WEBVTT

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Host: COMING UP ON
CHESAPEAKE COLLECTIBLES.

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Ed Moreno: THE SILVER MARKET
HAS GONE THROUGH A LOT OF BIG

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CHANGES AND SO A LOT OF PIECES
HAVE DECREASED IN VALUE.

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BUT THESE ARE ACTUALLY A GOOD
EXAMPLE OF PIECES THAT RETAIN

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THEIR VALUE.

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P. Raab Christhilf: FRANKLY THIS
IS ONE MY ABSOLUTE FAVORITES.

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ALBERT AND VICTORIA FINISHED
BAL MORROW CASTLE IN 1853.

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SO THERE WAS AN ENORMOUS
INTEREST IN THE

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SCOTTISH HIGHLANDS.

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Collector: WHAT'S INTERESTING
IS THE FAMILY FOLKLORE

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OF THESE BEING TIBETAN WINE CUPS
IS VERY, VERY REAL.

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CLOSED CAPTIONING HAS BEEN MADE
POSSIBLE BY MARYLAND RELAY,

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EMPOWERING THOSE WHO ARE DEAF,
HARD OF HEARING

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OR SPEECH DISABLED TO STAY
CONNECTED BY PHONE.

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♪♪♪

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Announcer: MAJOR FUNDING
IS PROVIDED BY...

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TURF VALLEY,
LOCATED ON 1,000 ACRES,

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A DESTINATION RESORT
FOR WEDDINGS, BUSINESS MEETINGS

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AND SPA AND GOLF GETAWAYS.

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INFORMATION AT 410-465-1500
AND TURFVALLEY.COM.

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SINCE 1924, ALEX COOPER
AUCTIONEERS HAS BEEN SERVING

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THE MID-ATLANTIC STATES,
FEATURING MONTHLY GALLERY

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ANTIQUE AUCTION SALES.

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OUR STAFF CAN ASSIST CLIENTS
WITH THE DISPOSITION

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OF THEIR VALUED POSSESSIONS.

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ALEX COOPER AUCTIONEERS.

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[CROWD MURMURS]

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Rhea Feiken: WHAT A SHOW
WE HAVE FOR YOU TODAY.

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<i>CHESAPEAKE COLLECTIBLES</i>HAS A
KNACK FOR FINDING SOME OF THE

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DARNDEST, STRANGEST THINGS IN
PEOPLE'S CLOSETS AND ATTICS.

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I'M YOUR HOST RHEA FEIKIN AND
WE'RE REALLY HAPPY THAT YOU'RE

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JOINING US HERE
AT TURF VALLEY RESORT IN

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ELLICOTT CITY, MARYLAND,
WHERE WE'RE FILMING

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ALL SEASON LONG.

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NOW, WE KNOW THAT OUR
POSSESSIONS REVEAL A LOT ABOUT

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OUR HISTORY, HOW WE PREPARED
OUR FOOD, BUILT OUR HOMES,

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GUIDED OUR SHIPS AND
DROVE OUR WAGONS.

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THESE ARTIFACTS CAN TELL
US A LOT ABOUT OURSELVES

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AS INDIVIDUALS AND AS A
PART OF OUR CULTURE.

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CASE IN POINT.

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HERE'S A FASCINATING HEIRLOOM
READY FOR IT'S CLOSE UP.

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LET'S CHECK IT OUT.

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Edgard Moreno: I SAW THESE
COMING INTO THE APPRAISAL SHOW

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AND I THOUGHT, "WOW, THESE ARE
REALLY VERY SPECIAL ITEMS."

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TELL ME A LITTLE BIT ABOUT
WHAT YOU HAVE HERE

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AND WHY YOU
BROUGHT THEM IN TODAY.

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Collector: I BROUGHT IN TODAY,
ONE OF A PAIR OF CANDELABRA THAT

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HAD BEEN IN MY MOTHER'S FAMILY
FOR AS LONG AS I CAN REMEMBER.

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Ed: NOW, WHERE DID SHE LIVE?

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Collector: MY MOM
GREW UP IN MANHATTAN.

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BUT, I ALSO REMEMBER
THESE BEING IN MY GRANDPARENTS

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COUNTRY HOUSE IN
CHAPPAQUA, NEW YORK.

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Edgard: OKAY.

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Collector: AND THE SILVER BOWL
ALSO CAME FROM MY MOM'S SIDE.

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AND I DON'T HAVE AS STRONG OF A
RECOLLECTION OF IT BUT WHEN MY

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MOM PASSED AWAY, MY WIFE, WHO
HAS A GREAT EYE FOR ANTIQUES...

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Edgard: YES SHE DOES!

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Collector: SHE SAID IT WOULD BE
WONDERFUL FOR US TO HAVE THAT.

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Edgard: SO, THESE
COME FROM THE FAMILY?

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Collector: YES, BOTH FAMILY.

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Edgard: BOTH
FROM GRANDPARENTS?

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Collector: YES, SAME FAMILY.

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Edgard: IN NEW YORK CITY?

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Collector: CORRECT.

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Edgard: ONE OF THE THINGS
THAT IS KIND OF INTERESTING

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ABOUT PIECES LIKE THIS,
THE ANTIQUE MARKET,

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ESPECIALLY THE SILVER MARKET
HAS GONE THROUGH A LOT OF

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BIG CHANGES SINCE 2008.

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AND SO A LOT OF PIECES HAVE
ACTUALLY DECREASED IN VALUE.

03:34.033 --> 03:34.100 align:left position:22.5%,start line:83% size:67.5%
BUT THESE ARE ACTUALLY
A GOOD INDICATION,

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A GOOD EXAMPLE OF PIECES
THAT RETAIN THEIR VALUE.

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AND ONE OF THE REASONS IS THAT
WHAT WE HAVE HERE

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WITH THE CANDELABRA
IS VERY SPECIAL.

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IT'S MADE BY ROBERT GERALD
AND SONS IN LONDON IN 1872.

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IT'S A FULLY HALLMARKED PIECE,
IT WEIGHS A TREMENDOUS

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AMOUNT OF SILVER.

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AND IT'S A BEAUTIFUL, BEAUTIFUL
REPRODUCTION OF A NEOCLASSICAL

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STYLE.

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THEY'RE NOT BEING MADE ANYMORE.

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AND FOR CERTAIN HOUSES
AND CERTAIN PEOPLE,

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A CANDELABRA LIKE THIS,
ESPECIALLY A PAIR, A MATED PAIR,

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IS SOMETHING THAT YOU NEED
ON THE DINING ROOM TABLE.

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Collector: WELL, AND I'LL
TELL YOU, WE...

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WE USE THEM DURING THE HOLIDAYS.

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THEY'RE FULL OF CANDLES AND LIT.

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Edgard: ONE OF THE WONDERFUL
THINGS ABOUT THIS PIECE

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IS THAT IT...

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YOU STILL HAVE THE TOP CANDLE
CUP AND IN FACT THE FINIAL

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IS WHAT PEOPLE LOSE.

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AND BELIEVE IT OR NOT THIS CAN
MAKE A 1000 DOLLAR DIFFERENCE.

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Collector: WE HAVE TWO OF
THEM, EACH ONE HAS ITS FINIAL.

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Edgard: YOU WOULD ACTUALLY
HAVE FIVE CANDLES EN SUITE.

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SO THIS IS A VERY,
VERY IMPORTANT PIECE.

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VERY NICE WITH NEOCLASSICAL
DECORATION, TOP OF THE LINE,

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REALLY A BEAUTIFUL PIECE.

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THE CENTER PIECE, TELL ME A
LITTLE BIT ABOUT THAT OTHER THAN

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YOU DON'T REALLY
REMEMBER TOO MUCH.

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Collector: WELL, IT
DOES HAVE A Z ON IT.

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Edgard: UH-HUH...

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OKAY?

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Collector: AND THAT'S MY
GRANDMOTHER'S FATHER WAS ZWEIG.

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SO I KNOW IT COMES THROUGH
THAT SIDE OF MY FAMILY.

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Edgard: OKAY.

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TIFFANY PIECE.

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Collector: YES.

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Edgard: AGAIN, VERY, VERY
HEAVILY WEIGHTED PIECE.

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STERLING, BOTH OF THESE
PIECES ARE STERLING.

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THAT HAS THE TIFFANY MARK ON
THE BACK THAT WAS USED

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FROM 1907-1938.

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SO WE KNOW IT HAPPENED, YOUR
FAMILY GOT IT SOMEWHERE IN...

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Collector: THAT
MAKES GOOD SENSE.

05:21.333 --> 05:21.400 align:left position:17.5%,start line:83% size:72.5%
Edgard: LARGE AGAIN, LARGE
PIECES BY TIFFANY ARE SIMPLY NOT

05:24.866 --> 05:24.933 align:left position:27.5%,start line:89% size:62.5%
BEING MADE ANYMORE.

05:26.166 --> 05:26.233 align:left position:12.5%,start line:89% size:77.5%
BOTH OF THESE ARE GREAT PIECES.

05:28.233 --> 05:28.300 align:left position:17.5%,start line:83% size:72.5%
THIS BECAUSE IT'S TIFFANY,
THIS BECAUSE IT'S GERARD,

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TOP OF THE LINE
PRODUCTION PIECES.

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THESE ARE NOT HAND
MADE BUT THEY ARE,

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THEY'RE MADE BY LARGE
WELL KNOWN MANUFACTURERS.

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HAVE YOU EVER HAD
THEM APPRAISED?

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Collector: WE'VE...
I HAVEN'T HAD THEM APPRAISED.

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Edgard: DID YOUR PARENTS
HAVE THEM APPRAISED?

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Collector: MY MOM HAD THESE
APPRAISED I THINK AT ONE POINT.

05:49.333 --> 05:49.400 align:left position:25%,start line:83% size:65%
AND I DON'T KNOW THAT
I'VE SEEN AN APPRAISAL.

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WE'VE LOOKED ON EBAY BUT WE
CAN'T FIND A BOWL THIS SIZE.

05:55.400 --> 05:55.466 align:left position:40%,start line:89% size:50%
[LAUGHS]

05:56.766 --> 05:56.833 align:left position:32.5%,start line:89% size:57.5%
AND THAT SHAPE.

05:58.166 --> 05:58.233 align:left position:25%,start line:83% size:65%
Edgard: YOU PROBABLY
WON'T FIND THIS BOWL ON EBAY.

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IT WOULD BE A BETTER DEAL TO
LOOK AT CHRISTY'S OR SOTHEBYS...

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Collector: OKAY, WELL
WE DIDN'T CHECK...

06:06.166 --> 06:06.233 align:left position:17.5%,start line:83% size:72.5%
Edgard: THAT WOULD BE MORE
THE PLACES YOU MIGHT

06:09.766 --> 06:11.033 align:left position:35%,start line:89% size:55%
WANT TO LOOK.

06:11.033 --> 06:11.100 align:left position:12.5%,start line:83% size:77.5%
Collector: WELL WE HAVE A SENSE
THAT THE CANDELABRA ARE WORTH

06:13.866 --> 06:13.933 align:left position:27.5%,start line:89% size:62.5%
THE COST OF A CAR?

06:17.333 --> 06:17.400 align:left position:22.5%,start line:83% size:67.5%
Edgard: WELL, CARS ARE
VERY EXPENSIVE NOWADAYS.

06:19.766 --> 06:19.833 align:left position:32.5%,start line:83% size:57.5%
SO, I WOULDN'T
NECESSARILY GO THAT FAR.

06:21.833 --> 06:21.900 align:left position:10%,start line:89% size:80%
BUT THEY ARE... THEY ARE PRICEY.

06:24.533 --> 06:24.600 align:left position:17.5%,start line:83% size:72.5%
THIS PAIR, FULLY HALLMARKED
IN THIS CONDITION,

06:27.600 --> 06:27.666 align:left position:27.5%,start line:83% size:62.5%
BECAUSE THEY ARE IN
IMMACULATE SHAPE,

06:29.866 --> 06:29.933 align:left position:12.5%,start line:83% size:77.5%
WITH THIS FINESSE OF DETAILING,
ALL OF THIS THING IS HAND DONE,

06:33.566 --> 06:33.633 align:left position:15%,start line:83% size:75%
THE DETAILING, THE ENGRAVING,
IT'S JUST A FABULOUS PIECE.

06:38.366 --> 06:38.433 align:left position:22.5%,start line:83% size:67.5%
THE PAIR WOULD BE ABOUT
14,000-15,000 DOLLARS.

06:43.000 --> 06:43.066 align:left position:22.5%,start line:83% size:67.5%
SO IT'S NOT QUITE A CAR
BUT ...

06:44.833 --> 06:44.900 align:left position:20%,start line:83% size:70%
Collector: WELL, SOME...
YOU COULD... A CAR.

06:48.633 --> 06:48.700 align:left position:17.5%,start line:83% size:72.5%
Edgard: THE CENTER PIECE IS
ALSO INTERESTING IN A SENSE

06:51.300 --> 06:51.366 align:left position:27.5%,start line:83% size:62.5%
THAT, AGAIN, ALL OF
THIS IS DONE BY HAND.

06:53.266 --> 06:53.333 align:left position:22.5%,start line:83% size:67.5%
ALL OF THE FLAT CHASING
IS DONE BY HAND.

06:55.133 --> 06:55.200 align:left position:27.5%,start line:83% size:62.5%
VERY LARGE SIZE AS
YOU WELL KNOWN.

06:57.533 --> 06:57.600 align:left position:12.5%,start line:83% size:77.5%
AND THIS PIECE, AT AUCTION THEY
ARE BRINGING ABOUT $5,000,

07:02.833 --> 07:02.900 align:left position:27.5%,start line:83% size:62.5%
BETWEEN $5,000 AND
$6,000 DOLLARS.

07:04.900 --> 07:04.966 align:left position:12.5%,start line:83% size:77.5%
$5,000 DOLLARS WOULD BE A GOOD
PRICE TO THINK ABOUT INSURING

07:08.700 --> 07:08.766 align:left position:17.5%,start line:89% size:72.5%
IT, IF FOR NO OTHER REASON.

07:10.800 --> 07:10.866 align:left position:20%,start line:83% size:70%
AND BOTH OF THESE PIECES,
BECAUSE OF THEIR VERY HIGH STYLE

07:14.733 --> 07:14.800 align:left position:17.5%,start line:83% size:72.5%
AND... ALSO DIMENSIONALITY,
THESE PIECES ARE NOT

07:19.800 --> 07:19.866 align:left position:17.5%,start line:83% size:72.5%
GOING TO REALLY LOSE VALUE
IN THE SILVER MARKET.

07:22.000 --> 07:22.066 align:left position:15%,start line:83% size:75%
THESE PIECES ARE ALWAYS GOING
TO BE AT THE TOP OF THEIR GAME.

07:25.533 --> 07:25.600 align:left position:12.5%,start line:83% size:77.5%
IT'S A GREAT THING THAT YOU'VE
HAD THEM IN YOUR FAMILY

07:27.700 --> 07:28.666 align:left position:35%,start line:89% size:55%
AND I HOPE...

07:28.766 --> 07:29.966 align:left position:22.5%,start line:83% size:67.5%
Collector: WE HOPE THEY
STAY IN THE FAMILY.

07:29.966 --> 07:30.033 align:left position:15%,start line:83% size:75%
Edgard: YOU CAN FIND MAYBE A
CHILD WHO WILL APPRECIATE THEM

07:32.566 --> 07:32.633 align:left position:25%,start line:89% size:65%
AS MUCH AS YOU HAVE.

07:33.400 --> 07:33.466 align:left position:30%,start line:83% size:60%
Collector: WE'RE
WORKING ON THAT.

07:34.666 --> 07:34.733 align:left position:25%,start line:83% size:65%
Edgard: THANK YOU FOR
BRINGING IT IN TODAY.

07:35.766 --> 07:35.833 align:left position:25%,start line:83% size:65%
Collector: THANK YOU,
IT WAS MY PLEASURE.

07:42.866 --> 07:42.933 align:left position:12.5%,start line:83% size:77.5%
P. Raab Christhilf: WELCOME TO
THE SHOW.

07:44.733 --> 07:45.800 align:left position:25%,start line:89% size:65%
Collector: THANK YOU.

07:45.800 --> 07:45.866 align:left position:15%,start line:83% size:75%
P. RAAB: TELL US WHAT KIND OF
TREASURE YOU BROUGHT

07:47.233 --> 07:47.300 align:left position:20%,start line:89% size:70%
FOR US TO LOOK AT TODAY.

07:48.900 --> 07:48.966 align:left position:15%,start line:83% size:75%
Collector: THIS IS A PAINTING
THAT WE ACQUIRED ABOUT

07:51.700 --> 07:51.766 align:left position:22.5%,start line:89% size:67.5%
20 YEARS AGO IN DUBLIN.

07:54.233 --> 07:54.300 align:left position:12.5%,start line:83% size:77.5%
AND I'M NOT SURE IF THE ARTIST
IS IRISH OR ENGLISH OR SCOTTISH.

08:01.033 --> 08:01.166 align:left position:15%,start line:83% size:75%
I DON'T REALLY KNOW VERY MUCH
ABOUT IT OR EXACTLY WHERE IT IS.

08:04.766 --> 08:04.833 align:left position:22.5%,start line:83% size:67.5%
SO I'M VERY INTERESTED
IN FINDING OUT.

08:07.133 --> 08:07.200 align:left position:27.5%,start line:65% size:62.5%
P. Raab Christhilf:
WELL, IT'S A BEAUTIFUL SCENE,

08:10.100 --> 08:10.166 align:left position:10%,start line:71% size:80%
IT'S A SCOTTISH HIGHLANDS SCENE.

08:11.733 --> 08:11.800 align:left position:17.5%,start line:83% size:72.5%
THIS IS BY ONE OF A MEMBER
OF A FAMILY OF ARTISTS,

08:16.733 --> 08:16.800 align:left position:22.5%,start line:89% size:67.5%
THE DE BREANSKI FAMILY.

08:18.900 --> 08:18.966 align:left position:37.5%,start line:83% size:52.5%
THE FATHER,
ALFRED DE BREANSKI,

08:21.066 --> 08:21.133 align:left position:17.5%,start line:83% size:72.5%
WAS BORN IN 55 AND DIES IN
THE MID-TWENTIETH CENTURY.

08:26.500 --> 08:26.566 align:left position:22.5%,start line:83% size:67.5%
THIS IS HIS SON, ALFRED
FONTAINE DE BREANSKI,

08:31.033 --> 08:31.100 align:left position:32.5%,start line:83% size:57.5%
WHO WAS BORN IN
1877, DIES IN 1957.

08:36.200 --> 08:36.266 align:left position:17.5%,start line:83% size:72.5%
THIS IS WHAT THEY DID OVER,
AND OVER AND OVER AGAIN.

08:40.066 --> 08:40.133 align:left position:22.5%,start line:83% size:67.5%
THEY PAINTED MANY, MANY
LANDSCAPES OF SCOTLAND

08:43.433 --> 08:44.366 align:left position:37.5%,start line:89% size:52.5%
ESPECIALLY.

08:44.366 --> 08:44.433 align:left position:27.5%,start line:83% size:62.5%
BUT ALSO OF IRELAND
AND ALSO NORTHERN WALES.

08:48.033 --> 08:48.100 align:left position:17.5%,start line:83% size:72.5%
YOU HAVE TO THINK WHAT WAS
ENCOURAGING TO DO THIS IS THAT

08:52.400 --> 08:52.466 align:left position:10%,start line:83% size:80%
THE FATHER WAS BORN IN THE 50'S,
ALBERT AND VICTORIA FINISHED

08:57.433 --> 08:57.500 align:left position:20%,start line:89% size:70%
BALMORAL CASTLE IN 1853.

09:00.866 --> 09:01.000 align:left position:20%,start line:83% size:70%
SO THERE WAS AN ENORMOUS
INTEREST IN THE SCOTTISH

09:03.800 --> 09:03.866 align:left position:12.5%,start line:83% size:77.5%
HIGHLANDS IN THE THIRD QUARTER
OF THE NINETEENTH-CENTURY.

09:08.333 --> 09:08.400 align:left position:25%,start line:83% size:65%
THE CHILDREN ALL WORE
KILTS, THAT'S WHEN YOU HAVE

09:11.533 --> 09:11.600 align:left position:12.5%,start line:89% size:77.5%
DEER-HANDLED KNIVES AND FORKS.

09:14.200 --> 09:14.266 align:left position:12.5%,start line:83% size:77.5%
THERE WAS A LOT OF INTEREST IN
THE HIGHLANDS AND THEY LOVED IT

09:16.866 --> 09:16.933 align:left position:27.5%,start line:89% size:62.5%
THERE AT BALMORAL.

09:18.333 --> 09:18.400 align:left position:32.5%,start line:83% size:57.5%
AND SO YOU FIND
IN ART, OBVIOUSLY,

09:20.833 --> 09:20.900 align:left position:17.5%,start line:83% size:72.5%
AN INTEREST IN THE SCOTTISH
HIGHLANDS AT THAT TIME.

09:24.000 --> 09:24.066 align:left position:17.5%,start line:83% size:72.5%
NOW THE FATHER, ALFRED SR.,
PAINTED ACTUALLY EXACTLY

09:28.566 --> 09:29.666 align:left position:35%,start line:89% size:55%
LIKE HIS SON.

09:29.666 --> 09:29.733 align:left position:17.5%,start line:83% size:72.5%
THEY'RE VERY, VERY SIMILAR,
THEIR PAINTING METHODS.

09:31.333 --> 09:31.400 align:left position:25%,start line:89% size:65%
AND THE SCENERY TOO.

09:32.900 --> 09:32.966 align:left position:30%,start line:83% size:60%
I THINK THE SCENE
IS OF LAKE KATRINE,

09:36.566 --> 09:36.633 align:left position:22.5%,start line:83% size:67.5%
IT WAS ONE THEY PAINTED
A NUMBER OF TIMES.

09:38.933 --> 09:39.000 align:left position:20%,start line:83% size:70%
AND, OF COURSE, MOUNTAINS
TEND TO LOOK ALIKE,

09:41.533 --> 09:41.600 align:left position:17.5%,start line:83% size:72.5%
BUT IT HAD THIS UNDERLYING
SMALLER HILLOCK RIGHT THERE,

09:46.066 --> 09:46.133 align:left position:40%,start line:83% size:50%
AND THEN
THE HIGHER MOUNTAIN THERE.

09:47.600 --> 09:47.666 align:left position:12.5%,start line:83% size:77.5%
THE ARTIST HAS DONE A WONDERFUL
JOB DRAWING YOU IN TO THIS

09:51.033 --> 09:51.100 align:left position:10%,start line:83% size:80%
TWO DIMENSIONAL SPACE TO MAKE IT
THREE DIMENSIONAL BY HAVING THE

09:55.533 --> 09:55.600 align:left position:12.5%,start line:65% size:77.5%
ROCKS HERE, FURTHER ROCKS, AND
FURTHER DRAWING YOU BACK INTO

10:01.100 --> 10:01.933 align:left position:35%,start line:89% size:55%
THE PICTURE.

10:01.933 --> 10:02.000 align:left position:27.5%,start line:83% size:62.5%
THIS BOAT IS LARGER
THAN THIS BOAT,

10:04.200 --> 10:04.266 align:left position:25%,start line:83% size:65%
WHICH AGAIN PULLS YOU
BACK, YOUR PERSPECTIVE,

10:06.533 --> 10:06.600 align:left position:22.5%,start line:83% size:67.5%
INTO THE DRAWING WHICH
IS QUITE WONDERFUL.

10:09.466 --> 10:09.533 align:left position:30%,start line:83% size:60%
WHAT I LOVE ABOUT
THIS PAINTING,

10:11.100 --> 10:11.166 align:left position:32.5%,start line:83% size:57.5%
IT'S ONE OF MY
FAVORITE OF THE FAMILY,

10:13.133 --> 10:13.200 align:left position:20%,start line:83% size:70%
IS THAT THE MOUNTAINS ARE
USUALLY BROWN AND GRAY,

10:16.433 --> 10:16.500 align:left position:17.5%,start line:83% size:72.5%
OR YOU FIND MANY MORE BROWN
AND GRAY COLORATION

10:20.200 --> 10:20.266 align:left position:27.5%,start line:89% size:62.5%
IN THEIR PAINTINGS.

10:22.500 --> 10:22.566 align:left position:12.5%,start line:83% size:77.5%
WHAT'S SO BEAUTIFUL ABOUT THIS
IS NOT ONLY THE GREEN AND BLUE

10:27.000 --> 10:27.066 align:left position:30%,start line:83% size:60%
THAT IS PRIMARILY
THE COLORATION HERE,

10:29.833 --> 10:29.900 align:left position:12.5%,start line:83% size:77.5%
BUT THE WAY THE LIGHTING COMES
THROUGH AND SHINES HERE,

10:34.366 --> 10:34.433 align:left position:10%,start line:83% size:80%
AND THEN THIS WONDERFUL SHEEN OF
LIGHTING ALONG THE SHORE LINE

10:39.800 --> 10:40.900 align:left position:42.5%,start line:89% size:47.5%
THERE.

10:40.900 --> 10:40.966 align:left position:20%,start line:83% size:70%
SO, I MEAN IT'S REALLY A
BEAUTIFUL PAINTING THAT DRAWS

10:43.800 --> 10:45.000 align:left position:35%,start line:89% size:55%
YOU INTO IT.

10:45.000 --> 10:45.066 align:left position:10%,start line:83% size:80%
AND FRANKLY, AND I'VE SEEN MANY,
MANY DE BREANSKI PAINTINGS,

10:48.033 --> 10:48.100 align:left position:30%,start line:83% size:60%
THIS IS ONE OF MY
ABSOLUTE FAVORITES.

10:51.166 --> 10:51.233 align:left position:30%,start line:83% size:60%
HAVE YOU EVER HAD
IT LOOKED AT BEFORE?

10:53.333 --> 10:53.400 align:left position:17.5%,start line:89% size:72.5%
Collector: NO, NEVER HAVE.

10:54.633 --> 10:54.700 align:left position:27.5%,start line:83% size:62.5%
THAT'S WHY WHEN THE
OPPORTUNITY CAME UP,

10:56.700 --> 10:56.766 align:left position:12.5%,start line:83% size:77.5%
I THOUGHT THIS WAS A GREAT TIME
TO TRY AND FIND OUT A LITTLE

10:59.766 --> 10:59.833 align:left position:20%,start line:89% size:70%
MORE ABOUT THIS PAINTING.

11:01.166 --> 11:01.233 align:left position:20%,start line:83% size:70%
Raab Christhilf: NOW THE
FATHER'S PAINTINGS GO FOR REALLY

11:06.000 --> 11:07.100 align:left position:25%,start line:89% size:65%
QUITE A LOT OF MONEY.

11:07.100 --> 11:07.166 align:left position:12.5%,start line:83% size:77.5%
YOU'RE TALKING $25,000-$35,000,
THAT KIND OF RANGE.

11:11.200 --> 11:11.266 align:left position:17.5%,start line:83% size:72.5%
THE SONS' PAINTINGS DO NOT
DEMAND THAT KIND OF PRICING.

11:15.333 --> 11:15.400 align:left position:32.5%,start line:83% size:57.5%
ESPECIALLY ONE
THAT IS THIS SIZE,

11:17.400 --> 11:17.466 align:left position:25%,start line:83% size:65%
THIS IS SMALLER THAN
MOST OF HIS PAINTINGS.

11:20.233 --> 11:20.300 align:left position:17.5%,start line:89% size:72.5%
THIS IS SMALLER THAN THAT.

11:21.900 --> 11:21.966 align:left position:15%,start line:83% size:75%
BUT AS A VALUE AT AUCTION, I
WOULD SAY $2500-$3000 DOLLARS.

11:28.833 --> 11:28.900 align:left position:22.5%,start line:83% size:67.5%
FOR INSURANCE, I WOULD
SAY $5000-$6000 DOLLARS,

11:33.066 --> 11:34.200 align:left position:25%,start line:89% size:65%
SOMETHING LIKE THAT.

11:34.200 --> 11:34.266 align:left position:20%,start line:83% size:70%
NOW, YOU DO NEED A LITTLE
REPAIR RIGHT HERE ON THE SIDE,

11:36.833 --> 11:36.900 align:left position:15%,start line:89% size:75%
BUT THAT'S VERY, VERY MINOR.

11:38.966 --> 11:39.033 align:left position:15%,start line:83% size:75%
IT'S A BEAUTIFUL PAINTING AND
YOU'RE VERY LUCKY TO OWN IT.

11:42.266 --> 11:42.333 align:left position:37.5%,start line:83% size:52.5%
Collector:
THANK YOU SO MUCH, I AGREE.

11:44.200 --> 11:44.266 align:left position:40%,start line:89% size:50%
[LAUGHS]

11:50.500 --> 11:50.566 align:left position:27.5%,start line:83% size:62.5%
Rhea: ALL OF THESE
ANTIQUES WHISK US AWAY TO OTHER

11:53.233 --> 11:53.300 align:left position:22.5%,start line:89% size:67.5%
LIVES AND OTHER TIMES.

11:55.500 --> 11:55.566 align:left position:20%,start line:83% size:70%
EVER FANTASIZE ABOUT WHAT
YOU WOULD COLLECT IF YOU HAD

11:58.900 --> 11:58.966 align:left position:15%,start line:89% size:75%
FABULOUS WEALTH AND PRESTIGE?

12:01.666 --> 12:01.733 align:left position:15%,start line:83% size:75%
A VISIT TO HILLWOOD ESTATE IN
WASHINGTON D.C.,

12:05.300 --> 12:05.366 align:left position:15%,start line:83% size:75%
THE MANSION AND LUSH GARDENS
BUILT BY

12:08.366 --> 12:08.433 align:left position:17.5%,start line:83% size:72.5%
MARJORIE MERRIWEATHER POST,
BRINGS THAT DREAM INTO REALITY.

12:13.533 --> 12:13.600 align:left position:47.5%,start line:89% size:42.5%
♪♪♪

12:23.800 --> 12:23.866 align:left position:45%,start line:83% size:45%
Rhea:
MARJORIE MERRIWEATHER POST IS IN

12:26.266 --> 12:26.333 align:left position:12.5%,start line:83% size:77.5%
A CLASS ALL BY HERSELF, SHE WAS
AN AMAZING COLLECTOR.

12:30.900 --> 12:30.966 align:left position:20%,start line:83% size:70%
Kate Markert: SHE STARTED
COLLECTING REALLY IN THE 1920'S

12:33.833 --> 12:33.900 align:left position:12.5%,start line:89% size:77.5%
WHEN SHE CAME INTO HER FORTUNE.

12:37.100 --> 12:37.166 align:left position:15%,start line:5% size:75%
HER FATHER HAD CREATED GRAPE
NUTS AND POST TOASTIES

12:41.266 --> 12:41.333 align:left position:37.5%,start line:5% size:52.5%
AND POSTUM.

12:42.933 --> 12:43.000 align:left position:30%,start line:83% size:60%
AND SHE INHERITED
THE ENTIRE COMPANY.

12:49.000 --> 12:49.066 align:left position:22.5%,start line:83% size:67.5%
SHE WAS MOST INTERESTED
IN THE DECORATIVE ARTS.

12:51.466 --> 12:51.533 align:left position:15%,start line:83% size:75%
SO SHE LOVED VERY FINE FRENCH
FURNITURE OF THE EIGHTEENTH

12:55.100 --> 12:55.166 align:left position:22.5%,start line:89% size:67.5%
AND NINETEENTH CENTURY.

12:56.866 --> 12:56.933 align:left position:32.5%,start line:83% size:57.5%
AND PORCELAIN,
GORGEOUS PORCELAIN.

13:00.033 --> 13:00.166 align:left position:20%,start line:83% size:70%
SO, THAT WAS MOSTLY WHAT
SHE COLLECTED IN THE 1920'S.

13:03.566 --> 13:03.633 align:left position:30%,start line:83% size:60%
Rhea: WELL, HERE
WE ARE IN A MUSEUM.

13:06.700 --> 13:06.766 align:left position:15%,start line:83% size:75%
AND IT'S HARD TO IMAGINE THAT
THIS WAS ONCE HER HOME,

13:11.033 --> 13:11.100 align:left position:15%,start line:89% size:75%
THAT SHE ACTUALLY LIVED HERE!

13:13.200 --> 13:14.333 align:left position:25%,start line:89% size:65%
Kate: SHE REALLY DID.

13:14.333 --> 13:14.400 align:left position:22.5%,start line:83% size:67.5%
Rhea: AND WE'RE IN THIS
GREAT FRENCH... DRAWING ROOM.

13:19.000 --> 13:19.066 align:left position:15%,start line:83% size:75%
AND... I LOOK AROUND, I DON'T
KNOW WHAT TO LOOK AT FIRST!

13:22.266 --> 13:22.333 align:left position:25%,start line:83% size:65%
Kate: THIS IS NOT THE
KIND OF HOUSE THAT YOU SEE

13:24.500 --> 13:24.566 align:left position:25%,start line:83% size:65%
IN MOST CONTEMPORARY
HOMES LET'S SAY.

13:27.166 --> 13:27.233 align:left position:15%,start line:89% size:75%
IT IS, IT'S VERY HIGH STYLE.

13:30.700 --> 13:30.766 align:left position:22.5%,start line:83% size:67.5%
WE HAVE A DESK THAT WAS
CREATED BY ROENTGEN,

13:35.000 --> 13:35.066 align:left position:27.5%,start line:83% size:62.5%
WHO WAS A VERY FINE
FURNITURE MAKER.

13:37.600 --> 13:37.666 align:left position:17.5%,start line:83% size:72.5%
SHE THOUGHT IT WAS MADE FOR
MARIE ANTOINETTE, IT WAS

13:41.200 --> 13:41.266 align:left position:22.5%,start line:83% size:67.5%
ACTUALLY MADE FOR MARIA
ANTONIO OF BAVARIA.

13:45.266 --> 13:45.333 align:left position:27.5%,start line:83% size:62.5%
BUT IT IS IN FACT,
A ROYAL PIECE.

13:47.600 --> 13:47.666 align:left position:20%,start line:89% size:70%
Rhea: IT'S SO BEAUTIFUL.

13:49.733 --> 13:49.800 align:left position:20%,start line:83% size:70%
WHAT ELSE IS IN THIS ROOM
THAT WE OUGHT TO LOOK AT?

13:51.933 --> 13:52.000 align:left position:25%,start line:83% size:65%
Kate: WELL, THERE IS
ANOTHER VERY INTERESTING CHAIR

13:54.300 --> 13:54.366 align:left position:25%,start line:83% size:65%
THAT ACTUALLY SWIVELS
RIGHT IN FRONT OF THE DESK.

13:57.766 --> 13:57.833 align:left position:15%,start line:83% size:75%
AND THAT WAS IN FACT MADE FOR
MARIE ANTOINETTE AND IT WAS

14:02.066 --> 14:02.133 align:left position:20%,start line:83% size:70%
LOW ENOUGH, AND IT MOVES,
SO THAT'S WHERE SHE WOULD HAVE

14:05.966 --> 14:06.033 align:left position:25%,start line:89% size:65%
HAD HER WIG POWDERED.

14:07.366 --> 14:07.433 align:left position:32.5%,start line:83% size:57.5%
Rhea: [LAUGHS]
THAT'S SO HARD TO IMAGINE.

14:11.666 --> 14:12.466 align:left position:35%,start line:89% size:55%
IT REALLY IS.

14:12.466 --> 14:12.533 align:left position:30%,start line:83% size:60%
SO, FAMOUS PEOPLE
WERE IN THIS ROOM?

14:15.333 --> 14:15.400 align:left position:27.5%,start line:83% size:62.5%
Kate: FAMOUS PEOPLE
WERE, IN FACT, IN THIS ROOM.

14:18.000 --> 14:18.066 align:left position:20%,start line:89% size:70%
JACKIE KENNEDY WAS HERE.

14:20.000 --> 14:20.066 align:left position:25%,start line:83% size:65%
AND THE EISENHOWER'S
CAME TO VISIT.

14:22.900 --> 14:22.966 align:left position:25%,start line:83% size:65%
SHE HAD THE DUKE AND
DUCHESS OF WINDSOR.

14:25.200 --> 14:25.266 align:left position:15%,start line:83% size:75%
MANY, MANY FAMOUS PEOPLE WERE
GUESTS HERE AT HILLWOOD DURING

14:29.666 --> 14:29.733 align:left position:20%,start line:89% size:70%
MAJORIE POST'S LIFETIME.

14:31.133 --> 14:31.200 align:left position:10%,start line:89% size:80%
♪♪♪

14:33.200 --> 14:33.266 align:left position:22.5%,start line:83% size:67.5%
Rhea: I GUESS WE CAN'T
POSSIBLY TALK ABOUT HILLWOOD

14:36.633 --> 14:36.700 align:left position:15%,start line:89% size:75%
UNLESS WE TALK ABOUT FABERGE.

14:39.100 --> 14:39.166 align:left position:20%,start line:89% size:70%
Kate: WELL, THAT'S TRUE.

14:40.166 --> 14:40.233 align:left position:30%,start line:83% size:60%
WE HAVE AROUND 90
FABERGE OBJECTS.

14:42.266 --> 14:42.333 align:left position:20%,start line:71% size:70%
WE OWN TWO FABERGE EGGS.

14:44.200 --> 14:44.266 align:left position:32.5%,start line:65% size:57.5%
AND, OF COURSE,
YOU KNOW THERE WERE ONLY

14:46.600 --> 14:46.666 align:left position:12.5%,start line:89% size:77.5%
PROBABLY 50 OF THEM EVER MADE.

14:49.100 --> 14:49.166 align:left position:10%,start line:89% size:80%
AND 43 OF THEM ARE STILL EXTANT.

14:51.566 --> 14:51.633 align:left position:22.5%,start line:83% size:67.5%
SO, TO HAVE TWO IN ONE
COLLECTION IS ACTUALLY

14:54.566 --> 14:55.700 align:left position:35%,start line:89% size:55%
QUITE A LOT.

14:55.700 --> 14:55.766 align:left position:12.5%,start line:5% size:77.5%
I WOULD SAY THAT THEY ARE KIND
OF THE ICONS OF HILLWOOD,

15:00.033 --> 15:00.166 align:left position:20%,start line:5% size:70%
ARE OUR TWO FABERGE EGGS.

15:01.700 --> 15:01.766 align:left position:10%,start line:65% size:80%
♪♪♪

15:05.966 --> 15:06.033 align:left position:15%,start line:89% size:75%
Rhea: TALK A LITTLE BIT ABOUT

15:07.833 --> 15:07.900 align:left position:10%,start line:89% size:80%
THE RUSSIAN SACRED ARTS GALLERY.

15:10.833 --> 15:10.900 align:left position:22.5%,start line:83% size:67.5%
Kate: WELL, THAT'S ONE
OF THE THINGS THAT MAJORIE POST

15:12.966 --> 15:13.033 align:left position:20%,start line:83% size:70%
STARTED COLLECTING IN THE
1930'S WHEN SHE WENT TO,

15:16.566 --> 15:16.633 align:left position:12.5%,start line:83% size:77.5%
WHAT WAS THEN THE SOVIET UNION
WITH HER HUSBAND JOE DAVIES

15:20.000 --> 15:20.066 align:left position:22.5%,start line:83% size:67.5%
WHO WAS THE AMBASSADOR
TO THE SOVIET UNION.

15:23.900 --> 15:23.966 align:left position:22.5%,start line:83% size:67.5%
SHE STARTED COLLECTING
WITH CHALICES,

15:27.266 --> 15:27.333 align:left position:12.5%,start line:89% size:77.5%
WITH SACRED ROBES AND SO FORTH.

15:30.433 --> 15:30.500 align:left position:17.5%,start line:65% size:72.5%
AND SHE BECAME A VERY FINE
COLLECTOR OF RUSSIAN IMPERIAL

15:35.300 --> 15:35.366 align:left position:15%,start line:83% size:75%
ART, THAT IS TO SAY, ART THAT
WAS CREATED FOR THE CZARS.

15:38.600 --> 15:38.666 align:left position:32.5%,start line:83% size:57.5%
WE DO HAVE SOME
EXTRAORDINARY OBJECTS.

15:42.933 --> 15:43.000 align:left position:15%,start line:83% size:75%
WE ACTUALLY HAVE THE NUPTIAL
CROWN THAT THE LAST CZARINA

15:47.566 --> 15:47.633 align:left position:32.5%,start line:83% size:57.5%
OF RUSSIA WORE
ON HER WEDDING DAY.

15:50.966 --> 15:51.033 align:left position:15%,start line:83% size:75%
SO, IT'S, YOU KNOW, 1500 OLD
MINE DIAMONDS,

15:55.600 --> 15:55.666 align:left position:20%,start line:83% size:70%
SO IF THERE'S, YOU KNOW,
IT HAS SOME INTRINSIC VALUE.

15:58.533 --> 15:58.600 align:left position:10%,start line:83% size:80%
BUT IT'S REALLY THE FACT THAT IT
WAS THE LAST CZARINA OF RUSSIA'S

16:02.966 --> 16:03.033 align:left position:32.5%,start line:89% size:57.5%
NUPTIAL CROWN.

16:04.666 --> 16:04.733 align:left position:17.5%,start line:83% size:72.5%
Rhea: THAT STORY ABSOLUTELY
GAVE ME CHILLS

16:07.000 --> 16:07.066 align:left position:27.5%,start line:89% size:62.5%
WHEN YOU SAID THAT.

16:09.600 --> 16:09.666 align:left position:17.5%,start line:83% size:72.5%
DO YOU HAVE ANY IDEA OF HOW
MANY OBJECTS YOU HAVE ON DISPLAY

16:14.300 --> 16:14.366 align:left position:12.5%,start line:89% size:77.5%
OR AVAILABLE TO BE ON DISPLAY?

16:16.900 --> 16:16.966 align:left position:27.5%,start line:83% size:62.5%
Kate: THE INVENTORY
IS ABOUT 16,000 OBJECTS.

16:19.900 --> 16:19.966 align:left position:25%,start line:83% size:65%
ALTHOUGH, IT DEPENDS
ON HOW YOU COUNT THEM.

16:22.400 --> 16:22.466 align:left position:32.5%,start line:83% size:57.5%
Rhea: WOULD IT
BE FAIR TO SAY THEN,

16:25.266 --> 16:25.333 align:left position:20%,start line:83% size:70%
THAT THIS IS A COLLECTION
THAT'S PRICELESS?

16:28.433 --> 16:28.500 align:left position:30%,start line:89% size:60%
Kate: OH, INDEED.

16:29.600 --> 16:29.666 align:left position:45%,start line:89% size:45%
YES.

16:30.500 --> 16:30.566 align:left position:40%,start line:83% size:50%
Rhea: YOU
CAN'T EVEN IMAGINE?

16:31.933 --> 16:32.000 align:left position:30%,start line:83% size:60%
Kate: NO, AND YOU
COULDN'T REPLICATE IT.

16:34.333 --> 16:34.400 align:left position:10%,start line:83% size:80%
YOU CERTAINLY COULDN'T YOU KNOW,
IF SOMETHING HAPPENED TO IT

16:37.000 --> 16:37.066 align:left position:27.5%,start line:83% size:62.5%
YOU COULDN'T GO OUT
AND REPLICATE IT.

16:39.200 --> 16:39.266 align:left position:10%,start line:89% size:80%
♪♪♪

16:40.700 --> 16:40.766 align:left position:17.5%,start line:83% size:72.5%
Rhea: WELL, WE COULD SPEND
A LOT OF TIME GOING

16:43.233 --> 16:43.300 align:left position:30%,start line:89% size:60%
AROUND THE HOUSE.

16:44.900 --> 16:44.966 align:left position:12.5%,start line:89% size:77.5%
I THINK WE OUGHT TO GO OUTSIDE.

16:46.500 --> 16:46.566 align:left position:37.5%,start line:89% size:52.5%
Kate: OKAY.

16:47.600 --> 16:47.666 align:left position:12.5%,start line:89% size:77.5%
WE HAVE BEAUTIFUL GARDENS TOO.

16:53.100 --> 16:53.166 align:left position:25%,start line:83% size:65%
Rhea: THE GARDENS ARE
REALLY AN IMPORTANT PART OF

16:55.333 --> 16:55.400 align:left position:22.5%,start line:89% size:67.5%
HILLWOOD, AREN'T THEY?

16:56.500 --> 16:57.433 align:left position:22.5%,start line:89% size:67.5%
Kate: THEY ARE INDEED.

16:57.433 --> 16:57.500 align:left position:27.5%,start line:83% size:62.5%
Rhea: AND HOW MANY
ACRES DO YOU HAVE HERE?

16:59.400 --> 16:59.466 align:left position:22.5%,start line:83% size:67.5%
Kate: WE HAVE 25 ACRES,
13 OF WHICH ARE MANICURED

17:03.066 --> 17:03.133 align:left position:12.5%,start line:83% size:77.5%
GARDENS AND 12 OF WHICH ARE THE
WOODLANDS THAT SURROUND THE

17:07.033 --> 17:07.100 align:left position:35%,start line:89% size:55%
WHOLE PLACE.

17:10.133 --> 17:10.200 align:left position:20%,start line:83% size:70%
THERE ARE MANY DIFFERENT
KINDS OF GARDENS.

17:12.000 --> 17:12.066 align:left position:12.5%,start line:83% size:77.5%
SO WE HAVE THE FRENCH PARTERRE,
WE HAVE A JAPANESE GARDEN,

17:15.133 --> 17:15.200 align:left position:22.5%,start line:83% size:67.5%
WE HAVE A ROSE GARDEN,
A CUTTING GARDEN,

17:18.333 --> 17:18.400 align:left position:30%,start line:83% size:60%
AND WE EVEN HAVE
A PUTTING GREEN.

17:20.000 --> 17:20.066 align:left position:30%,start line:89% size:60%
Rhea: NO KIDDING.

17:21.000 --> 17:21.833 align:left position:37.5%,start line:89% size:52.5%
Kate: YES.

17:21.833 --> 17:21.900 align:left position:32.5%,start line:83% size:57.5%
Rhea: OH, WELL
THEY'RE ALL BEAUTIFUL.

17:22.966 --> 17:24.066 align:left position:27.5%,start line:89% size:62.5%
Kate: YES THEY ARE.

17:24.066 --> 17:24.133 align:left position:22.5%,start line:83% size:67.5%
Rhea: KATE, LET'S TAKE
A LOOK AT THE JAPANESE GARDEN.

17:26.866 --> 17:26.933 align:left position:22.5%,start line:83% size:67.5%
Kate: ABSOLUTELY, IT'S
ONE OF OUR MOST POPULAR GARDENS.

17:32.366 --> 17:32.433 align:left position:20%,start line:83% size:70%
THE ART OF THIS GARDEN IS
REALLY IN A WAY, ITS ARTIFICE.

17:35.800 --> 17:35.866 align:left position:20%,start line:83% size:70%
BECAUSE IT'S SUPPOSED TO
BE A MINIATURE MOUNTAIN.

17:40.466 --> 17:40.533 align:left position:15%,start line:83% size:75%
SO, IT IS JUST A HILL BUT IT
HAS RUSHING WATER COMING DOWN,

17:45.500 --> 17:45.566 align:left position:12.5%,start line:83% size:77.5%
SO ITS GOT A WATERFALL, AND ITS
SUPPOSED TO LOOK LIKE A RIVER.

17:49.466 --> 17:49.533 align:left position:12.5%,start line:89% size:77.5%
Rhea: IT'S VERY, VERY PEACEFUL.

17:54.633 --> 17:54.700 align:left position:25%,start line:65% size:65%
WHAT A PLEASURE IT'S
BEEN TO BE HERE.

17:56.233 --> 17:56.300 align:left position:25%,start line:65% size:65%
Kate: WELL, IT'S BEEN
MY PLEASURE HAVING YOU, RHEA.

17:58.300 --> 17:58.366 align:left position:37.5%,start line:65% size:52.5%
Rhea: THANK
YOU SO MUCH KATE.

17:59.333 --> 17:59.400 align:left position:30%,start line:71% size:60%
Kate: THANK YOU.

18:11.666 --> 18:11.733 align:left position:20%,start line:65% size:70%
Dennis Harter: WHAT IS IT
THAT YOU'VE BROUGHT US TODAY?

18:13.933 --> 18:14.000 align:left position:15%,start line:83% size:75%
Collector: WELL I BROUGHT YOU
SOMETHING THAT MY MOTHER

18:15.733 --> 18:15.800 align:left position:30%,start line:83% size:60%
COLLECTED WHEN WE
LIVED IN SHANGHAI, CHINA

18:18.266 --> 18:18.333 align:left position:27.5%,start line:89% size:62.5%
BACK IN 1945- 6,7.

18:21.966 --> 18:22.033 align:left position:12.5%,start line:89% size:77.5%
UH... AS A GIFT FROM MY FATHER.

18:23.666 --> 18:23.733 align:left position:17.5%,start line:83% size:72.5%
AND THE... FAMILY FOLKLORE
IS THAT THEY WERE CALLED THE

18:27.766 --> 18:27.833 align:left position:27.5%,start line:89% size:62.5%
TIBETAN WINE CUPS.

18:29.066 --> 18:29.133 align:left position:32.5%,start line:89% size:57.5%
Dennis: UH-HUH!

18:30.266 --> 18:30.333 align:left position:20%,start line:83% size:70%
AND WHAT WERE THEY DOING
IN CHINA AT THE TIME?

18:32.400 --> 18:32.466 align:left position:17.5%,start line:83% size:72.5%
Collector: WELL, POP WAS A
CAREER AIR FORCE OFFICER AND

18:35.300 --> 18:35.366 align:left position:27.5%,start line:83% size:62.5%
BEFORE THE WAR AS A
CIVILIAN HE WENT TO CHINA,

18:38.200 --> 18:38.266 align:left position:17.5%,start line:83% size:72.5%
FLEW FOR A CHINESE WARLORD,
CANTONESE WARLORD.

18:42.100 --> 18:42.166 align:left position:17.5%,start line:83% size:72.5%
AND THEN UH, WAS FORCED OUT
BY THE JAPANESE.

18:46.666 --> 18:46.733 align:left position:25%,start line:83% size:65%
THEN HE WENT BACK ON
ACTIVE DUTY SERVICE.

18:48.900 --> 18:48.966 align:left position:12.5%,start line:83% size:77.5%
AND AFTER THE WAR THE AIR FORCE
PUT HIM BACK IN SHANGHAI

18:52.200 --> 18:52.266 align:left position:20%,start line:83% size:70%
AS THE AIR BASE COMMANDER
IN SHANGHAI.

18:55.233 --> 18:55.300 align:left position:17.5%,start line:83% size:72.5%
Dennis: AND THAT WAS STILL
AN AMERICAN AIR BASE...

18:57.366 --> 18:57.433 align:left position:27.5%,start line:83% size:62.5%
Collector: OH YEAH.
VERY MUCH SO.

18:58.633 --> 18:58.700 align:left position:15%,start line:83% size:75%
Dennis: THAT WE WERE USING IN
THE POST WAR PERIOD.

19:00.833 --> 19:00.966 align:left position:17.5%,start line:83% size:72.5%
Collector: AND THEN WE WERE
PUSHED OUT IN UH... SOMETIME IN

19:04.633 --> 19:04.700 align:left position:30%,start line:83% size:60%
'48 AS MAO ZEDONG
THEN TOOK OVER CHINA.

19:08.000 --> 19:08.066 align:left position:25%,start line:83% size:65%
Dennis: AND STILL YOU
MANAGED TO GET THESE CERAMIC

19:10.300 --> 19:11.566 align:left position:25%,start line:89% size:65%
PIECES OUT OF CHINA?

19:11.566 --> 19:11.633 align:left position:12.5%,start line:83% size:77.5%
Collector: POP TELLS THE STORY
OF BEING ON THE BOAT LOOKING AT

19:14.466 --> 19:14.533 align:left position:12.5%,start line:83% size:77.5%
THE DOCK AND LEARNING THAT HIS
BOXES AND SHIPPING CRATES WOULD

19:19.166 --> 19:19.233 align:left position:12.5%,start line:83% size:77.5%
GET ON, SOME PEOPLE DIDN'T GET
THEIR STUFF BUT HE GOT HIS.

19:23.300 --> 19:23.366 align:left position:17.5%,start line:83% size:72.5%
Dennis: UH, THE SAME THING
HAPPENED WITH PEOPLE TRYING TO

19:26.033 --> 19:26.100 align:left position:17.5%,start line:89% size:72.5%
GET OUT OF VIETNAM IN 1975.

19:27.933 --> 19:28.733 align:left position:22.5%,start line:89% size:67.5%
Collector: ABSOLUTELY.

19:28.733 --> 19:28.800 align:left position:27.5%,start line:83% size:62.5%
Dennis: SOME THINGS
MADE THE BOAT,

19:29.933 --> 19:30.000 align:left position:20%,start line:89% size:70%
AND OTHER THINGS DID NOT.

19:31.966 --> 19:32.033 align:left position:15%,start line:83% size:75%
BUT WHAT'S INTERESTING IS THE
FAMILY FOLKLORE OF THESE BEING

19:35.633 --> 19:35.700 align:left position:27.5%,start line:65% size:62.5%
TIBETAN WINE CUPS,
IS VERY, VERY REAL.

19:39.633 --> 19:39.700 align:left position:12.5%,start line:65% size:77.5%
BECAUSE, THESE ARE IN FACT WINE
CUPS AND THE DESIGN THAT YOU SEE

19:45.833 --> 19:45.900 align:left position:27.5%,start line:65% size:62.5%
HERE IS ACTUALLY A
TIBETAN CHARACTER.

19:48.933 --> 19:49.000 align:left position:12.5%,start line:65% size:77.5%
AND IT HAS TO DO WITH LONGEVITY
AND IT HAS TO DO WITH THE

19:53.400 --> 19:53.466 align:left position:15%,start line:83% size:75%
RITUALISTIC THINGS THAT WOULD
BE DONE IN A BUDDHIST CEREMONY

19:57.000 --> 19:57.066 align:left position:22.5%,start line:89% size:67.5%
UNDER TIBETAN LAMAISM.

20:00.133 --> 20:00.200 align:left position:10%,start line:83% size:80%
THE DESIGNS HERE ARE TRADITIONAL
CHINESE LOTUS DESIGNS,

20:05.666 --> 20:05.733 align:left position:20%,start line:83% size:70%
WHICH GO BACK TO THE MING
DYNASTY, THIS PARTICULAR STYLE.

20:08.966 --> 20:09.033 align:left position:15%,start line:83% size:75%
MING DYNASTY BEING THE 14TH,
15TH, 16TH CENTURY IN CHINA.

20:14.066 --> 20:14.133 align:left position:22.5%,start line:83% size:67.5%
THE DESIGNS HERE AGAIN
REPLICATING THINGS THAT WERE

20:17.966 --> 20:18.033 align:left position:22.5%,start line:83% size:67.5%
DONE AT THAT PARTICULAR
PERIOD OF TIME.

20:20.133 --> 20:20.200 align:left position:20%,start line:83% size:70%
UNDERNEATH HERE YOU HAVE
CHINESE CALLIGRAPHY,

20:25.566 --> 20:25.633 align:left position:22.5%,start line:83% size:67.5%
WHICH SAYS THAT THIS IS
FROM THE QIÁNLÓNG PERIOD,

20:30.466 --> 20:30.533 align:left position:15%,start line:83% size:75%
AN EMPEROR IN CHINA WHO RULED
AT THE END OF THE 18TH CENTURY.

20:33.700 --> 20:33.766 align:left position:32.5%,start line:89% size:57.5%
Collector: WOW.

20:35.133 --> 20:35.200 align:left position:10%,start line:83% size:80%
Dennis: NOW, I LOOKED EARLIER AT
THESE OTHER PIECES THAT YOU HAVE

20:39.933 --> 20:40.000 align:left position:22.5%,start line:83% size:67.5%
AND THESE ARE A LITTLE
BIT DIFFERENT.

20:43.566 --> 20:43.633 align:left position:25%,start line:83% size:65%
STYLISTICALLY THEY'RE
QUITE THE SAME.

20:45.500 --> 20:45.566 align:left position:10%,start line:83% size:80%
BUT THE PAINTING ON THIS AND THE
PAINTING ON THIS IS DIFFERENT.

20:49.600 --> 20:49.666 align:left position:25%,start line:89% size:65%
Collector: RIGHT, OK.

20:50.800 --> 20:50.866 align:left position:15%,start line:83% size:75%
Dennis: ALSO, WHEN WE LOOKED
AT THE BOTTOM OF IT,

20:53.533 --> 20:53.600 align:left position:10%,start line:83% size:80%
AGAIN CHINESE REIGN MARK ON HERE
BUT NOT THE SAME AS

20:58.600 --> 20:58.666 align:left position:25%,start line:59% size:65%
THE REIGN MARK HERE.

21:00.333 --> 21:00.466 align:left position:15%,start line:59% size:75%
THE REIGN MARK HERE SAYS IT'S
FROM THE MIDDLE OF THE

21:02.633 --> 21:02.700 align:left position:35%,start line:59% size:55%
19TH CENTURY.

21:03.833 --> 21:05.100 align:left position:30%,start line:59% size:60%
Collector: OKAY.

21:05.100 --> 21:05.166 align:left position:22.5%,start line:59% size:67.5%
Dennis: AND THIS IS THE
DÀOGUANG PERIOD, QIÁNLÓNG PERIOD

21:07.866 --> 21:07.933 align:left position:22.5%,start line:83% size:67.5%
THIS IS ALSO DÀOGUANG,
AND THESE ARE BOTH VERY,

21:12.566 --> 21:12.633 align:left position:12.5%,start line:83% size:77.5%
VERY SIMILAR TO EACH OTHER AND
THEY WOULD'VE BEEN MADE AT THE

21:15.333 --> 21:15.400 align:left position:22.5%,start line:83% size:67.5%
SAME TIME, AND PROBABLY
BY THE SAME ARTIST.

21:18.333 --> 21:18.400 align:left position:12.5%,start line:83% size:77.5%
SO THAT, AND THE DESIGN INSIDE,
THIS AGAIN IS SOMETHING

21:25.966 --> 21:26.033 align:left position:15%,start line:83% size:75%
HERE THAT WOULD BE SOMETHING
VERY SPECIAL FOR TIBET.

21:28.700 --> 21:28.766 align:left position:20%,start line:83% size:70%
THIS IS... HAVE YOU EVER
SEEN NINJA MOVIES

21:32.200 --> 21:32.266 align:left position:32.5%,start line:83% size:57.5%
WHERE THEY HAVE
THE THROWING STARS?

21:33.833 --> 21:35.000 align:left position:32.5%,start line:89% size:57.5%
Collector: YES.

21:35.000 --> 21:35.066 align:left position:17.5%,start line:83% size:72.5%
Dennis: WELL, THIS IS WHAT
A CHINESE VERSION OF IT WOULD

21:37.766 --> 21:37.833 align:left position:20%,start line:83% size:70%
LOOK LIKE BACK FROM THAT
PARTICULAR TIME PERIOD.

21:43.600 --> 21:43.666 align:left position:30%,start line:83% size:60%
DO YOU HAVE OTHER
PIECES LIKE THIS?

21:45.700 --> 21:45.766 align:left position:10%,start line:83% size:80%
Collector: UH, THERE IS A SET OF
SIX SMALLER CUPS THAT ARE

21:50.066 --> 21:50.133 align:left position:27.5%,start line:89% size:62.5%
SMALLER THAN THIS.

21:50.900 --> 21:50.966 align:left position:30%,start line:83% size:60%
THEY'RE PROBABLY
ABOUT THAT TALL.

21:52.533 --> 21:53.666 align:left position:37.5%,start line:89% size:52.5%
SAME SHAPE.

21:53.666 --> 21:53.733 align:left position:25%,start line:83% size:65%
Dennis: SAME DESIGNS,
COLORATION AND EVERYTHING ELSE?

21:55.833 --> 21:55.900 align:left position:30%,start line:89% size:60%
Collector: RIGHT.

21:56.700 --> 21:57.733 align:left position:27.5%,start line:89% size:62.5%
Dennis: ALL RIGHT.

21:57.733 --> 21:57.800 align:left position:20%,start line:83% size:70%
I WOULD SAY BASED ON THE
TYPE OF PORCELAIN, DESIGN,

22:02.300 --> 22:02.366 align:left position:12.5%,start line:83% size:77.5%
THE COLORATION, THE BLUES, AND
EVERYTHING ELSE THAT ARE HERE,

22:06.866 --> 22:08.133 align:left position:27.5%,start line:89% size:62.5%
THE COBALT COLORS.

22:08.133 --> 22:08.200 align:left position:12.5%,start line:83% size:77.5%
THAT THIS IS SOMETHING THAT WAS
MADE NOT IN THE 18TH CENTURY,

22:13.266 --> 22:13.333 align:left position:30%,start line:83% size:60%
NOT IN THE MIDDLE
OF THE 19TH CENTURY,

22:15.633 --> 22:15.700 align:left position:17.5%,start line:83% size:72.5%
BUT PROBABLY IN THE LATTER
PART OF THE 19TH CENTURY.

22:18.400 --> 22:18.466 align:left position:20%,start line:83% size:70%
BEFORE 1900 BUT PROBABLY
IN THE 1880'S, 1890'S.

22:22.366 --> 22:23.433 align:left position:22.5%,start line:89% size:67.5%
Collector: OKAY, GREAT.

22:23.433 --> 22:23.500 align:left position:22.5%,start line:83% size:67.5%
Dennis: AND THE PIECES
ARE IN REMARKABLE CONDITION.

22:26.700 --> 22:26.766 align:left position:12.5%,start line:83% size:77.5%
I MEAN, THESE ARE STRAIGHT OUT
OF THE BOX AS THOUGH THEY WERE

22:30.900 --> 22:30.966 align:left position:32.5%,start line:89% size:57.5%
MADE YESTERDAY.

22:32.433 --> 22:32.500 align:left position:15%,start line:83% size:75%
THE PIECES ARE IN ABSOLUTELY
PERFECT CONDITION.

22:36.133 --> 22:36.200 align:left position:25%,start line:83% size:65%
UH, HAVE YOU EVER HAD
THEM APPRAISED?

22:38.100 --> 22:38.166 align:left position:25%,start line:89% size:65%
Collector: NO, NEVER.

22:39.800 --> 22:39.866 align:left position:17.5%,start line:83% size:72.5%
Dennis: AND YOU DON'T KNOW
ANYTHING ABOUT HOW YOUR FATHER

22:42.300 --> 22:42.366 align:left position:22.5%,start line:89% size:67.5%
DIRECTLY ACQUIRED THEM?

22:44.066 --> 22:45.033 align:left position:17.5%,start line:89% size:72.5%
Collector: WELL, FROM MOM.

22:45.033 --> 22:45.100 align:left position:12.5%,start line:83% size:77.5%
SHE WENT OUT AND SHE ASSEMBLED
THE SET FOR HIM.

22:47.533 --> 22:47.600 align:left position:30%,start line:89% size:60%
Dennis: UH - HUH.

22:48.266 --> 22:48.333 align:left position:25%,start line:89% size:65%
NO RECORDS FROM HER?

22:50.300 --> 22:50.366 align:left position:12.5%,start line:83% size:77.5%
Collector: WELL, THE ONLY THING
THAT SHE EVER TOLD US WAS THAT

22:52.600 --> 22:52.666 align:left position:17.5%,start line:83% size:72.5%
THERE WAS A FELLOW THAT PUT
HER UNDER HER...

22:56.533 --> 22:56.600 align:left position:17.5%,start line:89% size:72.5%
UNDER HIS WING, SAMMY LEE.

22:59.333 --> 22:59.400 align:left position:15%,start line:83% size:75%
AND HE WOULD TAKE HER AROUND
TO ANTIQUE SHOPS AND PLACES IN

23:03.733 --> 23:03.800 align:left position:30%,start line:83% size:60%
SHANGHAI AND SHOW
HER DIFFERENT THINGS.

23:06.366 --> 23:06.433 align:left position:12.5%,start line:83% size:77.5%
AND SO SHE WAS ABLE TO PICK UP
NUMEROUS PIECES OF

23:09.766 --> 23:09.833 align:left position:15%,start line:83% size:75%
BLUE AND WHITE AND FURNITURE
ALSO WITH SAMMY LEE.

23:13.100 --> 23:13.166 align:left position:12.5%,start line:83% size:77.5%
Dennis: AND THEN OF COURSE, AT
THAT PARTICULAR TIME

23:15.933 --> 23:16.000 align:left position:32.5%,start line:83% size:57.5%
DURING THE WAR,
PEOPLE DESPERATE FOR MONEY.

23:18.500 --> 23:18.566 align:left position:17.5%,start line:89% size:72.5%
Collector: YES! ABSOLUTELY.

23:20.100 --> 23:20.166 align:left position:27.5%,start line:83% size:62.5%
THE INFLATION RATE
WAS ASTRONOMICAL.

23:22.266 --> 23:22.333 align:left position:25%,start line:83% size:65%
AND THEY PROBABLY HAD
U.S. DOLLAR CURRENCY AVAILABLE

23:26.733 --> 23:26.800 align:left position:15%,start line:83% size:75%
TO THEM AT SOME POINT SO THAT
THE PURCHASE PRICE FOR SOMETHING

23:30.300 --> 23:30.366 align:left position:12.5%,start line:83% size:77.5%
LIKE THIS IN CHINESE YUAN WOULD
HAVE BEEN IN THE MILLIONS

23:34.866 --> 23:34.933 align:left position:15%,start line:83% size:75%
BUT IN U.S. DOLLARS IT WOULD
HAVE BEEN IN THE HUNDREDS.

23:38.800 --> 23:38.866 align:left position:17.5%,start line:89% size:72.5%
Collector: RIGHT, EXACTLY.

23:40.200 --> 23:40.266 align:left position:22.5%,start line:83% size:67.5%
Dennis: BUT IF I HAD TO
VALUE THIS GROUP OF THREE HERE,

23:45.033 --> 23:45.100 align:left position:20%,start line:83% size:70%
I WOULD SAY THE PAIR HERE
IS $1000-$1200 DOLLARS,

23:51.766 --> 23:51.833 align:left position:12.5%,start line:65% size:77.5%
THE LARGER PIECE HERE $750 AND
IF YOU CAN OUT IT TOGETHER WITH

23:56.400 --> 23:56.466 align:left position:10%,start line:65% size:80%
YOUR SIX SMALLER ONES, THE WHOLE
TOTAL WOULD BE SOMEWHERE AROUND

24:00.200 --> 24:00.333 align:left position:32.5%,start line:89% size:57.5%
$4000 DOLLARS.

24:01.300 --> 24:01.366 align:left position:17.5%,start line:89% size:72.5%
Collector: NICE! THANK YOU.

24:02.933 --> 24:03.000 align:left position:15%,start line:89% size:75%
I APPRECIATE THAT VERY MUCH.

24:04.366 --> 24:05.266 align:left position:25%,start line:89% size:65%
Dennis: MY PLEASURE.

24:05.366 --> 24:06.500 align:left position:25%,start line:83% size:65%
Collector: THANK YOU
FOR THE INFORMATION.

24:06.500 --> 24:06.566 align:left position:22.5%,start line:83% size:67.5%
Dennis: IT'S REALLY AND
INTERESTING SET THAT YOU HAVE.

24:08.833 --> 24:08.900 align:left position:12.5%,start line:83% size:77.5%
I LOVE THE FACT THAT THE FAMILY
WAS ABSOLUTELY RIGHT,

24:11.533 --> 24:11.600 align:left position:27.5%,start line:89% size:62.5%
TIBETAN WINE CUPS.

24:13.100 --> 24:13.166 align:left position:22.5%,start line:89% size:67.5%
Collector: ABSOLUTELY.

24:14.166 --> 24:14.233 align:left position:37.5%,start line:89% size:52.5%
THANK YOU.

24:14.833 --> 24:14.900 align:left position:25%,start line:89% size:65%
Dennis: MY PLEASURE.

24:16.200 --> 24:16.266 align:left position:17.5%,start line:89% size:72.5%
Collector: HERE YOU GO SIR.

24:17.533 --> 24:17.600 align:left position:15%,start line:83% size:75%
IT'S THE ONLY KNOWN POSTER OF
BALTIMORE CITY ROW HOUSES

24:21.466 --> 24:21.533 align:left position:30%,start line:89% size:60%
PRIOR TO 1880...

24:25.500 --> 24:25.566 align:left position:17.5%,start line:83% size:72.5%
Rhea: WE'VE COME TO THE END
OF ANOTHER

24:27.133 --> 24:27.200 align:left position:17.5%,start line:89% size:72.5%
<i>CHESAPEAKE COLLECTIBLES</i>.

24:28.600 --> 24:28.666 align:left position:17.5%,start line:89% size:72.5%
AND IT REALLY HAS BEEN FUN.

24:30.433 --> 24:30.500 align:left position:17.5%,start line:83% size:72.5%
YOU'LL NEVER GUESS WHAT WE
HAVE PLANNED FOR NEXT WEEK.

24:34.100 --> 24:34.166 align:left position:32.5%,start line:89% size:57.5%
HERE'S A PEAK.

24:35.766 --> 24:35.833 align:left position:25%,start line:83% size:65%
Collector: I BROUGHT
A CLARK GABLE TABLE.

24:37.866 --> 24:37.933 align:left position:27.5%,start line:83% size:62.5%
Allen Stypeck: SAY
THAT 10 TIMES FAST.

24:39.100 --> 24:40.000 align:left position:27.5%,start line:89% size:62.5%
Collector: I KNOW.

24:40.000 --> 24:40.066 align:left position:25%,start line:83% size:65%
THAT WAS ACTUALLY WHY
I LIKED TO BUY IT.

24:41.500 --> 24:41.566 align:left position:17.5%,start line:83% size:72.5%
Amory LeCuyer: DO YOU HAVE
IT ON DISPLAY IN YOUR HOUSE?

24:43.233 --> 24:43.300 align:left position:22.5%,start line:83% size:67.5%
Collector: IT'S ON TOP
OF THE CURIO CABINET.

24:44.933 --> 24:45.000 align:left position:27.5%,start line:83% size:62.5%
Amory: WELL THAT'S
A GOOD PLACE FOR IT TO BE.

24:46.666 --> 24:46.733 align:left position:17.5%,start line:89% size:72.5%
IT'S A CURIO OF ALL SORTS.

24:48.433 --> 24:48.500 align:left position:20%,start line:83% size:70%
Ross Kelbaugh: THIS IS A
PARTICULARLY NICE SAMPLER,

24:50.700 --> 24:50.766 align:left position:25%,start line:83% size:65%
YOU GOT BOLD COLORS,
THE HOUSE, HER NAME,

24:53.766 --> 24:53.833 align:left position:27.5%,start line:83% size:62.5%
AND CONNECTED WITH
PATAPSCO FEMALE INSTITUTE,

24:56.833 --> 24:56.900 align:left position:17.5%,start line:89% size:72.5%
MAKES IT AN EXCITING GROUP.

24:58.700 --> 24:58.766 align:left position:15%,start line:83% size:75%
Gary Brosky: SO, YOU HAVE NO
IDEA WHAT THE VALUE OF SOME OF

25:01.400 --> 25:02.366 align:left position:30%,start line:89% size:60%
THESE PIECES ARE?

25:02.366 --> 25:02.433 align:left position:22.5%,start line:83% size:67.5%
Collector: NO, THEY'VE
JUST BEEN IN A CLOSET.

25:03.733 --> 25:03.800 align:left position:35%,start line:83% size:55%
Gary: YOU'RE
GOING TO BE SHOCKED.

25:04.733 --> 25:04.800 align:left position:15%,start line:89% size:75%
Rhea: THANK YOU FOR WATCHING

25:06.366 --> 25:06.433 align:left position:17.5%,start line:83% size:72.5%
<i>CHESAPEAKE COLLECTIBLES</i>,
I'M YOUR HOST, RHEA FEIKIN.

25:09.766 --> 25:09.833 align:left position:40%,start line:89% size:50%
GOOD-BYE.

25:11.766 --> 25:11.833 align:left position:17.5%,start line:5% size:72.5%
Announcer: MAJOR FUNDING IS
PROVIDED BY:

25:14.933 --> 25:15.000 align:left position:35%,start line:5% size:55%
TURF VALLEY,
LOCATED ON 1,000 ACRES,

25:17.666 --> 25:17.733 align:left position:20%,start line:5% size:70%
A DESTINATION RESORT FOR
WEDDINGS, BUSINESS MEETINGS,

25:20.700 --> 25:20.766 align:left position:17.5%,start line:5% size:72.5%
AND SPA AND GOLF GETAWAYS.

25:22.966 --> 25:23.033 align:left position:17.5%,start line:5% size:72.5%
INFORMATION AT 410-465-1500
AND TURFVALLEY.COM.

25:29.733 --> 25:29.800 align:left position:22.5%,start line:5% size:67.5%
SINCE 1924, ALEX COOPER
AUCTIONEERS HAS BEEN SERVING

25:33.000 --> 25:33.066 align:left position:20%,start line:5% size:70%
THE MID-ATLANTIC STATES,
FEATURING MONTHLY GALLERY

25:35.400 --> 25:35.466 align:left position:22.5%,start line:5% size:67.5%
ANTIQUE AUCTION SALES.

25:36.800 --> 25:36.866 align:left position:15%,start line:5% size:75%
OUR STAFF CAN ASSIST CLIENTS
WITH THE DISPOSITION

25:39.300 --> 25:39.366 align:left position:15%,start line:5% size:75%
OF THEIR VALUED POSSESSIONS.

25:40.700 --> 25:40.766 align:left position:20%,start line:5% size:70%
ALEX COOPER AUCTIONEERS.

25:44.866 --> 25:44.933 align:left position:47.5%,start line:89% size:42.5%
♪♪♪

25:46.300 --> 25:46.366 align:left position:12.5%,start line:83% size:77.5%
CLOSED CAPTIONING HAS BEEN MADE
POSSIBLE BY MARYLAND RELAY,

25:48.800 --> 25:48.866 align:left position:15%,start line:83% size:75%
EMPOWERING THOSE WITH HEARING
AND SPEECH LOSS

25:50.833 --> 25:50.900 align:left position:27.5%,start line:89% size:62.5%
TO STAY CONNECTED.