:00:00,000 --> 00:03:04,533 FREE WORK YOU GOT TO HAVE A GOOD 85 00:00:00,000 --> 00:03:05,833 BUSINESS MODEL AND WE HAVE BEEN 86 00:00:00,000 --> 00:03:07,833 WORKING HARD TO DEVELOP THAT 87 00:00:00,000 --> 00:03:10,633 MODEL AND WE HAVE AMAZING 88 00:00:00,000 --> 00:03:11,233 SOURCES OF EARNED REVENUE BUT WE 89 00:00:00,000 --> 00:03:13,800 WERE NOT ABLE TO KEEP UP IN THE 90 00:00:00,000 --> 00:03:15,366 END. 91 00:00:00,000 --> 00:03:17,200 >> LAST CO-SAYS THE THEATER IS 92 00:00:00,000 --> 00:03:20,000 SHUTTING DOWN IMMEDIATELY. 93 00:00:00,000 --> 00:03:21,266 THEY ARE IN COURT WEDNESDAY. 94 00:00:00,000 --> 00:03:23,500 >>> THE OBAMA FOUNDATION 95 00:00:00,000 --> 00:03:26,100 ANNOUNCES SEVEN FINALISTS TO 96 00:00:00,000 --> 00:03:26,733 DESIGN THE OBAMA LIBRARY. 97 00:00:00,000 --> 00:03:28,033 THE ONLY CHICAGO FIRM IN THE 98 00:00:00,000 --> 00:03:29,900 RUNNING. 99 00:00:00,000 --> 00:03:33,266 RONAN DESIGNED THE YOUTH CENTER 100 00:00:00,000 --> 00:03:36,500 OPPORTUNITY THE SOUTH SIDE. 101 00:00:00,000 --> 00:03:37,500 ALSO ON THE LIST IS THE MAN WHO 102 00:00:00,000 --> 00:03:39,500 DESIGNED THE SMITHSONIAN MUSEUM 103 00:00:00,000 --> 00:03:44,800 OF AFRICAN-AMERICAN HISTORY IN 104 00:00:00,000 --> 00:03:46,166 WASHINGTON D.C. AND HAS A SHOW 105 00:00:00,000 --> 00:03:47,633 AT THE ART INSTITUTE OF CHICAGO 106 00:00:00,000 --> 00:03:49,900 THE TRIBUNE REPORTS THE OBAMAS 107 00:00:00,000 --> 00:03:50,266 ARE EXPECTED TO CHOOSE THE 108 00:00:00,000 --> 00:03:51,700 WINNING DESIGN BY THE MIDDLE OF 109 00:00:00,000 --> 00:03:52,800 NEXT YEAR. 110 00:00:00,000 --> 00:03:54,000 >>> AS FOR THE WEATHER CLOUDY 111 00:00:00,000 --> 00:03:56,033 SKIES TOMORROW WITH A HIGH 112 00:00:00,000 --> 00:03:57,533 AROUND 45. 113 00:00:00,000 --> 00:04:02,900 AND UP NEXT, THE COLLEGE PROFESSOR SUSPENDED AFTER A SHOW OF SOLIDARITY WITH MUSLIMS. 114 00:04:03,833 --> 00:04:14,033 [♪♪♪] 115 00:04:30,033 --> 00:04:39,200 >> WHEN WHEATON COLLEGE'S 116 00:00:00,000 --> 00:04:40,900 PROFESSOR LARYCIA HAWKINS 117 00:00:00,000 --> 00:04:42,466 DECIDED TO WEAR A HEAD SCARF TO 118 00:00:00,000 --> 00:04:44,733 EXPRESS SOLIDARITY SHE DID NOT 119 00:00:00,000 --> 00:04:46,700 EXPECT IT TO SPREAD CONTROVERSY. 120 00:00:00,000 --> 00:04:49,166 BUT IN A Facebook POST HAWKINS 121 00:00:00,000 --> 00:04:49,466 WHO IS CHRISTIAN SAID MUSLIMS 122 00:00:00,000 --> 00:04:51,366 AND CHRISTIANS WORSHIP THE SAME 123 00:00:00,000 --> 00:04:54,100 GOD. 124 00:00:00,000 --> 00:04:55,166 THOSE COMMENTS WERE NOTED BY THE 125 00:00:00,000 --> 00:04:57,800 ADMINISTRATION OF THE EVAN 126 00:00:00,000 --> 00:05:00,366 GELLAL CHRISTIAN SCHOOL WHICH 127 00:00:00,000 --> 00:05:02,500 SUSPENDED HER FOR SIX MONTHS 128 00:00:00,000 --> 00:05:04,133 SAYING IT IS IN CONFLICT OF THE 129 00:00:00,000 --> 00:05:06,566 STATEMENT OF FAITH ALL FACULTY 130 00:00:00,000 --> 00:05:10,133 MUST SIPE AND LIVE BY. 131 00:00:00,000 --> 00:05:11,233 HERE IS LARYCIA HAWKINS 132 00:00:00,000 --> 00:05:14,266 ASSOCIATE PROFESSOR OF POLITICAL 133 00:00:00,000 --> 00:05:16,066 SCIENCE AT WHEAT. 134 00:00:00,000 --> 00:05:18,100 AND WE REACHED OUT TO WHEATON 135 00:00:00,000 --> 00:05:19,033 COLLEGE FOR FURTHER STATEMENTS 136 00:00:00,000 --> 00:05:21,666 AND THEY REFERRED US TO 137 00:00:00,000 --> 00:05:23,400 PUBLISHED STATEMENTS. 138 00:00:00,000 --> 00:05:24,200 WHY DID YOU DECIDE TO WEAR THE 139 00:00:00,000 --> 00:05:26,500 HIJAB AND WRITE ABOUT IT ON 140 00:00:00,000 --> 00:05:27,566 SOCIAL MEDIA? 141 00:00:00,000 --> 00:05:29,300 >> AS A PROFESSOR OF POLITICAL 142 00:00:00,000 --> 00:05:30,200 SCIENCE MY TEACH SOMETHING 143 00:00:00,000 --> 00:05:32,033 GEARED TOWARDS NOT JUST THEORY 144 00:00:00,000 --> 00:05:33,900 BUT PROXY. 145 00:00:00,000 --> 00:05:36,233 HOW DO WE LIVE OUT THE LESSONS 146 00:00:00,000 --> 00:05:38,433 THAT WE LEARN IN THE CLASSROOM? 147 00:00:00,000 --> 00:05:39,600 A LOT OF THE LESSONS I HAVE BEEN 148 00:00:00,000 --> 00:05:42,233 TEACHING MY STUDENTS THIS 149 00:00:00,000 --> 00:05:45,166 SEMESTER IS TO THINK ABOUT WHAT 150 00:00:00,000 --> 00:05:45,533 IT MEANS TO EMBODY POLITICS. 151 00:00:00,000 --> 00:05:47,700 WE OFTEN LIVE IN OUR MINDS IN 152 00:00:00,000 --> 00:05:50,300 ACADEMIA. 153 00:00:00,000 --> 00:05:52,933 GOING BEYOND THE INTELLECTUAL 154 00:00:00,000 --> 00:05:54,766 TOUR TO LIVE NATURE OF POLITICS. 155 00:00:00,000 --> 00:05:56,466 >> WHAT DO YOU MEAN BY THE 156 00:00:00,000 --> 00:05:58,333 EMBODIED NATURE OF POLITICS? 157 00:00:00,000 --> 00:05:59,000 >> IT'S INTERESTING THAT OFTEN 158 00:00:00,000 --> 00:06:00,866 POLITICS INVOLVES RHETORIC AND 159 00:00:00,000 --> 00:06:01,733 KINDS OF THINGS. 160 00:00:00,000 --> 00:06:05,000 BUT THERE'S LITTLE ACTION OFTEN 161 00:00:00,000 --> 00:06:06,233 BEHIND IT. 162 00:00:00,000 --> 00:06:08,100 SO WHAT DOES IT LOOK LIKE FOR 163 00:00:00,000 --> 00:06:10,533 MILLENNIALS THE STUDENT THAT I 164 00:00:00,000 --> 00:06:12,300 TEACH TO LIVE OUT THEIR FAITH IN 165 00:00:00,000 --> 00:06:13,066 THE CONTEXT OF POLITICS? 166 00:00:00,000 --> 00:06:15,066 SINCE WE ARE A CHRISTIAN LIBERAL 167 00:00:00,000 --> 00:06:17,900 ARTS COLLEGE. 168 00:00:00,000 --> 00:06:18,200 AND ONE OF THE THINGS THAT LOOKS 169 00:00:00,000 --> 00:06:20,833 LIKE IS TO PUT FEET TO OUR 170 00:00:00,000 --> 00:06:22,333 FAITH. 171 00:00:00,000 --> 00:06:24,000 BEYOND LAMENTING FERGUSON 172 00:00:00,000 --> 00:06:25,600 PROTESTING, BUT BEYOND SIMPLY 173 00:00:00,000 --> 00:06:27,466 FOR CHRISTIANS PRAYING IN THE 174 00:00:00,000 --> 00:06:29,833 PEWS, ACTUALLY GETTING OUT INTO 175 00:00:00,000 --> 00:06:32,066 THE STREETS, PEACEFULLY 176 00:00:00,000 --> 00:06:34,033 PROTESTING AND RESISTING THE 177 00:00:00,000 --> 00:06:34,866 POLICE VIOLENCE AND OTHER 178 00:00:00,000 --> 00:06:35,500 INJUSTICES ASSOCIATED WITH THE 179 00:00:00,000 --> 00:06:36,933 CRIMINAL JUSTICE SYSTEM IN THE 180 00:00:00,000 --> 00:06:38,800 UNITED STATES. 181 00:00:00,000 --> 00:06:49,133 >> LET'S LOOK AT A PORTION OF WHAT YOU WROTE ON Facebook AND YOU WRITE... 182 00:06:56,833 --> 00:07:03,166 AND THERE IN LIES THE RUB. 183 00:00:00,000 --> 00:07:03,533 DID YOU EXPECT THIS TO BE A 184 00:00:00,000 --> 00:07:05,200 CONTROVERSIAL THING TO DO? 185 00:00:00,000 --> 00:07:06,533 >> NO. 186 00:00:00,000 --> 00:07:08,366 THE Facebook POST WAS ABOUT 187 00:00:00,000 --> 00:07:09,300 SOLIDARITY AS HUMANS. 188 00:00:00,000 --> 00:07:11,833 AS CHRISTIANS SAY CREATED IN 189 00:00:00,000 --> 00:07:12,233 GOD'S IMAGE. 190 00:00:00,000 --> 00:07:13,700 THE PURPOSE WAS HUMAN 191 00:00:00,000 --> 00:07:15,833 SOLIDARITY. 192 00:00:00,000 --> 00:07:17,900 PEOPLE HAVE HUMAN DIGNITY BUT 193 00:00:00,000 --> 00:07:18,266 NOT JUST BY VIRTUE OF 194 00:00:00,000 --> 00:07:20,700 CONVENTIONS BUT VIRTUE OF THEIR 195 00:00:00,000 --> 00:07:21,000 ESSENCE. 196 00:00:00,000 --> 00:07:23,633 SO THE HUMAN SOLIDARITY DROVE 197 00:00:00,000 --> 00:07:25,400 THIS. 198 00:00:00,000 --> 00:07:27,266 THE PIECE ABOUT RELIGIOUS 199 00:00:00,000 --> 00:07:29,533 SOLIDARITY WHAT BETTER WAY TO 200 00:00:00,000 --> 00:07:31,766 SHOW LOVE FOR MY NEIGHBOR WHICH 201 00:00:00,000 --> 00:07:34,366 CHRISTIANS ARE EMPLOYED TO DO IN 202 00:00:00,000 --> 00:07:37,300 THE GREAT COMMANDMENT THAN BY 203 00:00:00,000 --> 00:07:38,533 MOVING INTO SUFFERING WITH THEM. 204 00:00:00,000 --> 00:07:40,733 EMBODIED SOLIDARITY IS SUFFERING 205 00:00:00,000 --> 00:07:41,100 ALONGSIDE AND STANDING SOMETIMES 206 00:00:00,000 --> 00:07:43,866 BETWEEN THE OPPRESSOR AND THE 207 00:00:00,000 --> 00:07:46,733 OPPRESSED. 208 00:00:00,000 --> 00:07:49,933 THE NOTION OF THE RELIGIOUS 209 00:00:00,000 --> 00:07:51,233 ASPECTS OF MY STATEMENT BEING 210 00:00:00,000 --> 00:07:52,633 CONTROVERSIAL, IT WASN'T A 211 00:00:00,000 --> 00:07:55,366 THEOLOGICAL IT WAS SIMPLY A 212 00:00:00,000 --> 00:07:57,133 Facebook POST INVITING PEOPLE 213 00:00:00,000 --> 00:07:58,766 INTO A BIGGER NARRATIVE ABOUT 214 00:00:00,000 --> 00:08:00,433 EMBODIED SOLIDARITY WITH MUSLIMS 215 00:00:00,000 --> 00:08:01,766 BEING ALIGNED AND MISTREATED FOR 216 00:00:00,000 --> 00:08:04,233 THEIR RELIGIOUS DEVOTION. 217 00:00:00,000 --> 00:08:06,033 >> YET IT WAS A RELIGIOUS PART 218 00:00:00,000 --> 00:08:07,566 THAT GOT THE ATTENTION OF QHET 219 00:00:00,000 --> 00:08:09,166 TON ADMINISTRATORS AND -- 220 00:00:00,000 --> 00:08:19,300 WHEATON ADMINISTRATORS AND THEY ISSUED A STATEMENT SAYING IN PART... 221 00:09:00,733 --> 00:09:06,866 IN YOUR MIND, IS THERE A 222 00:00:00,000 --> 00:09:07,500 POSSIBILITY THAT WHAT YOU SAID 223 00:00:00,000 --> 00:09:08,133 GOES AGAINST THEIR STATEMENT OF 224 00:00:00,000 --> 00:09:10,600 FAITH? 225 00:00:00,000 --> 00:09:13,000 >> ABSOLUTELY NOT. 226 00:00:00,000 --> 00:09:13,800 WHAT I SAID IN MY POST HAS BEEN 227 00:00:00,000 --> 00:09:19,600 AFFIRMED BY THE CHRISTIAN CHURCH 228 00:00:00,000 --> 00:09:23,533 FOR CENTURIES. 229 00:00:00,000 --> 00:09:25,633 AND IS AFFIRMED BY MANY 230 00:00:00,000 --> 00:09:28,600 PROMINENT EVANGELICALS THAT HAVE 231 00:00:00,000 --> 00:09:29,800 SPOKEN ON WHEATON'S CAMPUS ONE 232 00:00:00,000 --> 00:09:31,033 SITS ON WHEATON'S BOARD TIMOTHY 233 00:00:00,000 --> 00:09:32,766 GEORGE HAS WRITTEN A BOOK 234 00:00:00,000 --> 00:09:34,233 TALKING ABOUT THE DIFFERENCES 235 00:00:00,000 --> 00:09:36,533 BUT ALSO THE SIMILARITIES 236 00:00:00,000 --> 00:09:36,833 BETWEEN ISLAM AND CHRISTIANITY 237 00:00:00,000 --> 00:09:42,200 IN TERMS OF THE HISTORICAL 238 00:00:00,000 --> 00:09:44,166 ROOTS. 239 00:00:00,000 --> 00:09:47,566 AND IN TERMS OF RELIGIONS 240 00:00:00,000 --> 00:09:49,866 DEVOTING WORSHIP TO GOD, 241 00:00:00,000 --> 00:09:52,066 RELIGIONS LIKE JUDAISM WORE SHOP 242 00:00:00,000 --> 00:09:54,633 GOD DIFFERENTLY BUT THAT IS NOT 243 00:00:00,000 --> 00:09:57,600 AT STAKE FOR MOST CHRISTIANS. 244 00:00:00,000 --> 00:09:58,700 THE POINT OF MAKING A SMALL PART 245 00:00:00,000 --> 00:10:00,933 OF A LARGER POST AND A LARGER 246 00:00:00,000 --> 00:10:02,766 NARRATIVE INVITING PEOPLE TO 247 00:00:00,000 --> 00:10:03,466 LIVE OUT THEIR FAITH MISSES THE 248 00:00:00,000 --> 00:10:04,700 POINT OF THE PROJECT WHICH IS 249 00:00:00,000 --> 00:10:05,900 SOLIDARITY. 250 00:00:00,000 --> 00:10:07,600 >> THE COLLEGE RESPECTS THE 251 00:00:00,000 --> 00:10:09,466 RIGHTS OF RELIGIOUS 252 00:00:00,000 --> 00:10:10,866 ORGANIZATIONS TO EMBODY THEIR 253 00:00:00,000 --> 00:10:11,200 DEEPLY HELD CONVICTIONS AND THEY 254 00:00:00,000 --> 00:10:13,400 ARE ENTITLED TO THE SAME 255 00:00:00,000 --> 00:10:15,200 RESPECT. 256 00:00:00,000 --> 00:10:17,266 IS THAT A FAIR STATEMENT? 257 00:00:00,000 --> 00:10:17,766 >> ABSOLUTELY A FAIR STATEMENT. 258 00:00:00,000 --> 00:10:19,400 I BELIEVE FIRMLY IN THE FIRST 259 00:00:00,000 --> 00:10:21,500 AMENDMENT. 260 00:00:00,000 --> 00:10:23,066 THE FIRST FREEDOM OF THE BILL OF 261 00:00:00,000 --> 00:10:24,000 RIGHTS IS FREEDOM OF RELIGION. 262 00:00:00,000 --> 00:10:26,466 FREEDOM TO PRACTICE OR NOT 263 00:00:00,000 --> 00:10:29,800 PRACTICE RELIGION. 264 00:00:00,000 --> 00:10:32,666 FREEDOM FOR AND FROM. 265 00:00:00,000 --> 00:10:34,500 AND ALSO FREEDOM AGAINST PEOPLE 266 00:00:00,000 --> 00:10:37,100 INTERPRETING THINGS THAT I SAY. 267 00:00:00,000 --> 00:10:37,600 SO EVANGELICALS BELIEVE IN THE 268 00:00:00,000 --> 00:10:39,233 PROOFT HOOD OF THE BELIEVER. 269 00:00:00,000 --> 00:10:41,500 -- 270 00:00:00,000 --> 00:10:42,900 PRIESTHOOD OF THE BELIEVER. 271 00:00:00,000 --> 00:10:44,600 THIS IS A TENANT OF MARTIN 272 00:00:00,000 --> 00:10:46,166 LUTHER AND THE IDEA THAT IT'S 273 00:00:00,000 --> 00:10:49,433 NOT ONLY THE CHURCH THAT 274 00:00:00,000 --> 00:10:51,633 INTERPRETS SCRIPTURE THAT GOD 275 00:00:00,000 --> 00:10:53,700 GIVES US THE HOLY SPIRIT TO 276 00:00:00,000 --> 00:10:57,200 INTERPRET SCRIPTURE AND NOTHING 277 00:00:00,000 --> 00:10:59,700 THAT WHEATON CITED I DENY. 278 00:00:00,000 --> 00:11:01,033 AND IN NO WAY DID I MAKE A MORAL 279 00:00:00,000 --> 00:11:03,000 EQUIVALENCY BETWEEN JESUS AND 280 00:00:00,000 --> 00:11:04,400 MOHAMMED THAT WOULD BE OFFENSIVE 281 00:00:00,000 --> 00:11:06,033 TO MY MUSLIM FRIENDS AND 282 00:00:00,000 --> 00:11:08,300 OFFENSIVE TO MY CHRISTIAN 283 00:00:00,000 --> 00:11:09,333 FRIENDS TO PRETEND THAT THE 284 00:00:00,000 --> 00:11:11,700 RELIGIONS ARE THE SAME AND NOT 285 00:00:00,000 --> 00:11:13,966 DIFFERENT. 286 00:00:00,000 --> 00:11:15,500 >> YOU BELIEVE THAT RELIGIONS 287 00:00:00,000 --> 00:11:16,733 WORSHIP THE SAME GOD? 288 00:00:00,000 --> 00:11:18,066 >> YES, ALBEIT DIFFERENTLY. 289 00:00:00,000 --> 00:11:19,800 >> WHAT IS THE RESPONSE OF OTHER 290 00:00:00,000 --> 00:11:21,666 FACULTY AND STUDENTS? 291 00:00:00,000 --> 00:11:23,533 >> I CANNOT SPEAK FOR WHAT 292 00:00:00,000 --> 00:11:26,200 FACULTY HAVE BEEN DOING SINCE I 293 00:00:00,000 --> 00:11:28,600 WAS SUSPENDED ON TUESDAY. 294 00:00:00,000 --> 00:11:30,400 I HAVEN'T BEEN BACK TO CAMPUS 295 00:00:00,000 --> 00:11:32,533 EXPECT TO ADMINISTER MY FINALS 296 00:00:00,000 --> 00:11:33,966 ON WEDNESDAY AND THURSDAY. 297 00:00:00,000 --> 00:11:38,700 BUT I HAVE RECEIVED AN 298 00:00:00,000 --> 00:11:42,166 OUTPOURING OF LOVE AND SUPPORT 299 00:00:00,000 --> 00:11:44,033 FROM STUDENTS AND WHAT DOC HAWK 300 00:00:00,000 --> 00:11:44,600 TAUGHT ME, AND NOTHING BUT LOVE 301 00:00:00,000 --> 00:11:46,166 FROM THE MUSLIM COMMUNITY AS 302 00:00:00,000 --> 00:11:48,400 WELL. 303 00:00:00,000 --> 00:11:49,333 >> THE COLLEGE ASKED YOU TO 304 00:00:00,000 --> 00:11:50,500 WRITE A THEOLOGICAL 305 00:00:00,000 --> 00:11:50,866 RECONCILIATION STATEMENT. 306 00:00:00,000 --> 00:11:53,033 EXPLAIN WHAT THEY ASKED YOU TO 307 00:00:00,000 --> 00:11:55,200 DO? 308 00:00:00,000 --> 00:11:57,266 >> THEY ASKED ME TO RESPOND TO 309 00:00:00,000 --> 00:11:58,400 SOME OF THEIR CONCERNS ABOUT THE 310 00:00:00,000 --> 00:12:00,300 STATEMENTS THAT I MADE IN MY TWO 311 00:00:00,000 --> 00:12:02,200 Facebook POSTS. 312 00:00:00,000 --> 00:12:04,733 THE FIRST Facebook POST IS 313 00:00:00,000 --> 00:12:06,766 INVITING PEOPLE IN THE BROADER 314 00:00:00,000 --> 00:12:08,033 NARRATIVE OF SOLIDARITY WITH 315 00:00:00,000 --> 00:12:08,366 MUSLIMS AT THIS TIME IN OUR 316 00:00:00,000 --> 00:12:10,033 NATION'S AND THE WORLD'S 317 00:00:00,000 --> 00:12:11,333 HISTORY. 318 00:00:00,000 --> 00:12:12,466 AND THE SECOND WAS REJOINEDDER 319 00:00:00,000 --> 00:12:15,333 CALLING FOR UNITY AND PEACE IN 320 00:00:00,000 --> 00:12:17,133 THE BODY OF CHRIST. 321 00:00:00,000 --> 00:12:18,566 BECAUSE I NOTED THAT THE 322 00:00:00,000 --> 00:12:19,233 PUSHBACK WAS PRIMARILY AMONG 323 00:00:00,000 --> 00:12:23,100 CHRISTIANS IN RESPONSE TO THE 324 00:00:00,000 --> 00:12:25,433 FIRST Facebook POST. 325 00:00:00,000 --> 00:12:27,266 SO I WANTED TO QUELL THAT KIND 326 00:00:00,000 --> 00:12:28,733 OF SENSE THAT WHAT I SAID WAS 327 00:00:00,000 --> 00:12:31,166 MEANT TO BE SOME KIND OF THIGH 328 00:00:00,000 --> 00:12:32,666 LOGICAL STATEMENT AS OPPOSED TO 329 00:00:00,000 --> 00:12:34,266 AN ACT OF SOLIDARITY. 330 00:00:00,000 --> 00:12:35,933 >> HOW WOULD YOU DESCRIBE YOUR 331 00:00:00,000 --> 00:12:40,600 NATURE WITH THE INTERACTION OF 332 00:00:00,000 --> 00:12:41,466 THE COLLEGE HAS BEEN? 333 00:00:00,000 --> 00:12:43,166 HAS IT BEEN ACRIMONIOUS? 334 00:00:00,000 --> 00:12:44,333 RESPECTFUL? 335 00:00:00,000 --> 00:12:47,500 >> THE RELATIONSHIPS THAT I HAVE 336 00:00:00,000 --> 00:12:48,733 WITH THE ADMINISTRATION IS ONE 337 00:00:00,000 --> 00:12:50,500 OF WANTING TO BE RECONCILED TO 338 00:00:00,000 --> 00:12:53,733 THE INSTITUTION BACK IN THE 339 00:00:00,000 --> 00:12:56,666 CLASSROOM WITH MY STUDENTS. 340 00:00:00,000 --> 00:12:57,866 SO BOTH SIDES HAVE REALLY SOUGHT 341 00:00:00,000 --> 00:12:59,733 TO THROUGH THIS PROCESS 342 00:00:00,000 --> 00:13:01,300 DEMONSTRATE THE LOVE AND RESPECT 343 00:00:00,000 --> 00:13:02,466 THAT YOU EXPECT OF CHRISTIANS. 344 00:00:00,000 --> 00:13:04,766 AND THAT IS WHAT THE 345 00:00:00,000 --> 00:13:06,866 RELATIONSHIP HAS BEEN LIKE. 346 00:00:00,000 --> 00:13:09,000 >> YOU ARE SAYING IT'S BEEN THE 347 00:00:00,000 --> 00:13:10,200 RELATIONSHIP HAS BEEN ONE WHICH 348 00:00:00,000 --> 00:13:11,766 IS REFLECTS THE CHRISTIAN 349 00:00:00,000 --> 00:13:13,333 HERITAGE OF THE SCHOOL? 350 00:00:00,000 --> 00:13:14,466 >> A LOVE THAT YOU AFFORD TO 351 00:00:00,000 --> 00:13:16,633 SOMEONE WHO IS A BROTHER OR 352 00:00:00,000 --> 00:13:19,700 SISTER IN CHRIST. 353 00:00:00,000 --> 00:13:20,666 ONE WHO IS I AFAMILY MEMBER. 354 00:00:00,000 --> 00:13:22,700 >> DO YOU THINK RACE PLAYED A 355 00:00:00,000 --> 00:13:24,400 FACTOR? 356 00:00:00,000 --> 00:13:26,566 >> I THINK WE CANNOT SAY THAT 357 00:00:00,000 --> 00:13:27,033 RACE IS NOT ALWAYS OPERATIVE. 358 00:00:00,000 --> 00:13:29,066 >> WHAT DOES THAT MEAN, 359 00:00:00,000 --> 00:13:31,466 OPERATIVE? 360 00:00:00,000 --> 00:13:32,566 >> MY BODY, MY BLACK BODY IS 361 00:00:00,000 --> 00:13:36,133 ALWAYS DOING WORK FOR ME ON MY 362 00:00:00,000 --> 00:13:38,133 BEHALF. 363 00:00:00,000 --> 00:13:39,333 SOMEONE HE SEES ME IN MY HIJAB 364 00:00:00,000 --> 00:13:42,200 THAT I AM A MUSLIM OR 365 00:00:00,000 --> 00:13:44,600 AFRICAN-AMERICAN FEMALE AND 366 00:00:00,000 --> 00:13:46,966 THINK ABOUT WHAT POLITICS MIGHT 367 00:00:00,000 --> 00:13:47,466 SHE BETRAY OR UPHOLD THEY WOULD 368 00:00:00,000 --> 00:13:50,300 BE SAFE TO ASSUME I WAS A 369 00:00:00,000 --> 00:13:51,200 DEMOCRAT. 370 00:00:00,000 --> 00:13:54,000 SO OUR BODIES EXPLAIN THINGS 371 00:00:00,000 --> 00:13:56,033 ABOUT US. 372 00:00:00,000 --> 00:13:58,500 AND BODIES ARE POLITICAL. 373 00:00:00,000 --> 00:13:59,833 AND SO RACE IS OPERATIVE FOR 374 00:00:00,000 --> 00:14:02,166 WHITE MEN NOT JUST BLACK WOMEN. 375 00:00:00,000 --> 00:14:03,566 RACE IS OPERATIVE IN THE UNITED 376 00:00:00,000 --> 00:14:04,233 STATES BECAUSE IT IS A CRUCIAL 377 00:00:00,000 --> 00:14:05,633 PART OF OUR AMERICAN 378 00:00:00,000 --> 00:14:06,700 DEVELOPMENT. 379 00:00:00,000 --> 00:14:08,700 >> DO YOU THINK IT WAS A REASON 380 00:00:00,000 --> 00:14:10,466 YOU WERE SUSPENDED? 381 00:00:00,000 --> 00:14:13,233 >> I CANNOT SPEAK FOR WHEATON 382 00:00:00,000 --> 00:14:14,233 COLLEGE WHAT THEY HAVE POINTED 383 00:00:00,000 --> 00:14:16,100 TO WHAT THEY CONSIDER A 384 00:00:00,000 --> 00:14:17,500 VIOLATION OF THE STATEMENT OF 385 00:00:00,000 --> 00:14:20,033 FAITH OR INCONSISTENCY WITH THE 386 00:00:00,000 --> 00:14:21,200 STATEMENT OF FAITH COMPARED TO 387 00:00:00,000 --> 00:14:21,866 THE WORDS I POSTED. 388 00:00:00,000 --> 00:14:22,600 >> THANK YOU FOR COMING BY. 389 00:00:00,000 --> 00:14:23,466 WE APPRECIATE IT. 390 00:00:00,000 --> 00:14:26,666 >> THANK YOU VERY MUCH. 391 00:00:00,000 --> 00:14:27,766 >> THANK YOU. 392 00:00:00,000 --> 00:14:29,966 AND NOW TO CAROL MARIN AN AND 393 00:00:00,000 --> 00:14:30,433 ILLINOIS POLITICIAN REFLECTING 394 00:00:00,000 --> 00:14:31,366 ON HIS CAREER HERE AND IN 395 00:00:00,000 --> 00:14:33,033 WASHINGTON. 396 00:00:00,000 --> 00:14:35,366 CAROL? 397 00:00:00,000 --> 00:14:37,033 >> FORMER U.S. TRANSPORTATION 398 00:00:00,000 --> 00:14:38,966 SECRETARY RAY LAHOOD WAS THE 399 00:00:00,000 --> 00:14:41,633 ONLY REPUBLICAN PRESIDENT OBAMA 400 00:00:00,000 --> 00:14:45,266 APPOINTED TO HIS CABINET UPON 401 00:00:00,000 --> 00:14:45,966 TAKING OFFICE IN 2009. 402 00:00:00,000 --> 00:14:47,733 IN HIS NEW MEMOIR, "SEEKING 403 00:00:00,000 --> 00:14:50,600 BIPARTISANSHIP: MY LIFE IN 404 00:00:00,000 --> 00:14:51,633 POLITICS" IT CHRONICLES LA 405 00:00:00,000 --> 00:14:53,900 HOOD'S POLITICAL LIFE AND ON THE 406 00:00:00,000 --> 00:14:56,100 NATIONAL STATION. 407 00:00:00,000 --> 00:14:58,100 THE BOOK DELVES INTO THE 408 00:00:00,000 --> 00:14:58,933 STRUGGLE TO BRIDGE THE PARTISAN 409 00:00:00,000 --> 00:15:01,366 GAP THAT SOMETIMES PARALYZES 410 00:00:00,000 --> 00:15:01,700 AMERICAN POLITICS. 411 00:00:00,000 --> 00:15:03,566 WE ARE PLEASED TO WELCOME RAY 412 00:00:00,000 --> 00:15:05,400 LAHOOD. 413 00:00:00,000 --> 00:15:06,600 WE SHOULD NOT SAY SOMETIMES BUT 414 00:00:00,000 --> 00:15:07,433 NOW ALL THE TIME. 415 00:00:00,000 --> 00:15:08,666 >> ALTHOUGH CONGRESS PASSED A 416 00:00:00,000 --> 00:15:11,566 TRANSPORTATION BILL AND 417 00:00:00,000 --> 00:15:11,966 EDUCATION BILL THAT PRESIDENT 418 00:00:00,000 --> 00:15:12,700 OBAMA SIGNED BOTH VERY 419 00:00:00,000 --> 00:15:13,966 BIPARTISAN. 420 00:00:00,000 --> 00:15:15,000 >> BUT RARE? 421 00:00:00,000 --> 00:15:19,466 >> VERY RARE. 422 00:00:00,000 --> 00:15:20,933 VERY RARE. 423 00:00:00,000 --> 00:15:22,933 >> SO YOU JOINED THE OBAMA 424 00:00:00,000 --> 00:15:26,266 ADMINISTRATION YOU HAVE BEEN THE 425 00:00:00,000 --> 00:15:26,966 ONLY ONE ELECTED TO CONGRESS AND 426 00:00:00,000 --> 00:15:28,533 YOU ARE THE POSTER BOY FOR 427 00:00:00,000 --> 00:15:29,933 BIPARTISANSHIP, RIGHT? 428 00:00:00,000 --> 00:15:31,300 >> I WOULD LIKE TO THINK SO. 429 00:00:00,000 --> 00:15:34,533 I'M PROUD OF THAT. 430 00:00:00,000 --> 00:15:36,200 I'VE ALWAYS BEEN PROUD OF THAT. 431 00:00:00,000 --> 00:15:38,366 >> WHAT HAPPENED? 432 00:00:00,000 --> 00:15:39,900 >> WELL, I DON'T FAULT THE 433 00:00:00,000 --> 00:15:42,233 PRESIDENT BECAUSE AS I'VE IS 434 00:00:00,000 --> 00:15:45,600 SAID IN THE BOOK I THINK 435 00:00:00,000 --> 00:15:47,366 PRESIDENT OBAMA IS BIPARTISAN. 436 00:00:00,000 --> 00:15:50,333 I THINK IT'S IN HIS DNA AND I AM 437 00:00:00,000 --> 00:15:51,333 A RESULT OF THAT AND OTHER 438 00:00:00,000 --> 00:15:53,633 THINGS HE HAS DONE PROVE THAT 439 00:00:00,000 --> 00:15:54,766 HE'S BIPARTISAN. 440 00:00:00,000 --> 00:15:56,266 BUT I JUST THINK THAT THEY 441 00:00:00,000 --> 00:15:58,433 DISCOVERED THAT REPUBLICANS WERE 442 00:00:00,000 --> 00:16:03,200 NOT GOING TO BE HELPFUL AND THEY 443 00:00:00,000 --> 00:16:04,400 HAD THE DEMOCRATIC VOTES TO PASS 444 00:00:00,000 --> 00:16:06,133 THE STIMULUS BILL $870 BILLION, 445 00:00:00,000 --> 00:16:09,033 PASS ALL HEALTHCARE WITH ALL 446 00:00:00,000 --> 00:16:10,733 DEMOCRATS AND DO A FEW OTHER 447 00:00:00,000 --> 00:16:12,100 THINGS AND THAT I THINK POISONED 448 00:00:00,000 --> 00:16:12,733 THE WELL FOR REPUBLICANS BECAUSE 449 00:00:00,000 --> 00:16:15,600 THEY FELT LIKE THEY WERE NOT IN 450 00:00:00,000 --> 00:16:15,900 THE GAME. 451 00:00:00,000 --> 00:16:18,066 >> I KNOW YOU LIKE PRESIDENT 452 00:00:00,000 --> 00:16:19,333 OBAMA. 453 00:00:00,000 --> 00:16:21,900 BUT YOU DON'T LIKE THE WAY IT 454 00:00:00,000 --> 00:16:23,533 WORKED IN THE WHITE HOUSE. 455 00:00:00,000 --> 00:16:24,866 FAIR TO SAY? 456 00:00:00,000 --> 00:16:27,500 >> WELL, THE PRESIDENT AND I ARE 457 00:00:00,000 --> 00:16:29,033 STILL VERY GOOD FRIENDS. 458 00:00:00,000 --> 00:16:31,166 WE HAVE AN ENDEARING FRIENDSHIP. 459 00:00:00,000 --> 00:16:34,433 IT WILL LAST FOREVER. 460 00:00:00,000 --> 00:16:36,766 LIKE MANY PRESIDENTS, I CAN GO 461 00:00:00,000 --> 00:16:39,033 BACK AND RECITE THE MANY THAT I 462 00:00:00,000 --> 00:16:40,300 SERVED WITH OR WATCHED. 463 00:00:00,000 --> 00:16:41,600 THEY HAVE A CLOSE-KNIT GROUP OF 464 00:00:00,000 --> 00:16:47,066 PEOPLE, THE PEOPLE THAT HELPED 465 00:00:00,000 --> 00:16:50,466 THEM GET ELECTED. 466 00:00:00,000 --> 00:16:52,733 IT INCLUDED MICHELLE OBAMA, RAHM 467 00:00:00,000 --> 00:16:54,400 EMANUEL, DAVID AXELROD AND MAYBE 468 00:00:00,000 --> 00:16:55,533 A COUPLE OTHERS AND THAT BECAME 469 00:00:00,000 --> 00:16:57,333 THE CORE OF THE PEOPLE THAT THE 470 00:00:00,000 --> 00:16:57,666 PRESIDENT RELIED ON. 471 00:00:00,000 --> 00:16:59,800 >> WHAT WAS THE PROBLEM WITH 472 00:00:00,000 --> 00:17:02,300 THAT? 473 00:00:00,000 --> 00:17:03,766 >> THE PROBLEM WAS PEOPLE LIKE 474 00:00:00,000 --> 00:17:05,366 RAY LAHOOD AND OTHERS WHO HAD 475 00:00:00,000 --> 00:17:06,933 EXPERTISE PARTICULARLY IN 476 00:00:00,000 --> 00:17:09,400 POLITICS AND KNOWING POLITICS 477 00:00:00,000 --> 00:17:10,566 AND WASHINGTON WHERE MAYBE WE 478 00:00:00,000 --> 00:17:11,700 FELT WE COULD HAVE ADDED 479 00:00:00,000 --> 00:17:14,366 SOMETHING AND IT DID NOT WORK 480 00:00:00,000 --> 00:17:17,233 THAT WAY. 481 00:00:00,000 --> 00:17:17,833 >> YOU WERE SURPRISED AS I READ 482 00:00:00,000 --> 00:17:21,700 THIS BOOK AND IT IS BY NO MEANS 483 00:00:00,000 --> 00:17:22,733 A BITTER RANT. 484 00:00:00,000 --> 00:17:25,200 IT IS A PRAGMATIC DESCRIPTION 485 00:00:00,000 --> 00:17:26,600 HOW IT WORKED. 486 00:00:00,000 --> 00:17:28,700 BUT YOU WERE NEVER LET INTO THE 487 00:00:00,000 --> 00:17:29,366 INNER CIRCLE. 488 00:00:00,000 --> 00:17:29,766 IS THAT BECAUSE YOU WERE 489 00:00:00,000 --> 00:17:31,400 REPUBLICAN? 490 00:00:00,000 --> 00:17:32,800 >> NO. 491 00:00:00,000 --> 00:17:34,933 IT WAS BECAUSE I WASN'T ON INER 492 00:00:00,000 --> 00:17:37,000 IN CIRCLE TO BEGIN WITH. 493 00:00:00,000 --> 00:17:38,400 THE PEOPLE THAT I LEFT OUT 494 00:00:00,000 --> 00:17:40,266 ROBERT GIBBS HE WAS THERE. 495 00:00:00,000 --> 00:17:42,300 >> YOU WERE NOT CRAZY ABOUT 496 00:00:00,000 --> 00:17:43,633 ROBERT GIBBS, WERE YOU? 497 00:00:00,000 --> 00:17:44,566 >> HE WAS DOING WHAT HE WAS 498 00:00:00,000 --> 00:17:46,966 SUPPOSED TO BE DOING FOR THE 499 00:00:00,000 --> 00:17:48,500 PRESIDENT PROTECTING THE 500 00:00:00,000 --> 00:17:50,000 PRESIDENT AS WERE, I THINK, THE 501 00:00:00,000 --> 00:17:51,933 HANDFUL OF PEOPLE. 502 00:00:00,000 --> 00:17:53,800 >> BUT ONE OF THE THINGS YOU SAY 503 00:00:00,000 --> 00:17:54,333 ABOUT ROBERT GIBBS YOU NEVER GOT 504 00:00:00,000 --> 00:17:55,933 CLOSE AND YOU DO NOT HAVE 505 00:00:00,000 --> 00:17:57,366 REGRETS. 506 00:00:00,000 --> 00:17:59,300 >> NO, NOT REALLY, NO. 507 00:00:00,000 --> 00:17:59,966 HIS STYLE HE HAD TO BATTLE WITH 508 00:00:00,000 --> 00:18:03,466 THE PRESS EVERYDAY AND THAT IS A 509 00:00:00,000 --> 00:18:06,233 DIFFICULT JOB. 510 00:00:00,000 --> 00:18:08,133 >> YOU KNOW I KNOW DEMOCRATS WHO 511 00:00:00,000 --> 00:18:11,166 WERE VERY CLOSE TO THE OBAMA 512 00:00:00,000 --> 00:18:13,033 INNER CIRCLE WHO WERE SAYING THE 513 00:00:00,000 --> 00:18:16,266 SAME THING THAT YOU SAY IN THE 514 00:00:00,000 --> 00:18:17,000 BOOK THAT THERE CAN BE A PROBLEM 515 00:00:00,000 --> 00:18:18,400 WHEN YOU TAKE THE CAMPAIGN INTO 516 00:00:00,000 --> 00:18:19,900 THE GOVERNMENT. 517 00:00:00,000 --> 00:18:22,200 THAT THAT NEEDS TO BE A 518 00:00:00,000 --> 00:18:22,966 DIFFERENT SET OF PLAYERS. 519 00:00:00,000 --> 00:18:25,100 YOU ARE A SUBSCRIBER TO THAT 520 00:00:00,000 --> 00:18:26,933 BELIEF AS WELL? 521 00:00:00,000 --> 00:18:29,500 >> I THINK THE ONLY PERSON WHO 522 00:00:00,000 --> 00:18:31,433 WAS THE MOST AFFECTED BY RAMP 523 00:00:00,000 --> 00:18:34,200 BECAUSE HE HAD BEEN IN CONGRESS 524 00:00:00,000 --> 00:18:35,833 AND HE KNEW MEMBERS OF CONGRESS 525 00:00:00,000 --> 00:18:37,933 ALL THE REST OF THAT GROUP HAD 526 00:00:00,000 --> 00:18:39,500 NEVER BEEN ELECTED TO ANYTHING 527 00:00:00,000 --> 00:18:41,433 AND HAD SERVED IN CONGRESS AND 528 00:00:00,000 --> 00:18:43,100 HAD NEVER BEEN IN WASHINGTON AND 529 00:00:00,000 --> 00:18:44,433 THEY DID NOT HAVE THE EXPERIENCE 530 00:00:00,000 --> 00:18:46,600 AND EXPERTISE IN DEALING WITH 531 00:00:00,000 --> 00:18:47,733 CONGRESS AND TRYING TO MAKE 532 00:00:00,000 --> 00:18:49,533 THINGS HAPPEN AND MAKE THE 533 00:00:00,000 --> 00:18:50,933 SAUSAGE INTO WHATEVER IT WAS 534 00:00:00,000 --> 00:18:53,666 THEY WERE GOING TO MAKE IT INTO. 535 00:00:00,000 --> 00:18:55,500 RAHM EMANUEL HAD THAT ABILITY 536 00:00:00,000 --> 00:18:56,600 AND HE TRIED VERY HARD. 537 00:00:00,000 --> 00:18:58,533 >> HE RECRUITED YOU, RIGHT? 538 00:00:00,000 --> 00:19:01,000 >> HE HELPED ME. 539 00:00:00,000 --> 00:19:03,533 IF IT WEREN'T FOR THE PRESIDENT 540 00:00:00,000 --> 00:19:06,100 I WOULD NOT HAVE HAD THE JOB BUT 541 00:00:00,000 --> 00:19:06,400 RAHM EMANUEL AND I HAD A GREAT 542 00:00:00,000 --> 00:19:08,200 FRIENDSHIP AND HE WAS HELPFUL TO 543 00:00:00,000 --> 00:19:09,833 ME. 544 00:00:00,000 --> 00:19:10,533 >> DO YOU THINK RAHM EMANUEL WAS 545 00:00:00,000 --> 00:19:12,366 EFFECTIVE AS HE WANTED TO BE? 546 00:00:00,000 --> 00:19:13,366 >> YES, I DO. 547 00:00:00,000 --> 00:19:15,100 I THINK HE HAD A LOT OF 548 00:00:00,000 --> 00:19:17,166 FLEXIBILITY AND HE HAD THE 549 00:00:00,000 --> 00:19:18,966 RESPECT OF THAT GROUP OF PEOPLE 550 00:00:00,000 --> 00:19:20,200 BECAUSE THEY WANTED HIM TO BE 551 00:00:00,000 --> 00:19:21,633 CHIEF OF STAFF BECAUSE HE KNEW 552 00:00:00,000 --> 00:19:23,766 WASHINGTON. 553 00:00:00,000 --> 00:19:26,700 >> BUT AT THE SAME TIME WHAT 554 00:00:00,000 --> 00:19:28,633 CAUSED A LOT OF PEOPLE TO MARVEL 555 00:00:00,000 --> 00:19:33,566 WAS FOR AS MUCH AS HE DID KNOW 556 00:00:00,000 --> 00:19:35,033 WASHINGTON, AND FOLLOWING HIM 557 00:00:00,000 --> 00:19:37,666 BILL DALEY NEW WASHINGTON 558 00:00:00,000 --> 00:19:38,733 SOMEHOW THERE WAS NO ABILITY TO 559 00:00:00,000 --> 00:19:41,633 GET CONGRESS TO WORK TOGETHER. 560 00:00:00,000 --> 00:19:43,233 WHY WAS THAT? 561 00:00:00,000 --> 00:19:46,000 >> I THINK IN THE BEGINNING THEY 562 00:00:00,000 --> 00:19:47,733 FELT THAT THEY WOULD REACH OUT, 563 00:00:00,000 --> 00:19:51,933 THEY WOULD TRY, BUT THERE WAS A 564 00:00:00,000 --> 00:19:54,200 REAL REJECTION OF THAT. 565 00:00:00,000 --> 00:19:55,966 AND THEY SAID SPEAKER PELOSI 566 00:00:00,000 --> 00:20:00,566 SAID I GOT THE VOTES AND REID 567 00:00:00,000 --> 00:20:03,366 HAD THE VOTES IN THE SENATE. 568 00:00:00,000 --> 00:20:05,433 BOOM WITHIN 30 DAYS THEY PASSED 569 00:00:00,000 --> 00:20:07,033 $800 BILLION SYSTEM PLUS BILL 570 00:00:00,000 --> 00:20:09,166 AND THEY PASSED HEALTHCARE WITH 571 00:00:00,000 --> 00:20:10,500 DEMOCRATIC VOTES AND I THINK 572 00:00:00,000 --> 00:20:11,400 FROM THEN ON IT WAS REPUBLICANS 573 00:00:00,000 --> 00:20:13,266 FEELING LIKE WE ARE NOT IN THE 574 00:00:00,000 --> 00:20:15,000 GAME ON THIS. 575 00:00:00,000 --> 00:20:16,666 >> AND YOU THOUGHT THAT WAS A 576 00:00:00,000 --> 00:20:17,900 BIG MISTAKE THAT IT HAD TO BE 577 00:00:00,000 --> 00:20:19,866 REPUBLICANS ON THAT BILL AS WELL 578 00:00:00,000 --> 00:20:22,400 AS DEMOCRATS? 579 00:00:00,000 --> 00:20:24,300 >> I THINK IF THE PRESIDENT LEFT 580 00:00:00,000 --> 00:20:26,000 TO HIS OWN INSTINCTS AND 581 00:00:00,000 --> 00:20:26,333 FEELINGS, I THINK HE WOULD HAVE 582 00:00:00,000 --> 00:20:27,766 PICKED UP THE PHONE AND CALLED 583 00:00:00,000 --> 00:20:30,100 PEOPLE. 584 00:00:00,000 --> 00:20:32,400 BUT PEOPLE WERE SAYING HEY IT'S 585 00:00:00,000 --> 00:20:32,733 A WASTE OF TIME TO DO THAT. 586 00:00:00,000 --> 00:20:35,566 HE DID IT WHEN HE WAS A STATE 587 00:00:00,000 --> 00:20:35,933 SENATOR. 588 00:00:00,000 --> 00:20:37,133 HE DID IT WHEN HE WAS A U.S. 589 00:00:00,000 --> 00:20:39,433 SENATOR. 590 00:00:00,000 --> 00:20:40,500 AND WHEN YOU GET INTO THE WHITE 591 00:00:00,000 --> 00:20:42,166 HOUSE THERE IS A LOT OF PEOPLE 592 00:00:00,000 --> 00:20:43,900 AROUND YOU. 593 00:00:00,000 --> 00:20:46,633 >> WERE YOU EVER ABLE TO SIT 594 00:00:00,000 --> 00:20:47,066 DOWN WITH THE PRESIDENT AND SAY 595 00:00:00,000 --> 00:20:48,966 YOU KNOW, THIS IS TOO CLOSED A 596 00:00:00,000 --> 00:20:51,100 CIRCLE. 597 00:00:00,000 --> 00:20:51,966 YOU NEED TO WIDEN IT, YOU NEED 598 00:00:00,000 --> 00:20:55,100 TO TALK TO OTHER PEOPLE AND HEAR 599 00:00:00,000 --> 00:20:58,333 OTHER VOICES. 600 00:00:00,000 --> 00:21:00,233 >> I TALKED TO RAHM EMANUEL FOUR 601 00:00:00,000 --> 00:21:00,633 OR FIVE TIMES A DAY AND I FELT I 602 00:00:00,000 --> 00:21:02,666 WAS COMMUNICATING WITH THE 603 00:00:00,000 --> 00:21:03,933 PRESIDENT. 604 00:00:00,000 --> 00:21:05,833 HE ASKED ME TO MAKE PHONE CALLS 605 00:00:00,000 --> 00:21:12,333 AND COMMUNICATE WITH MEMBERS OF 606 00:00:00,000 --> 00:21:13,833 CONGRESS AND I DID SOME OF THAT. 607 00:00:00,000 --> 00:21:16,800 SO IN TALKING TO RAHM I FELT 608 00:00:00,000 --> 00:21:18,166 THAT WAS CLOSE TO THE PRESIDENT 609 00:00:00,000 --> 00:21:19,700 AND THE PRESIDENT WAS WORRIED 610 00:00:00,000 --> 00:21:22,633 ABOUT THE ECONOMY AND GETTING 611 00:00:00,000 --> 00:21:22,933 OUT OF IRAQ AND OTHER THINGS. 612 00:00:00,000 --> 00:21:26,033 I DID NOT HAVE THE ABILITY TO DO 613 00:00:00,000 --> 00:21:26,866 THAT. 614 00:00:00,000 --> 00:21:28,066 I HAD A GREAT RELATIONSHIP WITH 615 00:00:00,000 --> 00:21:30,166 RAHM. 616 00:00:00,000 --> 00:21:33,166 >> HOW FRUSTRATED WERE YOU? 617 00:00:00,000 --> 00:21:35,000 >> I WAS NOT FRUSTRATED BECAUSE 618 00:00:00,000 --> 00:21:36,666 WE GOT $48 BILLION AND HAD TO 619 00:00:00,000 --> 00:21:38,466 SPEND IT IN TWO YEARS AND WE 620 00:00:00,000 --> 00:21:40,000 WERE OFF TO THE RACES AND 621 00:00:00,000 --> 00:21:40,966 FUNDING PROJECTS THE PRESIDENT 622 00:00:00,000 --> 00:21:42,866 ASKED THE VICE-PRESIDENT TO 623 00:00:00,000 --> 00:21:44,000 OVERSEE THE STIMULUS. 624 00:00:00,000 --> 00:21:44,866 I WAS IN CONTACT WITH THE 625 00:00:00,000 --> 00:21:46,533 VICE-PRESIDENT TWO OR THREE 626 00:00:00,000 --> 00:21:49,800 TIMES A WEEK. 627 00:00:00,000 --> 00:21:52,666 >> AND WHAT YOU WRITE IN YOUR 628 00:00:00,000 --> 00:21:55,466 BOOK IS THAT JOE BIDEN OF THAT 629 00:00:00,000 --> 00:21:55,800 WHOLE INNER CIRCLE WAS THE MOST 630 00:00:00,000 --> 00:21:58,666 BIPARTISAN AND THE LEAST INNER 631 00:00:00,000 --> 00:22:00,833 CIRCLE. 632 00:00:00,000 --> 00:22:02,533 >> HE IS THE MOST LOVED ON 633 00:00:00,000 --> 00:22:04,700 CAPITOL HILL BY PEOPLE ON BOTH 634 00:00:00,000 --> 00:22:06,333 SIDES OF THE AISLE BECAUSE HE 635 00:00:00,000 --> 00:22:07,733 SERVED FOR 35 YEARS. 636 00:00:00,000 --> 00:22:08,766 PEOPLE LOVE JOE BIDEN AND HE CAN 637 00:00:00,000 --> 00:22:12,000 PICK UP THE PHONE AND MAKE 638 00:00:00,000 --> 00:22:14,000 THINGS HAPPEN. 639 00:00:00,000 --> 00:22:16,433 >> WE MADE A VIRTUE OF NOT BEING 640 00:00:00,000 --> 00:22:18,366 IN CONGRESS AND NOT BEING 641 00:00:00,000 --> 00:22:19,800 ELECTED BEING AN OUTSIDER 642 00:00:00,000 --> 00:22:21,766 BECAUSE THAT THEORETICALLY IS A 643 00:00:00,000 --> 00:22:23,466 BETTER WAY TO DO IT, RIGHT? 644 00:00:00,000 --> 00:22:25,233 >> WELL, THAT IS A SILLY 645 00:00:00,000 --> 00:22:26,333 ARGUMENT BECAUSE YOU IF YOU ARE 646 00:00:00,000 --> 00:22:27,266 GOING TO BE EFFECTIVE, YOU NEED 647 00:00:00,000 --> 00:22:29,266 TO BE PART OF THE SYSTEM AND 648 00:00:00,000 --> 00:22:31,533 KNOW THE PEOPLE. 649 00:00:00,000 --> 00:22:33,600 CONGRESS IS ABOUT RELATIONSHIPS. 650 00:00:00,000 --> 00:22:35,133 WHEN THINGS HAPPEN AND THINGS 651 00:00:00,000 --> 00:22:35,800 GET DONE IT'S BECAUSE PEOPLE 652 00:00:00,000 --> 00:22:36,733 HAVE RELATIONSHIPS AND KNOW ONE 653 00:00:00,000 --> 00:22:39,933 ANOTHER. 654 00:00:00,000 --> 00:22:42,600 >> YOUR FRIEND RAHM EMANUEL IS 655 00:00:00,000 --> 00:22:42,933 RIGHT NOW IN THE WORST MALSTROM 656 00:00:00,000 --> 00:22:45,800 HE HAS BEEN IN IN THE CITY OF 657 00:00:00,000 --> 00:22:47,333 CHICAGO. 658 00:00:00,000 --> 00:22:47,633 DO YOU HAVE ADVICE FOR HIM? 659 00:00:00,000 --> 00:22:49,933 >> RAHM EMANUEL WORKS VERY, VERY 660 00:00:00,000 --> 00:22:50,333 HARD. 661 00:00:00,000 --> 00:22:51,066 HE IS VERY SMART AND VERY 662 00:00:00,000 --> 00:22:52,966 DETERMINED. 663 00:00:00,000 --> 00:22:55,033 HE LOVES CHICAGO. 664 00:00:00,000 --> 00:22:55,433 HE LOVES THE PEOPLE OF CHICAGO. 665 00:00:00,000 --> 00:22:56,800 AND HE WILL CONTINUE TO BE 666 00:00:00,000 --> 00:22:58,233 SUCCESSFUL. 667 00:00:00,000 --> 00:22:59,166 >> DO YOU THINK THAT THERE ARE 668 00:00:00,000 --> 00:23:02,566 THINGS THAT HE COULD DO THAT HE 669 00:00:00,000 --> 00:23:04,166 HAS NOT DONE? 670 00:00:00,000 --> 00:23:06,833 >> I THINK STANDING UP BEFORE 671 00:00:00,000 --> 00:23:09,200 THE CITY COUNCIL AND APOLOGIZING 672 00:00:00,000 --> 00:23:12,133 TO THE PEOPLE OF CHICAGO WAS A 673 00:00:00,000 --> 00:23:13,400 HUGE BIG STEP AND IT WILL TAKE 674 00:00:00,000 --> 00:23:15,033 HIM A LONG WAY IN RECOVERING 675 00:00:00,000 --> 00:23:16,500 WHATEVER HE HAS TO RECOVER WITH 676 00:00:00,000 --> 00:23:17,366 THE PEOPLE OF CHICAGO. 677 00:00:00,000 --> 00:23:20,433 >> IN YOUR BRIEF TIME IN THE 678 00:00:00,000 --> 00:23:23,700 ILLINOIS STATE LEGISLATURE AND 679 00:00:00,000 --> 00:23:25,100 IN CONGRESS, YOU WERE FRIENDS 680 00:00:00,000 --> 00:23:25,700 WITH AND COLLEAGUES WITH DENNIS 681 00:00:00,000 --> 00:23:27,566 HASTERT WHO BECAME THE SPEAKER 682 00:00:00,000 --> 00:23:29,266 OF THE HOUSE. 683 00:00:00,000 --> 00:23:29,700 WHEN HE WAS INDICTED HOW 684 00:00:00,000 --> 00:23:31,266 SURPRISED OR NOT SURPRISED WERE 685 00:00:00,000 --> 00:23:31,600 YOU? 686 00:00:00,000 --> 00:23:35,233 >> I WAS SHOCKED LIKE MOST 687 00:00:00,000 --> 00:23:35,933 PEOPLE. 688 00:00:00,000 --> 00:23:39,333 I WAS STUNNED BY THAT AND SAD 689 00:00:00,000 --> 00:23:40,300 ESPECIALLIED. 690 00:00:00,000 --> 00:23:42,733 I'VE KNOWN DENNY GOING BACK TO 691 00:00:00,000 --> 00:23:45,533 1982. 692 00:00:00,000 --> 00:23:47,266 AND I KNOW HIS WIFE AND BOYS. 693 00:00:00,000 --> 00:23:49,666 AND I'M SADDENED BY ALL OF IT I 694 00:00:00,000 --> 00:23:52,233 AM FOR THEIR FAMILY AND DENNY 695 00:00:00,000 --> 00:23:53,933 AND FOR HIS SERVICE. 696 00:00:00,000 --> 00:23:55,433 >> WAS THERE ANY SENSE THAT YOU 697 00:00:00,000 --> 00:24:01,433 EVER HAD THAT THERE MIGHT BE 698 00:00:00,000 --> 00:24:01,933 SOMETHING IN HIS PAST THAT HE 699 00:00:00,000 --> 00:24:02,500 WAS POSSIBLY TRYING TO PAPER 700 00:00:00,000 --> 00:24:04,333 OVER. 701 00:00:00,000 --> 00:24:07,500 >> NONE, ZERO. 702 00:00:00,000 --> 00:24:12,000 I COULD NOT CONCEIVE THAT THIS 703 00:00:00,000 --> 00:24:12,300 WOULD BE A PART OF HIS PAST. 704 00:00:00,000 --> 00:24:14,466 >> IN YOUR WORLD THERE CAME ERIN 705 00:00:00,000 --> 00:24:17,000 SHOCK. 706 00:00:00,000 --> 00:24:20,366 HAD A LOT OF POLITICAL JUICE. 707 00:00:00,000 --> 00:24:23,666 ARE YOU SURPRISED WHAT HAPPENED? 708 00:00:00,000 --> 00:24:25,400 >> I AM SURPRISED. 709 00:00:00,000 --> 00:24:26,066 ERIN WAS ON A TRAJECTORY TO BE 710 00:00:00,000 --> 00:24:27,966 ONE OF THE BRIGHTEST STARS IN 711 00:00:00,000 --> 00:24:32,000 THE REPUBLICAN PARTY. 712 00:00:00,000 --> 00:24:33,866 HE WAS MOVING VERY FAST. 713 00:00:00,000 --> 00:24:36,333 MAYBE TOO FAST FOR HIS OWN GOOD. 714 00:00:00,000 --> 00:24:38,233 AND WE'RE SAD ABOUT THAT BECAUSE 715 00:00:00,000 --> 00:24:40,333 WE HELPED AARON WHEN HE WAS A 716 00:00:00,000 --> 00:24:41,900 STATE REP AND HELPED HIM ON THE 717 00:00:00,000 --> 00:24:43,733 SCHOOL BOARD AND HELPED HIM GET 718 00:00:00,000 --> 00:24:44,966 ELECTED TO CONGRESS. 719 00:00:00,000 --> 00:24:46,500 AND WE ARE SADDENED BY ALL THAT 720 00:00:00,000 --> 00:24:48,366 HAS HAPPENED TO HIM. 721 00:00:00,000 --> 00:24:50,166 >> AND YOUR SON IS IN THE SEAT 722 00:00:00,000 --> 00:24:52,100 THAT YOU USED TO HAVE THAT AARON 723 00:00:00,000 --> 00:24:54,266 SHOCK USED TO HAVE. 724 00:00:00,000 --> 00:24:55,166 AND ONE OF THE THINGS THAT 725 00:00:00,000 --> 00:24:57,233 TICKLED ME YOUR SON IS MORE 726 00:00:00,000 --> 00:25:00,900 CONSERVATIVE THAN YOU. 727 00:00:00,000 --> 00:25:03,733 HOW DID THAT HAPPEN? 728 00:00:00,000 --> 00:25:04,133 >> WELL, MAYBE JUST BECAUSE HE'S 729 00:00:00,000 --> 00:25:05,700 A LAWYER, A TRAINED LAWYER, A 730 00:00:00,000 --> 00:25:08,766 PROSECUTOR. 731 00:00:00,000 --> 00:25:11,700 HE LIKED PROSECUTING PEOPLE WHEN 732 00:00:00,000 --> 00:25:12,133 HE WAS A FORMER ASSISTANT U.S. 733 00:00:00,000 --> 00:25:13,300 ATTORNEY AND HE JUST HE IS MORE 734 00:00:00,000 --> 00:25:13,733 CONSERVATIVE. 735 00:00:00,000 --> 00:25:15,600 CENTRAL ILLINOIS IS 736 00:00:00,000 --> 00:25:17,366 CONSERVATIVE. 737 00:00:00,000 --> 00:25:19,566 >> BUT YOU GOT ELECTED AND 738 00:00:00,000 --> 00:25:21,233 ELECTED AND ELECTED AND YOU WERE 739 00:00:00,000 --> 00:25:23,266 CONSIDERED A MODERATE SOMEBODY 740 00:00:00,000 --> 00:25:25,533 WHO COULD WORK BOTH SIDES OF THE 741 00:00:00,000 --> 00:25:27,133 AISLE SO YOU MANAGED. 742 00:00:00,000 --> 00:25:28,766 >> WELL, I THINK DARREN WILL 743 00:00:00,000 --> 00:25:29,800 TURNOUT TO BE A GOOD CONGRESSMAN 744 00:00:00,000 --> 00:25:31,466 AND HE WILL WORK HARD FOR THE 745 00:00:00,000 --> 00:25:33,233 PEOPLE OF CENTRAL ILLINOIS AND 746 00:00:00,000 --> 00:25:34,000 FOR ILLINOIS AND THE COUNTRY. 747 00:00:00,000 --> 00:25:35,500 >> HAVE YOU PICKED A 748 00:00:00,000 --> 00:25:38,200 PRESIDENTIAL CANDIDATE? 749 00:00:00,000 --> 00:25:40,300 >> I LIKE JEB BUSH. 750 00:00:00,000 --> 00:25:41,900 I THINK HIS TIME AS GOVERNOR OF 751 00:00:00,000 --> 00:25:44,066 FLORIDA A BIG STATE DIVERSE 752 00:00:00,000 --> 00:25:45,066 STATE VERY SUCCESSFUL GOVERNOR, 753 00:00:00,000 --> 00:25:47,500 PLUS HE COMES FROM A VERY, VERY 754 00:00:00,000 --> 00:25:47,800 GOOD FAMILY. 755 00:00:00,000 --> 00:25:49,500 >> BUT HE IS TANKING IN THE 756 00:00:00,000 --> 00:25:49,833 POLLS. 757 00:00:00,000 --> 00:25:52,500 YOU WATCHING THE REPUBLICAN 758 00:00:00,000 --> 00:25:53,300 DEBATES? 759 00:00:00,000 --> 00:25:58,000 >> I WATCHED THE REPUBLICAN 760 00:00:00,000 --> 00:26:04,366 DEBATES. 761 00:00:00,000 --> 00:26:05,366 AND I'M SADDENED BY ALL OF THE 762 00:00:00,000 --> 00:26:07,933 KIND OF VISITRIALIC NASTY WORDS 763 00:00:00,000 --> 00:26:08,333 AGAINST PEOPLE THAT HAVE 764 00:00:00,000 --> 00:26:11,233 CONTRIBUTED A LOT TO OUR 765 00:00:00,000 --> 00:26:13,333 COUNTRY. 766 00:00:00,000 --> 00:26:16,666 SO I HOPE THAT JEB WILL PREVAIL. 767 00:00:00,000 --> 00:26:17,966 >> AND IF DONALD TRUMP PREVAILS, 768 00:00:00,000 --> 00:26:19,300 COULD YOU AS A LIFELONG 769 00:00:00,000 --> 00:26:20,900 REPUBLICAN WHO DID VOTE FOR 770 00:00:00,000 --> 00:26:21,366 PRESIDENT OBAMA WHEN YOU SERVED 771 00:00:00,000 --> 00:26:22,400 HIM, COULD YOU VOTE FOR DONALD 772 00:00:00,000 --> 00:26:23,700 TRUMP? 773 00:00:00,000 --> 00:26:26,400 >> DONALD TRUMP'S NOT GOING TO 774 00:00:00,000 --> 00:26:27,966 BE THE NOMINEE. 775 00:00:00,000 --> 00:26:28,333 HE WON'T BE THE NOMINEE AND HE 776 00:00:00,000 --> 00:26:30,266 COULD NEVER GET ELECTED 777 00:00:00,000 --> 00:26:31,766 PRESIDENT. 778 00:00:00,000 --> 00:26:32,933 HE HAS OFFENDED TOO MANY PEOPLE. 779 00:00:00,000 --> 00:26:34,633 >> DOES THAT MEAN NO YOU WOULD 780 00:00:00,000 --> 00:26:35,500 NOT VOTE FOR HIM. 781 00:00:00,000 --> 00:26:37,633 >> I DO NOT THINK THERE WILL BE 782 00:00:00,000 --> 00:26:37,966 AN OPPORTUNITY TO DO THAT. 783 00:00:00,000 --> 00:26:39,633 I WILL NOT VOTE FOR HIM IN THE 784 00:00:00,000 --> 00:26:41,033 PRIMARY. 785 00:00:00,000 --> 00:26:42,533 I WILL VOTE FOR JEB BUSH AND HE 786 00:00:00,000 --> 00:26:43,966 WILL NOT BE OUR NOMINEE. 787 00:00:00,000 --> 00:26:44,633 >> YOU WERE ON AIR FORCE ONE 788 00:00:00,000 --> 00:26:46,266 WITH PRESIDENT OBAMA AND YOU HAD 789 00:00:00,000 --> 00:26:48,600 WRITTEN THIS BOOK. 790 00:00:00,000 --> 00:26:49,633 DID YOU TELL HIM IN THE BOOK 791 00:00:00,000 --> 00:26:50,666 WHILE YOU GIVE HIM HIGH MARKS IN 792 00:00:00,000 --> 00:26:51,033 YOUR PERSONAL RELATIONSHIP THERE 793 00:00:00,000 --> 00:26:52,366 WERE PROBLEMS IN THAT WHITE 794 00:00:00,000 --> 00:26:53,833 HOUSE? 795 00:00:00,000 --> 00:26:55,733 >> YOU KNOW WE DID NOT TALK 796 00:00:00,000 --> 00:26:56,100 ABOUT THE BOOK. 797 00:00:00,000 --> 00:26:57,733 THE BOOK I DON'T KNOW IF IT WAS 798 00:00:00,000 --> 00:26:58,933 FINISHED. 799 00:00:00,000 --> 00:27:01,300 IT MIGHT HAVE BEEN FINISHED BUT 800 00:00:00,000 --> 00:27:03,066 I DID NOT TALK ABOUT THAT. 801 00:00:00,000 --> 00:27:04,500 WE TALKED ABOUT SOME OF THE GOOD 802 00:00:00,000 --> 00:27:08,233 THINGS THAT WE DID TOGETHER IN 803 00:00:00,000 --> 00:27:09,766 TRANSPORTATION WHILE I WAS AT 804 00:00:00,000 --> 00:27:11,466 D.O.T. AND WHAT WE ACCOMPLISHED 805 00:00:00,000 --> 00:27:11,833 REALLY WORKING TOGETHER. 806 00:00:00,000 --> 00:27:14,466 AND WHAT WE ACCOMPLISH FOR 807 00:00:00,000 --> 00:27:15,566 ILLINOIS. 808 00:00:00,000 --> 00:27:17,866 AND AS I SAID, WE WILL HAVE AN 809 00:00:00,000 --> 00:27:19,566 ENDURING FRIENDSHIP. 810 00:00:00,000 --> 00:27:20,333 >> EVER GOING TO RUN AGAIN? 811 00:00:00,000 --> 00:27:21,466 >> I AM NOT EVER GOING TO RUN 812 00:00:00,000 --> 00:27:21,966 FOR OFFICE AGAIN. 813 00:00:00,000 --> 00:27:24,066 >> NEVER EVER? 814 00:00:00,000 --> 00:27:24,866 >> NEVER. 815 00:00:00,000 --> 00:27:27,633 >> RAY LAHOOD ALWAYS A PLEASURE. 816 00:00:00,000 --> 00:27:28,333 >> THANK YOU. 817 00:00:00,000 --> 00:27:30,466 >> THE BOOK IS, "SEEKING 818 00:00:00,000 --> 00:27:31,400 BIPARTISANSHIP: MY LIFE IN 819 00:00:00,000 --> 00:27:32,366 POLITICS" RAY LAHOOD. 820 00:00:00,000 --> 00:27:34,000 THANK YOU AGAIN. 821 00:00:00,000 --> 00:27:36,000 AND "CHICAGO TONIGHT" CONTINUES 822 00:00:00,000 --> 00:27:37,400 IN A MOMENT. 823 00:00:00,000 --> 00:27:48,100 PLEASE DO NOT GO AWAY. CHICAGO TONIGHT IS MADE POSSIBLE IN PART BY... 824 00:28:11,566 --> 00:28:17,966 >> STILL TO COME ON "CHICAGO 825 00:00:00,000 --> 00:28:20,700 TONIGHT", ANOTHER PAINFULLY LONG 826 00:00:00,000 --> 00:28:24,100 SEASON FOR BEARS FANS. 827 00:00:00,000 --> 00:28:26,033 JAMES BIG CAT WILLIAMS IS HERE. 828 00:00:00,000 --> 00:28:28,766 AND LEGENDARY PHOTOS OF 70s 829 00:00:00,000 --> 00:28:30,866 CHICAGO CLUB SCENE INSPIRE A NEW 830 00:00:00,000 --> 00:28:31,800 BOOK AND POETRY. 831 00:00:00,000 --> 00:28:33,800 CHICAGO'S CONNECTION TO THE 832 00:00:00,000 --> 00:28:36,000 FIRST "STAR WARS" EPISODE AND 833 00:00:00,000 --> 00:28:37,833 THE ANSWER AND WINNER OF OUR 834 00:00:00,000 --> 00:28:39,433 SECOND "CHICAGO TONIGHT" PUZZLE. 835 00:00:00,000 --> 00:28:40,866 >>> FIRST FOR SIX WEEKS DRAMATIC 836 00:00:00,000 --> 00:28:42,100 WORK OF RELIGIOUS ART IS 837 00:00:00,000 --> 00:28:44,366 UNVEILED IN CHICAGO. 838 00:00:00,000 --> 00:28:46,600 CHRISTMAS SEASON IS THE ONLY 839 00:00:00,000 --> 00:28:48,733 TIME TO SEE A RARE NATIVITY 840 00:00:00,000 --> 00:28:50,100 SCENE THAT BLENDS SPIRITUAL AND 841 00:00:00,000 --> 00:28:52,366 EARTHLY PURSUITS. 842 00:00:00,000 --> 00:28:55,766 "CHICAGO TONIGHT" VISITED THE 843 00:00:00,000 --> 00:28:57,066 ART INSTITUTE AND FOUND THE ART 844 00:00:00,000 --> 00:29:02,433 SEEN IN CHURCHES IN 18TH CENTURY 845 00:00:00,000 --> 00:29:03,800 NAPLES. 846 00:00:00,000 --> 00:29:06,000 [♪♪♪] 847 00:00:00,000 --> 00:29:08,466 IT'S CALLED A CRECHE. 848 00:00:00,000 --> 00:29:11,133 IT IS A TRADITIONAL NATIVITY 849 00:00:00,000 --> 00:29:11,433 SCENE WITH THE INFANT JESUS, THE 850 00:00:00,000 --> 00:29:14,333 HOLY FAMILY, AND THE THREE WISE 851 00:00:00,000 --> 00:29:14,833 MEN. 852 00:00:00,000 --> 00:29:17,533 BUT THIS ONE HAS A CAST OF 853 00:00:00,000 --> 00:29:19,400 HUNDREDS. 854 00:00:00,000 --> 00:29:24,100 >> A CRECHE IS A SCENE THAT AT 855 00:00:00,000 --> 00:29:25,800 THE VERY CORE SHOWS THE SCENE OF 856 00:00:00,000 --> 00:29:27,333 THE BIRTH OF CHRIST BUT THEN IN 857 00:00:00,000 --> 00:29:28,900 THE NEOPOLITAN TRADITION THAT 858 00:00:00,000 --> 00:29:31,900 EXPANDS TO A CAST OF CHARACTERS. 859 00:00:00,000 --> 00:29:33,366 SO IT INCLUDES THE ARRIVAL OF 860 00:00:00,000 --> 00:29:37,933 THE THREE KINGS, AND IT INCLUDES 861 00:00:00,000 --> 00:29:39,600 THE ANNUNCIATION OF CHRIST'S 862 00:00:00,000 --> 00:29:41,366 BIRTH TO THE SHEPHERDS AND A 863 00:00:00,000 --> 00:29:43,933 TAVERN SPRING WHICH BRINGS IN 864 00:00:00,000 --> 00:29:44,400 THE LIFE AND CHARACTERS FROM 865 00:00:00,000 --> 00:29:46,733 DAILY LIFE OF NAPLES IN THE 866 00:00:00,000 --> 00:29:48,933 CENTURY. 867 00:00:00,000 --> 00:29:51,833 >> YES, THE SETTING IS NAPLES 868 00:00:00,000 --> 00:29:53,133 NOT BETHLEHEM. 869 00:00:00,000 --> 00:29:53,500 COSTUMES REFLECT THE NEOPOLITAN 870 00:00:00,000 --> 00:29:55,300 FASHIONS OF THE LATE 18TH 871 00:00:00,000 --> 00:29:58,366 CENTURY. 872 00:00:00,000 --> 00:29:58,700 IT IS A MIX OF CONTEMPORARY FOR 873 00:00:00,000 --> 00:30:00,733 THE ERA WITH THE ORIGIN STORY OF 874 00:00:00,000 --> 00:30:03,700 CHRIST. 875 00:00:00,000 --> 00:30:05,000 THIS CRECHE WAS MADE IN NAPLES, 876 00:00:00,000 --> 00:30:07,366 BEGINNING IN THE MID-1700'S BY 877 00:00:00,000 --> 00:30:08,900 ARTISTS AND CRAFTSMEN 878 00:00:00,000 --> 00:30:10,666 COMMISSIONED BY THE CATHOLIC 879 00:00:00,000 --> 00:30:13,233 CHURCH AND LOCAL NOBILITY. 880 00:00:00,000 --> 00:30:14,800 THEY WENT FOR BAROQUE. 881 00:00:00,000 --> 00:30:17,166 >> THE MAKING OF THE CRECHE 882 00:00:00,000 --> 00:30:20,766 BECAME PARTICULAR IT WAS AN 883 00:00:00,000 --> 00:30:22,000 ASSEMBLY LINE PROCESS ONE ARTIST 884 00:00:00,000 --> 00:30:23,833 WOULD SPECIALIZE IN MAKING THE 885 00:00:00,000 --> 00:30:26,300 TERRACOTTA HEADS AND PAINTING 886 00:00:00,000 --> 00:30:27,733 THEM AND ANOTHER ARTIST WOULD 887 00:00:00,000 --> 00:30:29,900 MAKE THE WIRE ARMATURE OF THE 888 00:00:00,000 --> 00:30:30,266 BODY TO BE MOLDED. 889 00:00:00,000 --> 00:30:33,000 AND AN ARTIST WOULD MAKE THE 890 00:00:00,000 --> 00:30:35,033 COSTUME. 891 00:00:00,000 --> 00:30:36,600 ARTIST WOULD MAKE THE ANIMALS 892 00:00:00,000 --> 00:30:38,833 THAT POPULATE THE SCENE AND ALSO 893 00:00:00,000 --> 00:30:40,600 THE SMALL STILL LIFE OBJECTS SO 894 00:00:00,000 --> 00:30:42,366 THAT THE SILVER TABLE SETTINGS 895 00:00:00,000 --> 00:30:45,200 WERE MADE BY SILVER SMITHS AND 896 00:00:00,000 --> 00:30:50,266 THE INSTRUMENTS WERE MADE BY 897 00:00:00,000 --> 00:30:52,033 LOOP MAKERS. 898 00:00:00,000 --> 00:30:54,666 [♪♪♪] 899 00:00:00,000 --> 00:30:56,633 >> INSTALLED IN A CABINET, THE 900 00:00:00,000 --> 00:30:57,666 CRECHE IS A THEATRICAL SCENE 901 00:00:00,000 --> 00:30:59,266 FILLED TO THE CORNERS WITH 902 00:00:00,000 --> 00:31:02,366 INGENIOUSLY CRAFTED FIGURESSISM 903 00:00:00,000 --> 00:31:04,100 THE FIGURES ARE MADE FROM A MIX 904 00:00:00,000 --> 00:31:04,833 OF MATERIALS AND WE HAVE ON VIEW 905 00:00:00,000 --> 00:31:06,866 AN EXAMPLE HOW THE FIGURES ARE 906 00:00:00,000 --> 00:31:10,000 PUT TOGETHER. 907 00:00:00,000 --> 00:31:13,600 SO THE BODY OF THE FIGURE IS A 908 00:00:00,000 --> 00:31:16,133 WIRE ARMATURE THAT IS COVERED IN 909 00:00:00,000 --> 00:31:19,066 A HEM AND LIKE SEVERAL TO THE 910 00:00:00,000 --> 00:31:20,633 ARMS AND LEGS CAN BE BENT AND 911 00:00:00,000 --> 00:31:22,200 ARRANGED AND IT HAS A TERRACOTTA 912 00:00:00,000 --> 00:31:25,433 HEAD THAT IS PAINTED AND THE 913 00:00:00,000 --> 00:31:28,200 HANDS AND THE FEET ARE MADE OF 914 00:00:00,000 --> 00:31:29,700 WOOD ORATOR RA COT TA AS WELL 915 00:00:00,000 --> 00:31:31,366 AND A REAL SILK COSTUME COVERS 916 00:00:00,000 --> 00:31:33,266 ALL OF THAT. 917 00:00:00,000 --> 00:31:35,500 >> THE SILK COSTUMES ARE THE 918 00:00:00,000 --> 00:31:37,166 REASON THE CRECHE MUST REMAIN IN 919 00:00:00,000 --> 00:31:39,366 THE DARK FOR MUCH OF THE YEAR. 920 00:00:00,000 --> 00:31:41,533 >> WE ARE ONLY ABE TO EXHIBIT 921 00:00:00,000 --> 00:31:44,800 THE CRECHE FOR SIX WEEKS OF THE 922 00:00:00,000 --> 00:31:46,300 YEAR BECAUSE THE MATERIALS ARE 923 00:00:00,000 --> 00:31:48,800 FRAGILE AND THE ORIGINAL SILK 924 00:00:00,000 --> 00:31:50,066 COSTUMES ARE LIKELY TO FADE SO 925 00:00:00,000 --> 00:31:51,866 IT HAS TO REST IN THE DARKNESS 926 00:00:00,000 --> 00:31:53,633 FOR THE MAJORITY OF THE YEAR 927 00:00:00,000 --> 00:31:55,300 WHICH IS GREAT FOR US TO HAVE 928 00:00:00,000 --> 00:31:56,733 THE CELEBRATION AROUND IT EVERY 929 00:00:00,000 --> 00:31:59,066 YEAR AT CHRISTMASTIME. 930 00:00:00,000 --> 00:32:01,166 >> THERE ARE BELIEVED TO BE ONLY 931 00:00:00,000 --> 00:32:03,500 A DOZEN CRECHES IN THE WORLD OF 932 00:00:00,000 --> 00:32:05,566 THIS QUALITY AND SCALE. 933 00:00:00,000 --> 00:32:06,733 THE ART INSTITUTE ACQUIRED 934 00:00:00,000 --> 00:32:11,033 THEIRS FROM AN ITALIAN COLLECTOR 935 00:00:00,000 --> 00:32:13,366 IN 2013. 936 00:00:00,000 --> 00:32:15,833 IT WAS ASSEMBLED OVER YEARS. 937 00:00:00,000 --> 00:32:18,100 AND IT'S ON VIEW 40 DAYS A YEAR, 938 00:00:00,000 --> 00:32:19,866 THE CRECHE IS TOO BIG TO MOVE. 939 00:00:00,000 --> 00:32:21,933 >> WHEN WE CLOSE DOWN THE 940 00:00:00,000 --> 00:32:23,500 EXHIBITION WE INSTALL A WALL IN 941 00:00:00,000 --> 00:32:23,800 FRONT OF IT AND KEEP IT IN THE 942 00:00:00,000 --> 00:32:25,366 DARK FOR THE MAJORITY OF THE 943 00:00:00,000 --> 00:32:27,700 YEAR. 944 00:00:00,000 --> 00:32:31,900 WHEN YOU COME AND VISIT THE 945 00:00:00,000 --> 00:32:33,733 MUSEUM YOU WOULD NOT KNOW IT'S 946 00:00:00,000 --> 00:32:36,233 HIDING BEHIND THE WALL. 947 00:00:00,000 --> 00:32:39,200 >> BY THE WAY, THE WORD CRECHE 948 00:00:00,000 --> 00:32:40,933 COMES FROM THE FRENCH FOR CRIB. 949 00:00:00,000 --> 00:32:42,800 THE ART INSTITUTE'S CRECHE IS ON 950 00:00:00,000 --> 00:32:43,633 VIEW IN THE EUROPEAN PAINTING 951 00:00:00,000 --> 00:32:45,600 AND SCULPTURE GALLERIES THROUGH 952 00:00:00,000 --> 00:32:46,200 JANUARY 10TH. 953 00:00:00,000 --> 00:32:48,033 MORE ON OUR WEBSITE. 954 00:00:00,000 --> 00:32:49,833 >>> IT IS OFFICIAL. 955 00:00:00,000 --> 00:32:51,633 IN CASE YOU WERE WONDERING. 956 00:00:00,000 --> 00:32:53,600 THE BEARS ARE ELIMINATED FROM 957 00:00:00,000 --> 00:32:55,266 THE PLAYOFFS. 958 00:00:00,000 --> 00:32:59,700 AND THEIR LOSS TO THE VIKINGS 959 00:00:00,000 --> 00:33:00,966 YESTERDAY SECURED THEIR STATUS 960 00:00:00,000 --> 00:33:02,033 AS A SUB.500 TEAM AND CREATED 961 00:00:00,000 --> 00:33:04,166 MORE QUESTIONS HEADING INTO THE 962 00:00:00,000 --> 00:33:05,800 FINAL TWO GAMES. 963 00:00:00,000 --> 00:33:07,200 WHY HAS THE TEAM REGRESSED SINCE 964 00:00:00,000 --> 00:33:09,300 THE THANKSGIVING AT LAMBEAU 965 00:00:00,000 --> 00:33:11,333 FIELD AGAINST THE PACKERS? 966 00:00:00,000 --> 00:33:13,466 AND WHICH PLAYERS ARE DOING WELL 967 00:00:00,000 --> 00:33:15,300 ENOUGH TO KEEP THEIR ROSTER SPOT 968 00:00:00,000 --> 00:33:18,966 FOR NEXT SEASON? 969 00:00:00,000 --> 00:33:20,833 JAMES BIG CAT WILLIAMS JOINS ANN 970 00:00:00,000 --> 00:33:21,700 KREITER ON OUR WEEKLY EDITION OF 971 00:00:00,000 --> 00:33:24,033 BIG CAT AND THE BEARS. 972 00:00:00,000 --> 00:33:27,000 >> THANK YOU. 973 00:00:00,000 --> 00:33:29,000 UNLIKE THE BEARS FIVE LOSSES, 974 00:00:00,000 --> 00:33:31,833 THIS ONE WASN'T CLOSE. 975 00:00:00,000 --> 00:33:33,166 JAMES, IT WAS UGLY, IT WAS UGLY. 976 00:00:00,000 --> 00:33:37,533 AS YOU WERE WATCHING THE GAME 977 00:00:00,000 --> 00:33:39,500 UNFOLD, WHAT WERE YOU THINKING 978 00:00:00,000 --> 00:33:41,433 ABOUT THE STATE OF JOHN FOXX'S 979 00:00:00,000 --> 00:33:43,233 BEARS? 980 00:00:00,000 --> 00:33:45,566 >> IT WAS HARD TO WATCH. 981 00:00:00,000 --> 00:33:47,733 YOU SIT DOWN AND EXPECT TO SEE A 982 00:00:00,000 --> 00:33:49,800 GOOD GAME BECAUSE IT IS A 983 00:00:00,000 --> 00:33:51,333 RIVALRY GAME BETWEEN TWO TEAMS 984 00:00:00,000 --> 00:33:52,500 THAT PLAY QUITE A BIT AND DON'T 985 00:00:00,000 --> 00:33:55,800 LIKE EACH OTHER AND YOU EXPECTED 986 00:00:00,000 --> 00:33:59,600 TO SEE A LITTLE BIT MORE. 987 00:00:00,000 --> 00:34:00,233 FOR THEM TO COME OUT AND NOT DO 988 00:00:00,000 --> 00:34:01,166 VERY MUCH AFTER SUCH A GOOD 989 00:00:00,000 --> 00:34:02,333 KICKOFF RETURN. 990 00:00:00,000 --> 00:34:03,933 IT WAS HARD TO WATCH. 991 00:00:00,000 --> 00:34:05,333 IT WAS A LONG GAME. 992 00:00:00,000 --> 00:34:06,800 >> AND THE OFFENSE FIRST. 993 00:00:00,000 --> 00:34:08,900 IT WAS BRUTAL. 994 00:00:00,000 --> 00:34:11,266 IT WAS BROW TALL. 995 00:00:00,000 --> 00:34:12,700 THEY ONLY GAINED 10 YARDS IN THE 996 00:00:00,000 --> 00:34:15,700 FIRST QUARTER FOR THE ABISMAL 997 00:00:00,000 --> 00:34:18,300 STAT OF THE DAY. 998 00:00:00,000 --> 00:34:21,100 AFTER THAT GREAT KICK RETURN WE 999 00:00:00,000 --> 00:34:24,600 HAVE THIS. 1000 00:00:00,000 --> 00:34:26,033 MATT FORTE RIPPING OFF A 35-YARD 1001 00:00:00,000 --> 00:34:28,833 RUN AND IT'S NEGATED BECAUSE OF 1002 00:00:00,000 --> 00:34:31,300 A PENALTY ON THE ROOKIE. 1003 00:00:00,000 --> 00:34:32,366 WHAT IS YOUR TAKE ON THE ROOKIE? 1004 00:00:00,000 --> 00:34:33,833 IS HE UP TO THE TASK OF BEING AN 1005 00:00:00,000 --> 00:34:35,466 NFL CENTER? 1006 00:00:00,000 --> 00:34:38,666 >> IT DEPENDS ON THE SITUATION. 1007 00:00:00,000 --> 00:34:40,333 YOU LOOK AT SOME GUYS AND THEY 1008 00:00:00,000 --> 00:34:43,166 HAVE TO FIT INTO THE SYSTEM. 1009 00:00:00,000 --> 00:34:46,266 WHETHER OR NOT HE FITS INTO THE 1010 00:00:00,000 --> 00:34:46,700 SYSTEM WITH WHAT FOXX AND THESE 1011 00:00:00,000 --> 00:34:48,166 GUYS WANT TO DO, I'M NOT SURE 1012 00:00:00,000 --> 00:34:50,466 YET. 1013 00:00:00,000 --> 00:34:51,633 BECAUSE FROM EVERYTHING THEY SAY 1014 00:00:00,000 --> 00:34:53,200 THEY WANT TO BE A POUNDING 1015 00:00:00,000 --> 00:34:56,366 FOOTBALL TEAM. 1016 00:00:00,000 --> 00:34:56,733 THEY WANT TO RUN THE BALL AND 1017 00:00:00,000 --> 00:34:58,466 STICK IT UP IN THERE AND PLAY 1018 00:00:00,000 --> 00:35:00,700 DEFENSE. 1019 00:00:00,000 --> 00:35:03,033 AND YOU NEED SOMEBODY THAT IS 1020 00:00:00,000 --> 00:35:03,400 GOING TO BE ABLE TO BLOW PEOPLE 1021 00:00:00,000 --> 00:35:04,766 OFF THE BALL NOT A POSITION 1022 00:00:00,000 --> 00:35:07,366 BLOCKER. 1023 00:00:00,000 --> 00:35:10,300 IT WILL BE INTERESTING TO SEE AS 1024 00:00:00,000 --> 00:35:11,700 TIME GOES ON WHETHER OR NOT THEY 1025 00:00:00,000 --> 00:35:14,966 DO SOME THINGS TO COMPENSATE FOR 1026 00:00:00,000 --> 00:35:16,533 THE TYPE OF TECHNIQUE THAT HE 1027 00:00:00,000 --> 00:35:17,833 CAN PLAY OR TRY AND BULK HIM UP 1028 00:00:00,000 --> 00:35:21,266 MUSCLE WISE TO MAKE HIM MORE OF 1029 00:00:00,000 --> 00:35:21,733 A PHYSICAL PLAYER. 1030 00:00:00,000 --> 00:35:23,733 >> AND THAT OFFENSIVE LINE 1031 00:00:00,000 --> 00:35:24,033 SUFFERED. 1032 00:00:00,000 --> 00:35:26,466 JAY CUTLER GOT SACKED FIVE 1033 00:00:00,000 --> 00:35:28,633 TIMES. 1034 00:00:00,000 --> 00:35:31,666 AS FOR THE DEFENSE, ANOTHER SLOW 1035 00:00:00,000 --> 00:35:33,033 START ON DEFENSE. 1036 00:00:00,000 --> 00:35:33,700 THE VIKINGS' OPENING DRIVE 1037 00:00:00,000 --> 00:35:35,566 CHEWED UP 6-AND-A-HALF MINUTES 1038 00:00:00,000 --> 00:35:37,700 ON THE CLOCK. 1039 00:00:00,000 --> 00:35:39,466 WHY DO YOU THINK IT IS THIS LATE 1040 00:00:00,000 --> 00:35:40,600 IN THE SEASON THAT WE ARE JUST 1041 00:00:00,000 --> 00:35:41,400 SEEING SOMETHING LIKE A LOT OF 1042 00:00:00,000 --> 00:35:44,433 MISSED TACKLES? 1043 00:00:00,000 --> 00:35:48,033 >> YOU KNOW WHAT? 1044 00:00:00,000 --> 00:35:49,700 THE MISSED TACKLES, THE 1045 00:00:00,000 --> 00:35:52,833 ASSIGNMENT ERRORS, WHEN THE BALL 1046 00:00:00,000 --> 00:35:55,900 SNAPS GUYS TRYING TO COMMUNICATE 1047 00:00:00,000 --> 00:35:57,533 WITH EACH OTHER, WHO IS SUPPOSED 1048 00:00:00,000 --> 00:35:58,166 TO BE COVERING WHO -- 1049 00:00:00,000 --> 00:36:00,200 >> ISN'T THIS DEFENSE 101 HERE? 1050 00:00:00,000 --> 00:36:01,766 >> IT IS. 1051 00:00:00,000 --> 00:36:03,466 AND FOR IT TO BE HAPPENING THIS 1052 00:00:00,000 --> 00:36:05,933 LATE IN THE SEASON MAKES YOU 1053 00:00:00,000 --> 00:36:07,300 QUESTION A LOT OF THINGS. 1054 00:00:00,000 --> 00:36:09,766 IT'S NOT LIKE THEY HAD A LOT OF 1055 00:00:00,000 --> 00:36:12,566 NEW STARTER ALONG THAT DEFENSE 1056 00:00:00,000 --> 00:36:12,900 IN THE GAME. 1057 00:00:00,000 --> 00:36:14,666 THEY ONLY PENCILED IN ONE NEW 1058 00:00:00,000 --> 00:36:16,833 GUY. 1059 00:00:00,000 --> 00:36:18,800 AND HE LED THE TEAM IN TACKLES. 1060 00:00:00,000 --> 00:36:21,633 >> HE HAD A GREAT GAME. 1061 00:00:00,000 --> 00:36:23,800 >> BUT YOU HAVE TO ASK QUESTIONS 1062 00:00:00,000 --> 00:36:24,933 BOTH OFFENSIVELY AND DEFENSIVELY 1063 00:00:00,000 --> 00:36:27,200 FOR THESE NEXT COUPLE OF WEEKS. 1064 00:00:00,000 --> 00:36:27,533 YOU GOT TO FOCUS. 1065 00:00:00,000 --> 00:36:29,100 YOU GOT TO FOCUS ON THE LITTLE 1066 00:00:00,000 --> 00:36:30,700 THINGS. 1067 00:00:00,000 --> 00:36:31,833 AND FOR THE LAST COUPLE OF GAMES 1068 00:00:00,000 --> 00:36:33,000 IT HASN'T SEEMED LIKE THEY HAVE 1069 00:00:00,000 --> 00:36:34,966 DONE THAT. 1070 00:00:00,000 --> 00:36:36,566 >> AND ANOTHER FRUSTRATION FOR 1071 00:00:00,000 --> 00:36:39,666 BEARS FANS, THE OPPOSING 1072 00:00:00,000 --> 00:36:43,166 QUARTERBACKS LOOK LIKE ALL PROS 1073 00:00:00,000 --> 00:36:43,466 AGAINST THE BEARS DEFENSE. 1074 00:00:00,000 --> 00:36:44,900 TEDDY BRIDGEWATER HAD A CAREER 1075 00:00:00,000 --> 00:36:46,633 DAY. 1076 00:00:00,000 --> 00:36:47,400 >> THEY ARE HAVING AN ISSUE WITH 1077 00:00:00,000 --> 00:36:49,066 MAN TO MAN COVERAGE AND 1078 00:00:00,000 --> 00:36:50,333 QUARTERBACKS BREAKING THROUGH 1079 00:00:00,000 --> 00:36:51,900 THE CENTER OF THE LINE AND RUN 1080 00:00:00,000 --> 00:36:54,000 FOR LONG YARDAGE. 1081 00:00:00,000 --> 00:36:55,166 IT IS A COMMUNICATION ERROR. 1082 00:00:00,000 --> 00:36:57,033 THEY HAVE TO BE ABLE TO 1083 00:00:00,000 --> 00:36:59,433 COMMUNICATE IT WHETHER IT BE 1084 00:00:00,000 --> 00:37:01,366 FROM A SAFETY OR DEFENSIVE 1085 00:00:00,000 --> 00:37:02,966 LINEMAN IT HAS TO GET OUT THERE. 1086 00:00:00,000 --> 00:37:06,600 >> WELL, WHETHER IT IS RIGHT 1087 00:00:00,000 --> 00:37:09,266 TACKLE KYLE LONG GETTING BEAT ON 1088 00:00:00,000 --> 00:37:11,433 THE OUTSIDE, MIDDLE LINEBACKER 1089 00:00:00,000 --> 00:37:13,200 SHEA McLELLAN PLOWING AN 1090 00:00:00,000 --> 00:37:15,900 ASSIGNMENT OR POOR TACKLING BY 1091 00:00:00,000 --> 00:37:18,433 ALLEN BALL THE BLAME COULD BE 1092 00:00:00,000 --> 00:37:20,300 SPREAD FAR AND WIDE BUT THE HEAD 1093 00:00:00,000 --> 00:37:20,600 COACH REFUSED TO POINT FINGERS. 1094 00:00:00,000 --> 00:37:23,100 >> I'M NOT GOOD AT THE BLAME 1095 00:00:00,000 --> 00:37:25,466 GAME. 1096 00:00:00,000 --> 00:37:27,433 TO ME IT'S ALL OF US. 1097 00:00:00,000 --> 00:37:28,600 IT'S COACHING, IT'S PLAYING, 1098 00:00:00,000 --> 00:37:28,966 IT'S EXECUTING. 1099 00:00:00,000 --> 00:37:31,000 ULTIMATELY WE ARE ALL IN IT 1100 00:00:00,000 --> 00:37:33,366 TOGETHER. 1101 00:00:00,000 --> 00:37:34,900 I WOULD SAY I'M DISAPPOINTED IN 1102 00:00:00,000 --> 00:37:36,600 OUR RECORD. 1103 00:00:00,000 --> 00:37:38,200 AND REALLY LEAVE IT AT THAT 1104 00:00:00,000 --> 00:37:39,333 BECAUSE THAT IS WHAT WE ARE 1105 00:00:00,000 --> 00:37:41,500 MEASURED ON. 1106 00:00:00,000 --> 00:37:41,800 >> THEY ARE MEASURED ON THAT AND 1107 00:00:00,000 --> 00:37:49,500 RIGHT NOW THE RECORD IS NOT 1108 00:00:00,000 --> 00:37:52,700 GOOD. 1109 00:00:00,000 --> 00:37:54,500 THEY CANNOT GET TO.500. 1110 00:00:00,000 --> 00:37:58,033 THE ABILITY TO GET MENTAL 1111 00:00:00,000 --> 00:38:00,533 TOUGHNESS THEY WILL BE FACING 1112 00:00:00,000 --> 00:38:02,266 FORMER HEAD COACH LOVIE SMITH. 1113 00:00:00,000 --> 00:38:03,966 DO PLAYERS GET UP FOR SITUATIONS 1114 00:00:00,000 --> 00:38:04,966 LIKE THIS IF THEY ARE PLAYING A 1115 00:00:00,000 --> 00:38:06,566 FORMER HEAD COACH OR FORMER 1116 00:00:00,000 --> 00:38:09,333 TEAM? 1117 00:00:00,000 --> 00:38:10,900 >> I THINK YOU DO GET UP FOR IT 1118 00:00:00,000 --> 00:38:12,800 A LITTLE BIT. 1119 00:00:00,000 --> 00:38:14,966 THIS IS FOR ME I HAD THE 1120 00:00:00,000 --> 00:38:15,300 OPPORTUNITY TO PLAY AGAINST 1121 00:00:00,000 --> 00:38:17,266 DITKA WHEN HE WENT TO THE 1122 00:00:00,000 --> 00:38:17,800 SAINTS. 1123 00:00:00,000 --> 00:38:19,600 AND FOR ME, IT WAS THE GUY THAT 1124 00:00:00,000 --> 00:38:21,533 DRAFTED ME. 1125 00:00:00,000 --> 00:38:23,133 IT WAS A GUY THAT BROUGHT ME 1126 00:00:00,000 --> 00:38:24,833 INTO THE LEAGUE SO I HAD A LOT 1127 00:00:00,000 --> 00:38:26,000 OF RESPECT FOR HIM BUT I WANTED 1128 00:00:00,000 --> 00:38:27,266 TO BEAT THE CRAP OUT OF HIM. 1129 00:00:00,000 --> 00:38:28,633 EXCUSE ME. 1130 00:00:00,000 --> 00:38:29,700 SO I -- 1131 00:00:00,000 --> 00:38:32,366 THERE ARE DIFFERENT WAYS TO GET 1132 00:00:00,000 --> 00:38:33,133 PUMPED UP. 1133 00:00:00,000 --> 00:38:34,633 AS AN ATHLETE, YOU USE THAT TO 1134 00:00:00,000 --> 00:38:36,000 YOUR ADVANTAGE. 1135 00:00:00,000 --> 00:38:40,033 IF THIS IS THE GUY THAT YOU 1136 00:00:00,000 --> 00:38:41,200 PLAYED FOR WHETHER YOU LIKED HIM 1137 00:00:00,000 --> 00:38:43,000 OR DIDN'T LIKE HIM, YOU WANT TO 1138 00:00:00,000 --> 00:38:44,833 BEAT HIM ON SUNDAY. 1139 00:00:00,000 --> 00:38:45,666 >> THE BEARS GOT TO THE PLAYOFFS 1140 00:00:00,000 --> 00:38:47,466 THREE TIMES UNDER SMITH AND HIS 1141 00:00:00,000 --> 00:38:49,500 NINE YEARS. 1142 00:00:00,000 --> 00:38:49,866 THIS IS GOING TO BE THE FIFTH 1143 00:00:00,000 --> 00:38:51,966 SEASON THAT THEY ARE NOT GOING 1144 00:00:00,000 --> 00:38:54,633 BACK. 1145 00:00:00,000 --> 00:38:56,533 HOW DO BEARS PLAYERS IF THEY DO 1146 00:00:00,000 --> 00:38:57,933 NOT HAVE THE SMITH INCENTIVE HOW 1147 00:00:00,000 --> 00:38:59,133 DO THEY GET UP FOR THE FINAL TWO 1148 00:00:00,000 --> 00:39:04,933 GAMES KNOWING THEY ARE NOT GOING 1149 00:00:00,000 --> 00:39:05,333 TO THE PLAYOFFS? 1150 00:00:00,000 --> 00:39:07,400 >> FOR EACH PLAYER IT'S 1151 00:00:00,000 --> 00:39:09,666 DIFFERENT. 1152 00:00:00,000 --> 00:39:10,800 EACH GUY HAS TO FIGURE OUT WHAT 1153 00:00:00,000 --> 00:39:12,766 IT IS THAT IS GOING TO MOTIVATE 1154 00:00:00,000 --> 00:39:15,533 HIM FOR THE GAME. 1155 00:00:00,000 --> 00:39:17,033 WHETHER IT'S TO GO OUT AND KICK 1156 00:00:00,000 --> 00:39:18,800 SOMEBODY'S BUTT OR PLAYING FOR 1157 00:00:00,000 --> 00:39:20,266 YOUR LIVELIHOOD THERE ARE GUYS 1158 00:00:00,000 --> 00:39:21,700 THAT HAVE NOT STARTED OR HAD 1159 00:00:00,000 --> 00:39:23,366 OPPORTUNITIES HERE AND THERE. 1160 00:00:00,000 --> 00:39:24,766 AND NOW THEY ARE GOING TO GET A 1161 00:00:00,000 --> 00:39:26,600 LITTLE MORE OF A LOOK BECAUSE 1162 00:00:00,000 --> 00:39:28,900 IT'S THE END OF THE SEASON. 1163 00:00:00,000 --> 00:39:29,200 AND COACHES WANT TO KNOW WHAT 1164 00:00:00,000 --> 00:39:30,833 THEY WILL BE ABLE TO USE NEXT 1165 00:00:00,000 --> 00:39:31,933 YEAR. 1166 00:00:00,000 --> 00:39:33,000 IF THAT IS NOT MOTIVATION FOR 1167 00:00:00,000 --> 00:39:34,333 YOU, I DON'T KNOW WHAT IS. 1168 00:00:00,000 --> 00:39:36,300 >> ALL RIGHT. 1169 00:00:00,000 --> 00:39:36,633 JAMES, I DON'T KNOW WHAT WE ARE 1170 00:00:00,000 --> 00:39:39,100 GOING TO BE TALKING ABOUT NEXT 1171 00:00:00,000 --> 00:39:39,433 MONDAY. 1172 00:00:00,000 --> 00:39:42,466 IT'S HARD TO KNOW WHERE THIS IS 1173 00:00:00,000 --> 00:39:46,033 HEADED. 1174 00:00:00,000 --> 00:39:48,000 I KNOW THAT THE BOW TIE HAS BEEN 1175 00:00:00,000 --> 00:39:49,033 ELIMINATED FROM YOUR WARDROBE. 1176 00:00:00,000 --> 00:39:51,433 >> NO, WE CAN GET A WIN. 1177 00:00:00,000 --> 00:39:53,033 >> WE GOT TO WIN. 1178 00:00:00,000 --> 00:39:53,800 IF THE BEARS GET A WIN AGAINST 1179 00:00:00,000 --> 00:39:54,466 TAMPA OR THE LIONS. 1180 00:00:00,000 --> 00:39:57,000 >> OR DETROIT. 1181 00:00:00,000 --> 00:39:57,333 >> ALL RIGHT. 1182 00:00:00,000 --> 00:39:58,633 WE WILL SEE JAMES AGAINST NEXT 1183 00:00:00,000 --> 00:39:58,966 MONDAY. 1184 00:00:00,000 --> 00:40:01,633 "CHICAGO TONIGHT" CONTINUES IN A 1185 00:00:00,000 --> 00:40:02,733 MOMENT. 1186 00:00:00,000 --> 00:40:03,700 SO DON'T GO AWAY. 1187 00:00:00,000 --> 00:40:05,266 >> Announcer: THIS EVENING'S 1188 00:00:00,000 --> 00:40:08,400 PRESENTATION OF "CHICAGO TONIGHT" IS MADE POSSIBLE IN PART BY... 1189 00:40:29,100 --> 00:40:35,900 [♪♪♪] 1190 00:00:00,000 --> 00:40:38,866 >> THERE WAS ONCE A CLUB SCENE 1191 00:00:00,000 --> 00:40:40,833 IN CHICAGO THAT WAS SOMETHING OF 1192 00:00:00,000 --> 00:40:42,100 A RASHFIED WORLD. 1193 00:00:00,000 --> 00:40:43,333 OUTSIDERS WERE KELL COME BUT FEW 1194 00:00:00,000 --> 00:40:45,333 JOINED IN. 1195 00:00:00,000 --> 00:40:47,333 ONE NIGHT A PHOTOGRAPHER NOT 1196 00:00:00,000 --> 00:40:49,066 PART OF THE SCENE VENTURED INTO 1197 00:00:00,000 --> 00:40:51,066 THE WORLD AND BEGAN A PROJECT 1198 00:00:00,000 --> 00:40:52,066 THAT HAS BECOME LEGENDARY. 1199 00:00:00,000 --> 00:40:54,166 HE CAPTURED A FAN IT IS 1200 00:00:00,000 --> 00:40:54,833 PARTICULAR NIGHT LIFE THAT IS 1201 00:00:00,000 --> 00:40:56,533 LONG GONE AND PRESERVED IN THAT 1202 00:00:00,000 --> 00:40:59,500 PHOTOGRAPHER'S WORK. 1203 00:00:00,000 --> 00:41:00,766 SOME OF THE PHOTOGRAPHS ARE NOW 1204 00:00:00,000 --> 00:41:02,333 SHOWCASED IN A BOOK WITH AN 1205 00:00:00,000 --> 00:41:06,700 ACCLAIMED POET PROVIDING THE 1206 00:00:00,000 --> 00:41:09,000 WORDS FOR THE PICTURES. 1207 00:00:00,000 --> 00:41:11,466 EDDIE ARRUZA HAS THE RAP. 1208 00:00:00,000 --> 00:41:15,033 >> OUR FATHER WHICH ART IN 1209 00:00:00,000 --> 00:41:17,800 HEAVEN MELLOW BE THY NAME. 1210 00:00:00,000 --> 00:41:18,933 THY MIDNIGHT COME THY WILL BE 1211 00:00:00,000 --> 00:41:29,266 SHUNNED IN SHY AS IT IS IN THIS CLUB HERE. [♪♪♪] 1212 00:41:33,600 --> 00:41:39,800 GIVE US OUR JAMS OR NIGHTLY BEAT 1213 00:00:00,000 --> 00:41:41,933 AND FORGIVE GALS WHO WON'T DANCE 1214 00:00:00,000 --> 00:41:42,333 AGAINST US. 1215 00:00:00,000 --> 00:41:44,500 LEAD US STRAIGHT INTO 1216 00:00:00,000 --> 00:41:47,633 TEMPTATION. 1217 00:00:00,000 --> 00:41:49,966 AND DELIVER US FROM WOMEN WHO 1218 00:00:00,000 --> 00:41:54,266 ARE EVIL. 1219 00:00:00,000 --> 00:41:58,466 FOR MINE IS THE DANCE FLOOR WITH 1220 00:00:00,000 --> 00:41:58,766 ITS POWER AND ITS GLORY. 1221 00:00:00,000 --> 00:42:00,633 AMETROPOLITAN. 1222 00:00:00,000 --> 00:42:01,733 AMEN. 1223 00:00:00,000 --> 00:42:03,066 FOR SOME IT MAY HAVE BEEN A 1224 00:00:00,000 --> 00:42:04,766 RELIGIOUS EXPERIENCE IT WAS A 1225 00:00:00,000 --> 00:42:07,466 SOULFUL ONE. 1226 00:00:00,000 --> 00:42:09,633 CHICAGO'S SOUTH SIDE DANCE CLUB 1227 00:00:00,000 --> 00:42:11,266 SCENE OF THE 1970s WAS A 1228 00:00:00,000 --> 00:42:12,266 PAGEANT OF FAR OUT CLOTHES, 1229 00:00:00,000 --> 00:42:14,300 DYNAMITE DANCE MOVES AND A 1230 00:00:00,000 --> 00:42:15,666 RAINBOW OF ATTITUDES. 1231 00:00:00,000 --> 00:42:18,133 A SCENE THAT DISAPPEARED DECADES 1232 00:00:00,000 --> 00:42:20,333 AGO AND WHICH MIGHT HAVE LIVED 1233 00:00:00,000 --> 00:42:23,133 ON IN THE MEMORIES OF CLUB GOERS 1234 00:00:00,000 --> 00:42:23,500 HAD IT NOT BEEN FOR A NEW 1235 00:00:00,000 --> 00:42:25,733 JERSEYIAN NAMED MICHAEL 1236 00:00:00,000 --> 00:42:27,200 ABRAMSON. 1237 00:00:00,000 --> 00:42:28,000 >> HE WAS A PHOTOGRAPHER THAT 1238 00:00:00,000 --> 00:42:29,366 CAME TO CHICAGO TO GO TO THE 1239 00:00:00,000 --> 00:42:30,933 INSTITUTE OF DESIGN. 1240 00:00:00,000 --> 00:42:32,733 AND PHOTOGRAPHS IN THIS BOOK 1241 00:00:00,000 --> 00:42:34,933 WERE PART OF HIS THESIS. 1242 00:00:00,000 --> 00:42:36,833 IF IT WASN'T FOR HIS PHOTOGRAPHS 1243 00:00:00,000 --> 00:42:39,900 I DO NOT THINK THIS PORTRAIT OF 1244 00:00:00,000 --> 00:42:42,033 THIS AMAZING WORLD WOULD EXIST. 1245 00:00:00,000 --> 00:42:44,233 >> OVER THE COURSE OF TWO YEARS, 1246 00:00:00,000 --> 00:42:47,600 ABRAMSON TOOK 5,000 PHOTOGRAPHS 1247 00:00:00,000 --> 00:42:49,466 AT SUCH LEGENDARY CLUBS AS 1248 00:00:00,000 --> 00:42:50,200 PEPPER'S HIDEOUT, THE HIGH 1249 00:00:00,000 --> 00:42:52,500 CHAPARRELL, THE PATIO LOUNGE AND 1250 00:00:00,000 --> 00:42:56,533 SHOWCASE LOUNGE. 1251 00:00:00,000 --> 00:42:57,166 AND SOME OF THE FINEST IMAGES 1252 00:00:00,000 --> 00:43:00,066 ARE IN A BOOK CALLED GOTTA GO 1253 00:00:00,000 --> 00:43:01,366 GOTTA FLOW. 1254 00:00:00,000 --> 00:43:03,466 IT'S NOT THE FIRST PUBLISHED 1255 00:00:00,000 --> 00:43:05,133 COLLECTION OF THE SOUTH SIDE 1256 00:00:00,000 --> 00:43:06,100 PHOTOS BUT THE BOOK BRINGS A 1257 00:00:00,000 --> 00:43:08,166 LITERARY ELEMENT TO THE 1258 00:00:00,000 --> 00:43:09,766 PHOTOGRAPHIC ARTISTRY. 1259 00:00:00,000 --> 00:43:12,200 >> WHAT WE LOOK FOR ARE 1260 00:00:00,000 --> 00:43:14,466 COLLECTIONS OF PHOTOGRAPHS THAT 1261 00:00:00,000 --> 00:43:14,866 HAVE NEVER BEEN SEEN BEFORE OR 1262 00:00:00,000 --> 00:43:16,966 COLLECTIONS THAT BY ARTISTS NOT 1263 00:00:00,000 --> 00:43:18,533 WELL-KNOWN. 1264 00:00:00,000 --> 00:43:21,100 I THINK MICHAEL FIT IN WELL TO 1265 00:00:00,000 --> 00:43:22,200 THAT CATEGORY. 1266 00:00:00,000 --> 00:43:24,400 WE ALWAYS WANTED TO DO A BOOK OF 1267 00:00:00,000 --> 00:43:25,566 PICTURES BUT FOR US, THE 1268 00:00:00,000 --> 00:43:27,466 QUESTION WAS HOW CAN WE ADD TEXT 1269 00:00:00,000 --> 00:43:29,666 TO THIS? 1270 00:00:00,000 --> 00:43:31,600 AND HOW DO YOU DO IT WITHOUT 1271 00:00:00,000 --> 00:43:32,600 MAKE TO GO TOO ACADEMIC? 1272 00:00:00,000 --> 00:43:35,266 >> I DON'T DRESS PRACTICAL. 1273 00:00:00,000 --> 00:43:38,266 I DRESS ROYAL. 1274 00:00:00,000 --> 00:43:40,433 >> FOR THE BOOK'S COPY, THE 1275 00:00:00,000 --> 00:43:41,233 PUBLISHER'S TURN TO NATIVE 1276 00:00:00,000 --> 00:43:43,366 CHICAGOAN AND SLAM CHAMPION 1277 00:00:00,000 --> 00:43:46,133 PATRICIA SMITH. 1278 00:00:00,000 --> 00:43:47,266 I GOT THE PICTURES AND NOT ONLY 1279 00:00:00,000 --> 00:43:49,833 WERE THEY IN THEMSELVES 1280 00:00:00,000 --> 00:43:50,733 WONDERFUL, WONDERFUL SHOTS BUT 1281 00:00:00,000 --> 00:43:52,633 THEY REMINDED ME A LOT OF MY 1282 00:00:00,000 --> 00:43:53,333 UPBRINGING IN CHICAGO. 1283 00:00:00,000 --> 00:43:54,933 MY PARENTS THE MUSIC I USED TO 1284 00:00:00,000 --> 00:43:57,400 LISTEN TO. 1285 00:00:00,000 --> 00:43:57,733 AND IT WAS A GREAT OPPORTUNITY 1286 00:00:00,000 --> 00:44:01,200 TO CAPTURE THAT TIME AND THOSE 1287 00:00:00,000 --> 00:44:02,900 SOUNDS. 1288 00:00:00,000 --> 00:44:07,333 AND BRINGING WHAT I LEARNED AS A 1289 00:00:00,000 --> 00:44:14,966 POET TO HOPEFULLY MAKE THE 1290 00:00:00,000 --> 00:44:16,900 PICTURES CLEARER FOR PEOPLE. 1291 00:00:00,000 --> 00:44:19,966 [♪♪♪] 1292 00:00:00,000 --> 00:44:23,466 >> WHEN THE FUNK TAKES HOLD, 1293 00:00:00,000 --> 00:44:25,400 WHEN THE FUNK TAKES OVER, WHEN 1294 00:00:00,000 --> 00:44:27,300 THE FUNK WON'T LISTEN, WHEN THE 1295 00:00:00,000 --> 00:44:29,166 FUNK KEEP YAPPING AND WHEN THE 1296 00:00:00,000 --> 00:44:31,466 FUNK RULES THE ROOM, WHEN THE 1297 00:00:00,000 --> 00:44:33,333 FUNK IS YOUR MISTRESS WHEN THE 1298 00:00:00,000 --> 00:44:35,500 FUNK IS YOUR GOD. 1299 00:00:00,000 --> 00:44:39,933 WHEN THE FUNK GOT THE GOSPEL. 1300 00:00:00,000 --> 00:44:41,533 WHEN THE FUNK IS YOUR WOMAN. 1301 00:00:00,000 --> 00:44:45,366 WHEN THE FUNK REACHES FOR PHONE, 1302 00:00:00,000 --> 00:44:47,100 REACHES FOFER PULSE REACHES FOR 1303 00:00:00,000 --> 00:44:49,433 YOUR RUMBLE, REACHES AND FINDS 1304 00:00:00,000 --> 00:44:52,800 YOU AND CONQUERS YOU. 1305 00:00:00,000 --> 00:44:54,266 THERE IS NOTHING TO DO BUT GIVE 1306 00:00:00,000 --> 00:44:56,166 WHAT YOU GOT TO THE ROOM. 1307 00:00:00,000 --> 00:44:57,966 >> WE ORIGINALLY WANTED HER TO 1308 00:00:00,000 --> 00:44:58,533 LOOK AT THE PICTURES AND SEE 1309 00:00:00,000 --> 00:45:01,700 WHAT HAPPENED IF SHE WAS 1310 00:00:00,000 --> 00:45:04,400 INSPIRED BY THEM. 1311 00:00:00,000 --> 00:45:06,400 AND THE GOOD NEWS NOT ONLY WAS 1312 00:00:00,000 --> 00:45:08,133 SHE INSPIRED, IT WAS LIKE A 1313 00:00:00,000 --> 00:45:10,400 LAUNCHING POINT FOR A GREATER 1314 00:00:00,000 --> 00:45:12,500 AND MORE AMBITIOUS PROJECT THAN 1315 00:00:00,000 --> 00:45:14,766 WE HOPED. 1316 00:00:00,000 --> 00:45:17,033 >> PATRICIA SMITH ENDED UP 1317 00:00:00,000 --> 00:45:19,133 WRITING POEMS AND THE TITLE 1318 00:00:00,000 --> 00:45:23,900 COMES FROM A POEM THAT 1319 00:00:00,000 --> 00:45:25,433 CELEBRATES THE RHYTHMS THAT 1320 00:00:00,000 --> 00:45:28,700 PROPEL MANY OF THE PHOTOS 1321 00:00:00,000 --> 00:45:29,933 ABRAMSON'S THESIS EARNED HIM A 1322 00:00:00,000 --> 00:45:33,533 MASTER DEGREE AND HE WENT ON TO 1323 00:00:00,000 --> 00:45:35,866 BECOME A COMMERCIAL PHOTOGRAPHER 1324 00:00:00,000 --> 00:45:36,166 WHO TRAVELED THE WORLD AND 1325 00:00:00,000 --> 00:45:37,633 PHOTOED MANY FROM OPRAH TO STEVE 1326 00:00:00,000 --> 00:45:39,133 JOBS. 1327 00:00:00,000 --> 00:45:41,800 BUT THE SOUTH SIDE PHOTOS MIGHT 1328 00:00:00,000 --> 00:45:43,900 BE THE GREATEST LEGACY. 1329 00:00:00,000 --> 00:45:44,966 >> HE SHOWED A REMARKABLE DEGREE 1330 00:00:00,000 --> 00:45:48,333 OF SENSITIVITY FOR WHAT WAS 1331 00:00:00,000 --> 00:45:50,233 GOING ON IN THE CLUBS. 1332 00:00:00,000 --> 00:45:52,500 HE WAS NOT THERE TRYING TO GRAB 1333 00:00:00,000 --> 00:45:54,200 SENSATIONAL IMAGES BUT DRAWN TO 1334 00:00:00,000 --> 00:45:58,300 THE PEOPLE AND PERSONALITIES AND 1335 00:00:00,000 --> 00:45:58,766 TRYING TO CAPTURE WHAT WAS 1336 00:00:00,000 --> 00:46:00,133 HAPPENING IN THE CLUBS. 1337 00:00:00,000 --> 00:46:00,300 OF COURSE ♪ 1338 00:46:01,400 --> 00:46:09,800 [♪♪♪] 1339 00:00:00,000 --> 00:46:10,300 >> GET AWAY. 1340 00:00:00,000 --> 00:46:12,766 GO AWAY. 1341 00:00:00,000 --> 00:46:16,666 ANYWAY. 1342 00:00:00,000 --> 00:46:17,966 ANYWAY. 1343 00:00:00,000 --> 00:46:20,466 [♪♪♪] 1344 00:00:00,000 --> 00:46:24,600 CLOSE YOUR CRAVE INTO A WIND 1345 00:00:00,000 --> 00:46:26,800 THAT MAY OR MAY NOT CARRY YOU 1346 00:00:00,000 --> 00:46:31,500 CLOSER TO FARTHER AWAY FROM WHAT 1347 00:00:00,000 --> 00:46:33,966 YOU RUN TOWARD FROM WHAT YOU 1348 00:00:00,000 --> 00:46:36,466 FLEE. 1349 00:00:00,000 --> 00:46:38,700 GO ANYWHERE, EVERYWHERE, 1350 00:00:00,000 --> 00:46:43,366 WHEREVER BEGIN WITH THE NIGHT 1351 00:00:00,000 --> 00:46:47,533 AND IT'S SLY ENGINE LAUGH IN ITS 1352 00:00:00,000 --> 00:46:50,433 FACE UNTIL YOU HEAR IT ROAR. 1353 00:00:00,000 --> 00:46:52,300 ♪I HAVE TO CELEBRATE YOU BABY♪ 1354 00:00:00,000 --> 00:46:54,800 >> IN A 2008 INTERVIEW, MICHAEL 1355 00:00:00,000 --> 00:46:57,300 ABRAMSON SAID I REALIZE I HAVE 1356 00:00:00,000 --> 00:46:58,733 BEEN TO EVERY PART OF THE PLANET 1357 00:00:00,000 --> 00:47:01,366 BUT I HAVE NEVER BEEN AS FAR 1358 00:00:00,000 --> 00:47:04,900 AWAY AS I WAS ON THE SOUTH SIDE 1359 00:00:00,000 --> 00:47:05,933 OF CHICAGO NOT BECAUSE IT WAS 1360 00:00:00,000 --> 00:47:08,766 EXOTIC BUT BECAUSE IT WAS SO 1361 00:00:00,000 --> 00:47:10,966 EXHILARATING. 1362 00:00:00,000 --> 00:47:12,466 ABRAMSON DIED AT THE AGE OF 62. 1363 00:00:00,000 --> 00:47:14,800 BUT HIS PHOTOS OF AN 1364 00:00:00,000 --> 00:47:16,666 UNPARALLELED TIME AND PLACE IN 1365 00:00:00,000 --> 00:47:17,500 CHICAGO REMAIN IMMORTAL. 1366 00:00:00,000 --> 00:47:20,933 FOR "CHICAGO TONIGHT" I'M EDDIE 1367 00:00:00,000 --> 00:47:24,166 ARRUZA. 1368 00:00:00,000 --> 00:47:28,000 >> YOU CAN SEE PHOTOS AND LEARN 1369 00:00:00,000 --> 00:47:29,400 MORE ABOUT GOTTA GO, GOTTA FLOW. 1370 00:00:00,000 --> 00:47:30,900 IT RAKED IN $250 MILLION IN THE 1371 00:00:00,000 --> 00:47:34,066 FIRST WEEKEND WARNERRING 1372 00:00:00,000 --> 00:47:36,866 CRITICAL ACCLAIM. 1373 00:00:00,000 --> 00:47:38,800 "STAR WARS" THE FORCE AWAKENS ON 1374 00:00:00,000 --> 00:47:42,366 ITS WAY TO BECOMING THE HIGHEST 1375 00:00:00,000 --> 00:47:43,866 GROSSING MOVIE OF ALL TIME. 1376 00:00:00,000 --> 00:47:46,700 A FEW YEARS AGO WE LOOKED AT THE 1377 00:00:00,000 --> 00:47:48,400 CHICAGO COMPUTER SCIENTIST WHO 1378 00:00:00,000 --> 00:47:50,133 HELPED MAKE SPECIAL EFFECTS IN 1379 00:00:00,000 --> 00:47:52,000 THE FIRST "STAR WARS" MOVIE. 1380 00:00:00,000 --> 00:47:53,300 HERE IS A LOOK AT ASH-HAR 1381 00:00:00,000 --> 00:47:57,300 QURAISHI'S REPORT. 1382 00:00:00,000 --> 00:47:58,666 >> WHEN "STAR WARS" WAS RELEASED 1383 00:00:00,000 --> 00:47:59,533 IN 1977, THE THEY USED 1384 00:00:00,000 --> 00:48:02,633 INNOVATIVE CAMERA TECHNIQUES FOR 1385 00:00:00,000 --> 00:48:05,166 SPECIAL EFFECTS. 1386 00:00:00,000 --> 00:48:07,366 BUT FOR AT LEAST ONE PARTICULAR 1387 00:00:00,000 --> 00:48:09,500 SCENE GEORGE LUCAS REQUIRED A 1388 00:00:00,000 --> 00:48:10,000 CUTTING EDGE 3D COMPUTER 1389 00:00:00,000 --> 00:48:12,333 ANIMATION NEVER BEFORE SEEN ON 1390 00:00:00,000 --> 00:48:14,266 FILM. 1391 00:00:00,000 --> 00:48:15,666 A SMALL FIGHTER SHOULD BE ABLE 1392 00:00:00,000 --> 00:48:17,600 TO PENETRATE THAT DEFENSE. 1393 00:00:00,000 --> 00:48:18,933 >> THAT ANIMATION WAS TO BE USED 1394 00:00:00,000 --> 00:48:20,500 IN THE FILM AS PART OF A 1395 00:00:00,000 --> 00:48:22,366 MILITARY BRIEFING. 1396 00:00:00,000 --> 00:48:23,300 ENGINEERING A PLAN ATTACK 1397 00:00:00,000 --> 00:48:26,066 AGAINST THE "EVIL EMPIRE"'S 1398 00:00:00,000 --> 00:48:27,700 DEATH STAR. 1399 00:00:00,000 --> 00:48:30,433 THE ANIMATION REQUIRED A 3D 1400 00:00:00,000 --> 00:48:32,200 COMPUTER RENDERING OF THE DEATH 1401 00:00:00,000 --> 00:48:32,766 STAR AND THE TRENCH TO WHICH 1402 00:00:00,000 --> 00:48:36,333 FIGHTERS WOULD TRAVEL TO EXPLOIT 1403 00:00:00,000 --> 00:48:38,966 ITS WEAKNESS. 1404 00:00:00,000 --> 00:48:39,800 BUT IN 19763D COMPUTER ANIMATION 1405 00:00:00,000 --> 00:48:43,600 WAS IN ITS INFANCY AND FEW COULD 1406 00:00:00,000 --> 00:48:45,300 DO IT. 1407 00:00:00,000 --> 00:48:47,000 SO LUCAS TURNED TO 27-YEAR-OLD 1408 00:00:00,000 --> 00:48:48,700 LARRY CUBA THE THE UNIVERSITY OF 1409 00:00:00,000 --> 00:48:50,533 ILLINOIS AT CHICAGO. 1410 00:00:00,000 --> 00:48:52,333 CUBA WAS WORKING WITH CUTTING 1411 00:00:00,000 --> 00:48:56,600 EDGE COMPUTER ANIMATIONS AT THE 1412 00:00:00,000 --> 00:48:57,700 CIRCLE GRAPHICS HABITAT NOW 1413 00:00:00,000 --> 00:48:59,266 KNOWN AS THE ELECTRONIC 1414 00:00:00,000 --> 00:49:02,633 VISUALIZATION LABORATORY. 1415 00:00:00,000 --> 00:49:05,000 >> IT WAS ADVANCED TO SHOW 1416 00:00:00,000 --> 00:49:06,800 SHADED MODELS BUT IN LOOKING AT 1417 00:00:00,000 --> 00:49:08,400 WHAT WE WERE ABLE TO PROVIDE 1418 00:00:00,000 --> 00:49:11,233 THEN GEORGE WANTED TO TAKE IT A 1419 00:00:00,000 --> 00:49:12,366 STEP BACK BECAUSE THE PUBLIC WAS 1420 00:00:00,000 --> 00:49:15,766 NOT FULLY AWARE OF WHAT COMPUTER 1421 00:00:00,000 --> 00:49:17,600 GRAPHICS WAS YET. 1422 00:00:00,000 --> 00:49:19,766 HE WANTED MORE ICONIC IMAGE AS 1423 00:00:00,000 --> 00:49:21,300 OPPOSED TO A POLISHED VERSION. 1424 00:00:00,000 --> 00:49:23,333 WHAT YOU SAW IN THE FILM WAS 1425 00:00:00,000 --> 00:49:23,733 THREE GENERATIONS BACK OF 1426 00:00:00,000 --> 00:49:25,166 SOFTWARE THAT WE HAD DEVELOPED. 1427 00:00:00,000 --> 00:49:27,233 >> OK. 1428 00:00:00,000 --> 00:49:28,466 WHAT I WOULD LIKE TO SHOW YOU 1429 00:00:00,000 --> 00:49:30,533 NOW BEFORE WE LEAVE HERE... 1430 00:00:00,000 --> 00:49:32,400 >> STEVE WAS A STUDENT AT THE 1431 00:00:00,000 --> 00:49:33,633 LAB BACK IN THE MID-1970s. 1432 00:00:00,000 --> 00:49:35,333 AND TODAY HE IS A SPECIALIST IN 1433 00:00:00,000 --> 00:49:36,966 LASER GRAPHICSES. 1434 00:00:00,000 --> 00:49:39,333 FOR THE LAST 20 YEARS, HE HAS 1435 00:00:00,000 --> 00:49:41,400 BEEN BEHIND THE LASER SHOWS FOR 1436 00:00:00,000 --> 00:49:42,733 THE BULLS AND THE BLACKHAWKS. 1437 00:00:00,000 --> 00:49:45,133 >> THE COMPUTING HORSEPOWER WE 1438 00:00:00,000 --> 00:49:47,133 HAD WAS SO TINY. 1439 00:00:00,000 --> 00:49:48,266 WHAT ALL OF US HAVE ON OUR 1440 00:00:00,000 --> 00:49:49,233 CELLPHONE EXCEEDS BY ORDERS OF 1441 00:00:00,000 --> 00:49:51,700 MAGNITUDE WHAT WE HAD. 1442 00:00:00,000 --> 00:49:54,800 >> WHAT THEY HAD WAS A SYSTEM 1443 00:00:00,000 --> 00:49:55,733 THAT INCLUDED THIS VECTOR 1444 00:00:00,000 --> 00:49:56,966 COMPUTER HOOKED UP TO A CRT 1445 00:00:00,000 --> 00:49:58,600 MONITOR. 1446 00:00:00,000 --> 00:50:01,400 COMPUTERS TODAY RUN HALF A 1447 00:00:00,000 --> 00:50:04,700 MILLION TIMES FASTER THAN THIS 1448 00:00:00,000 --> 00:50:07,100 DID BACK IN THE 70s. 1449 00:00:00,000 --> 00:50:09,233 LARRY CUBA USED PROGRAMMING 1450 00:00:00,000 --> 00:50:10,800 LANGUAGE DEVELOPED BY TOM AS A 1451 00:00:00,000 --> 00:50:11,100 BASIS FOR PRODUCING THE 3D 1452 00:00:00,000 --> 00:50:12,800 COMPUTER GRAPHICS FOR "STAR 1453 00:00:00,000 --> 00:50:15,166 WARS". 1454 00:00:00,000 --> 00:50:15,500 >> AS YOU CAN SEE THE VECTOR 1455 00:00:00,000 --> 00:50:18,933 GENERAL IS CAPABLE OF PUTTING UP 1456 00:00:00,000 --> 00:50:20,100 IMAGES. 1457 00:00:00,000 --> 00:50:22,333 >> A LOT OF WHAT LARRY DID WAS 1458 00:00:00,000 --> 00:50:25,000 PHOTOGRAPHS BECAUSE THE SET 1459 00:00:00,000 --> 00:50:26,866 PIECES WERE NOT BUILT YET THEY 1460 00:00:00,000 --> 00:50:27,866 HAD PHOTOGRAPHS OF THINGS OR 1461 00:00:00,000 --> 00:50:29,600 ARCHITECT CAL DRAWINGS AND HE 1462 00:00:00,000 --> 00:50:32,266 SAT DOWN WITH THE PHOTOGRAPHS 1463 00:00:00,000 --> 00:50:34,766 AND HE MEASURED THEM. 1464 00:00:00,000 --> 00:50:36,133 AND THEN WE PUT THEM ON A 1465 00:00:00,000 --> 00:50:37,966 DIGITIZING TABLET AND TRACED 1466 00:00:00,000 --> 00:50:39,700 OVER THE PHOTOGRAPH AND HE HAD 1467 00:00:00,000 --> 00:50:41,800 TO ACONSUME WHAT THE THIRD 1468 00:00:00,000 --> 00:50:43,966 DIMENSION WAS OR SOMETIMES WE 1469 00:00:00,000 --> 00:50:44,700 HAD SIDE SHOTS SOME WERE SET 1470 00:00:00,000 --> 00:50:47,233 PIECES THAT WERE BUILT AND SOME 1471 00:00:00,000 --> 00:50:50,000 WEREN'T. 1472 00:00:00,000 --> 00:50:51,466 >> ONE PIECE THAT WAS BUILT 1473 00:00:00,000 --> 00:50:53,300 HANGS ON THE WALL IN THE LAB AT 1474 00:00:00,000 --> 00:50:54,966 UIT TODAY. 1475 00:00:00,000 --> 00:50:57,700 >> THIS SHOT FROM THE ORIGINAL 1476 00:00:00,000 --> 00:50:59,733 "STAR WARS" YOU CAN SEE FOUR 1477 00:00:00,000 --> 00:51:01,466 COPIES OF OUR PIECE OF THE DEATH 1478 00:00:00,000 --> 00:51:02,433 STAR MAKING UP THE SURFACE IS 1479 00:00:00,000 --> 00:51:03,966 THERE FLYING ACROSS IT DURING 1480 00:00:00,000 --> 00:51:06,500 THE FILM. 1481 00:00:00,000 --> 00:51:08,133 >> AT THE TIME WHEN WE RECEIVED 1482 00:00:00,000 --> 00:51:10,166 IT IT WAS NOT WORTH ANYTHING 1483 00:00:00,000 --> 00:51:12,366 BECAUSE NO ONE KNEW HE WAS GOING 1484 00:00:00,000 --> 00:51:13,766 TO BE THAT FAMOUS. 1485 00:00:00,000 --> 00:51:15,966 THEY LEFT IT BEHIND AND THEY 1486 00:00:00,000 --> 00:51:27,466 PROMPTLY LEFT. 1487 00:00:00,000 --> 00:00:04,000 AND THEY FORGOT ABOUT T.