WEBVTT

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Host: COMING UP ON
 CHESAPEAKE COLLECTIBLES .

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Appraiser: DEPENDING
ON HOW PRETTY THE GIRL IS.

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OR HOW FAMOUS,
THEN THAT'LL CHANGE THE PRICES.

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AND SOMETIMES WHETHER OR
NOT SHE'S WEARING CLOTHES.

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Collector: WOW.

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Appraiser: THE ONE HERE THAT
REALLY KNOCKED ME OUT

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IS OUR LARGER IMAGE.

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Appraiser: MY GREAT, GREAT,
GREAT, UNCLE...

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THE BATTLE OF CHANCELLORSVILLE,
WAS CARRYING THE COLORS,

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THE FLAG, AND WAS KNOCKED DOWN
THREE TIMES AND KEPT GETTING UP

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AND THEN FINALLY HE WAS KILLED.

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Appraiser: EVERY BOX ON
CHESAPEAKE COLLECTIBLES HOLDS AN

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INTERESTING SURPRISE.

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THIS ONE HOLDS ONE OF THE
REALLY UNIQUE SURPRISES.

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* ( TROLLEY BELL RINGS )

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*

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* ( TRAIN WHISTLE BLOWS )

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* ( STEAM RISES )

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CLOSED CAPTIONING HAS BEEN MADE
POSSIBLE BY MARYLAND RELAY,

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EMPOWERING THOSE WHO ARE DEAF,
HARD OF HEARING

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OR SPEECH DISABLED
TO STAY CONNECTED BY PHONE.

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*

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Announcer: MAJOR FUNDING
IS PROVIDED BY...

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TURF VALLEY,
LOCATED ON 1,000 ACRES,

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A DESTINATION RESORT FOR
WEDDINGS, BUSINESS MEETINGS

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AND SPA AND GOLF GETAWAYS.

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INFORMATION AT 410-465-1500
AND TURFVALLEY.COM.

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THE MARYLAND ARMS
COLLECTORS ASSOCIATION'S

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ANNUAL MARCH ANTIQUES
ARMS SHOW & SALE.

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VISIT BALTIMORESHOW.COM.

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SINCE 1924, ALEX COOPER
AUCTIONEERS HAS BEEN SERVING

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THE MID-ATLANTIC STATES,
FEATURING MONTHLY GALLERY

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ANTIQUE AUCTION SALES.

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OUR STAFF CAN ASSIST CLIENTS
WITH THE DISPOSITION

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OF THEIR VALUED POSSESSIONS.

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ALEX COOPER AUCTIONEERS.

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[BACKGROUND CHATTER]

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Host: WELCOME BACK TO
 CHESAPEAKE COLLECTIBLES .

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I'M YOUR HOST RHEA FEIKIN.

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AND TODAY WE'RE COMING TO YOU
FROM THE LOVELY

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TURF VALLEY RESORT
IN ELLICOTT CITY, MARYLAND.

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EACH WEEK WE GO ON A KIND
OF REVERSE SCAVENGER HUNT.

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OUR VIEWERS TURN UP SOME
INTERESTING FINDS,

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AND THEY GIVE US SOME CLUES.

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THEN OUR EXPERT APPRAISERS PUT
THEIR KNOWLEDGE TO THE TEST,

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AND VOILA, WE ALL LEARN
SOMETHING ABOUT OUR HISTORY,

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OUR HERITAGE,
AND MAYBE EVEN OUR LIVES.

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IT'S A FASCINATING PROCESS,
AND WE HOPE THAT YOU ENJOY IT

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AS MUCH AS WE DO.

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SO, LET'S SEE
WHAT WE HAVE TODAY.

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Ross Kelbaugh: WE BROUGHT IN,
TODAY, A VERY EXCITING GROUP

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FOR ME, AND I THINK FOR
CIVIL WAR COLLECTORS AT HOME,

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IN PARTICULAR,
ARE GOING TO ENJOY.

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WHAT YOU HAVE HERE?

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Collector: THESE ARE NOAH
DICKSON WALKER, MY GREAT, GREAT,

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GREAT UNCLE, WHO WAS A
LIEUTENANT IN THE BATTLE OF

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CHANCELLORSVILLE, HE WAS KILLED
ON THE SECOND DAY,

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AND WAS CARRYING THE COLORS,
THE FLAG,

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AND WAS KNOCKED DOWN
THREE TIMES.

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AND KEPT GETTING UP, AND
THEN FINALLY HE WAS KILLED.

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Ross:
IT IS A UH, AMAZING STORY.

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HE WAS FROM BALTIMORE.

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Ross: AND HE ENLISTED
AND HE WENT OVER THE POTOMAC,

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AND ENLISTED IN RICHMOND
IN JUNE OF 1861.

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HE WAS IN COMPANY E
OF THE 44TH VIRGINIA,

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AND HE WAS PROMOTED TO
LIEUTENANT IN '62.

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AND THEN THERE AT THE FAMOUS
BATTLE OF CHANCELLORSVILLE,

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STONEWALL JACKSON'S MOST FAMOUS
VICTORY, ALSO WHERE HE DIED,

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THAT MR. WALKER
JOINED HIM IN DEATH.

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INTERESTING WRITE UP WITH HIS
PICKING UP THE FLAG

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AFTER SIX PREVIOUS FLAG HOLDERS
HAD BEEN KILLED.

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AS HE ATTEMPTED TO
ENCOURAGE THE BOYS ON.

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"COME ON, BOYS, COME ON, BOYS."

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HE GOT IT TOO.

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CARRYING THE FLAG
WAS A VERY DANGEROUS BUSINESS,

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BECAUSE THE OTHER SIDE WOULD
LOVE TO BE ABLE TO

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CAPTURE THE FLAG.

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SO, THOSE FLAG BEARERS
HAD A HIGH RATE OF DEATH,

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AND HE REALLY AS LIEUTENANT
DIDN'T NEED TO BE CARRYING

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A FLAG, BUT HE DID IT
TO SPUR ON HIS MEN.

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AND TO FALL IN THE PROCESS.

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WHAT YOU HAVE HERE ARE TWO
INCREDIBLE PHOTOGRAPHS OF HIM.

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THE FIRST I'LL TALK ABOUT HERE
IS A QUARTER PLATE TIN TYPE.

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AND THE QUARTER PLATE TIN TYPE
IS SOMEWHAT DAMAGED.

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THE EMULSION ON THE PLATE HAD
FRACTURED OVER THE YEARS,

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AND PARTS OF THE EMULSION
HAVE DISAPPEARED.

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NOW, YOU CAN'T FIX THAT, YOU
JUST NEED TO BE ABLE TO

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KEEP IT STABLE.

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BUT, WHAT WE CAN DO IN THIS DAY
AND AGE WITH THE MIRACLES OF

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DIGITAL PHOTOGRAPHY AND
PHOTOSHOP, THE IMAGE ITSELF

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COULD BE FIXED FOR REPRODUCTION.

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IF YOU WANTED TO DO A BLOWUP
OR SOMETHING LIKE THAT.

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Ross: THE ONE HERE THAT
REALLY KNOCKED ME OUT

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IS OUR LARGER IMAGE.

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THIS IMAGE IS A FULL PLATE
AMBROTYPE OF HIM IN HIS

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CONFEDERATE UNIFORM,
AS A LIEUTENANT.

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VERY POSSIBLY, I SUSPECT
TAKEN IN RICHMOND.

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IT WOULD TAKE A LITTLE MORE
RESEARCH TO DETERMINE POSSIBLY

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WHO'S PHOTOGRAPHIC STUDIO
IT WAS IN.

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THE CHAIR, AND THE COLUMN MIGHT
VERY WELL BE KEYS

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TO DETERMINING THAT,
AND THAT WOULD HAVE TO TAKE

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FURTHER RESEARCH.

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AND OF COURSE WE HAVE THIS
DOCUMENTATION FROM

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THE WAR DEPARTMENT,
INTERESTINGLY ENOUGH,

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FROM 1933, TALKING ABOUT LOOKING
THROUGH THE CAPTURED

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CONFEDERATE RECORDS, AND
PROVIDING INFORMATION ABOUT

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HIS SERVICE AND HIS DEATH.

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HE HAD ALSO HAD LETTERS
THAT HE HAD WRITTEN HOME.

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AND WHERE ARE THE ORIGINAL
LETTERS TODAY?

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Collector:
MARYLAND HISTORICAL SOCIETY.

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Ross: WHAT A FABULOUS
GROUPING OF LEGACY THAT HE HAD

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LEFT UP TO THE POINT
OF HIS DEATH.

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WHAT I'M GOING TO GIVE YOU
AS AN ESTIMATE FOR JUST

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THE PHOTOGRAPHS THEMSELVES.

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SO, HAVE YOU EVER HAD
THESE ACTUALLY APPRAISED?

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Collector: NO.

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Ross: WELL, I'M PLEASED
TO TELL YOU THAT THESE ARE

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REALLY THE ROSETTA STONES
OF COLLECTING FOR PEOPLE,

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PARTICULARLY WHO COLLECT
CONFEDERATE CIVIL WAR

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PHOTOGRAPHS.

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THIS GROUP IN ITSELF WOULD MOST
LIKELY BRING AT LEAST $10,000.

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Collector: OH MY.
OH MY GOODNESS.

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Ross: $10,000.

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Collector: GOODNESS.

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Ross:
AND IT'S VERY UNUSUAL.

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THE FULL PLATE WAS A MORE
EXPENSIVE SIZE PHOTOGRAPH,

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AND UH, SO YOU DON'T SEE
AS MANY OF THOSE AROUND,

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AND THEN IT BE A CONFEDERATE
OFFICER, IT REALLY ONLY

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HAS SLIGHTLY- SLIGHT DAMAGE
IN THE EMULSION,

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SO YOU DON'T REALLY NEED TO DO
ANYTHING WITH THAT EITHER.

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AND IT IS REALLY AN INCREDIBLE
GROUP DOCUMENTING THIS MAN

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AND HIS EXPERIENCE.

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AND UH, I THANK YOU VERY MUCH
FOR HAVING THE OPPORTUNITY

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TO BE ABLE TO LOOK AT IT TODAY.

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Collector: THANK YOU.

06:52.501 --> 06:53.501 position:10% line:50% size:80%
THANK YOU FOR DOING IT.

06:53.601 --> 06:54.834 position:10% line:50% size:80%
Ross: THANK YOU.

06:54.934 --> 06:57.567 position:10% line:50% size:80%
[CROWD CHATTER]

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Robert Harrison: EVERY BOX ON
 CHESAPEAKE COLLECTIBLES

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HOLDS AN INTERESTING SURPRISE.

07:15.300 --> 07:18.100 position:10% line:50% size:80%
THIS ONE HOLDS ONE OF THE
REALLY UNIQUE SURPRISES.

07:18.200 --> 07:19.834 position:10% line:50% size:80%
WHY DON'T YOU TELL ME
WHAT IT IS YOU BROUGHT IN.

07:19.934 --> 07:21.767 position:10% line:50% size:80%
Collector: THIS IS A
STAINED GLASS WINDOW.

07:21.868 --> 07:25.167 position:10% line:50% size:80%
MY FATHER HAD GOT IN GERMANY
WHEN HE WAS STATIONED THERE,

07:25.267 --> 07:29.067 position:10% line:50% size:80%
SOMEWHERE BETWEEN 1954 AND 1956.

07:29.167 --> 07:30.367 position:10% line:50% size:80%
Robert: OKAY.

07:30.467 --> 07:32.734 position:10% line:50% size:80%
DO YOU KNOW IF HE BOUGHT IT IN A
SHOP, OR HE ACQUIRED IT FROM

07:32.834 --> 07:33.801 position:10% line:50% size:80%
A PRIVATE DEALER?

07:33.901 --> 07:34.834 position:10% line:50% size:80%
HOW DID HE ACQUIRE IT?

07:34.934 --> 07:35.667 position:10% line:50% size:80%
Collector: I DO NOT KNOW.

07:35.767 --> 07:36.801 position:10% line:50% size:80%
Robert: OKAY.

07:36.901 --> 07:40.567 position:10% line:50% size:80%
Collector: WHAT I KNOW IS
IT WAS IN A BAPTISTERY,

07:40.667 --> 07:42.868 position:10% line:50% size:80%
AND IT WAS ONE OF THREE WINDOWS.

07:42.968 --> 07:45.767 position:10% line:50% size:80%
AND... HE ONLY HAD $25.

07:45.868 --> 07:48.801 position:10% line:50% size:80%
SO HE COULDN'T BUY ALL THREE,
OR HE PROBABLY WOULD HAVE

07:48.901 --> 07:49.434 position:10% line:50% size:80%
DONE THAT.

07:49.534 --> 07:50.501 position:10% line:50% size:80%
Robert: YES.

07:50.601 --> 07:52.534 position:10% line:50% size:80%
Collector: IT WAS THE BEST ONE
OUT OF THREE.

07:52.634 --> 07:55.767 position:10% line:50% size:80%
NOW, WHETHER OR NOT IT'S BECAUSE
OF THE PICTURE OR WHETHER OR NOT

07:55.868 --> 07:58.934 position:10% line:50% size:80%
IT WAS IN THE BEST CONDITION,
BECAUSE THIS IS DAMAGED...

07:59.033 --> 08:02.267 position:10% line:50% size:80%
HAVING GONE THROUGH THE BOMBING,
I DON'T KNOW THE ANSWER TO THAT.

08:02.367 --> 08:03.868 position:10% line:50% size:80%
Robert: WELL, HE MADE
AN INTERESTING CHOICE,

08:03.968 --> 08:05.133 position:10% line:50% size:80%
A VERY GOOD CHOICE.

08:05.234 --> 08:06.834 position:10% line:50% size:80%
OBVIOUSLY IT WASN'T IN THIS BOX.

08:06.934 --> 08:08.300 position:10% line:50% size:80%
HE BUILT THIS BOX, CORRECT?

08:08.400 --> 08:09.067 position:10% line:50% size:80%
Collector: YES.

08:09.167 --> 08:10.100 position:10% line:50% size:80%
MY DAD BUILT THIS BOX.

08:10.200 --> 08:11.667 position:10% line:50% size:80%
Robert: AND IT'S ILLUMINATED
FROM THE BACK,

08:11.767 --> 08:14.734 position:10% line:50% size:80%
WHICH HE ALSO DID, SO WE CAN
KIND OF SEE WHAT IT IS

08:14.834 --> 08:16.033 position:10% line:50% size:80%
THAT'S IN THE BOX.

08:16.133 --> 08:19.067 position:10% line:50% size:80%
Collector: AND HE HAD HAD SOME
REPAIR DONE TO IT SOMEWHERE,

08:19.167 --> 08:20.100 position:10% line:50% size:80%
I DON'T KNOW.

08:20.200 --> 08:21.901 position:10% line:50% size:80%
Robert:
IT'S ABSOLUTELY FASCINATING.

08:22.000 --> 08:26.701 position:10% line:50% size:80%
IT IS, AS YOU WELL KNOW,
A CIRCA 1507 STAINED GLASS

08:26.801 --> 08:27.534 position:10% line:50% size:80%
GERMAN WINDOW.

08:27.634 --> 08:28.901 position:10% line:50% size:80%
Collector: YES IT IS.

08:29.000 --> 08:31.300 position:10% line:50% size:80%
Robert: WHEN WE TALK
ABOUT WINDOWS FROM THIS PERIOD,

08:31.400 --> 08:33.534 position:10% line:50% size:80%
STAINED GLASS REALLY ISN'T AN
APPROPRIATE TERM,

08:33.634 --> 08:35.801 position:10% line:50% size:80%
BECAUSE BY THE TIME THIS WAS
BEING MADE,

08:35.901 --> 08:38.367 position:10% line:50% size:80%
THIS WAS ACTUALLY CLEAR GLASS
THAT WAS PAINTED.

08:38.467 --> 08:39.467 position:10% line:50% size:80%
Collector: OH.

08:39.567 --> 08:41.100 position:10% line:50% size:80%
Robert: SO, MUCH LIKE A
RENAISSANCE PAINTING,

08:41.200 --> 08:44.601 position:10% line:50% size:80%
OILS WERE ADDED AND PAINTED ON
THE GLASS TO CREATE THESE REALLY

08:44.701 --> 08:47.400 position:10% line:50% size:80%
MAGNIFICENT LITTLE
RELIGIOUS ALLEGORIES.

08:47.501 --> 08:49.000 position:10% line:50% size:80%
AND THAT'S WHAT WE'RE
LOOKING AT HERE.

08:49.100 --> 08:52.200 position:10% line:50% size:80%
WE'RE LOOKING AT THE MADONNA
AND CHILD WITH THE MAGI

08:52.300 --> 08:57.234 position:10% line:50% size:80%
IN THE CENTER, AND THEN THERE'S
A SCENE UP IN THE UPPER LEFT

08:57.334 --> 08:58.400 position:10% line:50% size:80%
PART.

08:58.501 --> 09:01.901 position:10% line:50% size:80%
WE HAVE REALLY IMPORTANT DATE
DOWN AT THE BOTTOM,

09:02.000 --> 09:05.167 position:10% line:50% size:80%
AND THE LEADING THROUGH THE
STAINED GLASS SEPARATING

09:05.267 --> 09:06.400 position:10% line:50% size:80%
THE INDIVIDUAL PIECES.

09:06.501 --> 09:08.834 position:10% line:50% size:80%
WHEN WE FIRST LOOKED AT THIS IT
KIND OF THREW ME OFF,

09:08.934 --> 09:12.300 position:10% line:50% size:80%
BECAUSE THAT IS USUALLY FROM THE
GOTHIC PERIOD WHICH PRECEDED

09:12.400 --> 09:13.534 position:10% line:50% size:80%
THE RENAISSANCE PERIOD.

09:13.634 --> 09:14.734 position:10% line:50% size:80%
Collector: RIGHT.

09:14.834 --> 09:16.701 position:10% line:50% size:80%
Robert: AND THIS IS
MORE OF A RENAISSANCE PAINTING.

09:16.801 --> 09:20.067 position:10% line:50% size:80%
BUT, WE DID SEE THESE KINDS OF
LEAD GLASS WINDOWS

09:20.167 --> 09:23.534 position:10% line:50% size:80%
IN NOT ONLY CHURCHES
AND OTHER RELIGIOUS AREAS,

09:23.634 --> 09:25.267 position:10% line:50% size:80%
BUT WE ALSO SAW THEM IN HOMES.

09:25.367 --> 09:28.534 position:10% line:50% size:80%
SO, THEY WERE QUITE COMMON IN
GERMAN HOMES DURING THE PERIOD.

09:28.634 --> 09:29.567 position:10% line:50% size:80%
Collector: HUH.

09:29.667 --> 09:31.000 position:10% line:50% size:80%
Robert: THIS IS A REALLY,
REALLY INTERESTING

09:31.100 --> 09:32.334 position:10% line:50% size:80%
DETAILED PAINTING.

09:32.434 --> 09:35.234 position:10% line:50% size:80%
THE LIGHTS HELP TO SEE IT A
LITTLE BIT, BUT THERE'S SHADOW

09:35.334 --> 09:38.267 position:10% line:50% size:80%
ON THE BLOCK AT THE TOP.

09:38.367 --> 09:39.667 position:10% line:50% size:80%
WE CAN SEE THE COLUMNS.

09:39.767 --> 09:41.434 position:10% line:50% size:80%
NOW, YOU MENTIONED THERE'S
A LITTLE BIT OF DAMAGE,

09:41.534 --> 09:42.601 position:10% line:50% size:80%
AND THAT'S TRUE.

09:42.701 --> 09:45.067 position:10% line:50% size:80%
WE CAN SEE WHERE THERE'S BEEN
A GLUE REPAIR HERE,

09:45.167 --> 09:47.400 position:10% line:50% size:80%
AND THERE'S ANOTHER ONE
OVER ON THE OTHER CORNER.

09:47.501 --> 09:51.501 position:10% line:50% size:80%
BUT, ALL IN ALL FOR SOMETHING TO
SURVIVE ALL THESE YEARS

09:51.601 --> 09:53.868 position:10% line:50% size:80%
AND TO BE IN THIS KIND OF
CONDITION,

09:53.968 --> 09:55.100 position:10% line:50% size:80%
I THINK IS REALLY INTERESTING.

09:55.200 --> 09:56.734 position:10% line:50% size:80%
NOW, DID YOU DISPLAY IT
AT HOME, OR WAS...

09:56.834 --> 09:57.701 position:10% line:50% size:80%
WHEN HE BROUGHT IT...

09:57.801 --> 09:59.033 position:10% line:50% size:80%
Collector: IT WAS
DISPLAYED IN HOME.

09:59.133 --> 10:01.067 position:10% line:50% size:80%
IT'S SOMETHING WE GREW UP WITH.

10:01.167 --> 10:02.968 position:10% line:50% size:80%
Robert: AND DO YOU
STILL LIGHT IT ON OCCASION?

10:03.067 --> 10:06.300 position:10% line:50% size:80%
Collector: IT HAS BEEN
LIT ON OCCASION, RIGHT.

10:06.400 --> 10:07.601 position:10% line:50% size:80%
Robert: OKAY.

10:07.701 --> 10:09.767 position:10% line:50% size:80%
WELL, IT'S SOMETHING YOU SHOULD
REALLY ENJOY, EVEN IN THIS

10:09.868 --> 10:12.767 position:10% line:50% size:80%
LITTLE DISPLAY CABINET, BECAUSE
YOU CAN SEE ALL THE DETAIL

10:12.868 --> 10:13.801 position:10% line:50% size:80%
INVOLVED.

10:13.901 --> 10:15.567 position:10% line:50% size:80%
HAVE YOU EVER HAD IT APPRAISED
OR HAVE YOU-

10:15.667 --> 10:16.567 position:10% line:50% size:80%
Collector: NO.

10:16.667 --> 10:18.000 position:10% line:50% size:80%
Robert: ANYBODY
PUT A VALUE ON IT BEFORE?

10:18.100 --> 10:22.367 position:10% line:50% size:80%
THERE IS RECORD OF COMPARABLES
FOR A STAINED GLASS WINDOW

10:22.467 --> 10:23.534 position:10% line:50% size:80%
LIKE THIS.

10:23.634 --> 10:28.033 position:10% line:50% size:80%
THEY ARE NOT COMMON, BUT
THEY HAVE COME UP AT AUCTION

10:28.133 --> 10:29.267 position:10% line:50% size:80%
OCCASIONALLY.

10:29.367 --> 10:31.934 position:10% line:50% size:80%
IF THIS WERE TO GO TO AUCTION
BASED ON WHAT I'VE SEEN

10:32.033 --> 10:33.901 position:10% line:50% size:80%
AND WHAT I'VE TALKED TO MY
COLLEAGUES ABOUT,

10:34.000 --> 10:38.000 position:10% line:50% size:80%
YOU'D PROBABLY BE LOOKING AT
ABOUT $2500 TO $3,000,

10:38.100 --> 10:39.467 position:10% line:50% size:80%
IF IT WAS OFFERED AT AUCTION.

10:39.567 --> 10:42.968 position:10% line:50% size:80%
SMALL WINDOWS
WITH THIS AMOUNT OF LEADING,

10:43.067 --> 10:45.334 position:10% line:50% size:80%
IS WHAT AFFECTS THE VALUE.

10:45.434 --> 10:49.334 position:10% line:50% size:80%
IF IT WAS A MORE SMOOTH PAINTING
WITH NOT ALL THE LEADING,

10:49.434 --> 10:51.601 position:10% line:50% size:80%
OR WITHOUT ALL THE LEADING,
YOU WOULD PROBABLY SEE IT

10:51.701 --> 10:52.901 position:10% line:50% size:80%
GO A LITTLE BIT HIGHER.

10:53.000 --> 10:55.834 position:10% line:50% size:80%
BUT, THERE ARE QUITE A FEW
COMPARABLES THAT WE'VE BEEN

10:55.934 --> 10:57.100 position:10% line:50% size:80%
ABLE TO SEE.

10:57.200 --> 10:58.400 position:10% line:50% size:80%
AND I THINK THAT'S WHAT YOU'D
BE LOOKING AT, AT AUCTION.

10:58.501 --> 10:59.567 position:10% line:50% size:80%
Collector: OKAY.

10:59.667 --> 11:00.901 position:10% line:50% size:80%
Robert: I REALLY APPRECIATE YOU
BRINGING IT IN.

11:01.000 --> 11:03.434 position:10% line:50% size:80%
IT'S A MAGNIFICENT PIECE, ONE OF
THE OLDER PIECES WE'VE HAD

11:03.534 --> 11:04.801 position:10% line:50% size:80%
ON CHESAPEAKE COLLECTIBLES .

11:04.901 --> 11:05.901 position:10% line:50% size:80%
Collector: YES, THANK YOU.

11:06.000 --> 11:07.434 position:10% line:50% size:80%
Robert:
THANK YOU FOR BRINGING IT IN.

11:12.701 --> 11:15.601 position:10% line:50% size:80%
Lex: YOU NEED TO FIGURE
OUT MORE OF WHO THAT IS,

11:15.701 --> 11:18.968 position:10% line:50% size:80%
AND SO FAR, WE'RE NOT COMING
UP WITH ANYTHING, SO...

11:19.067 --> 11:21.834 position:10% line:50% size:80%
Collector: WE WERE
TOLD TO COME TO YOU.

11:21.934 --> 11:24.601 position:10% line:50% size:80%
Rhea: OUR EXPERT APPRAISERS
HAVE YEARS OF EXPERIENCE

11:24.701 --> 11:29.501 position:10% line:50% size:80%
BASED ON CAREFUL RESEARCH
AND UNRELENTING CURIOSITY.

11:29.601 --> 11:32.868 position:10% line:50% size:80%
THAT'S RIGHT, THEY LOVE BOTH
THE THRILL OF DISCOVERY

11:32.968 --> 11:37.067 position:10% line:50% size:80%
AND THE CAREFUL SLEUTH WORK OF
DECIPHERING A MYSTERY.

11:37.167 --> 11:40.334 position:10% line:50% size:80%
APPRAISERS MIKE STANTON
AND G. AMORY LECUYER,

11:40.434 --> 11:43.434 position:10% line:50% size:80%
EXPLAIN HOW PAPER MONEY
HAS A WAY OF CATCHING

11:43.534 --> 11:45.033 position:10% line:50% size:80%
PEOPLE'S ATTENTION.

11:45.133 --> 11:47.567 position:10% line:50% size:80%
G. Amory LeCuyer: MIKE, I THINK
IT'S INTERESTING THAT IN THIS

11:47.667 --> 11:51.467 position:10% line:50% size:80%
DAY OF BITCOINS,
AND CRYPTO CURRENCY,

11:51.567 --> 11:57.434 position:10% line:50% size:80%
AND ELECTRONIC FUNDS TRANSFER,
PEOPLE FORGET THAT ALL OF IT

11:57.534 --> 12:01.968 position:10% line:50% size:80%
UNDERLIES ONE OF THE STRONGEST,
POWERFUL FORCES IN THE WORLD,

12:02.067 --> 12:04.400 position:10% line:50% size:80%
AND THAT'S UNITED STATES
CURRENCY.

12:04.501 --> 12:07.567 position:10% line:50% size:80%
WHEN DID THE US GOVERNMENT BEGIN
AND HOW DID THEY BEGIN UH...

12:07.667 --> 12:09.000 position:10% line:50% size:80%
PRINTING CURRENCY?

12:09.100 --> 12:12.701 position:10% line:50% size:80%
Mike Stanton: THEY BEGAN IN
1826, BUT THEY DIDN'T REALLY

12:12.801 --> 12:15.834 position:10% line:50% size:80%
START PRINTING
CURRENCY UNTIL 1877.

12:15.934 --> 12:19.167 position:10% line:50% size:80%
BEFORE THAT THEY USED
PRIVATE COMPANIES TO PRINT

12:19.267 --> 12:20.567 position:10% line:50% size:80%
WHEN THEY FIRST STARTED.

12:20.667 --> 12:23.167 position:10% line:50% size:80%
AND THE PRIVATE COMPANIES WOULD
SEND THE CURRENCY OVER TO THEM,

12:23.267 --> 12:26.334 position:10% line:50% size:80%
WHERE THEY COULD APPLY THE
SEALS AND THE SERIAL NUMBERS.

12:26.434 --> 12:30.334 position:10% line:50% size:80%
AND THEN IN 1877 THEY STARTED
PRINTING ALL CURRENCY.

12:30.434 --> 12:31.901 position:10% line:50% size:80%
Amory: WHAT DID IT-
IT'S CALLED THE BUREAU...

12:32.000 --> 12:33.868 position:10% line:50% size:80%
Mike: BUREAU OF ENGRAVING
AND PRINTING.

12:33.968 --> 12:36.000 position:10% line:50% size:80%
Amory: CAN YOU OUTLINE
SOME OF WHAT WE'VE GOT HERE?

12:36.100 --> 12:39.901 position:10% line:50% size:80%
Mike: WHAT WE GOT HERE IS...
AND PRETTY MUCH IN AN ORDER

12:40.000 --> 12:42.100 position:10% line:50% size:80%
OF WHEN THEY WERE PRODUCED.

12:42.200 --> 12:46.434 position:10% line:50% size:80%
YOU HAVE THE BUFFALO CURRENCY,
THE TEN DOLLAR BUFFALO NOTE.

12:46.534 --> 12:50.367 position:10% line:50% size:80%
YOU HAVE WHAT THEY CALL THE
FIVE DOLLAR WOODCHOPPER NOTE.

12:50.467 --> 12:51.567 position:10% line:50% size:80%
Amory: THE WOODCHOPPER?

12:51.667 --> 12:53.834 position:10% line:50% size:80%
Mike: THE WOODCHOPPER,
BECAUSE YOU GOT A PIONEER FAMILY

12:53.934 --> 12:55.234 position:10% line:50% size:80%
HEADING OUT TO THE WEST.

12:55.334 --> 12:58.167 position:10% line:50% size:80%
Amory: WE ALWAYS THINK
OF PRESIDENTS OR FAMOUS PEOPLE,

12:58.267 --> 13:01.367 position:10% line:50% size:80%
FAMOUS AMERICANS OCCUPYING
THAT CENTER MEDALLION.

13:01.467 --> 13:03.467 position:10% line:50% size:80%
Mike: ONE OF THE FIRST NOTES
FROM 1896,

13:03.567 --> 13:06.167 position:10% line:50% size:80%
THEY DECIDED TO ADD A LITTLE
MORE CULTURE TO THE CURRENCY.

13:06.267 --> 13:09.267 position:10% line:50% size:80%
IT TOOK LIKE 17 ENGRAVERS TO
DO MOST OF THESE LARGER NOTES,

13:09.367 --> 13:10.634 position:10% line:50% size:80%
BECAUSE THEY WORKED ON
EACH SEPARATE DEAL,

13:10.734 --> 13:11.434 position:10% line:50% size:80%
THEN THEY BLENDED...

13:11.534 --> 13:12.501 position:10% line:50% size:80%
Amory:
ALL OF THEM TOGETHER.

13:12.601 --> 13:13.501 position:10% line:50% size:80%
Mike: ALL THE ENGRAVINGS
TOGETHER INTO ONE PLATE.

13:13.601 --> 13:14.901 position:10% line:50% size:80%
Amory: NOW, I'VE HEARD
THE HORSE BLANKET.

13:15.000 --> 13:16.067 position:10% line:50% size:80%
Mike:
YEAH, THE HORSE BLANKET.

13:16.167 --> 13:17.501 position:10% line:50% size:80%
REALLY, THE TERM STARTED OUT
WHEN THEY DID THE SILVER

13:17.601 --> 13:18.801 position:10% line:50% size:80%
CERTIFICATES.

13:18.901 --> 13:22.000 position:10% line:50% size:80%
SOMEWHAT OF THIS ONE HERE,
BECAUSE IT'S A LARGE SIZE.

13:22.100 --> 13:23.934 position:10% line:50% size:80%
Amory: WE SEE SOME COLOR
GETTING INTRODUCED HERE.

13:24.033 --> 13:26.934 position:10% line:50% size:80%
HERE WE HAVE MORE OF A GOLDEN
SEAL, DOES THAT DISTINGUISH

13:27.033 --> 13:27.868 position:10% line:50% size:80%
THE BILL?

13:27.968 --> 13:29.701 position:10% line:50% size:80%
Mike: YES, MEANS
IT'S A GOLD CERTIFICATE.

13:29.801 --> 13:33.868 position:10% line:50% size:80%
BACK IN EARLY TIMES THE MONETARY
SYSTEM WAS BASED ON THE AMOUNT

13:33.968 --> 13:36.133 position:10% line:50% size:80%
OF SILVER AND GOLD
IN POSSESSION.

13:36.234 --> 13:38.901 position:10% line:50% size:80%
SO, YOU COULD TURN- ACTUALLY
TURN IN A SILVER CERTIFICATE

13:39.000 --> 13:41.033 position:10% line:50% size:80%
FOR A DOLLAR'S WORTH OF
SILVER AT THE TIME.

13:41.133 --> 13:42.133 position:10% line:50% size:80%
Amory: OH, OKAY.

13:42.234 --> 13:43.200 position:10% line:50% size:80%
Mike: OR YOU COULD TURN
IN A GOLD CERTIFICATE

13:43.300 --> 13:45.133 position:10% line:50% size:80%
FOR THAT AMOUNT OF GOLD
AT THE TIME.

13:45.234 --> 13:47.167 position:10% line:50% size:80%
Amory: SO, YOU COULD
REDEEM THESE AT A BANK

13:47.267 --> 13:48.534 position:10% line:50% size:80%
TO GET HARD COIN?

13:48.634 --> 13:49.200 position:10% line:50% size:80%
Mike: HARD COIN.

13:49.300 --> 13:50.367 position:10% line:50% size:80%
SILVER OR GOLD.

13:50.467 --> 13:52.701 position:10% line:50% size:80%
Amory: THESE ARE CLEARLY
THINGS THAT HAVE COME OUT OF

13:52.801 --> 13:57.200 position:10% line:50% size:80%
CIRCULATION DECADES AGO, BUT IF
I'M A COLLECTOR ON THE STREET

13:57.300 --> 14:00.133 position:10% line:50% size:80%
TODAY, I PROBABLY DON'T HAVE
A LOT OF CASH IN MY POCKET

14:00.234 --> 14:02.701 position:10% line:50% size:80%
TO BEGIN WITH,
BECAUSE I'M USING MY ATM CARD.

14:02.801 --> 14:04.501 position:10% line:50% size:80%
Mike: YEAH, MOST PEOPLE
DON'T CARRY CASH ANYMORE.

14:04.601 --> 14:06.467 position:10% line:50% size:80%
THAT'S WHY THEY GOT RID OF ALL
THE LARGER BILLS,

14:06.567 --> 14:07.567 position:10% line:50% size:80%
LIKE THE 500 BILL.

14:07.667 --> 14:09.167 position:10% line:50% size:80%
THE THOUSAND DOLLAR BILL.

14:09.267 --> 14:11.567 position:10% line:50% size:80%
Amory: I DON'T THINK I KNEW THAT
WE HAD BILLS THAT WENT UP

14:11.667 --> 14:13.267 position:10% line:50% size:80%
INTO THOSE HIGH DENOMINATIONS.

14:13.367 --> 14:14.701 position:10% line:50% size:80%
HOW HIGH HAVE WE EVER GONE?

14:14.801 --> 14:15.868 position:10% line:50% size:80%
Mike:
A HUNDRED THOUSAND DOLLAR BILLS.

14:15.968 --> 14:17.934 position:10% line:50% size:80%
Amory: WE'VE HAD
A HUNDRED THOUSAND BILL?

14:18.033 --> 14:19.067 position:10% line:50% size:80%
Mike: THAT IS CORRECT.

14:19.167 --> 14:20.467 position:10% line:50% size:80%
Amory: CAN I GO TO
THE ATM AND GET ONE OF THOSE?

14:20.567 --> 14:23.267 position:10% line:50% size:80%
Mike: NO YOU CAN'T GET THOSE AT
ALL ANYMORE, BUT THEY WERE USED

14:23.367 --> 14:26.367 position:10% line:50% size:80%
TO COVER... TRANSACTIONS
BETWEEN BANKS.

14:26.467 --> 14:28.767 position:10% line:50% size:80%
BUT, NOW ELECTRONICS FUNDS
TRANSFER HANDLES THAT.

14:28.868 --> 14:30.868 position:10% line:50% size:80%
Amory: SO, WELLS FARGO
OWES CHASE A MILLION DOLLARS.

14:30.968 --> 14:33.767 position:10% line:50% size:80%
THEY'RE GOING TO SEND 10 HUNDRED
THOUSAND DOLLAR NOTES OVER.

14:33.868 --> 14:35.467 position:10% line:50% size:80%
Mike: AND IT GOES TO
THE FEDERAL RESERVE SYSTEM.

14:35.567 --> 14:37.100 position:10% line:50% size:80%
THERE ARE 12
FEDERAL RESERVE BANKS

14:37.200 --> 14:38.300 position:10% line:50% size:80%
IN THE UNITED STATES.

14:38.400 --> 14:39.601 position:10% line:50% size:80%
Amory: ALRIGHT, SO I'M
WALKING DOWN THE STREET

14:39.701 --> 14:41.934 position:10% line:50% size:80%
AND I THINK, MAN,
I WONDER IF I'VE GOT ANYTHING

14:42.033 --> 14:43.567 position:10% line:50% size:80%
THAT'S INTERESTING IN MY POCKET.

14:43.667 --> 14:44.968 position:10% line:50% size:80%
WHAT DO I LOOK FOR?

14:45.067 --> 14:46.067 position:10% line:50% size:80%
Mike: THE MAIN THING YOU
WANT TO DO IS YOU WANT TO

14:46.167 --> 14:48.534 position:10% line:50% size:80%
TRY TO FIND
REALLY CRISP CLEAN NOTES.

14:48.634 --> 14:49.667 position:10% line:50% size:80%
Amory: OKAY.

14:49.767 --> 14:52.734 position:10% line:50% size:80%
Mike: NO BENDS, MARKS,
OR ANYTHING, GOOD MARGINS.

14:52.834 --> 14:54.567 position:10% line:50% size:80%
AND YOU'RE LOOKING
EITHER FOR STAR NOTES,

14:54.667 --> 14:56.067 position:10% line:50% size:80%
OR EXAMINING THE SERIAL NUMBERS.

14:56.167 --> 14:57.434 position:10% line:50% size:80%
Amory: WAIT,
WHAT'S A STAR NOTE?

14:57.534 --> 14:59.167 position:10% line:50% size:80%
Mike: A STAR NOTE
IS A REPLACEMENT NOTE.

14:59.267 --> 15:02.100 position:10% line:50% size:80%
I'VE GOT SOME EXAMPLES HERE
OF DIFFERENT VARIATIONS.

15:02.200 --> 15:07.100 position:10% line:50% size:80%
IF A PRINTING OF A SHEET OF SAY,
32 NOTES, GETS DAMAGED...

15:07.200 --> 15:08.234 position:10% line:50% size:80%
Amory: OKAY.

15:08.334 --> 15:09.467 position:10% line:50% size:80%
Mike: -IN THE PROCESS OF
PUTTING THE SERIAL NUMBERS

15:09.567 --> 15:10.534 position:10% line:50% size:80%
ON THE NOTE.

15:10.634 --> 15:12.934 position:10% line:50% size:80%
THEY CANNOT REUSE THAT
SERIAL NUMBER ANYMORE.

15:13.033 --> 15:16.434 position:10% line:50% size:80%
THEY'VE PREPRINTED STAR NOTES
AND THEY ASSIGN THE OLD

15:16.534 --> 15:18.801 position:10% line:50% size:80%
SERIAL NUMBER THAT WAS DAMAGED
AND REPLACED IT WITH

15:18.901 --> 15:20.033 position:10% line:50% size:80%
A REPLACEMENT NOTE.

15:20.133 --> 15:23.300 position:10% line:50% size:80%
NOW, A STAR NOTE IS SYMBOLED
BY A STAR AT THE VERY END.

15:23.400 --> 15:24.133 position:10% line:50% size:80%
Amory: OH.

15:24.234 --> 15:25.434 position:10% line:50% size:80%
Mike: OF THE LIST.

15:25.534 --> 15:27.167 position:10% line:50% size:80%
LITTLE GREEN STARS
AT THE END OF THE NOTE.

15:27.267 --> 15:29.801 position:10% line:50% size:80%
Amory: SO, I COULD ACTUALLY
FIND THESE IN MY WALLET TODAY?

15:29.901 --> 15:31.234 position:10% line:50% size:80%
Mike: YOU CAN
FIND THOSE ANYTIME.

15:31.334 --> 15:32.934 position:10% line:50% size:80%
IF YOU LOOK IN YOUR WALLET
NOW YOU MAY HAVE ONE.

15:33.033 --> 15:33.901 position:10% line:50% size:80%
Amory: OKAY.

15:34.000 --> 15:35.434 position:10% line:50% size:80%
I'LL CHECK IT AFTER
WE FINISH TALKING.

15:35.534 --> 15:36.334 position:10% line:50% size:80%
Mike: OKAY.

15:36.434 --> 15:38.934 position:10% line:50% size:80%
Amory: BUT, DOES
THIS ADD VALUE TO...

15:39.033 --> 15:40.734 position:10% line:50% size:80%
Mike: IT DEPENDS ON CONDITION,
LIKE ANYTHING ELSE

15:40.834 --> 15:42.100 position:10% line:50% size:80%
IN THE COLLECTIBLE WORLD.

15:42.200 --> 15:45.334 position:10% line:50% size:80%
YOU KNOW, LIKE A $20 STAR NOTE
YOU COULD PROBABLY SELL THEM

15:45.434 --> 15:48.467 position:10% line:50% size:80%
IN GREAT CONDITION,
ANYWHERE FROM 23-25 DOLLARS.

15:48.567 --> 15:50.567 position:10% line:50% size:80%
IT ALSO DEPENDS ON
THE LOWER THE SERIAL NUMBER,

15:50.667 --> 15:51.567 position:10% line:50% size:80%
THE BETTER THE NOTE IS.

15:51.667 --> 15:52.634 position:10% line:50% size:80%
Amory: OKAY.

15:52.734 --> 15:53.634 position:10% line:50% size:80%
Mike: THERE'S ONE HERE
THAT HAS A REALLY LOW

15:53.734 --> 15:55.133 position:10% line:50% size:80%
SERIAL NUMBER, RIGHT HERE.

15:55.234 --> 15:59.901 position:10% line:50% size:80%
IT'S AN 8,318 STAR,
IN THE SERIAL NOTE.

16:00.067 --> 16:02.334 position:10% line:50% size:80%
THAT HAS A LOT MORE VALUE THAN
THE ONE THAT HAS A FULL

16:02.434 --> 16:04.334 position:10% line:50% size:80%
SERIAL NUMBER.

16:04.434 --> 16:06.300 position:10% line:50% size:80%
SO, SERIAL NUMBERS
MATTER, PEOPLE LIKE COLLECTING

16:06.400 --> 16:07.501 position:10% line:50% size:80%
LOWER SERIAL NUMBERS.

16:07.601 --> 16:09.868 position:10% line:50% size:80%
Amory:
CAN I GET SERIAL NUMBER ONE?

16:09.968 --> 16:11.501 position:10% line:50% size:80%
Mike: NO,
NOT IN THIS MARKET.

16:11.601 --> 16:15.467 position:10% line:50% size:80%
BECAUSE IT'S SUCH A COLLECTIBLE
OF THE BET,

16:15.567 --> 16:18.100 position:10% line:50% size:80%
YOUR OVER GRAVING, YOUR
PRINTING, HAS STORED THOSE.

16:18.200 --> 16:19.300 position:10% line:50% size:80%
Amory: OKAY.

16:19.400 --> 16:23.734 position:10% line:50% size:80%
Mike: BECAUSE, NUMBER
ONE STAR NOTE GOLD CERTIFICATE

16:23.834 --> 16:27.667 position:10% line:50% size:80%
THAT WAS GIVEN TO
FRANKLIN ROOSEVELT SOLD FOR

16:27.767 --> 16:29.767 position:10% line:50% size:80%
AN UPPER OF SIX DIGITS.

16:29.868 --> 16:30.901 position:10% line:50% size:80%
Amory: WOW.

16:31.000 --> 16:32.701 position:10% line:50% size:80%
IS THERE ANYTHING ELSE THAT WILL
DISTINGUISH A BILL

16:32.801 --> 16:36.200 position:10% line:50% size:80%
AND MAKE IT... MORE INTO A
COLLECTIBLE VALUE?

16:36.300 --> 16:39.334 position:10% line:50% size:80%
Mike: YEAH, PEOPLE COLLECT
INTERESTING- THEY CALL THEM

16:39.434 --> 16:40.734 position:10% line:50% size:80%
COOL SERIAL NUMBERS.

16:40.834 --> 16:41.834 position:10% line:50% size:80%
Amory: OKAY.

16:41.934 --> 16:44.033 position:10% line:50% size:80%
Mike: THEY HAVE DIFFERENT
TERMS LIKE BINARY NOTES,

16:44.133 --> 16:47.267 position:10% line:50% size:80%
TERTIARY NOTES, LADDERS,
AND I'VE GOT AN EXAMPLE OF

16:47.367 --> 16:48.234 position:10% line:50% size:80%
A RADAR NOTE.

16:48.334 --> 16:49.100 position:10% line:50% size:80%
Amory: A RADAR.

16:49.200 --> 16:50.067 position:10% line:50% size:80%
Mike: A RADAR NOTE.

16:50.167 --> 16:51.701 position:10% line:50% size:80%
AND IT'S ALL ABOUT
THE SERIAL NUMBER.

16:51.801 --> 16:55.634 position:10% line:50% size:80%
SEE IF YOU CAN TELL ME WHY
THEY CALL THAT A RADAR NOTE.

16:55.734 --> 16:58.234 position:10% line:50% size:80%
Amory: THAT WOULD BE
BECAUSE IT'S IN THE SAME ORDER

16:58.334 --> 16:59.501 position:10% line:50% size:80%
FORWARDS AND BACKWARDS.

16:59.601 --> 17:00.400 position:10% line:50% size:80%
Mike: THAT IS CORRECT.

17:00.501 --> 17:02.100 position:10% line:50% size:80%
Amory: 71144117.

17:02.200 --> 17:03.767 position:10% line:50% size:80%
I CAN READ IT THE
SAME EITHER WAY.

17:03.868 --> 17:04.701 position:10% line:50% size:80%
Mike: THAT IS CORRECT.

17:04.801 --> 17:07.000 position:10% line:50% size:80%
Amory: MAN,
THIS IS LIKE RADAR LOVE.

17:07.100 --> 17:10.701 position:10% line:50% size:80%
Mike: THE OTHER THING IS
IT GETS COMPLETE SERIAL NUMBERS.

17:10.801 --> 17:11.901 position:10% line:50% size:80%
Amory: OKAY.

17:12.000 --> 17:13.100 position:10% line:50% size:80%
Mike: LIKE NINE, NINE,
NINE, NINE, NINE, NINE, NINE.

17:13.200 --> 17:15.234 position:10% line:50% size:80%
Amory: YOU KNOW, IT'S
ALWAYS FASCINATING TO BRING

17:15.334 --> 17:18.167 position:10% line:50% size:80%
A LITTLE SOMETHING TO GIVE IT
A LITTLE BIT MORE DEPTH

17:18.267 --> 17:20.434 position:10% line:50% size:80%
THAN WE TYPICALLY
ARE ABLE TO DO.

17:20.534 --> 17:22.767 position:10% line:50% size:80%
AND I WANT TO THANK YOU FOR
BRINGING ALL THIS MATERIAL OUT.

17:22.868 --> 17:24.200 position:10% line:50% size:80%
Mike: YOU'RE WELCOME.

17:24.300 --> 17:26.234 position:10% line:50% size:80%
[CROWD CHATTER]

17:39.634 --> 17:41.133 position:10% line:50% size:80%
Allan Stypeck: HI.
SO, WHAT DID YOU BRING US?

17:41.234 --> 17:43.901 position:10% line:50% size:80%
Collector: UM THIS IS A
COLLECTION OF BASEBALL CARDS.

17:44.000 --> 17:45.567 position:10% line:50% size:80%
Allan: MM HM, DO YOU KNOW
ANYTHING ABOUT THEM?

17:45.667 --> 17:46.901 position:10% line:50% size:80%
Collector: I DO NOT.

17:47.000 --> 17:49.067 position:10% line:50% size:80%
BOTH OF MY PARENTS PASSED AWAY
LAST YEAR AND WHEN I WAS GOING

17:49.167 --> 17:50.801 position:10% line:50% size:80%
THROUGH THEIR
BELONGINGS I FOUND THEM.

17:50.901 --> 17:52.033 position:10% line:50% size:80%
Allan: REALLY?

17:52.133 --> 17:56.767 position:10% line:50% size:80%
THESE ARE ADVERTISING CIGARETTE
CARD PREMIUMS FROM 1913.

17:56.868 --> 18:00.901 position:10% line:50% size:80%
THEY'RE FAIRLY LATE IN CIGARETTE
CARD PREMIUMS, BUT THEY'RE STILL

18:01.000 --> 18:02.934 position:10% line:50% size:80%
VERY DESIRABLE AND COLLECTABLE.

18:03.033 --> 18:05.968 position:10% line:50% size:80%
AND YOU HAVE SOME OF THE KEY
CARDS IN THE COLLECTION.

18:06.067 --> 18:08.801 position:10% line:50% size:80%
YOU HAVE THE
PITTSBURGH NATIONALS

18:08.901 --> 18:11.501 position:10% line:50% size:80%
AND THE DETROIT AMERICANS.

18:11.601 --> 18:14.701 position:10% line:50% size:80%
THE TIGERS AND THE PIRATES,
AND THESE CARDS DID NOT HAVE

18:14.801 --> 18:17.767 position:10% line:50% size:80%
THE NAME OF THE TEAMS, THEY ONLY
HAD THE LEAGUE THEY WERE IN.

18:17.868 --> 18:20.133 position:10% line:50% size:80%
SO, THE CITY AND THE LEAGUE.

18:20.234 --> 18:21.334 position:10% line:50% size:80%
Collector: OKAY.

18:21.434 --> 18:23.701 position:10% line:50% size:80%
Allan: IN THE PITTSBURGH CARD
YOU HAVE HONUS WAGNER,

18:23.801 --> 18:26.334 position:10% line:50% size:80%
WHO WAS FAMOUS FOR NOT WANTING
TO HAVE HIS FACE

18:26.434 --> 18:27.767 position:10% line:50% size:80%
ON A CIGARETTE CARD.

18:27.868 --> 18:31.334 position:10% line:50% size:80%
BUT, BY 1913 HE NO LONGER HELD
THAT POSITION,

18:31.434 --> 18:34.868 position:10% line:50% size:80%
SO THIS CARD HAS HIM IN ONE
OF THE ONLY IMAGES OF HIM

18:34.968 --> 18:36.033 position:10% line:50% size:80%
ON A CIGARETTE CARD.

18:36.133 --> 18:39.334 position:10% line:50% size:80%
THE DETROIT TIGER ONE
HAS TY COBB IN IT.

18:39.434 --> 18:42.467 position:10% line:50% size:80%
Allan: THESE CARDS, THERE ARE
AT LEAST 33 HALL OF FAMERS

18:42.567 --> 18:43.868 position:10% line:50% size:80%
IN THE ENTIRE SERIES.

18:43.968 --> 18:46.767 position:10% line:50% size:80%
YOU HAVE TWO STAND-ALONE CARDS
OF HALL OF FAMERS,

18:46.868 --> 18:50.400 position:10% line:50% size:80%
AND RUBE MARQUARD
AND THEN FRANK CHANCE.

18:50.501 --> 18:53.133 position:10% line:50% size:80%
YOU ALSO HAVE TWO VERY
INTERESTING MEN,

18:53.234 --> 18:54.467 position:10% line:50% size:80%
BASEBALL PLAYERS.

18:54.567 --> 19:00.701 position:10% line:50% size:80%
ONE, YOU HAVE LESLIE AMBROSE,
BULLET JOE BUSH, WHO, IN 1913,

19:00.801 --> 19:04.634 position:10% line:50% size:80%
WON THE DECIDING GAME FOR THE
PHILADELPHIA ATHLETICS

19:04.734 --> 19:07.767 position:10% line:50% size:80%
OVER THE NEW YORK GIANTS,
WHICH WAS THE BIG TEAM

19:07.868 --> 19:09.000 position:10% line:50% size:80%
IN THE NATIONAL LEAGUE.

19:09.100 --> 19:11.934 position:10% line:50% size:80%
BECAUSE OF THE WIN, THEY CALLED
IT DAVY OVER GOLIATH.

19:12.033 --> 19:15.200 position:10% line:50% size:80%
THE PHILADELPHIA TEAM GAVE
HIM A BIG TOURING CAR.

19:15.300 --> 19:17.734 position:10% line:50% size:80%
A MONTH LATER HE WAS DRIVING
THE CAR IN MINNESOTA

19:17.834 --> 19:19.601 position:10% line:50% size:80%
AND ACCIDENTALLY KILLED
A PEDESTRIAN.

19:19.701 --> 19:20.400 position:10% line:50% size:80%
Collector: OH, WOW.

19:20.501 --> 19:21.601 position:10% line:50% size:80%
Allan: WOW.

19:21.701 --> 19:25.200 position:10% line:50% size:80%
ALSO, THE OTHER CARD THAT I
REALLY LIKE IS YOU HAVE

19:25.300 --> 19:26.400 position:10% line:50% size:80%
LEE MCGEE.

19:26.501 --> 19:28.667 position:10% line:50% size:80%
LEE MCGEE WAS A LOVER BOY.

19:28.767 --> 19:31.767 position:10% line:50% size:80%
HE WAS REALLY A FLAKE
IN BASEBALL.

19:31.868 --> 19:34.400 position:10% line:50% size:80%
HE JUMPED TEAMS,
GOT SUED ALL THE TIME,

19:34.501 --> 19:36.734 position:10% line:50% size:80%
BUT WAS AN IRRESISTIBLE
LADIES MAN.

19:36.834 --> 19:37.834 position:10% line:50% size:80%
Collector: OKAY.

19:37.934 --> 19:39.601 position:10% line:50% size:80%
Allan: THIS IS A REALLY NICE
GROUP OF MATERIAL.

19:39.701 --> 19:44.334 position:10% line:50% size:80%
IT'S NOT COMPLETE, BUT IT'S A
FAIRLY VALUABLE COLLECTION.

19:44.434 --> 19:46.567 position:10% line:50% size:80%
I WOULD VALUE WITH THIS
COLLECTION,

19:46.667 --> 19:48.734 position:10% line:50% size:80%
CONSIDERING THE CONDITION.

19:48.834 --> 19:50.801 position:10% line:50% size:80%
SOME OF THESE CARDS
WERE A LITTLE ROUGH.

19:50.901 --> 19:54.534 position:10% line:50% size:80%
FOR A MINIMUM OF $5,000.

19:54.634 --> 19:55.601 position:10% line:50% size:80%
Collector: GREAT.

19:55.701 --> 19:56.601 position:10% line:50% size:80%
THANK YOU.

19:56.701 --> 19:57.901 position:10% line:50% size:80%
Allan: THANK YOU.

19:58.000 --> 19:59.634 position:10% line:50% size:80%
Collector: IT LOOKS LIKE IT
HAS BEEN MESSED WITH, BUT NO.

19:59.734 --> 20:02.868 position:10% line:50% size:80%
Raab Christhilf: SO, ESSENTIALLY
WHAT IT IS, IS VERY LATE 19,

20:02.968 --> 20:04.934 position:10% line:50% size:80%
VERY EARLY 20TH CENTURY.

20:05.033 --> 20:06.234 position:10% line:50% size:80%
Collector: OKAY.

20:06.334 --> 20:08.234 position:10% line:50% size:80%
[CROWD CHATTER]

20:17.100 --> 20:21.901 position:10% line:50% size:80%
*

20:46.367 --> 20:48.434 position:10% line:50% size:80%
Lyman Speckheuer: SO, YOU HAVE
BROUGHT US A VERY LOVELY

20:48.534 --> 20:49.467 position:10% line:50% size:80%
LADY TODAY.

20:49.567 --> 20:50.634 position:10% line:50% size:80%
Collector: YES.

20:50.734 --> 20:53.133 position:10% line:50% size:80%
Lyman: IN THE FORM OF A BOOK
THAT SHOWS US THE FULL

20:53.234 --> 20:57.400 position:10% line:50% size:80%
ILLUSTRATION, AND YOU'VE ALSO
BEEN ABLE TO ACQUIRE

20:57.501 --> 21:01.234 position:10% line:50% size:80%
THE ORIGINAL PASTEL,
WHICH WE KNOW IS HER.

21:01.334 --> 21:04.701 position:10% line:50% size:80%
AND THEY'RE BY EARL MORAN, AND
I UNDERSTAND YOU COLLECT HIM?

21:04.801 --> 21:05.968 position:10% line:50% size:80%
Collector: THAT'S CORRECT, YES.

21:06.067 --> 21:08.567 position:10% line:50% size:80%
Lyman: TELL US HOW YOU GOT THIS
AND YOUR ASSOCIATION WITH

21:08.667 --> 21:09.767 position:10% line:50% size:80%
EARL MORAN.

21:09.868 --> 21:11.934 position:10% line:50% size:80%
Collector: WELL, EARL MORAN
IS ONE OF MY FAVORITE

21:12.033 --> 21:13.234 position:10% line:50% size:80%
PIN-UP ARTISTS.

21:13.334 --> 21:17.734 position:10% line:50% size:80%
HE STARTED DOING DRAWINGS FOR
BROWN AND BIGELOW IN THE...

21:17.834 --> 21:19.934 position:10% line:50% size:80%
1930's I BELIEVE.

21:20.033 --> 21:22.400 position:10% line:50% size:80%
DOING PIN-UP CALENDARS,
AND DRAWINGS FOR

21:22.501 --> 21:23.734 position:10% line:50% size:80%
PIN-UP CALENDARS.

21:23.834 --> 21:27.400 position:10% line:50% size:80%
SO, I STARTED COLLECTING
THE PRINTS JUST AS UH...

21:27.501 --> 21:32.133 position:10% line:50% size:80%
I THOUGHT HIS WORK WAS VERY
NICE, AND I FOUND A PICTURE

21:32.234 --> 21:33.934 position:10% line:50% size:80%
ON AN ONLINE AUCTION,

21:34.033 --> 21:37.167 position:10% line:50% size:80%
AND I LIKED IT, AND WENT
AHEAD AND PURCHASED IT.

21:37.267 --> 21:38.467 position:10% line:50% size:80%
Lyman: SO, DID YOU
ALREADY HAVE THE BOOK,

21:38.567 --> 21:39.634 position:10% line:50% size:80%
AND KNOW THAT SHE WAS...

21:39.734 --> 21:41.000 position:10% line:50% size:80%
Collector: I DID.

21:41.100 --> 21:41.734 position:10% line:50% size:80%
YES.

21:41.834 --> 21:43.133 position:10% line:50% size:80%
I THOUGHT I WAS INTERESTING.

21:43.234 --> 21:47.000 position:10% line:50% size:80%
I HAD THIS PIN-UP BOOK WHICH IS
A COLLECTION OF PIN-UPS,

21:47.100 --> 21:50.567 position:10% line:50% size:80%
AND I NOTICED THE FACE IN THE
PICTURE MATCHED THE PORTRAIT,

21:50.667 --> 21:52.801 position:10% line:50% size:80%
ACTUALLY PERFECT.

21:52.901 --> 21:55.033 position:10% line:50% size:80%
SO, I WAS KIND OF CURIOUS
AND FIGURED I'D PULL

21:55.133 --> 21:56.033 position:10% line:50% size:80%
THE TRIGGER ON IT.

21:56.133 --> 21:57.367 position:10% line:50% size:80%
THAT'S HOW I GOT IT.

21:57.467 --> 22:01.067 position:10% line:50% size:80%
Lyman: WELL, EARL MORAN,
AS YOU SAID, IS AN ILLUSTRATOR.

22:01.167 --> 22:07.868 position:10% line:50% size:80%
HE MADE A LOT OF PEOPLE BUY...
CALENDARS FROM THAT COMPANY,

22:07.968 --> 22:09.234 position:10% line:50% size:80%
AND HE MADE THEM MILLIONS.

22:09.334 --> 22:10.400 position:10% line:50% size:80%
Collector: YES.

22:10.501 --> 22:12.734 position:10% line:50% size:80%
Lyman: HE DID EVENTUALLY THOUGH
MOVE TO HOLLYWOOD.

22:12.834 --> 22:16.701 position:10% line:50% size:80%
AND GET INTO THE HOLLYWOOD
PARTY SCENE, HOSTING PARTIES.

22:16.801 --> 22:17.834 position:10% line:50% size:80%
Collector: OKAY.

22:17.934 --> 22:19.667 position:10% line:50% size:80%
Lyman: AND OF COURSE
IF YOU HAD FOUND THE SKETCH

22:19.767 --> 22:23.334 position:10% line:50% size:80%
PASTEL OF MARILYN MONROE,
WE COULD ADD ZEROS TO WHAT

22:23.434 --> 22:24.734 position:10% line:50% size:80%
WE'RE TALKING ABOUT TODAY.

22:24.834 --> 22:27.100 position:10% line:50% size:80%
BUT, THIS IS A LOVELY LADY,
AND WE CAN OBVIOUSLY TELL

22:27.200 --> 22:30.434 position:10% line:50% size:80%
THAT HE'S DONE THIS SKETCH
EITHER AS PRACTICE

22:30.534 --> 22:32.234 position:10% line:50% size:80%
OR JUST BECAUSE HE LIKED HER.

22:32.334 --> 22:38.133 position:10% line:50% size:80%
IT'S NOT UNUSUAL TO FIND PASTEL
SKETCHES IN THIS SIZE FROM HIM.

22:38.234 --> 22:41.534 position:10% line:50% size:80%
BUT, I THINK IT'S FUN TO KIND
OF COMPARE THE DIFFERENCES.

22:41.634 --> 22:43.467 position:10% line:50% size:80%
AND HOW MUCH DID YOU PAY?

22:43.567 --> 22:46.067 position:10% line:50% size:80%
Collector: I WANT TO SAY SEVEN,
EIGHT HUNDRED DOLLARS FOR IT.

22:46.167 --> 22:47.267 position:10% line:50% size:80%
Lyman: SEVEN OR EIGHT HUNDRED
DOLLARS FOR THIS.

22:47.367 --> 22:48.968 position:10% line:50% size:80%
Collector: YEAH IT WAS ABOUT
FIVE YEARS AGO

22:49.067 --> 22:50.200 position:10% line:50% size:80%
WHEN I PURCHASED IT.

22:50.300 --> 22:52.033 position:10% line:50% size:80%
Lyman: AND HAVE YOU HAD IT
APPRAISED BEFORE?

22:52.133 --> 22:53.033 position:10% line:50% size:80%
Collector: NO.

22:53.133 --> 22:54.934 position:10% line:50% size:80%
I JUST BOUGHT IT FOR
ITS BEAUTY, REALLY.

22:55.033 --> 22:57.334 position:10% line:50% size:80%
Lyman: WELL, HIS PRICES
MAKE A HUGE RANGE.

22:57.434 --> 22:58.267 position:10% line:50% size:80%
Collector: OKAY.

22:58.367 --> 22:59.601 position:10% line:50% size:80%
Lyman:
HE DID SOME OF THEM IN OIL,

22:59.701 --> 23:00.901 position:10% line:50% size:80%
SOME OF THEM IN PASTEL.

23:01.000 --> 23:03.234 position:10% line:50% size:80%
EVEN SOME OF THE
FULL BODIED ONES IN PASTEL.

23:03.334 --> 23:05.901 position:10% line:50% size:80%
AND DEPENDING ON HOW
PRETTY THE GIRL IS...

23:06.000 --> 23:07.133 position:10% line:50% size:80%
Collector: OKAY.

23:07.234 --> 23:09.634 position:10% line:50% size:80%
Lyman: OR HOW FAMOUS,
THEN THAT'LL CHANGE THE PRICES.

23:09.734 --> 23:11.868 position:10% line:50% size:80%
AND SOMETIMES WHETHER OR NOT
SHE'S WEARING CLOTHES.

23:11.968 --> 23:13.334 position:10% line:50% size:80%
Collector: WOW.

23:13.434 --> 23:16.501 position:10% line:50% size:80%
Lyman: THIS PARTICULAR PASTEL,
SHE'S VERY CHARMING.

23:16.601 --> 23:18.434 position:10% line:50% size:80%
IT'S GOT A NICE CLEAN LOOK.

23:18.534 --> 23:23.300 position:10% line:50% size:80%
UM... BASED ON THE- KIND OF THE
OVERALL, LOOKING OF PRICES,

23:23.400 --> 23:27.734 position:10% line:50% size:80%
I WOULD ESTIMATE THAT THIS
SKETCH HERE WOULD BRING

23:27.834 --> 23:30.801 position:10% line:50% size:80%
AT AN INSURANCE VALUE ABOUT
FOUR TO SIX THOUSAND DOLLARS.

23:30.901 --> 23:31.934 position:10% line:50% size:80%
Collector: WOW.

23:32.033 --> 23:35.267 position:10% line:50% size:80%
Lyman: THEY DO GO FOR...
THE LOW PRICE IS TWO.

23:35.367 --> 23:36.434 position:10% line:50% size:80%
Collector: OKAY.

23:36.534 --> 23:37.501 position:10% line:50% size:80%
Lyman: SO, YOU DID VERY WELL
IN YOUR ONLINE PURCHASE.

23:37.601 --> 23:38.434 position:10% line:50% size:80%
Collector: GOOD.

23:38.534 --> 23:39.701 position:10% line:50% size:80%
THAT'S GREAT.

23:39.801 --> 23:41.200 position:10% line:50% size:80%
Lyman: AND I THANK YOU FOR
BRINGING THIS LOVELY LADY TODAY.

23:41.300 --> 23:41.901 position:10% line:50% size:80%
Collector: THANK YOU.

23:42.000 --> 23:42.868 position:10% line:50% size:80%
Lyman: THANKS.

23:42.968 --> 23:43.367 position:10% line:50% size:80%
Collector: THANK YOU
FOR LOOKING AT IT.

23:43.467 --> 23:44.367 position:10% line:50% size:80%
THANKS.

23:44.467 --> 23:46.434 position:10% line:50% size:80%
[CROWD CHATTER]

23:46.534 --> 23:49.567 position:10% line:50% size:80%
Robert: AND THEY WERE PUBLIC,
THEY WERE PUBLIC UH, SEATING.

23:49.667 --> 23:51.767 position:10% line:50% size:80%
[CROWD CHATTER]

24:14.334 --> 24:16.200 position:10% line:50% size:80%
Rhea: IT'S ALREADY TIME
TO SAY GOODBYE.

24:16.300 --> 24:21.234 position:10% line:50% size:80%
BUT, NEXT WEEK WE HAVE SOME VERY
UNUSUAL ITEMS THAT WILL KEEP YOU

24:21.334 --> 24:23.534 position:10% line:50% size:80%
SITTING UPRIGHT IN YOUR CHAIR.

24:23.634 --> 24:24.901 position:10% line:50% size:80%
TAKE A LOOK.

24:25.000 --> 24:27.234 position:10% line:50% size:80%
Collector: BROUGHT YOU A GROUP
OF ITEMS THAT I PICKED UP

24:27.334 --> 24:28.767 position:10% line:50% size:80%
OUT OF JOHN GLENN'S ESTATE.

24:28.868 --> 24:31.367 position:10% line:50% size:80%
SINCE JOHN GLEN IS SUCH AN
AMERICAN ICON,

24:31.467 --> 24:34.834 position:10% line:50% size:80%
EVERYBODY WHO KNEW OF HIM
WANTED TO HAVE A LITTLE PIECE

24:34.934 --> 24:36.400 position:10% line:50% size:80%
OF HIS HISTORY.

24:36.501 --> 24:39.434 position:10% line:50% size:80%
Appraiser: THE ROOSTER IS
A SYMBOL OF VIRILITY.

24:39.534 --> 24:42.467 position:10% line:50% size:80%
THIS IS REALLY QUITE AN
EXTRAORDINARY PIECE.

24:42.567 --> 24:45.167 position:10% line:50% size:80%
Collector:
I PAID $14,000 FOR IT.

24:45.267 --> 24:46.133 position:10% line:50% size:80%
Amory: OKAY.

24:46.234 --> 24:47.434 position:10% line:50% size:80%
Collector: BUT, THIS
WAS MY HOLY GRAIL.

24:47.534 --> 24:48.634 position:10% line:50% size:80%
Amory: OKAY.

24:48.734 --> 24:50.901 position:10% line:50% size:80%
Ross: YOU HAD BROUGHT
IN ONE OF THE MOST OUTSTANDING

24:51.000 --> 24:52.567 position:10% line:50% size:80%
ITEMS IN A SMALL BOX.

24:52.667 --> 24:55.567 position:10% line:50% size:80%
Rhea: WE HOPE YOU'RE
ENJOYING ANTIQUING WITH US.

24:55.667 --> 24:57.334 position:10% line:50% size:80%
I'M YOUR HOST,
RHEA FEIKIN.

24:57.434 --> 25:00.834 position:10% line:50% size:80%
SEE YOU NEXT WEEK ON
 CHESAPEAKE COLLECTIBLES .

25:00.934 --> 25:03.534 position:10% line:50% size:80%
Announcer: MAJOR FUNDING IS
PROVIDED BY...

25:04.000 --> 25:07.300 position:10% line:50% size:80%
SINCE 1924,
ALEX COOPER AUCTIONEERS HAS BEEN

25:07.400 --> 25:09.968 position:10% line:50% size:80%
SERVING THE MID-ATLANTIC STATES,
FEATURING MONTHLY GALLERY

25:10.067 --> 25:11.434 position:10% line:50% size:80%
ANTIQUE AUCTION SALES.

25:11.534 --> 25:13.901 position:10% line:50% size:80%
OUR STAFF CAN ASSIST CLIENTS
WITH THE DISPOSITION

25:14.000 --> 25:15.501 position:10% line:50% size:80%
OF THEIR VALUED POSSESSIONS.

25:15.601 --> 25:17.234 position:10% line:50% size:80%
ALEX COOPER AUCTIONEERS.

25:20.000 --> 25:22.200 position:10% line:50% size:80%
THE MARYLAND ARMS
COLLECTORS ASSOCIATION'S

25:22.300 --> 25:25.400 position:10% line:50% size:80%
ANNUAL MARCH
ANTIQUES ARMS SHOW AND SALE.

25:25.501 --> 25:28.033 position:10% line:50% size:80%
VISIT BALTIMORESHOW.COM.

25:30.367 --> 25:32.667 position:10% line:50% size:80%
TURF VALLEY, LOCATED
ON 1000 ACRES.

25:32.767 --> 25:36.033 position:10% line:50% size:80%
A DESTINATION RESORT FOR
WEDDINGS, BUSINESS MEETINGS,

25:36.133 --> 25:38.267 position:10% line:50% size:80%
AND SPA, AND GOLF GETAWAYS.

25:38.367 --> 25:43.901 position:10% line:50% size:80%
INFORMATION AT 410-465-1500,
AND TURFVALLEY.COM.

25:45.334 --> 25:47.734 position:10% line:50% size:80%
CLOSED CAPTIONING HAS BEEN MADE
POSSIBLE BY MARYLAND RELAY,

25:47.834 --> 25:50.200 position:10% line:50% size:80%
EMPOWERING THOSE WITH
HEARING AND SPEECH LOSS

25:50.300 --> 25:51.934 position:10% line:50% size:80%
TO STAY CONNECTED.

25:52.033 --> 25:53.534 position:10% line:50% size:80%
*