1 00:00:07,700 --> 00:00:10,200 THANKS IN PART TO ITS PATRONS, 2 00:00:10,200 --> 00:00:11,333 COMMITTED TO SUPPORTING THE 3 00:00:11,333 --> 00:00:13,433 PEOPLE, PLACE PLACES AND QUALITY 4 00:00:13,433 --> 00:00:17,500 OF LIFE THAT UNIQUELY DEFINES 5 00:00:17,500 --> 00:00:18,900 CHARLOTTESVILLE AND ITS 6 00:00:18,900 --> 00:00:21,700 SURROUNDINGS AND BY VIEWERS LIKE 7 00:00:20,166 --> 00:00:23,700 YOU, THANK YOU. 8 00:00:23,700 --> 00:00:24,433 ♪♪♪♪ 9 00:00:24,433 --> 00:00:29,500 >> IT'S GOT A RETRACTABLE GEAR. 10 00:00:29,500 --> 00:00:32,466 AND IT'S GOT FLAPS, RIGHT THERE, 11 00:00:32,466 --> 00:00:34,933 FOR THE LANDING. 12 00:00:34,933 --> 00:00:35,966 >> MY NEXT MOVIE EVERY MOVIE IS 13 00:00:35,966 --> 00:00:38,166 TO DO A PICTURE OF HARRIET 14 00:00:38,166 --> 00:00:40,900 TUBMAN WITH A PISTOL. 15 00:00:40,900 --> 00:00:42,800 >> Terri: FOR WHTJ, I'M TERRI 16 00:00:42,800 --> 00:00:46,700 ALLARD AND THIS IS 17 00:00:43,666 --> 00:01:04,766 "CHARLOTTESVILLE INSIDE-OUT." 18 00:00:47,000 --> 00:01:05,633 ♪♪♪♪ 19 00:01:05,633 --> 00:01:07,466 >> Terri: OUR GUEST TODAY IS AN 20 00:01:07,466 --> 00:01:10,033 ARTIST AND A CHARLOTTESVILLE 21 00:01:10,033 --> 00:01:11,933 NATIVE, INSPIRED BY A PASSION 22 00:01:11,933 --> 00:01:13,833 FOR HISTORY IN PEOPLE, HE 23 00:01:13,833 --> 00:01:15,233 CREATES A VARIETY OF WORK THAT 24 00:01:15,233 --> 00:01:17,833 CAN BE FOUND IN GALLERIES AND 25 00:01:17,833 --> 00:01:18,800 BUSINESSES AND PRIVATE 26 00:01:18,800 --> 00:01:19,533 COLLECTIONS THROUGHOUT THE 27 00:01:19,533 --> 00:01:20,533 COMMUNITY AND BEYOND. 28 00:01:20,533 --> 00:01:23,000 JOIN US AS WE TALK WITH FRANK 29 00:01:23,000 --> 00:01:24,533 WALKER. 30 00:01:24,533 --> 00:01:27,133 COME ON! 31 00:01:27,133 --> 00:01:28,800 FRANK, TALK ABOUT THE FOCUS OF 32 00:01:28,800 --> 00:01:30,733 YOUR ART OVER THE YEARS AND HE 33 00:01:30,733 --> 00:01:32,733 MEDIUMED YOU REFER TO WORK. 34 00:01:32,733 --> 00:01:35,833 >> ALWAYS HAS BEEN MY IS PENL. 35 00:01:35,833 --> 00:01:37,633 PLAIN OLD PENCIL. 36 00:01:37,633 --> 00:01:40,533 ARTIST TALK IS GRAPHITE. 37 00:01:40,533 --> 00:01:42,366 A NUMBER TWO PENCIL IS GOOD 38 00:01:42,366 --> 00:01:44,100 ENOUGH FOR ME, IT'S WHAT I WAS 39 00:01:44,100 --> 00:01:45,433 COMFORTABLE WITH GROWING UP. 40 00:01:45,433 --> 00:01:48,133 AS A MATTER OF FACT,HE ONES 41 00:01:48,133 --> 00:01:51,733 YOU SEE HERE ON WOOD WERE ALWAYS 42 00:01:51,733 --> 00:01:55,833 DRAWN IN PENCIL AND I ADAMANTLY 43 00:01:55,833 --> 00:01:57,833 BELIEVE IN DRAWING BECAUSE 44 00:01:57,833 --> 00:01:59,233 DRAWING IS THE GATEWAY TO ALL 45 00:01:59,233 --> 00:02:01,400 OTHER THINGS, I THINK ART WISE, 46 00:02:01,400 --> 00:02:03,066 YOU SHOULD BE ABLE TO DRAW, IT 47 00:02:03,066 --> 00:02:05,666 HAS THE ABILITY, THE DESIGN, AND 48 00:02:05,666 --> 00:02:07,500 THE IDEAS THAT YOU COME UP AND 49 00:02:07,500 --> 00:02:08,833 WHATEVER MEDIUM YOU WANT TO USE 50 00:02:08,833 --> 00:02:11,900 AFTER THAT, YOU CAN. 51 00:02:11,900 --> 00:02:12,933 >> Terri: EVEN IN THE DIGITAL 52 00:02:12,933 --> 00:02:14,533 AGE, YOU BELIEVE THAT PEOPLE 53 00:02:14,533 --> 00:02:16,166 REALLY SHOULD BE ABLE TO DRAW. 54 00:02:16,166 --> 00:02:18,066 >> YES, I'VE GOTTEN CALLS FROM 55 00:02:18,066 --> 00:02:20,366 PEOPLE BEFORE WHO DON'T KNOW HOW 56 00:02:20,366 --> 00:02:23,266 TO DO ANYTHING BUT HOW TO USE A 57 00:02:23,266 --> 00:02:25,166 COMPUTER, SO THEY WOULD SAY, 58 00:02:25,166 --> 00:02:27,900 LISTEN, CAN YOU DRAW THIS 59 00:02:27,900 --> 00:02:30,000 BECAUSE WE CAN'T FIND IT IN CLIP 60 00:02:30,000 --> 00:02:30,366 ART. 61 00:02:30,366 --> 00:02:31,400 >> Terri: LET'S TALK ABOUT THE 62 00:02:31,400 --> 00:02:32,400 BEGINNING, YOU STARTED DRAWING 63 00:02:32,400 --> 00:02:34,066 AS A YOUNG CHILD. 64 00:02:34,066 --> 00:02:36,666 WHAT WAS IT THAT WAS INSPIRING 65 00:02:36,666 --> 00:02:38,866 TO TO DRAW? 66 00:02:38,866 --> 00:02:39,766 COMICS? 67 00:02:39,766 --> 00:02:40,966 >> HONESTLY, SOME PEOPLE DON'T 68 00:02:40,966 --> 00:02:44,166 BELIEVE IT, BUT KINDERGARTEN WE 69 00:02:44,166 --> 00:02:46,500 GOT THESE WORKBOOKS AND SOME 70 00:02:46,500 --> 00:02:48,966 PEOPLE WILL REMEMBER THIS, TOM 71 00:02:48,966 --> 00:02:51,266 AND BETTY WORKBOOKS AND EVEN MY 72 00:02:51,266 --> 00:02:54,566 BROTHER AND I WOULD MIMIC THESE 73 00:02:54,566 --> 00:02:56,666 WORKBOOKS, WE WOULD COPY TOM AND 74 00:02:56,666 --> 00:02:59,366 BETTY, THE DOG, YOU KNOW -- 75 00:02:59,366 --> 00:03:00,000 >> Terri: YEAH. 76 00:03:00,000 --> 00:03:01,766 >> -- ON THE WORKBOOK AND I 77 00:03:01,766 --> 00:03:03,666 REMEMBER MY TEACHER SAYING WHEN 78 00:03:03,666 --> 00:03:06,866 WE GOT THE WORKBOOK, DO NOT DRAW 79 00:03:06,866 --> 00:03:09,300 ON THE WORKBOOK AND THAT'S THE 80 00:03:09,300 --> 00:03:10,633 FIRST THING I DID. 81 00:03:10,633 --> 00:03:11,833 [LAUGHTER] 82 00:03:11,833 --> 00:03:14,333 DREW ON THE WORKBOOK AND SO IT 83 00:03:14,333 --> 00:03:16,466 KIND OF WENT FROM THERE AND AS 84 00:03:16,466 --> 00:03:19,833 WE GOT OLDER, COMIC BOOKS WERE A 85 00:03:19,833 --> 00:03:21,600 TREMENDOUS INFLUENCE ON US AND 86 00:03:21,600 --> 00:03:22,733 EVEN IN ELEMENTARY SCHOOL WE 87 00:03:22,733 --> 00:03:25,033 WOULD GO OVER TO BURLEY HIGH 88 00:03:25,033 --> 00:03:26,500 SCHOOL WHERE MY MOTHER WORKED 89 00:03:26,500 --> 00:03:30,000 AND THERE WAS A MAN NAMED 90 00:03:30,000 --> 00:03:31,500 MR. WALDO JOHNSON WHO WAS THE 91 00:03:31,500 --> 00:03:33,733 ART TEACHER WHO WOULD ALWAYS 92 00:03:33,733 --> 00:03:35,333 INFLUENCE US TO BE CREATIVE. 93 00:03:35,333 --> 00:03:36,300 >> Terri: YEAH, THERE WAS A 94 00:03:36,300 --> 00:03:37,433 WOMAN IN THE NEIGHBORHOOD, SHE 95 00:03:37,433 --> 00:03:39,100 HAD AN ART EXHIBIT IN THE 96 00:03:39,100 --> 00:03:40,000 BACKYARD. 97 00:03:40,000 --> 00:03:41,733 AND YOU SOLD YOUR ART. 98 00:03:41,733 --> 00:03:47,200 >> WE DID, MS. FRANCIS BRAND, 99 00:03:47,200 --> 00:03:49,400 CALLED THE PURPLE LADY. 100 00:03:49,400 --> 00:03:50,766 SHE WORE PURPLE EVERYTHING AND 101 00:03:50,766 --> 00:03:53,500 SHE GATHERED US TOGETHER, 102 00:03:53,500 --> 00:03:55,466 MYSELF, JERRY MITCHELL, MY 103 00:03:55,466 --> 00:03:57,433 BROTHER BO, EARL GORDON. 104 00:03:57,433 --> 00:04:00,500 AND WE HAD A BACKYARD ART SHO 105 00:04:00,500 --> 00:04:03,900 WITH CLOTHES PINS AND CLOTHES 106 00:04:03,900 --> 00:04:05,900 PINNED TO THE CLOTHESLINE AND I 107 00:04:05,900 --> 00:04:10,900 THINK MADE $25 OUT OF THAT WHOLE 108 00:04:10,900 --> 00:04:12,500 FIASCO, WHICH WOULD HAVE BEEN 109 00:04:12,500 --> 00:04:14,366 CONSIDERED A LOT OF MONEY, AND 110 00:04:14,366 --> 00:04:16,566 ALL FOUR OF US WENT INTO THE ART 111 00:04:16,566 --> 00:04:18,900 BUSINESS, TEACHING OR BECOMING 112 00:04:18,900 --> 00:04:20,600 ARTISTS IN SOME FASHION. 113 00:04:20,600 --> 00:04:21,700 >> Terri: AND YOUR FAMILY HAS A 114 00:04:21,700 --> 00:04:22,933 LOT OF HISTORY IN THE COMMUNITY 115 00:04:22,933 --> 00:04:24,966 OF TALK ABOUT YOUR FAMILY. 116 00:04:24,966 --> 00:04:26,200 >> ABSOLUTELY, MY FAMILY, MY 117 00:04:26,200 --> 00:04:27,766 MOTHER'S SIDE OF THE FAMILY IS 118 00:04:27,766 --> 00:04:30,000 FROM HERE. 119 00:04:30,000 --> 00:04:32,033 MY MOTHER WAS A SCHOOL TEAER 120 00:04:32,033 --> 00:04:36,100 FOR MANY YEARS, MY DAD WAS AN 121 00:04:36,100 --> 00:04:38,100 ARCHITECT. 122 00:04:38,100 --> 00:04:39,833 THEY MET AT THE HAMPTON 123 00:04:39,833 --> 00:04:41,800 INSTITUTE. 124 00:04:41,800 --> 00:04:46,000 MY DAD LEFT AND MY MOM RAISED US 125 00:04:46,000 --> 00:04:48,966 AND GRANDFATHER AND THREE 126 00:04:48,966 --> 00:04:49,400 UNCLES. 127 00:04:49,400 --> 00:04:50,166 >> Terri: I'M THINKING ABOUT 128 00:04:50,166 --> 00:04:51,266 WHEN YOU WERE IN HIGH SCHOOL AND 129 00:04:51,266 --> 00:04:53,700 YOU -- YOU PAINTED A WATERCOLOR 130 00:04:53,700 --> 00:04:55,866 THAT YOU DIDN'T -- YOU DIDN'T 131 00:04:55,866 --> 00:04:58,300 LIKE AND THREW IT AWAY. 132 00:04:58,300 --> 00:05:00,200 >> YES, THIS WAS ACTUALLY IN THE 133 00:05:00,200 --> 00:05:02,666 NINTH GRADE AND THAT WAS THE 134 00:05:02,666 --> 00:05:05,066 ASSIGNMENT WAS TO PAINT A 135 00:05:05,066 --> 00:05:06,633 STILLLIFE, WHICH IS A BUNCH OF 136 00:05:06,633 --> 00:05:07,933 FLOWERS IN THIS POT. 137 00:05:07,933 --> 00:05:14,633 LIKE A OLD TIN CAN, KETCHUP CAN 138 00:05:14,633 --> 00:05:17,066 AND SO I PAINTED THE THING -- 139 00:05:17,066 --> 00:05:20,433 AND THOUGHT, THIS IS UGLY. 140 00:05:20,433 --> 00:05:20,900 [LAUGHTER] 141 00:05:20,900 --> 00:05:23,933 THREW IT IN THE TRASH CAN. 142 00:05:23,933 --> 00:05:27,500 AND MY ART TEACHER, MS. HAHN, 143 00:05:27,500 --> 00:05:29,366 DUG IT OUT OF THE TRASH CAN AND 144 00:05:29,366 --> 00:05:31,633 HAD THIS MATTED AND MOUNTED AND 145 00:05:31,633 --> 00:05:33,533 FRAMED AND SENT IT TO THE 146 00:05:33,533 --> 00:05:35,633 VIRGINIA STATE ART SHOW AND IT 147 00:05:35,633 --> 00:05:36,700 WON FIRST PLACE. 148 00:05:36,700 --> 00:05:37,566 >> Terri: THAT'S FUNNY. 149 00:05:37,566 --> 00:05:40,733 WHAT A GREAT LESSON TO LEARN. 150 00:05:40,733 --> 00:05:41,700 >> OH, IT WAS FANTASTIC. 151 00:05:41,700 --> 00:05:43,133 >> Terri: AND THEN YOU HEADED 152 00:05:43,133 --> 00:05:44,800 OFF TO VCU. 153 00:05:44,800 --> 00:05:48,333 >> I STUDIED PAINTING AND PRINT 154 00:05:48,333 --> 00:05:50,133 MAKING AND MY INTENTION WAS TO 155 00:05:50,133 --> 00:05:52,066 REALLY BECOME A BUM AND 156 00:05:52,066 --> 00:05:53,033 VAGABOND. 157 00:05:53,033 --> 00:05:56,066 I WANTED TO PAINT AND DRAW FOR 158 00:05:56,066 --> 00:05:59,600 THE REST OF MY LIFE. 159 00:05:59,600 --> 00:06:00,300 >> Terri: YEAH. 160 00:06:00,300 --> 00:06:01,666 >> FROM THERE, WENT IN THE ARMY 161 00:06:01,666 --> 00:06:04,200 AND COULDN'T GET AN ART JOB, 162 00:06:04,200 --> 00:06:05,400 EVEN THOUGH I HAD A BACKGROUND 163 00:06:05,400 --> 00:06:06,266 IN IT. 164 00:06:06,266 --> 00:06:07,600 AND I HAD BRAWN U DRAWN ALL OF 165 00:06:07,600 --> 00:06:09,266 THESE PICTURES OF GUNS AND 166 00:06:09,266 --> 00:06:12,566 THINGS LIKE THAT, SHOOTING GUNS 167 00:06:12,566 --> 00:06:14,166 AND PUT -- TAPE THEM ON THE WALL 168 00:06:14,166 --> 00:06:17,200 WHERE I WAS WORKING AND SO A 169 00:06:17,200 --> 00:06:18,566 CORRESPOND NEXT CAME THROUGH AND 170 00:06:18,566 --> 00:06:21,566 ASKED -- A CORNELL CAME THROUGH 171 00:06:21,566 --> 00:06:23,866 AND -- A COLONEL CAME THROUGH 172 00:06:23,866 --> 00:06:26,666 AND ASKED IN I WANTED A JOB AND 173 00:06:26,666 --> 00:06:29,233 THE NEXT THING WE WERE ON 174 00:06:29,233 --> 00:06:30,233 HELICOPTERS TO HEADQUARTERS 175 00:06:30,233 --> 00:06:31,866 LEARNING HOW TO DO GRAPHICS AND 176 00:06:31,866 --> 00:06:34,766 THAT LED TO WORK DOING MILITARY 177 00:06:34,766 --> 00:06:39,100 MANUALS AND CHARTS AND GRAPHS 178 00:06:39,100 --> 00:06:45,566 FOR ORGANIZATIONAL READINESS AND 179 00:06:45,566 --> 00:06:47,866 DESIGNED A SYMBOL. 180 00:06:47,866 --> 00:06:49,166 >> Terri: YOU WERE BACK DOING 181 00:06:49,166 --> 00:06:50,966 DETAILED DRAWINGS OF THE HUMAN 182 00:06:50,966 --> 00:06:51,966 BODY. 183 00:06:51,966 --> 00:06:53,966 EXPLAIN THAT. 184 00:06:53,966 --> 00:06:55,933 >> IN SCIENTIFIC ILLUSTRATIONS, 185 00:06:55,933 --> 00:06:59,433 IT'S CALLED MACRO ILLUSTRATIONS, 186 00:06:59,433 --> 00:07:03,400 I'M NOT A CERTIFIED MEDICAL 187 00:07:03,400 --> 00:07:04,833 ILLUSTRATOR BUT I WAS TALENTED 188 00:07:04,833 --> 00:07:06,400 ENOUGH TO KNOW -- THE HUMAN BODY 189 00:07:06,400 --> 00:07:08,800 IS NOT GOING TO CHANGE FOR THE 190 00:07:08,800 --> 00:07:09,233 NEXT -- 191 00:07:09,233 --> 00:07:11,600 >> Terri: AND ALSO, YOU ARE 192 00:07:11,600 --> 00:07:13,166 REALLY PASSIONATE ABOUT HISTORY 193 00:07:13,166 --> 00:07:16,800 AND DONE THAT FORM DECADES. 194 00:07:16,800 --> 00:07:18,466 >> SINCE CHILDHOOD, I'VE ALWAYS 195 00:07:18,466 --> 00:07:22,833 BEEN FASCINATED BY THAT, AND I 196 00:07:22,833 --> 00:07:24,366 HAD MY. 197 00:07:24,366 --> 00:07:25,833 >> IN WORLD WAR II AND BECAME 198 00:07:25,833 --> 00:07:28,533 HISTORY IN THE HISTORY OF WORLD 199 00:07:28,533 --> 00:07:31,233 WAR II, PROBABLY ONE OF MY 200 00:07:31,233 --> 00:07:33,300 FAVORITE PARTS. 201 00:07:33,300 --> 00:07:34,366 >> Terri: AND HISTORY INFLUENCES 202 00:07:34,366 --> 00:07:36,466 TO THIS DAY WHAT YOU DO WITH 203 00:07:36,466 --> 00:07:37,366 YOUR ART. 204 00:07:37,366 --> 00:07:38,533 TALK ABOUT THAT. 205 00:07:38,533 --> 00:07:39,633 >> IT DOES. 206 00:07:39,633 --> 00:07:41,933 I'VE DONE SHOWS OF PEOPLE FROM 207 00:07:41,933 --> 00:07:43,233 JEFFERSON SCHOOL WHO SERVED IN 208 00:07:43,233 --> 00:07:45,366 THE MILITARY AND I HAD PICTURES 209 00:07:45,366 --> 00:07:46,966 OF THEM WHEN THEY WERE VERY 210 00:07:46,966 --> 00:07:48,966 YOUNG AND PEOPLE COME AND STARE 211 00:07:48,966 --> 00:07:51,066 AT THEM ALL THE TIME, WHO IS 212 00:07:51,066 --> 00:07:52,966 THAT. 213 00:07:52,966 --> 00:07:56,333 AND PEOPLE LOOK MUCH DIFFERENT 214 00:07:56,333 --> 00:07:59,133 AT 18 THAN THEY DO WHEN THEY'RE 215 00:07:59,133 --> 00:08:01,133 OLDER BUT THEY'RE PEOPLE THAT WE 216 00:08:01,133 --> 00:08:04,033 DON'T REALIZE, USED TO DRIVE THE 217 00:08:04,033 --> 00:08:06,666 RED BALL EXPRESS AND PEOPLE 218 00:08:06,666 --> 00:08:07,900 DON'T KNOW WHAT THAT IS. 219 00:08:07,900 --> 00:08:12,100 A TRUCKING OUTFIT, A 220 00:08:12,100 --> 00:08:13,633 PREDOMINANTLY BLACK TRUCKING 221 00:08:13,633 --> 00:08:15,633 SUPPLY UNIT. 222 00:08:15,633 --> 00:08:17,800 THEY WENT IN ON V DAY AND WENT 223 00:08:17,800 --> 00:08:22,033 TO THE FLYERS IN THE BATTLE OF 224 00:08:22,033 --> 00:08:24,133 THE BULGE AND REALIZES THAT A 225 00:08:24,133 --> 00:08:26,966 ARMY MOVES ON ITS STOMACH, HAS 226 00:08:26,966 --> 00:08:28,666 TO HAVE FOOD AND AMMUNITION. 227 00:08:28,666 --> 00:08:33,700 AND THESE ARE THE PEOPLE WHO GET 228 00:08:33,700 --> 00:08:36,000 THE GASOLINE TO WHERE IT HAD TO 229 00:08:36,000 --> 00:08:36,366 BE. 230 00:08:36,366 --> 00:08:37,633 >> Terri: LET'S TALK ABOUT THE 231 00:08:37,633 --> 00:08:38,833 DIFFERENT EXHIBITS YOU'VE HAD 232 00:08:38,833 --> 00:08:40,500 OVER THE YEARS, THERE'S BEEN A 233 00:08:40,500 --> 00:08:44,766 LOT OF WORK WITH PORTRAITS. 234 00:08:44,766 --> 00:08:46,833 >> I ATORE DOING PEOPLE AND THE 235 00:08:46,833 --> 00:08:49,233 STRANGE -- I ADORE DOING PEOPLE. 236 00:08:49,233 --> 00:08:51,633 THE STRANGE PART, THE MORE I 237 00:08:51,633 --> 00:08:53,433 KNOW THE PERSON, IT TURNS OUT 238 00:08:53,433 --> 00:08:53,966 BETTER. 239 00:08:53,966 --> 00:08:55,133 BECAUSE YOU KNOW THE CHARACTER. 240 00:08:55,133 --> 00:08:59,633 I HAVE ONE, TWO, THREE, FOUR 241 00:08:59,633 --> 00:09:01,433 PORTRAITS HANGING IN THE 242 00:09:01,433 --> 00:09:06,333 UNIVERSITY AND TWO FOR THE CITY 243 00:09:06,333 --> 00:09:08,233 AND PROBABLY WOULD RANGE IN THE 244 00:09:08,233 --> 00:09:11,066 THOUSANDS OF PORTRAITS I'VE DONE 245 00:09:11,066 --> 00:09:13,400 AND SOME I'VE GIVEN AWAY. 246 00:09:13,400 --> 00:09:15,400 >> Terri: AND YOU HAD A EXHIBIT 247 00:09:15,400 --> 00:09:16,633 AT THE JEFFERSON SCHOOL. 248 00:09:16,633 --> 00:09:17,833 TALK ABOUT THAT. 249 00:09:17,833 --> 00:09:23,066 >> YES, I CALL IT THINGS LIKE 250 00:09:23,066 --> 00:09:26,533 BUFFOONISM, USED TO TAKE AFRICAN 251 00:09:26,533 --> 00:09:29,133 AMERICANS AND MAKE 252 00:09:29,133 --> 00:09:31,100 ADVERTISEMENTS OR COMMERCIALS 253 00:09:31,100 --> 00:09:34,766 AND CHEATING AT CAR, THE TWO 254 00:09:34,766 --> 00:09:36,033 CHARACTERS AT THE END AND SEE A 255 00:09:36,033 --> 00:09:40,000 MAN PASSING A CARD, THERE'S 256 00:09:40,000 --> 00:09:42,733 ANOTHER MAN IN THE MIDDLE, AND 257 00:09:42,733 --> 00:09:46,633 BUILT A TABLE OUT OF STAIRWELL 258 00:09:46,633 --> 00:09:50,933 BANNISTERS AND A PIECE OF WOOD 259 00:09:50,933 --> 00:09:52,733 AND SMALL CARDS AND PLAY MONEY 260 00:09:52,733 --> 00:09:54,033 AND PUT THAT IN THE PIECE. 261 00:09:54,033 --> 00:09:55,633 THE PLAYING CARDS. 262 00:09:55,633 --> 00:09:57,233 >> Terri: SUCH A VARIETY OF ART, 263 00:09:57,233 --> 00:10:00,133 I MEAN YOU -- YOU HAVE ART THAT 264 00:10:00,133 --> 00:10:04,000 YOU PAINT ON PAPER BAGS? 265 00:10:04,000 --> 00:10:04,466 >> YES. 266 00:10:04,466 --> 00:10:05,633 >> Terri: YOU HAVE ART THAT YOU 267 00:10:05,633 --> 00:10:07,133 JUST -- THAT YOU SKETCH, TALK 268 00:10:07,133 --> 00:10:09,600 ABOUT THE PIECE BEHIND YOU. 269 00:10:09,600 --> 00:10:13,200 >> I DREW THIS FACON THAT 270 00:10:13,200 --> 00:10:15,166 PIECE OF GRAY BOARD AND THERE'S 271 00:10:15,166 --> 00:10:16,433 SOMETHING MISSING IN IT. 272 00:10:16,433 --> 00:10:19,066 IN TERMS OF READING ABOUT 273 00:10:19,066 --> 00:10:20,366 AFRICAN AMERICAN PEOPLE BEING 274 00:10:20,366 --> 00:10:22,100 THROW AWAY PEOPLE, JUST BALL 275 00:10:22,100 --> 00:10:24,000 THEM UP IN A PIECE OF PAPER AND 276 00:10:24,000 --> 00:10:24,900 THROW THEM AWAY. 277 00:10:24,900 --> 00:10:26,700 SO MANY THINGS HAVE HAPPENED TO 278 00:10:26,700 --> 00:10:28,300 PEOPLE, ESPECIALLY TO FEMALES 279 00:10:28,300 --> 00:10:30,433 HAVE JUST BEEN MISREPRESENTED 280 00:10:30,433 --> 00:10:33,000 AND MISTREATED SO I TOOK THIS 281 00:10:33,000 --> 00:10:35,500 HANDKERCHIEF AND PLACED IT ON A 282 00:10:35,500 --> 00:10:39,600 BOARD AND WET IT AND CRUMP 283 00:10:39,600 --> 00:10:44,533 TRUMPELED IT UP SO -- AND 284 00:10:44,533 --> 00:10:47,000 CRUMPLED IT UP SOD IT WRINKLES 285 00:10:47,000 --> 00:10:47,800 IN IT. 286 00:10:47,800 --> 00:10:49,000 >> Terri: YOU'RE INSPIRED BY 287 00:10:49,000 --> 00:10:50,300 HISTORY AND WHAT YOU READ AND 288 00:10:50,300 --> 00:10:51,700 THE PEOPLE AROUND YOU, WHAT IS 289 00:10:51,700 --> 00:10:53,600 YOUR PROCESS, I MEAN, DO YOU -- 290 00:10:53,600 --> 00:10:56,700 DO YOU PAINT OR DRAW EVERY DAY? 291 00:10:56,700 --> 00:10:57,500 >> EVERY DAY. 292 00:10:57,500 --> 00:10:58,333 >> Terri: EVERY DAY. 293 00:10:58,333 --> 00:10:59,200 >> I DON'T THINK THERE'S A DAY 294 00:10:59,200 --> 00:11:00,700 THAT GOES BY THAT I DON'T DO 295 00:11:00,700 --> 00:11:01,466 SOMETHING. 296 00:11:01,466 --> 00:11:04,266 YOU KNOW, PRACTICE, PRACTICE, 297 00:11:04,266 --> 00:11:06,233 PRACTICE, DON'T DO ANYTHING WELL 298 00:11:06,233 --> 00:11:07,066 UNLESS YOU PRACTICE. 299 00:11:07,066 --> 00:11:08,966 YOU HAVE TO PRACTICE IT. 300 00:11:08,966 --> 00:11:11,433 WHATEVER YOUR PASSION IS, YOU 301 00:11:11,433 --> 00:11:12,033 PRACTICE IT. 302 00:11:12,033 --> 00:11:13,166 >> Terri: WHAT ARE YOU 303 00:11:13,166 --> 00:11:14,400 PRACTICING ON NOW? 304 00:11:14,400 --> 00:11:16,066 WHERE ARE YOU HEADING NOW. 305 00:11:16,066 --> 00:11:19,133 I SAW A RECENT SELF-PORTRAIT. 306 00:11:19,133 --> 00:11:21,266 >> I DID -- BECAUSE I SOLD MY 307 00:11:21,266 --> 00:11:22,700 OTHER ONE -- 308 00:11:22,700 --> 00:11:23,200 [LAUGHTER] 309 00:11:23,200 --> 00:11:25,266 -- I HAD TO DO ANOTHER ONE. 310 00:11:25,266 --> 00:11:26,600 LIKE GOING FULL CIRCLE. 311 00:11:26,600 --> 00:11:30,066 NOW, I'M INTO THE MODE WHERE 312 00:11:30,066 --> 00:11:31,433 THIS IS WHAT I'VE ALWAYS WANTED 313 00:11:31,433 --> 00:11:33,566 TO DO AS A CHILD, BECAUSE HERE I 314 00:11:33,566 --> 00:11:36,366 AM, THAT'S ALL I DO, IS ARTWORK. 315 00:11:36,366 --> 00:11:37,166 >> Terri: YEAH. 316 00:11:37,166 --> 00:11:40,266 >> SO NOW, THIS IS MY TIME. 317 00:11:40,266 --> 00:11:45,033 SO I THINK FOREVER AND THE DAY 318 00:11:45,033 --> 00:11:48,233 YOU' ALWAYS BE AN APPRENTICE, 319 00:11:48,233 --> 00:11:49,233 SOMETHING THAT YOU LEARN EVERY 320 00:11:49,233 --> 00:11:50,300 DAY. 321 00:11:50,300 --> 00:11:53,566 EVERYONE YOU MEET, IN LIFE IS A 322 00:11:53,566 --> 00:11:53,966 TEACHER. 323 00:11:53,966 --> 00:11:55,800 YOU LEARN SOMETHING FROM 324 00:11:55,800 --> 00:11:56,966 SOMEONE, GOOD, BAD OR 325 00:11:56,966 --> 00:11:57,666 INDIFFERENT. 326 00:11:57,666 --> 00:11:59,100 AND THAT'S THE REASON I DRAW ALL 327 00:11:59,100 --> 00:11:59,733 THE TIME. 328 00:11:59,733 --> 00:12:03,900 I CONSIDER IT WORK, BUT VERY 329 00:12:03,900 --> 00:12:07,033 ENJOYABLE. 330 00:12:07,033 --> 00:12:08,500 I DON'T KNOW OF MANY PEOPLE WHO 331 00:12:08,500 --> 00:12:11,500 SIT DOWN AT WHAT THEY DO AND 332 00:12:11,500 --> 00:12:12,266 TOTALLY ENJOY IT. 333 00:12:12,266 --> 00:12:14,366 YOU CREATE THINGS. 334 00:12:14,366 --> 00:12:16,833 I DO -- ARTISTS AND INCLUDING 335 00:12:16,833 --> 00:12:18,500 MYSELF AND ALL CREATIVE PEOPLE 336 00:12:18,500 --> 00:12:19,900 LOOK AT THINGS IN A ACTIVE 337 00:12:19,900 --> 00:12:20,433 DIMENSION. 338 00:12:20,433 --> 00:12:22,866 WE'RE NOT CRAZY, EVERYBODY ELSE 339 00:12:22,866 --> 00:12:24,433 IS CRAZY BECAUSE THEY CAN'T SEE 340 00:12:24,433 --> 00:12:25,233 WHAT WE SEE. 341 00:12:25,233 --> 00:12:26,966 >> Terri: SO SEEING WHAT YOU 342 00:12:26,966 --> 00:12:29,766 SEE, WHERE HAVE PEOPLE SEEN YOUR 343 00:12:29,766 --> 00:12:30,566 ART. 344 00:12:30,566 --> 00:12:33,433 WHERE DO AT THE THEY FIND IT AND 345 00:12:33,433 --> 00:12:35,500 HOW AWAY IS YOUR ART. 346 00:12:35,500 --> 00:12:38,866 >> SOME OF IT IS ON FACEBOOK. 347 00:12:38,866 --> 00:12:41,533 SOUTH DAKOTA, CALIFORNIA, 348 00:12:41,533 --> 00:12:44,033 GEORGIA, MISSISSIPPI, LOUISIANA. 349 00:12:44,033 --> 00:12:47,066 >> Terri: AND YOU'VE BEEN AT 350 00:12:47,066 --> 00:12:51,033 McGUFFEY AND -- JEFFERSON 351 00:12:51,033 --> 00:12:52,633 CITY. 352 00:12:52,633 --> 00:12:58,466 THE HAROLD GALLERY. 353 00:12:58,466 --> 00:12:59,566 >> MAKING AFRICAN AMERICAN WOMEN 354 00:12:59,566 --> 00:13:01,733 LOOK VERY STRONG, MY MOTHER WAS 355 00:13:01,733 --> 00:13:03,800 A VERY STRONG WOMAN, SHE RAISED 356 00:13:03,800 --> 00:13:05,200 TWO SON, SHE HAD TO BE. 357 00:13:05,200 --> 00:13:07,800 AS WE WENT ON IF LIFE, GOING OUR 358 00:13:07,800 --> 00:13:10,533 DIFFERENT WAYS IT WAS A MATTER 359 00:13:10,533 --> 00:13:13,466 OF I THINK DISCIPLINE, THAT WAS 360 00:13:13,466 --> 00:13:15,833 GIVEN TO US BY HER. 361 00:13:15,833 --> 00:13:17,133 >> Terri: AND NOW IT'S YOUR JOB 362 00:13:17,133 --> 00:13:18,433 TO CREATE ART. 363 00:13:18,433 --> 00:13:19,633 >> TO CREATE ART. 364 00:13:19,633 --> 00:13:21,500 AND ON WEDNESDAY, STILL TAKE THE 365 00:13:21,500 --> 00:13:23,233 TRASH OUT. 366 00:13:23,233 --> 00:13:24,833 [LAUGHTER] 367 00:13:24,833 --> 00:13:25,933 >> Terri: FRANK, THANK YOU SO 368 00:13:25,933 --> 00:13:27,866 MUCH FOR JOINING US, I CAN'T 369 00:13:27,866 --> 00:13:31,733 WAIT TO SEE WHAT YOU DO NEXT. 370 00:13:29,666 --> 00:13:33,433 >> ABSOLUTELY. 371 00:13:33,433 --> 00:13:35,133 ♪♪♪♪ 372 00:13:35,133 --> 00:13:38,533 >> ALWAYS KEEP YOUR EYE ON THE 373 00:13:38,533 --> 00:13:39,166 AIRPLANE. 374 00:13:39,166 --> 00:13:39,833 >> Terri: OK. 375 00:13:39,833 --> 00:13:41,566 >> YOU NEVER WANT TO LET IT GET 376 00:13:41,566 --> 00:13:43,733 BEHIND US,. 377 00:13:43,733 --> 00:13:44,400 >> Terri: OK. 378 00:13:44,400 --> 00:13:45,900 >> JOE WILL TAKE OVER IF WE GET 379 00:13:45,900 --> 00:13:46,966 IT THAT WAY. 380 00:13:46,966 --> 00:13:51,133 BUT THAT'S A BIG NO-NO. 381 00:13:51,133 --> 00:13:53,166 SPINNING PROPELLERS CAN DO A LOT 382 00:13:53,166 --> 00:13:53,833 OF DAMAGE. 383 00:13:53,833 --> 00:13:54,966 >> Terri: TODAY WE'RE GOING TO 384 00:13:54,966 --> 00:13:57,266 EXPLORE A HOBBY THAT'S NOT ONLY 385 00:13:57,266 --> 00:14:00,533 FUN BUT ALSO TEACHES US ABOUT 386 00:14:00,533 --> 00:14:02,433 AERODYNAMICS AND WIND AND 387 00:14:02,433 --> 00:14:04,133 WEATHER AND ELECTRONICS AND 388 00:14:04,133 --> 00:14:05,033 ROBOTS AND MORE. 389 00:14:05,033 --> 00:14:07,866 JOIN US AS WE VISIT THE RIVANNA 390 00:14:07,866 --> 00:14:09,533 RADIO CONTROL CLUB. 391 00:14:09,533 --> 00:14:11,233 COME ON! 392 00:14:11,233 --> 00:14:13,300 >> WE WANT TO BE ENTERTAINED. 393 00:14:13,300 --> 00:14:14,933 >> Terri: WHO CAN JOIN THE CLUB. 394 00:14:14,933 --> 00:14:16,800 >> I DIDN'TANYONE WHO IS WILLING TO 395 00:14:16,800 --> 00:14:18,533 FOLLOW THE RULES AND BE SAFE 396 00:14:18,533 --> 00:14:19,833 LIKE YOU DID TODAY. 397 00:14:19,833 --> 00:14:21,133 >> Terri: TALK ABOUT THE RESUMES 398 00:14:21,133 --> 00:14:22,100 IN FLYING. 399 00:14:22,100 --> 00:14:25,133 >> WE DON'T WANT TO HURT ANYONE. 400 00:14:25,133 --> 00:14:25,766 >> Terri: NO. 401 00:14:25,766 --> 00:14:27,100 >> AND WE'RE CAREFUL ABOUT THAT, 402 00:14:27,100 --> 00:14:31,766 AND YOU'RE AWARE OF ALL KINDS OF 403 00:14:31,766 --> 00:14:33,366 THINGS GOING ON AROUND THE 404 00:14:33,366 --> 00:14:35,333 WORLD, PEOPLE FLYING MODELS IN 405 00:14:35,333 --> 00:14:36,566 PLACES THEY SHOULDN'T. 406 00:14:36,566 --> 00:14:37,566 THAT'S NOT US. 407 00:14:37,566 --> 00:14:38,300 >> Terri: NO. 408 00:14:38,300 --> 00:14:39,800 >> WE HAVE A STERN AND COMPLETE 409 00:14:39,800 --> 00:14:42,566 SET OF RULES NATIONALLY WITH THE 410 00:14:42,566 --> 00:14:44,533 ACADEMY OF MODEL AERONAUTICS AND 411 00:14:44,533 --> 00:14:46,866 CLUB MEMBERS AS WELL. 412 00:14:46,866 --> 00:14:48,866 GOVERNS SAFETY AND SOUND 413 00:14:48,866 --> 00:14:50,600 EEMOTIONS AND THINGS LIKE THAT. 414 00:14:50,600 --> 00:14:52,733 NOT ALLOWED TO FLY OVER PEOPLE 415 00:14:52,733 --> 00:14:55,433 OR MORE THAN A CERTAIN DISTANCE 416 00:14:55,433 --> 00:14:56,666 OR OUT OF SIGHT. 417 00:14:56,666 --> 00:14:58,166 WE'RE CAREFUL ABOUT THAT, WE 418 00:14:58,166 --> 00:14:59,966 HAVE PARTNER PATTERNS WE FLY SO 419 00:14:59,966 --> 00:15:03,033 YOU KNOW WHERE TO LOOK IN THE 420 00:15:03,033 --> 00:15:04,833 SKY AND CHECK PEOPLE OUT. 421 00:15:04,833 --> 00:15:05,833 >> Terri: YOU FLY AT MILTON 422 00:15:05,833 --> 00:15:06,133 FIELD. 423 00:15:06,133 --> 00:15:06,766 TALK ABOUT THAT. 424 00:15:06,766 --> 00:15:10,833 >> IT'S A TREASURE, PART OF 425 00:15:10,833 --> 00:15:14,633 JEFFERSON'S PLANTATION, AT 426 00:15:14,633 --> 00:15:15,733 MONTICELLO, DID WONDERFUL 427 00:15:15,733 --> 00:15:17,433 EXPERIMENTS IN WATER-POWERED 428 00:15:17,433 --> 00:15:18,366 SAWMILLS ON THE PROPERTY. 429 00:15:18,366 --> 00:15:22,533 IT WAS USED AS A FARM, ALL THE 430 00:15:22,533 --> 00:15:23,933 WAY UNTIL 1939. 431 00:15:23,933 --> 00:15:25,633 THE UNIVERSITY O VIRGINIA 432 00:15:25,633 --> 00:15:27,733 BOUGHT IT AND STARTED A FLYING 433 00:15:27,733 --> 00:15:28,333 SCHOOL. 434 00:15:28,333 --> 00:15:30,666 WHICH WAS TAKEN OVER BY THE NAVY 435 00:15:30,666 --> 00:15:32,333 AND ARMY AND DID A LOT OF 436 00:15:32,333 --> 00:15:34,033 TRAINING FOR PILOTS FOR WORLD 437 00:15:34,033 --> 00:15:36,700 WAR II THERE. 438 00:15:36,700 --> 00:15:43,733 AND I FLEW FULL SIZE THERE UNTIL 439 00:15:43,733 --> 00:15:45,433 '69. 440 00:15:45,433 --> 00:15:46,633 >> Terri: WOW. 441 00:15:46,633 --> 00:15:48,533 >> AND THE MODEL CLUB HAS 442 00:15:48,533 --> 00:15:50,333 MAINTAINED AND THE UNIVERSITY 443 00:15:50,333 --> 00:15:52,733 STILL OWNS IT AND THEY'RE VERY 444 00:15:52,733 --> 00:15:54,333 COOPERATIVE AND WE HAVE A GOOD 445 00:15:54,333 --> 00:15:56,100 RELATIONSHIP WITH THEM. 446 00:15:56,100 --> 00:15:57,766 WE ACTUALLY HELP SOMETIMES WHEN 447 00:15:57,766 --> 00:15:59,533 THEY HAVE PEOPLE THERE, THEY USE 448 00:15:59,533 --> 00:16:02,900 IT FOR AERONAUTICAL ENGINEERING 449 00:16:02,900 --> 00:16:05,200 AND SAULK II TREATY. 450 00:16:05,200 --> 00:16:06,866 OUT THERE. 451 00:16:06,866 --> 00:16:10,033 ALL KINDS OF THINGS GO ON, MORE 452 00:16:10,033 --> 00:16:12,133 AND MORE, THE UNIVERSITY-RELATED 453 00:16:12,133 --> 00:16:14,033 THINGS, IT'S A GREAT 454 00:16:14,033 --> 00:16:15,600 RELATIONSHIP WE HAVE WITH THE 455 00:16:15,600 --> 00:16:17,000 UNIVERSITY AT THIS POINT. 456 00:16:17,000 --> 00:16:20,700 >> WE'RE HERE TODAY WITH THE 457 00:16:20,700 --> 00:16:24,800 PLANE CLUB AT UVA TO OBSERVE THE 458 00:16:24,800 --> 00:16:26,466 PLANES, GETTING TIPS ON 459 00:16:26,466 --> 00:16:27,700 CONSTRUCTING OUR OWN PLANE AND 460 00:16:27,700 --> 00:16:30,533 GET OUR MEMBERS EXPOSED TO HOW 461 00:16:30,533 --> 00:16:31,733 TO FLY BECAUSE RIGHT NOW WE 462 00:16:31,733 --> 00:16:33,200 DON'T HAVE A PILOT. 463 00:16:33,200 --> 00:16:35,433 >> HOPEFULLY, IT TURNS OUT 464 00:16:35,433 --> 00:16:36,700 BETTER THAN LAST YEAR, WE ENDED 465 00:16:36,700 --> 00:16:38,933 IF A CRASH. 466 00:16:38,933 --> 00:16:41,000 >> YEAH, LAST YEAR WE DID 467 00:16:41,000 --> 00:16:42,700 PRESSURE PLANE RIGHT BEFORE 468 00:16:42,700 --> 00:16:43,933 COMPETITION SO WE DIDN'T GET TO 469 00:16:43,933 --> 00:16:46,066 GO, SO IT'S A REDEMPTION YEAR 470 00:16:46,066 --> 00:16:46,700 FOR US. 471 00:16:46,700 --> 00:16:48,400 >> CONTROL AND FOCUS IS THE MOST 472 00:16:48,400 --> 00:16:50,000 IMPORTANT PART OF FLYING. 473 00:16:50,000 --> 00:16:52,600 I LOST MY FIRST APPRENTICE, LOST 474 00:16:52,600 --> 00:16:54,800 CONTROL AND IT FLEW OFF OUT OF 475 00:16:54,800 --> 00:16:56,633 SIGHT AND NEVER TO BE SEEN 476 00:16:56,633 --> 00:16:57,800 AGAIN. 477 00:16:57,800 --> 00:16:59,400 >> ACTUALLY, I'VE NEVER FLOWN A 478 00:16:59,400 --> 00:17:01,533 PLANE, IT WAS A DIFFICULT SKILL 479 00:17:01,533 --> 00:17:03,966 FOR ME TO LEARN, SO I ENDED UP 480 00:17:03,966 --> 00:17:06,066 GOING THE DRONE ROUTE BECAUSE 481 00:17:06,066 --> 00:17:10,500 IT'S EASIER FOR ME TO FLY AND MY 482 00:17:10,500 --> 00:17:12,466 SON IS THE AIRPLANE PILOT, I LET 483 00:17:12,466 --> 00:17:13,600 HIM DO THAT. 484 00:17:13,600 --> 00:17:14,866 >> Terri: TELL ME ABOUT THE 485 00:17:14,866 --> 00:17:15,400 BENEFITS. 486 00:17:15,400 --> 00:17:16,400 >> IT'S WHAT I DO TO HAVE A 487 00:17:16,400 --> 00:17:17,766 BALANCE IN LIFE. 488 00:17:17,766 --> 00:17:19,333 SO I CAN BE TOGETHER WITH 489 00:17:19,333 --> 00:17:21,766 FRIENDS, WITH THE COMMON IDEA OF 490 00:17:21,766 --> 00:17:23,633 THINGS WE ENJOY AND BE OUT U 491 00:17:23,633 --> 00:17:24,866 OUTSIDE, HAVE THE USE OF MILTON 492 00:17:24,866 --> 00:17:28,466 FIELD. 493 00:17:28,466 --> 00:17:30,100 WE TEACH EASTERN E EACH OTHER 494 00:17:30,100 --> 00:17:30,600 AND LEARN THINGS. 495 00:17:30,600 --> 00:17:31,333 >> Terri: THE YOUNGEST CLUB 496 00:17:31,333 --> 00:17:33,133 MEMBER IS ABOUT HOW OLD. 497 00:17:33,133 --> 00:17:34,966 12 OR 14? 498 00:17:34,966 --> 00:17:35,866 >> PROBABLY 12. 499 00:17:35,866 --> 00:17:36,800 >> Terri: THE OLDEST IS PROBABLY 500 00:17:36,800 --> 00:17:37,533 HOW OLD? 501 00:17:37,533 --> 00:17:39,600 >> WE HAVE SEVERAL IN THEIR 502 00:17:39,600 --> 00:17:43,766 90s, THEY'RE NOT NECESSARILY 503 00:17:43,766 --> 00:17:45,000 ACTIVE BUT THEY STILL ON THE 504 00:17:45,000 --> 00:17:45,833 ROAD. 505 00:17:45,833 --> 00:17:48,633 IT'S A GREAT RETIREMENT HOBBY 506 00:17:48,633 --> 00:17:50,566 AND GIVES YOU A WAY TO GET 507 00:17:50,566 --> 00:17:52,733 OUTSIDE WITH A BUNCH OF FRIENDS. 508 00:17:52,733 --> 00:17:53,366 >> Terri: YEAH. 509 00:17:53,366 --> 00:17:55,666 >> ALL OF THE THINGS THAT MAKE 510 00:17:55,666 --> 00:17:58,366 AIRPLANES FLY IS HOW THE WORLD 511 00:17:58,366 --> 00:17:58,766 WORKS. 512 00:17:58,766 --> 00:17:59,600 >> Terri: WHAT'S GREAT, YOU 513 00:17:59,600 --> 00:18:01,333 DON'T HAVE TO KNOW ANY OF THIS 514 00:18:01,333 --> 00:18:02,833 TO BECOME A MEMBER. 515 00:18:02,833 --> 00:18:04,333 YOU DON'T HAVE TO KNOW HOW TO 516 00:18:04,333 --> 00:18:05,833 FLY. 517 00:18:05,833 --> 00:18:08,833 YOU ALL TEACH MEMBERS HOW TO 518 00:18:08,833 --> 00:18:09,133 FLY. 519 00:18:09,133 --> 00:18:11,666 >> WE'LL PROVIDE A INSTRUCTOR, A 520 00:18:11,666 --> 00:18:13,433 TRAINING AIRCRAFT, THERE'S NO 521 00:18:13,433 --> 00:18:15,733 COST TO THAT, AND YOU MUST JOIN 522 00:18:15,733 --> 00:18:19,633 THE ACADEMY OF MODEL AERONAUTICS 523 00:18:19,633 --> 00:18:20,633 BECAUSE THAT'S WHERE OUR 524 00:18:20,633 --> 00:18:22,833 UMBRELLA INSURANCE COMES FROM 525 00:18:22,833 --> 00:18:25,233 AND EVENTUALLY MUST JOIN THE 526 00:18:25,233 --> 00:18:26,833 CLUB, BUT YOU DON'T HAVE TO DO 527 00:18:26,833 --> 00:18:30,433 THAT IN ORDER TO GO OUT AND FLY, 528 00:18:30,433 --> 00:18:33,233 AS YOU FOUND OUT OUT THIS 529 00:18:33,233 --> 00:18:34,733 MORNING, THESE PLANES YOU SEE 530 00:18:34,733 --> 00:18:39,133 HERE ARE UNUSUAL, YOU DON'T HAVE 531 00:18:39,133 --> 00:18:41,233 TO -- YOU CAN GET INTO IT AS 532 00:18:41,233 --> 00:18:43,633 DEEPLY AS YOU WANT AND BUY A 533 00:18:43,633 --> 00:18:45,633 PLANE OFF THE SHELF LIKE THIS 534 00:18:45,633 --> 00:18:46,233 ONE. 535 00:18:46,233 --> 00:18:47,100 >> Terri: RIGHT. 536 00:18:47,100 --> 00:18:50,033 >> AND FLY IT, YOU KNOW, AS SOON 537 00:18:50,033 --> 00:18:51,533 AS YOU CHARGE THE BATTERY OR 538 00:18:51,533 --> 00:18:53,533 SPEND QUITE A BIT OF TIME LIKE I 539 00:18:53,533 --> 00:18:56,233 DO OVER HERE, WHICH IS TO ACTUAL 540 00:18:56,233 --> 00:18:58,433 DESIGN PLANES AND MAKE THE 541 00:18:58,433 --> 00:19:00,600 ORIGINAL DRAWINGS AND BUILD 542 00:19:00,600 --> 00:19:01,400 DIRECTLY ON IT. 543 00:19:01,400 --> 00:19:02,933 >> Terri: AND WHAT ABOUT THE 544 00:19:02,933 --> 00:19:04,333 WEATHER? 545 00:19:04,333 --> 00:19:06,300 SEEMS LIKE PERFECT WEATHER TO 546 00:19:06,300 --> 00:19:06,566 ME. 547 00:19:06,566 --> 00:19:08,233 >> VERY LITTLE WIND, THE WIND 548 00:19:08,233 --> 00:19:11,000 SOCK IS HANGING, THE FLIGHT 549 00:19:11,000 --> 00:19:13,100 DIRECTION THAT WE LIKE, CLEAR 550 00:19:13,100 --> 00:19:13,433 SKY. 551 00:19:13,433 --> 00:19:14,433 >> Terri: AND INSTEAD OF JUST 552 00:19:14,433 --> 00:19:16,466 THE CONTROLLER, YOU ACTUALLY 553 00:19:16,466 --> 00:19:18,500 HAVE A PHYSICAL OBJECT THAT YOU 554 00:19:18,500 --> 00:19:21,200 NOT ONLY NEED TO LEARN HOW TO 555 00:19:21,200 --> 00:19:23,500 CAREFULLY USE BUT TAKE CARE OF. 556 00:19:23,500 --> 00:19:25,700 AND REALLY JUST MAKE SURE THAT 557 00:19:25,700 --> 00:19:27,833 YOU KNOW HOW TO OPERATE IT 558 00:19:27,833 --> 00:19:28,700 CAREFULLY. 559 00:19:28,700 --> 00:19:31,500 >> IF YOU'RE GOING ON A HIKE, 560 00:19:31,500 --> 00:19:33,500 STANDING AT THE EDGE OF A CLIFF 561 00:19:33,500 --> 00:19:35,000 AND LOOKING INTO THE VALLEY, YOU 562 00:19:35,000 --> 00:19:37,500 CAN BE TAKE A DROP AND FLY IT 563 00:19:37,500 --> 00:19:39,400 OUT IN FRONT OFOU AND YOU GET 564 00:19:39,400 --> 00:19:42,300 AN VIEW OF YOU STANDING ON THE 565 00:19:42,300 --> 00:19:45,933 EDGE THE CLIFF THAT YOU COULD 566 00:19:45,933 --> 00:19:48,900 NEVER GET OTHERWISE, IT'S PRETTY 567 00:19:48,900 --> 00:19:49,433 COOL. 568 00:19:49,433 --> 00:19:51,000 >> IT'S THE BEST EXPERIENCE HERE 569 00:19:51,000 --> 00:19:51,533 THAT. 570 00:19:51,533 --> 00:19:53,933 FLYING A PLANE, SORT OF MY FIRST 571 00:19:53,933 --> 00:19:54,933 TIME. 572 00:19:54,933 --> 00:19:56,933 WAS JUST FUN BEING IN THE AIR, 573 00:19:56,933 --> 00:19:58,966 IT WAS AMAZING TODAY. 574 00:19:58,966 --> 00:20:00,466 >> Terri: ASIDE FROM A PLANE, 575 00:20:00,466 --> 00:20:02,833 WHAT ELSE DO YOU NEED TO FLY. 576 00:20:02,833 --> 00:20:04,833 >> I SEE WHAT YOU'RE. 577 00:20:04,833 --> 00:20:05,933 [SPEAKING SIMULTANEOUSLY] 578 00:20:05,933 --> 00:20:06,833 ING ABOUT. 579 00:20:06,833 --> 00:20:08,766 A RADIO SYSTEM, THEY CAN BE 580 00:20:08,766 --> 00:20:10,766 FANCY OR SIMPLE, BUT I HAVE 581 00:20:10,766 --> 00:20:12,966 RADIO SYSTEMS HERE THAT PROBABLY 582 00:20:12,966 --> 00:20:14,466 COST 30-SOME BUCKS. 583 00:20:14,466 --> 00:20:15,800 >> Terri: AND RUN ON BATTERIES. 584 00:20:15,800 --> 00:20:16,966 >> THEY DO. 585 00:20:16,966 --> 00:20:17,633 >> Terri: OK. 586 00:20:17,633 --> 00:20:20,233 >> THIS IS A VERY RECENT 587 00:20:20,233 --> 00:20:22,833 INNOVATION AND THIS ONE IS 588 00:20:22,833 --> 00:20:26,033 CAPABLE OF FLYING 250 PLANES. 589 00:20:26,033 --> 00:20:27,000 >> Terri: AND IT WILL PLAY 590 00:20:27,000 --> 00:20:27,833 MUSIC. 591 00:20:27,833 --> 00:20:30,433 YOU CAN PROGRAM -- 592 00:20:30,433 --> 00:20:31,733 >> IT WILL. 593 00:20:31,733 --> 00:20:32,200 [LAUGHTER] 594 00:20:32,200 --> 00:20:34,633 WHEN YOU WANT TO DO THAT OR NOT. 595 00:20:34,633 --> 00:20:36,100 >> Terri: IT WILL PLAY THE 596 00:20:36,100 --> 00:20:37,133 EAGLES. 597 00:20:37,133 --> 00:20:37,633 [LAUGHTER] 598 00:20:37,633 --> 00:20:39,533 >> OR ANYTHING YOU WANT IT TO. 599 00:20:39,533 --> 00:20:41,433 I CAN DEMONSTRATE IF YOU -- 600 00:20:41,433 --> 00:20:42,500 >> Terri: OH, THAT WOULD BE 601 00:20:42,500 --> 00:20:43,166 GREAT. 602 00:20:43,166 --> 00:20:51,833 >> THIS IS A FAIREY FULMAR. 603 00:20:51,833 --> 00:20:55,866 1940, THE FUSELAGE IS COMPLETELY 604 00:20:55,866 --> 00:20:58,666 SCALED AND BANK RIGHT AND BANK 605 00:20:58,666 --> 00:20:59,033 LEFT. 606 00:20:59,033 --> 00:21:01,133 I GUESS NOSE UP AND THOSE DOWN 607 00:21:01,133 --> 00:21:07,000 AND THE RUDDER WHICH IS TO 608 00:21:07,000 --> 00:21:10,000 CONTRACT ADVERSE YAWL AND THESE 609 00:21:10,000 --> 00:21:13,500 ARE EXACTLY HOW FULL SIZED PLANE 610 00:21:13,500 --> 00:21:14,000 FLIES. 611 00:21:14,000 --> 00:21:17,066 IT'S A REAL PLAIN JUST DOESN'T A 612 00:21:17,066 --> 00:21:18,200 PERSON IN IT. 613 00:21:18,200 --> 00:21:19,300 >> Terri: OH, MY GOODNESS. 614 00:21:19,300 --> 00:21:21,866 >> I'M GOING TO TURN THAT OFF. 615 00:21:21,866 --> 00:21:23,000 >> Terri: SO YOU'VE BEEN 616 00:21:23,000 --> 00:21:26,133 FASCINATED WITH PLANES -- 617 00:21:26,133 --> 00:21:28,000 [LAUGHTER] 618 00:21:28,000 --> 00:21:30,366 -- SINCE YOU WERE YOUNG AND SO 619 00:21:30,366 --> 00:21:31,600 YOU -- JUST TELL US QUICKLY 620 00:21:31,600 --> 00:21:33,733 ABOUT A HANDFUL OF THE PLANES 621 00:21:33,733 --> 00:21:35,266 THAT YOU'VE DESIGNED FROM 622 00:21:35,266 --> 00:21:35,800 SCRATCH. 623 00:21:35,800 --> 00:21:39,166 WE'VE TALKED ABOUT THAT, WHAT IS 624 00:21:39,166 --> 00:21:39,500 THIS? 625 00:21:39,500 --> 00:21:41,700 >> THIS IS A CARIBOU, A PLANE 626 00:21:41,700 --> 00:21:43,766 ORDERED BY THE U.S. ARMY, AND 627 00:21:43,766 --> 00:21:47,266 DESIGNED BY THE HALVE LAND IN -- 628 00:21:47,266 --> 00:21:52,266 THE HAVILAND IN CANADA. 629 00:21:52,266 --> 00:21:53,433 >> Terri: RIGHT, AND YOU HAVE 630 00:21:53,433 --> 00:21:55,633 ANOTHER ONE, ALMOST LIKE A 631 00:21:55,633 --> 00:21:56,566 MUSEUM PIECE. 632 00:21:56,566 --> 00:21:57,633 DESCRIBE THAT. 633 00:21:57,633 --> 00:22:02,333 >> THAT'S A SE-5S. 634 00:22:02,333 --> 00:22:06,066 THE FIGHTER FOR THE R AF AT THE 635 00:22:06,066 --> 00:22:08,233 END OF THE WWI. 636 00:22:08,233 --> 00:22:10,500 ONE OF MY BEST EFFORTS. 637 00:22:10,500 --> 00:22:11,500 >> Terri: YOU HAVE ANOTHER PLANE 638 00:22:11,500 --> 00:22:13,133 THAT'S A DUPLICATE THAT YOU USED 639 00:22:13,133 --> 00:22:14,233 TO OWN AND FLY. 640 00:22:14,233 --> 00:22:16,533 >> I HAVE A NUMBER OF THOSE, 641 00:22:16,533 --> 00:22:17,800 THIRD SCALE IN THE OTHER ROOM, 642 00:22:17,800 --> 00:22:22,533 'S A J3 CUB. 643 00:22:22,533 --> 00:22:23,833 ONE-THIRD SCALE IN MILTON FIELD 644 00:22:23,833 --> 00:22:24,933 BACK IN E DAY. 645 00:22:24,933 --> 00:22:27,333 KEEP YOUR EYE ON THE AIRPLANE. 646 00:22:27,333 --> 00:22:29,433 IF YOU SEE THE NOSE DROPPING AND 647 00:22:29,433 --> 00:22:31,066 GOING DOWN, PULL THE NOSE BACK 648 00:22:31,066 --> 00:22:31,933 UP. 649 00:22:31,933 --> 00:22:33,233 >> Terri: PULL IT BACK. 650 00:22:33,233 --> 00:22:34,233 >> PULL AND PUSH. 651 00:22:34,233 --> 00:22:36,466 IF YOU WANT TO TURN TO THE LEFT, 652 00:22:36,466 --> 00:22:37,733 MOVE THE STICK TO THE LEFT A 653 00:22:37,733 --> 00:22:38,866 LITTLE BIT. 654 00:22:38,866 --> 00:22:39,500 >> Terri: OK. 655 00:22:39,500 --> 00:22:41,600 >> IF YOU HOLD IT TO THE LEFT 656 00:22:41,600 --> 00:22:43,100 LONG ENOUGH IT WILL KEEP ROLLING 657 00:22:43,100 --> 00:22:45,866 AND ROLLING, SO WHEN IT'S ROLLED 658 00:22:45,866 --> 00:22:48,633 ENOUGH, MAKING A GENTLE TURN, 659 00:22:48,633 --> 00:22:50,033 LET IT COME BACK. 660 00:22:50,033 --> 00:22:51,933 >> I THINK IT'S GREAT FOR PEOPLE 661 00:22:51,933 --> 00:22:53,933 YOUNG AND OLD TO COME OUT AND 662 00:22:53,933 --> 00:22:56,266 LEARN AND SHOW OFF A LITTLE BIT. 663 00:22:56,266 --> 00:22:59,366 >> BEING ABLE TO FLY AND ALL OF 664 00:22:59,366 --> 00:23:02,400 THE SPACE IN THE AIR IS KIND OF 665 00:23:02,400 --> 00:23:02,833 FREEING. 666 00:23:02,833 --> 00:23:06,400 >> OUR PLANE IS LIKE A 14-FOOT 667 00:23:06,400 --> 00:23:08,700 WINGSPAN, TRYING TO CARRY ABOUT 668 00:23:08,700 --> 00:23:10,000 50-POUNDS OF PAY LOAD, IT'S 669 00:23:10,000 --> 00:23:13,833 INTERESTING THAT YOU CAN GERM 670 00:23:13,833 --> 00:23:16,100 PLANES AND GET 50-POUNDS OF 671 00:23:16,100 --> 00:23:17,533 WEIGHT TO KIND OF SOAR THROUGH 672 00:23:17,533 --> 00:23:22,300 THE SKY ANDOVE IN THE 673 00:23:22,300 --> 00:23:23,000 AERODYNAMICS. 674 00:23:23,000 --> 00:23:24,700 >> WEE BUILDING A PLANE FOR THE 675 00:23:24,700 --> 00:23:26,500 FRIEND AND THIS WAS THE MOTORS 676 00:23:26,500 --> 00:23:27,900 THAT CAME OFF IT. 677 00:23:27,900 --> 00:23:31,833 NEVER BEEN FLOWN, BUT THIS IS AN 678 00:23:31,833 --> 00:23:33,500 INTERNAL COMBUSTION MOTOR, ONE 679 00:23:33,500 --> 00:23:35,633 OF THOSE LOUD THING THAT PEOPLE 680 00:23:35,633 --> 00:23:36,366 COMPLAIN ABOUT. 681 00:23:36,366 --> 00:23:38,700 BUT IT'S A HOBBY. 682 00:23:38,700 --> 00:23:40,533 >> Terri: RIGHT. 683 00:23:40,533 --> 00:23:42,900 >> BUT 90-INCH WINGSPAN, IT'S A 684 00:23:42,900 --> 00:23:44,400 CUB, I'M REMOVING THISND 685 00:23:44,400 --> 00:23:46,100 REPLACING IT WITH THIS. 686 00:23:46,100 --> 00:23:48,933 THAT IS THE EQUIVALENT POWER, 687 00:23:48,933 --> 00:23:50,633 BUT IT'S CAN -- OTHER THAN A 688 00:23:50,633 --> 00:23:52,566 LITTLE SOUND OF THE PROPELLER 689 00:23:52,566 --> 00:23:54,733 GOING THROUGH THE AIR, ALMOST 690 00:23:54,733 --> 00:23:56,333 ENTIRELY SILENT. 691 00:23:56,333 --> 00:23:57,600 RIGHT, ELECTRIC AND THIS WHERE A 692 00:23:57,600 --> 00:23:59,900 LOT OF RADIO-CONTROLLED CLUB 693 00:23:59,900 --> 00:24:02,166 MEMBERS ARE GOING THESE DAYS, 694 00:24:02,166 --> 00:24:02,766 RIGHT? 695 00:24:02,766 --> 00:24:04,733 >> 95% OR MORE OF OUR FLIGHTS 696 00:24:04,733 --> 00:24:06,533 HAVE BEEN WITH THE ELECTRIC. 697 00:24:06,533 --> 00:24:09,100 BUT BASICALLY I BROUGHT TO THIS 698 00:24:09,100 --> 00:24:10,500 CLUB 14 YEARS AGO. 699 00:24:10,500 --> 00:24:11,266 >> Terri: WOW! 700 00:24:11,266 --> 00:24:13,300 >> I WORKED WITH ELECTRIC 701 00:24:13,300 --> 00:24:14,633 FLIGHTS IN RETIREMENT WITH A 702 00:24:14,633 --> 00:24:15,700 COMPANY. 703 00:24:15,700 --> 00:24:17,200 TO DEVELOP THIS KIND OF THING. 704 00:24:17,200 --> 00:24:19,200 AND SO THAT'S WHERE ALL OF THIS 705 00:24:19,200 --> 00:24:20,133 STUFF CAME FROM. 706 00:24:20,133 --> 00:24:21,133 >> Terri: AND EVERY YEAR IN IT 707 00:24:21,133 --> 00:24:24,800 THE FALL, YOU ALL HAVE AN ANNUAL 708 00:24:24,800 --> 00:24:25,300 EVENT. 709 00:24:25,300 --> 00:24:26,700 >> THE DON REED. 710 00:24:26,700 --> 00:24:27,700 >> Terri: YEAH, AND MEMBERS 711 00:24:27,700 --> 00:24:30,900 COME, MEMBERS FROM OTHER CLUBS 712 00:24:30,900 --> 00:24:31,433 COME. 713 00:24:31,433 --> 00:24:32,366 >> NEIGHBORS COME. 714 00:24:32,366 --> 00:24:33,933 >> Terri: THE COMMUNITY COMES. 715 00:24:33,933 --> 00:24:36,833 DESCRIBE THAT SCENE AND DESCRIBE -- THERE'S A VARIETY OF 716 00:24:36,833 --> 00:24:38,066 PLANES YOU'RE GOING TO HAVE 717 00:24:38,066 --> 00:24:39,833 SOMETHING LIKE THIS AND THEN 718 00:24:39,833 --> 00:24:42,500 HAVE THESE LITTLE TINY BASIC 719 00:24:42,500 --> 00:24:43,633 PLANES. 720 00:24:43,633 --> 00:24:47,100 >> ABSOLUTELY, YOU'LL SEE THE 721 00:24:47,100 --> 00:24:48,633 MULTILEVERS AND HELICOPTERS 722 00:24:48,633 --> 00:24:50,633 FLYING AND YOU'LL SEE A LOT OF 723 00:24:50,633 --> 00:24:51,533 FIXED WING. 724 00:24:51,533 --> 00:24:56,833 YOU'LL SEE A LOT OF PEOPLE, IT'S 725 00:24:56,833 --> 00:24:59,433 A NICE EVENT. 726 00:24:59,433 --> 00:25:01,333 NICE OUTING FOR PEOPLE AND, OF 727 00:25:01,333 --> 00:25:02,500 COURSE, ANYONE IN THE COMMUNITY 728 00:25:02,500 --> 00:25:03,300 IS WELCOME TO COME. 729 00:25:03,300 --> 00:25:05,466 >> Terri: THAT'S GREAT. 730 00:25:05,466 --> 00:25:06,433 HEYWARD, THANK YOU SO MUCH. 731 00:25:06,433 --> 00:25:08,000 >> IT'S A LOT OF FUN. 732 00:25:08,000 --> 00:25:10,200 >> Terri: YOU MAY NOT -- 733 00:25:10,200 --> 00:25:12,300 >> YOU MAY NOT HAVE THE FUN OR 734 00:25:12,300 --> 00:25:14,366 THE EXPERIENCE BUT YOU CAN GET 735 00:25:14,366 --> 00:25:15,900 THESE LITTLE MODELS AND TAKE TO 736 00:25:15,900 --> 00:25:18,600 THE SKIES AND I THINK IT'S 737 00:25:18,600 --> 00:25:19,833 REALLY ENTERTAINING. 738 00:25:19,833 --> 00:25:21,766 >> IT JUST FEELS AMAZING 739 00:25:21,766 --> 00:25:23,200 BECAUSE, YOU KNOW, YOU'RE 740 00:25:23,200 --> 00:25:25,600 LOOKING UP AND YOU'RE STANDING 741 00:25:25,600 --> 00:25:27,433 IN WEATHER AND IT'S REALLY NICE 742 00:25:27,433 --> 00:25:29,300 OUT TODAY. 743 00:25:29,300 --> 00:25:32,300 IT'S FUN FLYING A PLANE. 744 00:25:32,300 --> 00:25:34,466 >> OH, OH! 745 00:25:34,466 --> 00:25:36,666 COME BACK DOWN. 746 00:25:36,666 --> 00:25:37,933 >> WHERE'S IT GOING? 747 00:25:37,933 --> 00:25:39,266 >> I DON'T KNOW WHERE I'M GOING. 748 00:25:39,266 --> 00:25:41,466 >> I'M GOING IN CIRCLES. 749 00:25:41,466 --> 00:25:44,600 >> Terri: THIS IS VERY LIKE ME. 750 00:25:44,600 --> 00:25:49,400 HEY, HEY, I'M DOING FLIPS. 751 00:25:49,400 --> 00:25:51,366 I'M GOING TO NEED RAY LITTLE 752 00:25:51,366 --> 00:25:52,633 MORE TIME WITH THIS. 753 00:25:52,633 --> 00:25:53,766 >> THAT WAS PERFECT. 754 00:25:53,766 --> 00:25:56,100 >> Terri: REALLY, YOU LIKE THOSE 755 00:25:55,600 --> 00:25:58,400 FLIPS? 756 00:25:58,400 --> 00:26:00,533 ♪♪♪♪ 757 00:26:00,533 --> 00:26:01,633 >> Terri: THAT'S IT FOR THIS 758 00:26:01,633 --> 00:26:03,266 WEEK, FOR WHTJ, I'M TERRI 759 00:26:03,266 --> 00:26:03,833 ALLARD. 760 00:26:03,833 --> 00:26:07,533 JOIN US NEXT TIME ON 761 00:26:05,666 --> 00:26:16,966 "CHARLOTTESVILLE INSIDE-OUT." 762 00:26:07,933 --> 00:26:25,933 ♪♪♪♪ 763 00:26:25,933 --> 00:26:27,733 >> Is made possible thanks in 764 00:26:27,733 --> 00:26:29,933 part to its patrons committed to 765 00:26:29,933 --> 00:26:31,733 supporting the people, places 766 00:26:31,733 --> 00:26:34,033 and quality of life that 767 00:26:34,033 --> 00:26:35,800 uniquely defines Charlottesville 768 00:26:35,800 --> 00:26:37,333 and its surroundings and by 769 00:26:37,333 --> 00:26:39,633 viewers like you. 770 00:26:38,100 --> 00:26:44,366 THANK YOU. 771 00:26:44,366 --> 00:26:44,433 nnouncer: "CHARLOTTESVILLE INSIDE-OUT" IS MADE POSSIBLE CAPTIONS PROVIDED BY CA PTION ASSOCIATES, LLC www.captionassociates.com