WEBVTT 00:00.033 --> 00:02.000 align:left position:10% line:71% size:80% >> MICHAEL: WE'LL GET THE VOICES 00:02.000 --> 00:03.366 align:left position:10% line:71% size:80% WORKING INDIVIDUALLY, AND THEN 00:03.366 --> 00:04.500 align:left position:10% line:71% size:80% WE'LL DO A FEW EXERCISES TO GET 00:04.500 --> 00:06.000 align:left position:10% line:71% size:80% OUR KIND OF COLLECTIVE EARS AS 00:06.000 --> 00:08.266 align:left position:10% line:71% size:80% ALWAYS TUNED INTO EACH OTHER AND 00:08.266 --> 00:09.966 align:left position:10% line:71% size:80% OUR ENSEMBLE VALUES. 00:09.966 --> 00:11.766 align:left position:10% line:71% size:80% LET'S HAVE AN A AND A C JUST 00:11.766 --> 00:14.433 align:left position:10% line:71% size:80% SLIDING. 00:14.433 --> 00:17.633 align:left position:10% line:71% size:80% [SINGING VOICES WARM UP] 00:17.633 --> 00:22.433 align:left position:10% line:71% size:80% ♪ 00:22.433 --> 00:23.800 align:left position:10% line:71% size:80% GOOD. 00:23.800 --> 00:24.833 align:left position:10% line:71% size:80% >> TERRI: TODAY WE'RE GOING TO 00:24.833 --> 00:25.866 align:left position:10% line:71% size:80% CATCH UP WITH ONE OF THE 00:25.866 --> 00:27.166 align:left position:10% line:71% size:80% PREEMINENT COMMUNITY CHORUSES IN 00:27.166 --> 00:28.766 align:left position:10% line:71% size:80% THE REGION. 00:28.766 --> 00:30.666 align:left position:10% line:71% size:80% THIS GROUP HAS BEEN ENTERTAINING 00:30.666 --> 00:32.500 align:left position:10% line:71% size:80% AND INSPIRING US WITH REGULAR 00:32.500 --> 00:33.866 align:left position:10% line:71% size:80% PERFORMANCES OF CHORAL 00:33.866 --> 00:36.866 align:left position:10% line:71% size:80% MASTERWORKS SINCE 1968. 00:36.866 --> 00:38.900 align:left position:10% line:71% size:80% JOIN US TODAY AS WE HEAR FROM 00:38.900 --> 00:40.566 align:left position:10% line:71% size:80% THE ORATORIO SOCIETY OF 00:40.566 --> 00:41.133 align:left position:10% line:71% size:80% VIRGINIA. 00:41.133 --> 00:43.133 align:left position:10% line:71% size:80% COME ON! 00:43.133 --> 01:02.966 align:left position:10% line:71% size:80% ♪ 01:02.966 --> 01:04.233 align:left position:10% line:71% size:80% >> TERRI: SO MICHAEL, WHY IS IT 01:04.233 --> 01:06.666 align:left position:10% line:71% size:80% THAT WE LOVE SINGING SO MUCH? 01:06.666 --> 01:07.766 align:left position:10% line:71% size:80% >> MICHAEL: WELL, YEAH I 01:07.766 --> 01:09.133 align:left position:10% line:71% size:80% SUPPOSE THERE'S A LONG AND A 01:09.133 --> 01:11.000 align:left position:10% line:71% size:80% SHORT WAY TO ANSWER. 01:11.000 --> 01:14.700 align:left position:10% line:71% size:80% IT'S BEEN SHOWN THAT SINGING, 01:14.700 --> 01:16.133 align:left position:10% line:71% size:80% ESPECIALLY IN LARGE GROUPS 01:16.133 --> 01:18.533 align:left position:10% line:71% size:80% BELIEVE IT OR NOT, RELEASES 01:18.533 --> 01:19.900 align:left position:10% line:71% size:80% ENDORPHINS, SO PEOPLE GET THIS 01:19.900 --> 01:21.666 align:left position:10% line:71% size:80% NATURAL HIGH WHEN THEY SING 01:21.666 --> 01:22.566 align:left position:10% line:71% size:80% TOGETHER. 01:22.566 --> 01:23.800 align:left position:10% line:71% size:80% IT'S SHOWN TO REDUCE STRESS 01:23.800 --> 01:25.666 align:left position:10% line:71% size:80% LEVELS, BUT ACTUALLY THERE ARE 01:25.666 --> 01:28.366 align:left position:10% line:71% size:80% STUDIES THAT SUGGEST IT BINDS 01:28.366 --> 01:30.800 align:left position:10% line:71% size:80% PEOPLE IN SOCIAL GROUPS WHICH 01:30.800 --> 01:32.500 align:left position:10% line:71% size:80% BECOMES AN EVOLUTIONARY 01:32.500 --> 01:33.000 align:left position:10% line:71% size:80% ADVANTAGE. 01:33.000 --> 01:34.366 align:left position:10% line:71% size:80% I MEAN, IT'S AMAZING TO THINK 01:34.366 --> 01:36.666 align:left position:10% line:71% size:80% ABOUT THAT ACROSS TIME. 01:36.666 --> 01:38.566 align:left position:10% line:71% size:80% THERE'S REAL SCIENTIFIC EVIDENCE 01:38.566 --> 01:41.033 align:left position:10% line:71% size:80% FOR THAT ALONG WITH WHAT WE ALL 01:41.033 --> 01:42.700 align:left position:10% line:71% size:80% CONSIDER AND KNOW AND LOVE TO BE 01:42.700 --> 01:44.800 align:left position:10% line:71% size:80% THE AESTHETIC VALUE OF IT. 01:44.800 --> 01:47.066 align:left position:10% line:71% size:80% >> TERRI: YEAH, AND TALK ABOUT 01:47.066 --> 01:49.066 align:left position:10% line:71% size:80% THE VITAL ROLE THAT A GROUP, 01:49.066 --> 01:50.766 align:left position:10% line:71% size:80% THIS GROUP PLAYS IN THE 01:50.766 --> 01:51.766 align:left position:10% line:71% size:80% COMMUNITY. 01:51.766 --> 01:52.700 align:left position:10% line:71% size:80% >> MICHAEL: SO THE ORATORIO 01:52.700 --> 01:54.066 align:left position:10% line:71% size:80% SOCIETY HAS BEEN IN THE 01:54.066 --> 01:55.766 align:left position:10% line:71% size:80% COMMUNITY ALREADY 50 YEARS PLUS 01:55.766 --> 01:58.500 align:left position:10% line:71% size:80% AND I THINK THAT IT'S A VERY 01:58.500 --> 02:00.666 align:left position:10% line:71% size:80% IMPORTANT PART OF ANY COMMUNITY 02:00.666 --> 02:02.833 align:left position:10% line:71% size:80% TO BE THIS KIND OF ARTISTIC 02:02.833 --> 02:04.333 align:left position:10% line:71% size:80% EXPRESSION, AND I THINK IT'S 02:04.333 --> 02:06.533 align:left position:10% line:71% size:80% GREAT WHEN YOU HAVE A CHORUS 02:06.533 --> 02:07.966 align:left position:10% line:71% size:80% THAT'S OPEN TO MEMBERS OF THE 02:07.966 --> 02:10.366 align:left position:10% line:71% size:80% COMMUNITY, AND THEY CAN COME AND 02:10.366 --> 02:11.866 align:left position:10% line:71% size:80% WITHOUT BEING A PROFESSIONAL 02:11.866 --> 02:13.700 align:left position:10% line:71% size:80% MUSICIAN STILL MAKE MUSIC AT A 02:13.700 --> 02:18.533 align:left position:10% line:71% size:80% HIGH LEVEL AND NOT ONLY OFFER 02:18.533 --> 02:19.866 align:left position:10% line:71% size:80% SOMETHING TO THE COMMUNITY, 02:19.866 --> 02:22.666 align:left position:10% line:71% size:80% RIGHT, OFFER SOME KIND OF UNIQUE 02:22.666 --> 02:23.933 align:left position:10% line:71% size:80% EXPRESSION OF ART 02:23.933 --> 02:25.200 align:left position:10% line:71% size:80% INDEED BUT SPEAKING TO THE 02:25.200 --> 02:26.400 align:left position:10% line:71% size:80% COMMUNITY IN WAYS THAT ARE 02:26.400 --> 02:27.300 align:left position:10% line:71% size:80% IMPORTANT. WE KNOW IN OUR 02:27.300 --> 02:28.300 align:left position:10% line:71% size:80% COMMUNITY THAT WE NEED THAT 02:28.300 --> 02:31.000 align:left position:10% line:71% size:80% AS EVER AND I THINK THAT 02:31.000 --> 02:33.100 align:left position:10% line:71% size:80% THE PROCESS OF SINGING TOGETHER 02:33.100 --> 02:35.633 align:left position:10% line:71% size:80% IS A GREAT MODEL FOR US 02:35.633 --> 02:37.600 align:left position:10% line:71% size:80% INTERACTING IN A HARMONIOUS WAY. 02:37.600 --> 02:47.733 align:left position:10% line:71% size:80% ♪ 02:47.733 --> 02:48.366 align:left position:10% line:71% size:80% >> ROWENNA: HOPEFULLY YOU CAN 02:48.366 --> 02:50.666 align:left position:10% line:71% size:80% LISTEN TO IT OR SING IT AND ONLY 02:50.666 --> 02:52.400 align:left position:10% line:71% size:80% THINK ABOUT THAT, AND YOU DON'T 02:52.400 --> 02:54.033 align:left position:10% line:71% size:80% THINK ABOUT THE BARRIERS THAT 02:54.033 --> 02:55.133 align:left position:10% line:71% size:80% SEPARATE YOU FROM THE PERSON 02:55.133 --> 02:56.433 align:left position:10% line:71% size:80% SITTING NEXT TO YOU OR SINGING 02:56.433 --> 02:57.766 align:left position:10% line:71% size:80% NEXT TO YOU OR SINGING OUT 02:57.766 --> 02:58.500 align:left position:10% line:71% size:80% THERE. 02:58.500 --> 02:59.833 align:left position:10% line:71% size:80% >> JOANIE: I THINK THAT PEOPLE 02:59.833 --> 03:02.333 align:left position:10% line:71% size:80% ARE SURPRISED AT THE BEAUTY AND 03:02.333 --> 03:04.100 align:left position:10% line:71% size:80% THE GLORY OF SINGING THIS KIND 03:04.100 --> 03:05.633 align:left position:10% line:71% size:80% OF MUSIC. 03:05.633 --> 03:06.300 align:left position:10% line:71% size:80% >> MARGARET: IF CONDITIONS ARE 03:06.300 --> 03:08.466 align:left position:10% line:71% size:80% RIGHT, IF YOUR GROUP IS IN GOOD 03:08.466 --> 03:10.700 align:left position:10% line:71% size:80% FORM, QUITE FREQUENTLY MAGIC 03:10.700 --> 03:13.666 align:left position:10% line:71% size:80% HAPPENS, AND THAT'S VERY SPECIAL 03:13.666 --> 03:14.666 align:left position:10% line:71% size:80% WHEN THAT HAPPENS. 03:14.666 --> 03:16.666 align:left position:10% line:71% size:80% IT'S SOMETHING THAT CAN KEEP YOU 03:16.666 --> 03:20.000 align:left position:10% line:71% size:80% INSPIRED AND SORT OF ON A CLOUD 03:20.000 --> 03:21.033 align:left position:10% line:71% size:80% FOR QUITE A WHILE. 03:21.033 --> 03:22.133 align:left position:10% line:71% size:80% >> MICHAEL: SAME THING, MAKE A 03:22.133 --> 03:23.133 align:left position:10% line:71% size:80% LITTLE CRESCENDO TO THE MIDDLE 03:23.133 --> 03:24.500 align:left position:10% line:71% size:80% NOTE AND THEN TAPER DOWN THE 03:24.500 --> 03:26.966 align:left position:10% line:71% size:80% LAST TWO. 03:26.966 --> 03:30.333 align:left position:10% line:71% size:80% ♪ 03:30.333 --> 03:31.900 align:left position:10% line:71% size:80% MOVING FORWARD, RIGHT, MOVING 03:31.900 --> 03:36.766 align:left position:10% line:71% size:80% FORWARD, NOW TURN THE CORNER. 03:36.766 --> 03:37.400 align:left position:10% line:71% size:80% >> TERRI: TELL US A LITTLE BIT 03:37.400 --> 03:39.233 align:left position:10% line:71% size:80% ABOUT YOUR BACKGROUND. 03:39.233 --> 03:41.800 align:left position:10% line:71% size:80% >> MICHAEL: WELL, I STARTED AS 03:41.800 --> 03:43.566 align:left position:10% line:71% size:80% A CHILD AS A PIANIST, AND WE HAD 03:43.566 --> 03:45.433 align:left position:10% line:71% size:80% MUSIC IN THE HOME, AND MY DAD 03:45.433 --> 03:46.766 align:left position:10% line:71% size:80% ESPECIALLY WAS A PIANIST AND HE 03:46.766 --> 03:48.000 align:left position:10% line:71% size:80% DID SOME CHURCH MUSIC SO THERE 03:48.000 --> 03:50.066 align:left position:10% line:71% size:80% WAS SINGING AND MUSIC AND I WAS 03:50.066 --> 03:51.233 align:left position:10% line:71% size:80% BLESSED TO COME THROUGH SOME 03:51.233 --> 03:52.566 align:left position:10% line:71% size:80% WONDERFUL CHORAL PROGRAMS. 03:52.566 --> 03:54.300 align:left position:10% line:71% size:80% IN HIGH SCHOOL I SANG IN, WAS AN 03:54.300 --> 03:56.966 align:left position:10% line:71% size:80% ACCOMPANIST, COLLEGE AT CORNELL 03:56.966 --> 03:59.033 align:left position:10% line:71% size:80% AND AT THE INDIANA UNIVERSITY 03:59.033 --> 04:00.300 align:left position:10% line:71% size:80% SCHOOL OF MUSIC WHERE I STUDIED 04:00.300 --> 04:03.366 align:left position:10% line:71% size:80% CONDUCTING, HAD A CHANCE, HAVE A 04:03.366 --> 04:05.133 align:left position:10% line:71% size:80% BROAD EXPERIENCE IN CHORAL, 04:05.133 --> 04:07.733 align:left position:10% line:71% size:80% CHORAL ORCHESTRAL, OPERA ETC 04:07.733 --> 04:11.333 align:left position:10% line:71% size:80% MUSIC, AND IN ALL PHASES I THINK 04:11.333 --> 04:13.333 align:left position:10% line:71% size:80% WHEN IT'S DONE RIGHT AND IT'S A 04:13.333 --> 04:14.600 align:left position:10% line:71% size:80% SPIRITUAL EXPERIENCE, YOU 04:14.600 --> 04:15.600 align:left position:10% line:71% size:80% DEVELOP A REAL LOVE. 04:15.600 --> 04:17.633 align:left position:10% line:71% size:80% >> TERRI: AND YOU COULD BE, YOU 04:17.633 --> 04:19.666 align:left position:10% line:71% size:80% DEFINITELY COULD BE WORKING IN A 04:19.666 --> 04:21.166 align:left position:10% line:71% size:80% LARGE CITY, SO WHY 04:21.166 --> 04:22.433 align:left position:10% line:71% size:80% CHARLOTTESVILLE? 04:22.433 --> 04:22.966 align:left position:10% line:71% size:80% >> MICHAEL: THAT'S A GOOD 04:22.966 --> 04:23.966 align:left position:10% line:71% size:80% QUESTION. 04:23.966 --> 04:25.900 align:left position:10% line:71% size:80% I SUPPOSE IT'S TRUE. FIRST OF 04:25.900 --> 04:27.700 align:left position:10% line:71% size:80% ALL A JOB IS A JOB AND I WAS 04:27.700 --> 04:31.233 align:left position:10% line:71% size:80% BLESSED TO GET HIRED HERE AT UVA 04:31.233 --> 04:33.133 align:left position:10% line:71% size:80% AND SO THAT BROUGHT ME HERE AS A 04:33.133 --> 04:34.333 align:left position:10% line:71% size:80% PROFESSOR AND A CONDUCTOR. 04:34.333 --> 04:35.666 align:left position:10% line:71% size:80% >> TERRI: OF THE? 04:35.666 --> 04:36.666 align:left position:10% line:71% size:80% >> MICHAEL: OF THE UNIVERSITY 04:36.666 --> 04:38.800 align:left position:10% line:71% size:80% SINGERS, OF THE CHAMBER SINGERS, 04:38.800 --> 04:39.833 align:left position:10% line:71% size:80% AND A GUEST CONDUCTOR OF OUR 04:39.833 --> 04:40.366 align:left position:10% line:71% size:80% SYMPHONY HERE, THE 04:40.366 --> 04:41.666 align:left position:10% line:71% size:80% CHARLOTTESVILLE SYMPHONY HERE 04:41.666 --> 04:42.666 align:left position:10% line:71% size:80% AND THAT'S A WONDERFUL 04:42.666 --> 04:43.900 align:left position:10% line:71% size:80% EXPERIENCE, WORKING WITH OUR 04:43.900 --> 04:45.133 align:left position:10% line:71% size:80% STUDENTS AND MY FACULTY 04:45.133 --> 04:47.866 align:left position:10% line:71% size:80% COLLEAGUES, BUT THEN ALSO I FEEL 04:47.866 --> 04:50.033 align:left position:10% line:71% size:80% LIKE WE'RE BLESSED TO LIVE IN A 04:50.033 --> 04:52.300 align:left position:10% line:71% size:80% TOWN OF CHARLOTTESVILLE THAT IN 04:52.300 --> 04:53.733 align:left position:10% line:71% size:80% A SENSE PUNCHES ABOVE ITS WEIGHT 04:53.733 --> 04:55.666 align:left position:10% line:71% size:80% CULTURALLY, AND WE HAVE PEOPLE 04:55.666 --> 04:57.466 align:left position:10% line:71% size:80% IN THIS TOWN THAT REALLY SUPPORT 04:57.466 --> 05:00.133 align:left position:10% line:71% size:80% THE ARTS EITHER AS PERFORMERS OR 05:00.133 --> 05:02.033 align:left position:10% line:71% size:80% BENEFACTORS, OR OTHER KINDS OF 05:02.033 --> 05:03.166 align:left position:10% line:71% size:80% SUPPORTERS OF THE ARTS. 05:03.166 --> 05:04.766 align:left position:10% line:71% size:80% AND AUDIENCES TEND 05:04.766 --> 05:07.366 align:left position:10% line:71% size:80% TO BE VERY WARM IN THE RESPONSE 05:07.366 --> 05:09.233 align:left position:10% line:71% size:80% THE RECEPTION OF WHAT WE OFFER. 05:09.233 --> 05:11.733 align:left position:10% line:71% size:80% AND WE ARE ABLE TO DO THINGS 05:11.733 --> 05:12.466 align:left position:10% line:71% size:80% CULTURALLY. I MEAN WE HAVE HAD 05:12.466 --> 05:13.433 align:left position:10% line:71% size:80% PARTNERSHIPS FOR EXAMPLE 05:13.433 --> 05:15.166 align:left position:10% line:71% size:80% WITH ORATORIO SOCIETY RECENTLY 05:15.166 --> 05:17.133 align:left position:10% line:71% size:80% WITH ASH LAWN NOW 05:17.133 --> 05:18.133 align:left position:10% line:71% size:80% CHARLOTTESVILLE OPERA 05:18.133 --> 05:19.133 align:left position:10% line:71% size:80% AND WITH CHARLOTTESVILLE BALLET 05:19.133 --> 05:20.133 align:left position:10% line:71% size:80% AND WITH THE CHAARLOTTESVILLE 05:20.133 --> 05:21.133 align:left position:10% line:71% size:80% SYMPHONY, WE SUNG WITH THE 05:21.133 --> 05:23.200 align:left position:10% line:71% size:80% ROANOKE SYMPHONY 05:23.200 --> 05:25.133 align:left position:10% line:71% size:80% I THINK IT'S EXCITING WHEN YOU 05:25.133 --> 05:26.133 align:left position:10% line:71% size:80% CAN GET TOGETHER DIFFERENT 05:26.133 --> 05:27.766 align:left position:10% line:71% size:80% ARTISTIC FORCES IN THE COMMUNITY 05:27.766 --> 05:29.733 align:left position:10% line:71% size:80% MAKE SOMETHING EVEN LARGER THAN 05:29.733 --> 05:30.833 align:left position:10% line:71% size:80% ANY OF YOU COULD MAKE ON YOUR 05:30.833 --> 05:31.766 align:left position:10% line:71% size:80% OWN. 05:31.766 --> 05:37.900 align:left position:10% line:71% size:80% ♪ 05:37.900 --> 05:39.000 align:left position:10% line:71% size:80% >> JOANIE: I LOVE BEING A PART 05:39.000 --> 05:40.700 align:left position:10% line:71% size:80% OF THIS BECAUSE IT'S SO RARE TO 05:40.700 --> 05:43.266 align:left position:10% line:71% size:80% BE ABLE TO WORK WITH A BIG GROUP 05:43.266 --> 05:45.866 align:left position:10% line:71% size:80% OF PEOPLE TO ACHIEVE A COMMON 05:45.866 --> 05:48.866 align:left position:10% line:71% size:80% GOAL AND TO DO IT WITH ENJOYMENT 05:48.866 --> 05:51.900 align:left position:10% line:71% size:80% AND GRACE AND FUN. 05:51.900 --> 05:52.766 align:left position:10% line:71% size:80% >> KIM: I ALWAYS THINK OF 05:52.766 --> 05:54.000 align:left position:10% line:71% size:80% CHORAL MUSIC AS BEING SORT OF 05:54.000 --> 05:55.466 align:left position:10% line:71% size:80% THE ULTIMATE TEAM SPORT. 05:55.466 --> 05:56.766 align:left position:10% line:71% size:80% SO IT'S OUR WAY OF GETTING 05:56.766 --> 05:58.833 align:left position:10% line:71% size:80% TOGETHER AND REALLY REPRESENTING 05:58.833 --> 05:59.866 align:left position:10% line:71% size:80% THE COMMUNITY. 05:59.866 --> 06:00.833 align:left position:10% line:71% size:80% >> TERRI: TELL ME ABOUT THE 06:00.833 --> 06:03.133 align:left position:10% line:71% size:80% MEMBERS, WHO PARTICIPATES? 06:03.133 --> 06:04.333 align:left position:10% line:71% size:80% >> MICHAEL: SO WE HAVE PEOPLE 06:04.333 --> 06:05.666 align:left position:10% line:71% size:80% WHO ARE HAVE BEEN PROFESSIONAL 06:05.666 --> 06:07.466 align:left position:10% line:71% size:80% SINGERS OR ARE OR ARE MUSIC 06:07.466 --> 06:09.100 align:left position:10% line:71% size:80% TEACHERS, BUT WE ALSO HAVE 06:09.100 --> 06:11.400 align:left position:10% line:71% size:80% PEOPLE WHO ARE TEACHERS IN OTHER 06:11.400 --> 06:12.833 align:left position:10% line:71% size:80% SUBJECTS, LIKE ELEMENTARY SCHOOL 06:12.833 --> 06:14.433 align:left position:10% line:71% size:80% TEACHERS, OR WE HAVE SOME OF 06:14.433 --> 06:15.233 align:left position:10% line:71% size:80% CHARLOTTESVILLE'S LEADING 06:15.233 --> 06:17.433 align:left position:10% line:71% size:80% LAWYERS, WE HAD A GUY WHO IS A 06:17.433 --> 06:19.433 align:left position:10% line:71% size:80% WORLD CLASS ASTRONOMER, AN 06:19.433 --> 06:21.100 align:left position:10% line:71% size:80% ASTRO-PHYSICIST IN THERE. 06:21.100 --> 06:24.766 align:left position:10% line:71% size:80% WE HAVE DOCTORS, AND MOMS, AND 06:24.766 --> 06:26.933 align:left position:10% line:71% size:80% WE HAVE PEOPLE WHO ARE GRADUATE 06:26.933 --> 06:29.233 align:left position:10% line:71% size:80% STUDENTS, SO IT'S A VERY 06:29.233 --> 06:30.566 align:left position:10% line:71% size:80% INTERESTING ECLECTIC MIX, AND I 06:30.566 --> 06:32.300 align:left position:10% line:71% size:80% THINK IT ONLY SERVES TO 06:32.300 --> 06:34.366 align:left position:10% line:71% size:80% INVIGORATE THE REHEARSAL PROCESS 06:34.366 --> 06:35.866 align:left position:10% line:71% size:80% WHEN YOU HAVE ALL THESE 06:35.866 --> 06:37.166 align:left position:10% line:71% size:80% DIFFERENT, INTERESTING PEOPLE 06:37.166 --> 06:39.533 align:left position:10% line:71% size:80% WHO HAVE A COMMON SHARED LOVE OF 06:39.533 --> 06:41.500 align:left position:10% line:71% size:80% MAKING MUSIC TOGETHER. 06:41.500 --> 06:51.466 align:left position:10% line:71% size:80% ♪ 06:51.466 --> 06:52.666 align:left position:10% line:71% size:80% >> MICHAEL: BEAUTIFUL! 06:52.666 --> 06:53.933 align:left position:10% line:71% size:80% >> JIM: I RESISTED AT FIRST. 06:53.933 --> 06:56.033 align:left position:10% line:71% size:80% I SAID OH, I'M TOO BUSY, BUT I 06:56.033 --> 06:58.233 align:left position:10% line:71% size:80% WAS SWEET TALKED BY ONE OF THE 06:58.233 --> 07:02.800 align:left position:10% line:71% size:80% ALTOS, SARAH FISHBACK, AND IT 07:02.800 --> 07:07.200 align:left position:10% line:71% size:80% WAS REALLY SUCH AN EXPERIENCE I 07:07.200 --> 07:08.666 align:left position:10% line:71% size:80% WOULD NOT HAVE GIVEN IT UP FOR 07:08.666 --> 07:09.566 align:left position:10% line:71% size:80% ANYTHING. 07:09.566 --> 07:10.700 align:left position:10% line:71% size:80% >> KIM: THIS IS WHAT I DO FOR 07:10.700 --> 07:12.866 align:left position:10% line:71% size:80% ME, SO THIS GROUP HAS BEEN AN 07:12.866 --> 07:13.800 align:left position:10% line:71% size:80% AMAZING OUTLET AND A LOT OF MY 07:13.800 --> 07:15.266 align:left position:10% line:71% size:80% FRIENDS ARE ACTUALLY IN THIS 07:15.266 --> 07:16.300 align:left position:10% line:71% size:80% GROUP AS WELL. 07:16.300 --> 07:18.866 align:left position:10% line:71% size:80% >> STEVE: IT IS A VERY WARM 07:18.866 --> 07:21.766 align:left position:10% line:71% size:80% GENEROUS GROUP, AND I JUST 07:21.766 --> 07:23.733 align:left position:10% line:71% size:80% COULDN'T BE AMONG A NICER BUNCH 07:23.733 --> 07:24.500 align:left position:10% line:71% size:80% OF PEOPLE. 07:24.500 --> 07:25.400 align:left position:10% line:71% size:80% >> ROWENNA: I SIT THERE IN THE 07:25.400 --> 07:26.466 align:left position:10% line:71% size:80% CORNER AND I LISTEN TO THESE 07:26.466 --> 07:28.566 align:left position:10% line:71% size:80% PEOPLE WHO ARE VERY DIFFERENT, 07:28.566 --> 07:30.066 align:left position:10% line:71% size:80% BUT WHEN THEY SING TOGETHER 07:30.066 --> 07:31.533 align:left position:10% line:71% size:80% THEY'RE A WORK OF ART BECAUSE 07:31.533 --> 07:32.833 align:left position:10% line:71% size:80% THEY ARE BEAUTIFUL. 07:32.833 --> 07:42.500 align:left position:10% line:71% size:80% ♪ 07:42.500 --> 07:43.566 align:left position:10% line:71% size:80% >> TERRI: TELL US ABOUT SOME OF 07:43.566 --> 07:45.633 align:left position:10% line:71% size:80% THESE PERFORMANCES AND THE 07:45.633 --> 07:47.600 align:left position:10% line:71% size:80% PIECES THAT YOU ALL LIKE TO DO. 07:47.600 --> 07:49.033 align:left position:10% line:71% size:80% >> MICHAEL: SURE, SO IT'S A 07:49.033 --> 07:50.166 align:left position:10% line:71% size:80% GROUP THAT LOVES TO SING MAJOR 07:50.166 --> 07:51.500 align:left position:10% line:71% size:80% WORKS WITH CHORUS AND ORCHESTRA 07:51.500 --> 07:54.300 align:left position:10% line:71% size:80% BUT ALSO HAS OTHER LOVES IN 07:54.300 --> 07:55.800 align:left position:10% line:71% size:80% TERMS OF SHORTER CHORAL PIECES. 07:55.800 --> 07:57.600 align:left position:10% line:71% size:80% PIECES THAT REACH IN TO THE 07:57.600 --> 07:59.166 align:left position:10% line:71% size:80% COMMUNITY IN DIFFERENT WAYS, AND 07:59.166 --> 08:01.133 align:left position:10% line:71% size:80% A TYPICAL SEASON WILL INCLUDED 08:01.133 --> 08:02.200 align:left position:10% line:71% size:80% CHRISTMAS CONCERTS AT THE 08:02.200 --> 08:02.966 align:left position:10% line:71% size:80% PARAMOUNT WHICH HAS BEEN A 08:02.966 --> 08:04.033 align:left position:10% line:71% size:80% TRADITION DATING BACK BEFORE MY 08:04.033 --> 08:05.366 align:left position:10% line:71% size:80% TIME AS DIRECTOR. 08:05.366 --> 08:08.066 align:left position:10% line:71% size:80% WE'VE DONE COMMUNITY SING-INS IN 08:08.066 --> 08:09.766 align:left position:10% line:71% size:80% THE LAST FIVE OR SEVEN YEARS 08:09.766 --> 08:11.733 align:left position:10% line:71% size:80% WHERE WE'VE PUT A PIECE OUT 08:11.733 --> 08:12.800 align:left position:10% line:71% size:80% THERE AND OFFERED IT TO THE 08:12.800 --> 08:14.266 align:left position:10% line:71% size:80% COMMUNITY, LEARN THIS PIECE, 08:14.266 --> 08:15.533 align:left position:10% line:71% size:80% COME SING WITH US 08:15.533 --> 08:16.966 align:left position:10% line:71% size:80% AND WE'LL HAVE A BIG WHIP IT 08:16.966 --> 08:18.100 align:left position:10% line:71% size:80% TOGETHER REHEARSAL AND THEN 08:18.100 --> 08:18.833 align:left position:10% line:71% size:80% PRESENT IT. 08:18.833 --> 08:19.400 align:left position:10% line:71% size:80% >> TERRI: THAT IS FANTASTIC. 08:19.400 --> 08:19.966 align:left position:10% line:71% size:80% >> MICHAEL: THAT'S A GREAT 08:19.966 --> 08:21.000 align:left position:10% line:71% size:80% EXPERIENCE, AND WE'VE SOMETIMES 08:21.000 --> 08:22.766 align:left position:10% line:71% size:80% HAVE HAD AS MANY AS 60-70 JOIN 08:22.766 --> 08:24.766 align:left position:10% line:71% size:80% OUR 85 OR 90, AND WE'VE 08:24.766 --> 08:25.966 align:left position:10% line:71% size:80% ALSO DONE THIS SOMETIMES AS A 08:25.966 --> 08:28.266 align:left position:10% line:71% size:80% BENEFIT FOR COMMUNITY GROUPS SO 08:28.266 --> 08:29.300 align:left position:10% line:71% size:80% THAT'S ANOTHER WAY TO KIND OF 08:29.300 --> 08:30.266 align:left position:10% line:71% size:80% SERVE THE COMMUNITY THROUGH 08:30.266 --> 08:31.133 align:left position:10% line:71% size:80% MUSIC. 08:31.133 --> 08:32.833 align:left position:10% line:71% size:80% IN THE SENSE OF CELEBRATING A 08:32.833 --> 08:34.433 align:left position:10% line:71% size:80% 50TH THERE HAVE BEEN SOME 08:34.433 --> 08:35.566 align:left position:10% line:71% size:80% CONCERTS. 08:35.566 --> 08:37.333 align:left position:10% line:71% size:80% WE DID PART OF HANDEL MESSIAH AS 08:37.333 --> 08:39.066 align:left position:10% line:71% size:80% AN ECHO OF THAT VERY FIRST 08:39.066 --> 08:41.300 align:left position:10% line:71% size:80% PERFORMANCE IN 1968 THAT THE 08:41.300 --> 08:42.833 align:left position:10% line:71% size:80% ORATORIO SOCIETY DID, BUT WE 08:42.833 --> 08:46.000 align:left position:10% line:71% size:80% ALSO HAVE CONCERTS WHERE MOZART 08:46.000 --> 08:48.133 align:left position:10% line:71% size:80% C MINOR MASS IS ON THE PROGRAM AS 08:48.133 --> 08:49.800 align:left position:10% line:71% size:80% A MAJOR WORK, A KIND OF STAPLE 08:49.800 --> 08:51.633 align:left position:10% line:71% size:80% OF THE REPERTOIRE TOGETHER WITH 08:51.633 --> 08:53.300 align:left position:10% line:71% size:80% A COMMISSIONED NEW WORK FROM AN 08:53.300 --> 08:54.700 align:left position:10% line:71% size:80% AMERICAN COMPOSER, IN FACT FROM 08:54.700 --> 08:56.833 align:left position:10% line:71% size:80% A VIRGINIAN, ADOLPHUS HAILSTORK, 08:56.833 --> 08:58.166 align:left position:10% line:71% size:80% AN AFRICAN AMERICAN COMPOSER 08:58.166 --> 08:59.466 align:left position:10% line:71% size:80% WHOSE JUST DOWN THE ROAD AT OLD 08:59.466 --> 09:01.833 align:left position:10% line:71% size:80% DOMINION WHO IS SETTING A RITA 09:01.833 --> 09:04.166 align:left position:10% line:71% size:80% DOVE TEXT, TESTIMONIAL WHICH IS 09:04.166 --> 09:06.033 align:left position:10% line:71% size:80% THE POEM WHICH IS SO BEAUTIFULLY 09:06.033 --> 09:08.066 align:left position:10% line:71% size:80% INSCRIBED ON THE MURAL ON THE 09:08.066 --> 09:09.333 align:left position:10% line:71% size:80% GRADUATE HOTEL HERE IN 09:09.333 --> 09:10.833 align:left position:10% line:71% size:80% CHARLOTTESVILLE, AND SO I, I 09:10.833 --> 09:12.466 align:left position:10% line:71% size:80% THINK IT'S VERY EXCITING TO HAVE 09:12.466 --> 09:15.066 align:left position:10% line:71% size:80% THAT BECOME VOICED AS A PIECE OF 09:15.066 --> 09:17.300 align:left position:10% line:71% size:80% MUSIC AND HAVE THESE ARTISTS 09:17.300 --> 09:19.000 align:left position:10% line:71% size:80% COLLABORATE SO THAT IS ALSO PART 09:19.000 --> 09:20.066 align:left position:10% line:71% size:80% OF THE 50TH CELEBRATION. 09:20.066 --> 09:21.933 align:left position:10% line:71% size:80% >> TERRI: OH, THAT IS EXCITING. 09:21.933 --> 09:22.733 align:left position:10% line:71% size:80% OKAY, BUT WE GOT TO TALK ABOUT 09:22.733 --> 09:25.066 align:left position:10% line:71% size:80% REHEARSAL THOUGH, HOW OFTEN DO 09:25.066 --> 09:27.200 align:left position:10% line:71% size:80% YOU ALL REHEARSE AND WHAT IS 09:27.200 --> 09:28.300 align:left position:10% line:71% size:80% YOUR GOAL, WHAT'S YOUR FOCUS 09:28.300 --> 09:29.900 align:left position:10% line:71% size:80% WHEN YOU'RE DOING THAT, YOU GUYS 09:29.900 --> 09:30.933 align:left position:10% line:71% size:80% MUST WORK REALLY HARD. 09:30.933 --> 09:31.700 align:left position:10% line:71% size:80% >> MICHAEL: I HOPE WE DO, AND 09:31.700 --> 09:34.033 align:left position:10% line:71% size:80% THAT'S OUR GOAL AS MUSICIANS, 09:34.033 --> 09:36.366 align:left position:10% line:71% size:80% OUR JOB. 09:36.366 --> 09:37.500 align:left position:10% line:71% size:80% WE TYPICALLY REHEARSE ONCE A 09:37.500 --> 09:38.700 align:left position:10% line:71% size:80% WEEK, AND I THINK THAT'S PRETTY 09:38.700 --> 09:40.066 align:left position:10% line:71% size:80% STANDARD FOR MANY COMMUNITY 09:40.066 --> 09:41.566 align:left position:10% line:71% size:80% CHORUSES IN BIGGER AND SMALLER 09:41.566 --> 09:44.800 align:left position:10% line:71% size:80% CITIES, AND THE SINGERS MEET FOR 09:44.800 --> 09:47.033 align:left position:10% line:71% size:80% USUALLY TWO HOURS TO WORK ON 09:47.033 --> 09:49.033 align:left position:10% line:71% size:80% SPECIFIC REPERTOIRE TO 09:49.033 --> 09:50.566 align:left position:10% line:71% size:80% WHICH ALLOWS US TO NOT ONLY 09:50.566 --> 09:52.166 align:left position:10% line:71% size:80% EXCEL AT THAT, BUT TO EXECEL 09:52.166 --> 09:53.933 align:left position:10% line:71% size:80% A BROADER MUSICAL VALUES 09:53.933 --> 09:54.133 align:left position:10% line:71% size:80% RIGHT. 09:54.133 --> 09:55.500 align:left position:10% line:71% size:80% SO YOU WANT TO CREATE A GROUP 09:55.500 --> 09:57.400 align:left position:10% line:71% size:80% THAT STARTS TO FORM HABITS 09:57.400 --> 09:58.500 align:left position:10% line:71% size:80% MUSICALLY. 09:58.500 --> 10:00.866 align:left position:10% line:71% size:80% IT'S ALSO A PROCESS OF BECOMING 10:00.866 --> 10:03.500 align:left position:10% line:71% size:80% SOME SORT OF MUSICAL FAMILY, A 10:03.500 --> 10:04.466 align:left position:10% line:71% size:80% COMMUNITY RIGHT? 10:04.466 --> 10:05.966 align:left position:10% line:71% size:80% AND THAT AFFECTS THE WAY YOU 10:05.966 --> 10:08.666 align:left position:10% line:71% size:80% SOUND ON STAGE. 10:08.666 --> 10:13.300 align:left position:10% line:71% size:80% ♪ 10:13.300 --> 10:14.200 align:left position:10% line:71% size:80% >> MARGARET: I HAVE BEEN SINGING 10:14.200 --> 10:16.233 align:left position:10% line:71% size:80% WITH THE ORATORIO SOCIETY SINCE 10:16.233 --> 10:18.866 align:left position:10% line:71% size:80% THE FALL OF 1975. 10:18.866 --> 10:21.833 align:left position:10% line:71% size:80% PREPARING THAT KIND OF EFFORT 10:21.833 --> 10:23.533 align:left position:10% line:71% size:80% AND INPUT AND COMING OUT WITH A 10:23.533 --> 10:26.366 align:left position:10% line:71% size:80% GOOD PRODUCT IS, THAT'S ONE OF 10:26.366 --> 10:27.833 align:left position:10% line:71% size:80% THE MORE SATISFYING THINGS IN 10:27.833 --> 10:28.900 align:left position:10% line:71% size:80% LIFE, I'VE ALWAYS FELT. 10:28.900 --> 10:30.933 align:left position:10% line:71% size:80% >> JOANIE: HE TEACHES YOU ABOUT 10:30.933 --> 10:34.033 align:left position:10% line:71% size:80% DICTION, ABOUT BREATHING, ABOUT 10:34.033 --> 10:35.733 align:left position:10% line:71% size:80% YOUR INSTRUMENT AND HOW TO USE 10:35.733 --> 10:37.166 align:left position:10% line:71% size:80% IT CORRECTLY. 10:37.166 --> 10:39.433 align:left position:10% line:71% size:80% AS WE'RE REHEARSING, YOU GROW AS 10:39.433 --> 10:41.233 align:left position:10% line:71% size:80% A PERSON AS WELL AS A CHORAL 10:41.233 --> 10:43.733 align:left position:10% line:71% size:80% SINGER. 10:43.733 --> 10:48.133 align:left position:10% line:71% size:80% ♪ 10:48.133 --> 10:48.800 align:left position:10% line:71% size:80% >> TERRI: WHAT WOULD YOU LIKE 10:48.800 --> 10:50.066 align:left position:10% line:71% size:80% TO SEE FOR THE NEXT 50 YEARS? 10:50.066 --> 10:51.133 align:left position:10% line:71% size:80% >> MICHAEL: THAT'S A GREAT 10:51.133 --> 10:52.500 align:left position:10% line:71% size:80% QUESTION, AND IT'S NOT ONLY UP 10:52.500 --> 10:54.066 align:left position:10% line:71% size:80% TO ME, I MEAN THERE'S A WHOLE 10:54.066 --> 10:55.400 align:left position:10% line:71% size:80% WONDERFUL ORGANIZATION THAT HAS 10:55.400 --> 10:57.033 align:left position:10% line:71% size:80% TO DETERMINE THAT, BUT FIRST OF 10:57.033 --> 10:58.800 align:left position:10% line:71% size:80% ALL, I THINK MUSICALLY WE NEED 10:58.800 --> 11:00.800 align:left position:10% line:71% size:80% TO KEEP PURSUING EXCELLENCE, AND 11:00.800 --> 11:02.633 align:left position:10% line:71% size:80% THAT WOULD MEAN BOTH IN TERMS OF 11:02.633 --> 11:04.533 align:left position:10% line:71% size:80% DRAWING MEMBERS AND RAISING THE 11:04.533 --> 11:05.833 align:left position:10% line:71% size:80% MUSICAL STANDARD AS WE HAVE 11:05.833 --> 11:08.500 align:left position:10% line:71% size:80% ALREADY AND ALWAYS CONTINUING TO 11:08.500 --> 11:10.066 align:left position:10% line:71% size:80% LOOK AT REPERTOIRES FROM SEVERAL 11:10.066 --> 11:11.500 align:left position:10% line:71% size:80% DIFFERENT ANGLES RIGHT? 11:11.500 --> 11:13.100 align:left position:10% line:71% size:80% FROM RESPECT FOR HISTORY AND 11:13.100 --> 11:14.733 align:left position:10% line:71% size:80% THIS INCREDIBLE TRADITION WE'VE 11:14.733 --> 11:15.500 align:left position:10% line:71% size:80% INHERITED. 11:15.500 --> 11:16.900 align:left position:10% line:71% size:80% SO WE CAN KEEP SHARING WITH 11:16.900 --> 11:18.133 align:left position:10% line:71% size:80% GENERATIONS, THAT'S VERY 11:18.133 --> 11:19.266 align:left position:10% line:71% size:80% IMPORTANT, THAT MUSIC IS FOR 11:19.266 --> 11:21.333 align:left position:10% line:71% size:80% EVERYONE, BUT ALSO TO CREATE NEW 11:21.333 --> 11:22.900 align:left position:10% line:71% size:80% MUSIC AS WE'RE DOING IN 11:22.900 --> 11:24.366 align:left position:10% line:71% size:80% COMMISSIONING, AND THAT'S VERY 11:24.366 --> 11:25.900 align:left position:10% line:71% size:80% IMPORTANT THAT THERE'S A CERTAIN 11:25.900 --> 11:27.200 align:left position:10% line:71% size:80% DIVERSITY IN THE REPERTOIRE AND 11:27.200 --> 11:28.833 align:left position:10% line:71% size:80% THE THINKING ABOUT THAT AND ALSO 11:28.833 --> 11:30.200 align:left position:10% line:71% size:80% WHO YOU WANT TO SHARE IT WITH 11:30.200 --> 11:31.566 align:left position:10% line:71% size:80% BOTH IN YOUR SINGING MEMBERS AND 11:31.566 --> 11:32.933 align:left position:10% line:71% size:80% AUDIENCE MEMBERS. 11:32.933 --> 11:34.733 align:left position:10% line:71% size:80% CAN WE EXPAND THE DEMOGRAPHIC? 11:34.733 --> 11:35.733 align:left position:10% line:71% size:80% BECAUSE I THINK IT OFFERS 11:35.733 --> 11:37.800 align:left position:10% line:71% size:80% SOMETHING VERY VITAL TO THE 11:37.800 --> 11:39.000 align:left position:10% line:71% size:80% COMMUNITY. 11:39.000 --> 11:40.366 align:left position:10% line:71% size:80% >> STEVE: WE CONTINUE TO RISE IN 11:40.366 --> 11:43.000 align:left position:10% line:71% size:80% THE WORLD OF CHORAL MUSIC, AND 11:43.000 --> 11:45.033 align:left position:10% line:71% size:80% IT'S SO FUN TO HAVE THAT LEVEL 11:45.033 --> 11:48.100 align:left position:10% line:71% size:80% OF AMBITION AND EXPERTISE RIGHT 11:48.100 --> 11:49.533 align:left position:10% line:71% size:80% HERE IN CHARLOTTESVILLE. 11:49.533 --> 11:50.966 align:left position:10% line:71% size:80% IT'S REALLY AMAZING. 11:50.966 --> 11:52.166 align:left position:10% line:71% size:80% >> ROWENNA: WE'RE BUILDING A 11:52.166 --> 11:53.566 align:left position:10% line:71% size:80% MUSICAL MONUMENT TO THE BEAUTY 11:53.566 --> 11:55.566 align:left position:10% line:71% size:80% AND DIVERSITY OF VIRGINIA AND OF 11:55.566 --> 11:56.833 align:left position:10% line:71% size:80% CHARLOTTESVILLE. 11:56.833 --> 11:58.700 align:left position:10% line:71% size:80% THAT'S OUR NEXT 50 YEARS. 11:58.700 --> 12:25.633 align:left position:10% line:71% size:80% ♪