1 00:00:10,166 --> 00:00:12,000 ANNOUNCER: THIS PRESENTATION WAS 2 00:00:12,000 --> 00:00:12,733 MADE POSSIBLE THANKS IN PART TO 3 00:00:12,733 --> 00:00:13,533 THE PATRONS OF “CHARLOTTESVILLE 4 00:00:13,533 --> 00:00:14,233 INSIDE-OUT ” COMMITTED TO 5 00:00:14,233 --> 00:00:14,966 EXPLORING THE PEOPLE, PLACES AND 6 00:00:14,966 --> 00:00:15,666 QUALITY OF LIFE THAT UNIQUELY 7 00:00:15,666 --> 00:00:16,400 DEFINE CHARLOTTESVILLE AND ITS 8 00:00:16,400 --> 00:00:27,833 SURROUNDINGS. 9 00:00:27,833 --> 00:00:28,766 TERRI ALLARD: FOR WHTJ, I'M 10 00:00:28,766 --> 00:00:29,400 TERRI ALLARD AND THIS IS 11 00:00:29,400 --> 00:00:34,800 “CHARLOTTESVILLE INSIDE-OUT ” 12 00:00:34,800 --> 00:00:38,166 STEPHANIE NAKASIAN: JAZZ IS 13 00:00:38,166 --> 00:00:39,400 AMERICA'S CLASSICAL MUSIC THAT 14 00:00:39,400 --> 00:00:40,133 WHAT WE TRY TO ENCOURAGE AND IN 15 00:00:40,133 --> 00:00:40,966 ENCOURAGING PEOPLE TO BE IN JAZZ 16 00:00:40,966 --> 00:00:42,833 YOU'RE ACTUALLY ALSO ENCOURAGING 17 00:00:42,833 --> 00:00:44,666 SELF EXPRESSION AND FREEDOM 18 00:00:44,666 --> 00:01:20,000 WHICH IS BIG. 19 00:01:20,000 --> 00:01:21,100 >>TERRI ALLARD: OUR GUESTS TODAY 20 00:01:21,100 --> 00:01:21,833 HAVE BEEN PERFORMING AROUND THE 21 00:01:21,833 --> 00:01:23,666 WORLD FOR OVER THREE DECADES. 22 00:01:23,666 --> 00:01:25,000 JOIN US AS WE VISIT WITH 23 00:01:25,000 --> 00:01:27,133 RENAISSANCE JAZZ VOCALIST 24 00:01:27,133 --> 00:01:28,800 STEPHANIE NAKASIAN AND HER 25 00:01:28,800 --> 00:01:30,700 PARTNER INTERNATIONALLY 26 00:01:30,700 --> 00:01:32,166 ACCLAIMED JAZZ PIANIST HOD 27 00:01:32,166 --> 00:01:32,533 O'BRIEN. 28 00:01:32,533 --> 00:01:37,766 COME ON! 29 00:01:37,766 --> 00:01:41,666 >>TERRI: SO TELL US HOW YOU MET. 30 00:01:41,666 --> 00:01:42,466 >>STEPHANIE: AH WELL IT WAS A 31 00:01:42,466 --> 00:01:43,533 CONNECTION THROUGH 32 00:01:43,533 --> 00:01:45,300 CHARLOTTESVILLE THROUGH HOD'S 33 00:01:45,300 --> 00:01:48,666 SISTER WHO HAD BEEN LIVING HERE 34 00:01:48,666 --> 00:01:49,433 AND I MET ONE OF HER CHILDREN 35 00:01:49,433 --> 00:01:50,866 AND HE SAID, MY UNCLE'S A JAZZ 36 00:01:50,866 --> 00:01:53,033 PIANO PLAYER IN NY. AND I SAID 37 00:01:53,033 --> 00:01:54,300 OH. AT THAT POINT I WASN'T DOING 38 00:01:54,300 --> 00:01:56,900 JAZZ, I WAS DOING BANKING, SO 39 00:01:56,900 --> 00:01:57,600 >>TERRI: SO YOU WERE ON WALL 40 00:01:57,600 --> 00:01:58,233 STREET. 41 00:01:58,233 --> 00:02:00,233 >>STEPHANIE: YEAH SO I HAD NEVER 42 00:02:00,233 --> 00:02:03,033 MET A JAZZ PIANO PLAYER SO I 43 00:02:03,033 --> 00:02:04,000 THOUGHT THAT SOUNDS EXCITING AND 44 00:02:04,000 --> 00:02:05,600 SEXY I WANT TO MEET SOMEBODY 45 00:02:05,600 --> 00:02:07,266 SOME JAZZ GUY. SO I WENT AND IT 46 00:02:07,266 --> 00:02:08,366 TURNS OUT HE WAS PLAYING IN NY 47 00:02:08,366 --> 00:02:10,200 RIGHT DOWN THE STREET FROM WHERE 48 00:02:10,200 --> 00:02:11,500 I LIVED. HE WAS AT 63RD AND 49 00:02:11,500 --> 00:02:12,800 FIRST AND I WAS AT 54TH AND 50 00:02:12,800 --> 00:02:14,233 SECOND. AND I SAID WOW THIS 51 00:02:14,233 --> 00:02:18,800 MUSIC IS GREAT AND HE'S SO CUTE 52 00:02:18,800 --> 00:02:20,133 AND SO I ACTUALLY MADE A FORAY 53 00:02:20,133 --> 00:02:21,633 AND SAID YOU KNOW I LIKE TO SING 54 00:02:21,633 --> 00:02:22,366 AND MAYBE YOU COULD HEAR ME SING 55 00:02:22,366 --> 00:02:23,500 SOMETIME. 56 00:02:23,500 --> 00:02:24,966 >>TERRI: I LOVE THAT. SO YOU 57 00:02:24,966 --> 00:02:34,133 FELL IN LOVE WITH JAZZ, FELL I 58 00:02:34,133 --> 00:02:34,833 LOVE WITH HOD AND THERE WENT 59 00:02:34,833 --> 00:02:35,233 WALL STREET. 60 00:02:35,233 --> 00:02:35,900 >>STEPHANIE: RIGHT, RIGHT. 61 00:02:35,900 --> 00:02:36,600 >>SO LET'S BACKTRACK A LITTLE 62 00:02:36,600 --> 00:02:37,266 TOO THEN. PRIOR TO MEETING 63 00:02:37,266 --> 00:02:38,000 STEPHANIE, YOU HAD ALREADY HAD, 64 00:02:38,000 --> 00:02:38,666 YOU WERE IN THE PROCESS OF 65 00:02:38,666 --> 00:02:39,400 HAVING A REALLY FABULOUS CAREER. 66 00:02:39,400 --> 00:02:40,700 >>HOD: IT VARIED FROM BEING A 67 00:02:40,700 --> 00:02:41,766 GREAT CAREER TO SORT OF A 68 00:02:41,766 --> 00:02:43,433 NON-CAREER. 69 00:02:43,433 --> 00:02:44,200 >>TERRI: WELL, LET'S START AT 70 00:02:44,200 --> 00:02:45,566 THE VERY, VERY, VERY BEGINNING 71 00:02:45,566 --> 00:02:48,533 WHEN YOU WERE EIGHT. YOU FELL IN 72 00:02:48,533 --> 00:02:50,866 LOVE WITH MUSIC, WHY? 73 00:02:50,866 --> 00:02:51,600 >>HOD: OH, YEAH. I HEARD BOOGIE 74 00:02:51,600 --> 00:02:52,900 WOOGIE AND IN THOSE YEARS, THAT 75 00:02:52,900 --> 00:02:55,766 WAS IN 1944 AND BOOGIE WOOGIE 76 00:02:55,766 --> 00:02:59,566 WAS KIND OF POPULAR MUSIC ON THE 77 00:02:59,566 --> 00:03:07,833 RADIO IN THOSE DAYS. I HER 78 00:03:07,833 --> 00:03:10,700 D 79 00:03:10,700 --> 00:03:11,933 SUGAR 80 00:03:11,933 --> 00:03:12,666 CHILD ROBINSON, TEN YEARS OLD, 81 00:03:12,666 --> 00:03:13,333 PLAYING BOOGIE WOOGIE AND I 82 00:03:13,333 --> 00:03:14,033 THOUGHT THAT'S WHAT I WANT TO 83 00:03:14,033 --> 00:03:20,633 DO. 84 00:03:20,633 --> 00:03:21,366 ♪ PAORB PAORB PAEURPB PAEURPB 85 00:03:21,366 --> 00:03:22,033 >>TERRI ALLARD: ONE OF YOUR 86 00:03:22,033 --> 00:03:25,566 FIRST BREAKS WAS AT A CLUB IN EB 87 00:03:25,566 --> 00:03:26,233 >>TERRI ALLARD: ONE OF YOUR 88 00:03:26,233 --> 00:03:27,166 FIRST BREAKS WAS AT A CLUB IN EB 89 00:03:27,166 --> 00:03:27,833 >>TERRI ALLARD: ONE OF YOUR 90 00:03:27,833 --> 00:03:29,000 FIRST BREAKS WAS AT A CLUB IN > 91 00:03:29,000 --> 00:03:30,166 FIRST BREAKS WAS AT A CLUB IN > 92 00:03:30,166 --> 00:03:31,333 FIRST BREAKS WAS AT A CLUB IN > 93 00:03:31,333 --> 00:03:32,033 FIRST BREAKS WAS AT A CLUB IN 94 00:03:32,033 --> 00:03:32,666 NJ, RIGHT? WHAT WAS THAT 95 00:03:32,666 --> 00:03:33,100 FABULOUS CLUB? 96 00:03:33,100 --> 00:03:33,800 >>THIS WAS IN MA, LENNOX, MA. 97 00:03:33,800 --> 00:03:34,500 AND THERE WAS ADJACENT TO THE 98 00:03:34,500 --> 00:03:35,233 TANGLEWOOD GROUNDS WAS A PLACE 99 00:03:35,233 --> 00:03:35,900 CALLED THE MUSIC INN, COUNT 100 00:03:35,900 --> 00:03:36,600 BASSIE 101 00:03:36,600 --> 00:03:37,466 ORCHESTRA WOULD PLAY THERE BUT 102 00:03:37,466 --> 00:03:38,500 ALSO THE MODERNISTS OF THAT 103 00:03:38,500 --> 00:03:41,866 TIME, WHO PEOPLE LIKE DIZZY 104 00:03:41,866 --> 00:03:42,666 GILLESPIE, THELONIAS MONK, THE 105 00:03:42,666 --> 00:03:44,000 MODERN JAZZ QUARTET, PLAYED 106 00:03:44,000 --> 00:03:44,966 THERE AND I WOULD GO TO THESE 107 00:03:44,966 --> 00:03:45,800 CONCERTS, THEY HAD THEM EVERY 108 00:03:45,800 --> 00:03:47,966 SUNDAY NIGHT AND RIGHT UP THE 109 00:03:47,966 --> 00:03:49,600 HILL FROM THE MUSIC INN WAS A 110 00:03:49,600 --> 00:03:54,466 PLACE CALLED AVALOCH WHERE RANDY 111 00:03:54,466 --> 00:03:56,133 WESTON USED TO HOLD COURT EVERY 112 00:03:56,133 --> 00:03:59,933 SUMMER DURING THE EARLY 50'S. 113 00:03:59,933 --> 00:04:01,466 AND SO AFTER THE CONCERTS AT THE 114 00:04:01,466 --> 00:04:02,666 MUSIC INN WE'D ALL GO UP TO 115 00:04:02,666 --> 00:04:04,333 AVALOCH AND SOME MUSICIANS WOULD 116 00:04:04,333 --> 00:04:05,100 COME UP THERE AND RANDY WOULD 117 00:04:05,100 --> 00:04:06,300 HAVE THEM SIT IN AND THAT WAS MY 118 00:04:06,300 --> 00:04:14,900 PROVING GROUNDS, MY STOMPING 119 00:04:14,900 --> 00:04:15,333 GROUNDS. 120 00:04:15,333 --> 00:04:16,066 >> YOU ENDED UP IN NY BECAUSE OF 121 00:04:16,066 --> 00:04:16,800 THAT RIGHT? YOU FOLLOWED THESE 122 00:04:16,800 --> 00:04:17,500 OTHER MUSICIANS TO NY BECAUSE 123 00:04:17,500 --> 00:04:18,200 THAT'S WHAT WAS HAPPENING AND 124 00:04:18,200 --> 00:04:18,933 YOU WERE PART OF THE LOFT SCENE? 125 00:04:18,933 --> 00:04:19,666 >>HOD: THEY INTRODUCED US TO THE 126 00:04:19,666 --> 00:04:20,066 LOFT SCENE. 127 00:04:20,066 --> 00:04:20,800 >>TERRI: AND WHAT WAS THAT? FOR 128 00:04:20,800 --> 00:04:21,533 PEOPLE WHO DON'T KNOW, WHAT WAS 129 00:04:21,533 --> 00:04:22,100 THE LOFT SCENE? 130 00:04:22,100 --> 00:04:23,966 >>WELL, IN NY CITY THEY HAD THE 131 00:04:23,966 --> 00:04:30,133 VERY OLD DOWNTOWN AREA WHERE OLD 132 00:04:30,133 --> 00:04:31,366 ABANDONED WAREHOUSES USED TO AH, 133 00:04:31,366 --> 00:04:34,266 MUSICIANS USED TO MAKE THEIR 134 00:04:34,266 --> 00:04:35,733 DWELLINGS IN THESE LOFTS SO THAT 135 00:04:35,733 --> 00:04:36,466 THEY COULD HAVE GATHERINGS THERE 136 00:04:36,466 --> 00:04:40,233 OF MUSICIANS AND JAM HAVE JAM 137 00:04:40,233 --> 00:04:40,600 SESSIONS. 138 00:04:40,600 --> 00:04:41,100 >>RIGHT, MMM HMM. 139 00:04:41,100 --> 00:04:44,633 >>YOU KNOW LIKE STAN GOETZ WOULD 140 00:04:44,633 --> 00:04:46,366 COME INTO ONE OF THOSE LOFTS AND 141 00:04:46,366 --> 00:04:52,466 PLAY AND EVERYTHING AND IF HE 142 00:04:52,466 --> 00:04:53,200 LIKED YOUR PLAYING, HE HAD IF HE 143 00:04:53,200 --> 00:04:53,933 WAS GETTING ANOTHER - CHANGING 144 00:04:53,933 --> 00:04:54,666 HIS PIANO PLAYER HE MIGHT CALL 145 00:04:54,666 --> 00:04:55,133 YOU RIGHT THERE. 146 00:04:55,133 --> 00:04:55,866 >>RIGHT, RIGHT, SO IT WAS GREAT. 147 00:04:55,866 --> 00:04:57,033 >>TERRI: YOU GOT ONE OF YOUR 148 00:04:57,033 --> 00:04:57,766 FIRST RECORD DEALS PLAYING THE 149 00:04:57,766 --> 00:04:59,833 LOFT SCENE, RIGHT? 150 00:04:59,833 --> 00:05:03,333 >>WELL, IT WAS SIMILARLY, YEAH. 151 00:05:03,333 --> 00:05:04,066 I WENT TO SEE TEDDY CHARLES WHO 152 00:05:04,066 --> 00:05:05,600 WAS A VIBES PLAYER AND HAL STEIN 153 00:05:05,600 --> 00:05:06,700 AN ALTO SAXOPHONE PLAYER WAS 154 00:05:06,700 --> 00:05:09,433 PLAYING WITH HIM AND I KNEW HAL 155 00:05:09,433 --> 00:05:10,166 FROM ONE OF THE LOFTS AND SO I 156 00:05:10,166 --> 00:05:12,700 SAID I'D GO SEE HAL AND SEE IF 157 00:05:12,700 --> 00:05:13,433 HE'LL GET TEDDY TO COME AND ASK 158 00:05:13,433 --> 00:05:18,133 ME TO PLAY. 159 00:05:18,133 --> 00:05:20,033 >>TERRI: YEAH. 160 00:05:20,033 --> 00:05:21,833 >>HOD: AND WHICH HE DID. AND SO 161 00:05:21,833 --> 00:05:23,100 AFTER I FINISHED PLAYING, TEDDY 162 00:05:23,100 --> 00:05:24,733 TURNED TO ME AND SAID I LIKE 163 00:05:24,733 --> 00:05:25,466 YOUR PLAYING MAN HOW'D YOU LIKE 164 00:05:25,466 --> 00:05:26,266 TO DO A RECORD GIG NEXT WEEK? 165 00:05:26,266 --> 00:05:27,966 >>OH! THAT'S GREAT. 166 00:05:27,966 --> 00:05:28,833 >>THERE WERE THREE TRUMPET 167 00:05:28,833 --> 00:05:29,500 PLAYERS, ART FARMER,IDREES 168 00:05:29,500 --> 00:05:30,066 SULIEMAN DONALD BYRD. 169 00:05:30,066 --> 00:05:49,166 ♪ 170 00:05:49,166 --> 00:05:49,866 >>TERRI: THREE TRUMPETS. AND 171 00:05:49,866 --> 00:05:50,600 THEN TALK ABOUT REPLACING BILL 172 00:05:50,600 --> 00:05:51,300 EVANS. 173 00:05:51,300 --> 00:05:52,266 >>WELL THAT WAS IN OSCAR 174 00:05:52,266 --> 00:05:53,466 PETTIFORD'S QUINTET. 175 00:05:53,466 --> 00:05:54,800 >>AND THIS IS ONE OF MY DUBIOUS 176 00:05:54,800 --> 00:05:55,533 DISTINCTIONS - OSCAR WAS 177 00:05:55,533 --> 00:05:58,466 COMPLAINING ABOUT BILL EVANS' 178 00:05:58,466 --> 00:05:59,533 PLAYING AND HIS COMPING AND HIS 179 00:05:59,533 --> 00:06:02,366 TIME FIELD. HIS TIME FIELD 180 00:06:02,366 --> 00:06:03,300 MEANING HIS SENSE OF RHYTHM HE 181 00:06:03,300 --> 00:06:05,266 HAD A DIFFERENT WAY OF 182 00:06:05,266 --> 00:06:15,200 ADDRESSING THE BEAT AND 183 00:06:15,200 --> 00:06:15,933 ADDRESSING RHYTHM THAN OSCAR WAS 184 00:06:15,933 --> 00:06:16,633 USED TO AND I HAD ALSO SEEEN 185 00:06:16,633 --> 00:06:17,366 OSCAR ALREADY, YOU KNOW PLAYED 186 00:06:17,366 --> 00:06:18,366 WITH HIM IN A LOFT AND SO WEEK 187 00:06:18,366 --> 00:06:21,300 LATER I GOT A CALL FROM OSCAR 188 00:06:21,300 --> 00:06:23,133 JOIN THE BAND. AND I SAID SURE! 189 00:06:23,133 --> 00:06:25,133 I WAS PLEASED 190 00:06:25,133 --> 00:06:26,733 >>OH! AND FOR THOSE WHO DON'T 191 00:06:26,733 --> 00:06:27,666 KNOW JAZZ WE'RE TALKING, THESE 192 00:06:27,666 --> 00:06:29,533 ARE TOP PERFORMERS, THESE ARE 193 00:06:29,533 --> 00:06:30,600 INCREDIBLY WELL RESPECTED 194 00:06:30,600 --> 00:06:31,266 >>WELL WE ALL KNOW WHO BILL 195 00:06:31,266 --> 00:06:32,266 EVANS TURNED OUT TO BE. 196 00:06:32,266 --> 00:06:36,233 >>YEAH, EXACTLY. OK SO THEN 197 00:06:36,233 --> 00:06:38,133 FAST, FAST FORWARD TO WHEN YOU 198 00:06:38,133 --> 00:06:38,866 ALL MET AND STARTED PERFORMING 199 00:06:38,866 --> 00:06:40,333 TOGETHER. 200 00:06:40,333 --> 00:06:42,400 >>STEPHANIE: WELL, JUST IN 201 00:06:42,400 --> 00:06:43,933 GENERAL THINGS JUST STARTED 202 00:06:43,933 --> 00:06:46,166 HAPPENING. WE STARTED GETTING 203 00:06:46,166 --> 00:06:47,200 GIGS, IT WAS OBVIOUS I COULDN'T 204 00:06:47,200 --> 00:06:49,800 WORK ON WALL STREET, GET UP AT 6 205 00:06:49,800 --> 00:06:50,966 IN THE MORNING TO BE ON WALL 206 00:06:50,966 --> 00:06:53,066 STREET AND THEN STAY OUT TILL 3 207 00:06:53,066 --> 00:06:54,400 HANGING OUT WITH HOD YOU KNOW 208 00:06:54,400 --> 00:06:55,266 SINGING IN THE CLUBS. SO I JUST 209 00:06:55,266 --> 00:06:57,433 HAD TO MAKE A DECISION ONE DAY 210 00:06:57,433 --> 00:07:00,333 TO COME OUT, YOU KNOW AND YOU 211 00:07:00,333 --> 00:07:01,233 KNOW GO TO, WE HAD A PARTY AND I 212 00:07:01,233 --> 00:07:03,200 SAID TO MY FRIENDS I'M STEPHANIE 213 00:07:03,200 --> 00:07:05,733 NAKASIAN AND I'M A JAZZ SINGER. 214 00:07:05,733 --> 00:07:07,133 >>LAUGHTER THAT'S GREAT. 215 00:07:07,133 --> 00:07:08,766 >>AND YOU KNOW I HAD MY BUSINESS 216 00:07:08,766 --> 00:07:09,566 FRIENDS THERE AND MY NEW JAZZ 217 00:07:09,566 --> 00:07:10,900 FRIENDS AND I JUST DECIDED TO 218 00:07:10,900 --> 00:07:12,200 TRY FOR FIVE YEARS, I WAS YOUNG 219 00:07:12,200 --> 00:07:14,733 AND HAD TIME, I COULD DO THAT. 220 00:07:14,733 --> 00:07:16,200 AND IF IT DIDN'T WORK OUT I'D GO 221 00:07:16,200 --> 00:07:17,200 BACK TO BUSINESS AND FINISH, 222 00:07:17,200 --> 00:07:18,666 FINISH MY CALLING THAT WAY. 223 00:07:18,666 --> 00:07:22,133 >>WHEN I FIRST HEARD STEPHANIE 224 00:07:22,133 --> 00:07:23,366 SING I WAS AH, SHE WAS AMAZING. 225 00:07:23,366 --> 00:07:24,766 THE WAY I HEARD WHEN I HEARD 226 00:07:24,766 --> 00:07:26,500 ELLA FITZGERALD AND SARAH 227 00:07:26,500 --> 00:07:27,300 VAUGHAN SING. AND SHE TOLD ME 228 00:07:27,300 --> 00:07:27,966 SHE'D NEVER HEARD OF THESE 229 00:07:27,966 --> 00:07:29,533 SINGERS. 230 00:07:29,533 --> 00:07:30,233 >>STEPHANIE: I'D NEVER BEEN 231 00:07:30,233 --> 00:07:31,933 EXPOSED, NO. 232 00:07:31,933 --> 00:07:32,600 >>HOD: AND SO I WAS TOTALLY 233 00:07:32,600 --> 00:07:33,333 BLOWN AWAY THAT SHE HADN'T HEARD 234 00:07:33,333 --> 00:07:45,166 OF THEM. 235 00:07:45,166 --> 00:07:54,233 ♪ 236 00:07:54,233 --> 00:07:55,500 >>TERRI: SO YOU ALL TOURED FOR 237 00:07:55,500 --> 00:07:56,200 YEARS AND YEARS AND THEN YOU 238 00:07:56,200 --> 00:07:57,733 WERE TOGETHER FOR YEARS BEFORE 239 00:07:57,733 --> 00:07:58,466 YOU EVEN GOT MARRIED. BUT THEN 240 00:07:58,466 --> 00:07:59,200 YOU DECIDED TO START A FAMILY, 241 00:07:59,200 --> 00:07:59,500 RIGHT? 242 00:07:59,500 --> 00:08:00,666 >>STEPHANIE: YEAH, WE WERE 243 00:08:00,666 --> 00:08:03,333 TOGETHER 14 YEARS BEFORE WE EVEN 244 00:08:03,333 --> 00:08:04,633 GOT THAT, GOT THAT FAR. BECAUSE 245 00:08:04,633 --> 00:08:05,933 WE MET IN 1980 AND WE WERE 246 00:08:05,933 --> 00:08:07,400 TOURING, WE WERE DOING WE LIVED 247 00:08:07,400 --> 00:08:09,600 IN THE POCONOS, WE HAD GIGS IN 248 00:08:09,600 --> 00:08:10,333 HOTELS IN NJ AND NY AND WE DID A 249 00:08:10,333 --> 00:08:11,333 LOT OF CRUISE SHIPS. 250 00:08:11,333 --> 00:08:12,933 >>HOD: YEAH. 251 00:08:12,933 --> 00:08:14,833 >>STEPHANIE: WE WENT ALL OVER 252 00:08:14,833 --> 00:08:15,966 THE PLACE YOU KNOW AND THEN 253 00:08:15,966 --> 00:08:18,133 AROUND 1992 WE STARTED TO GET 254 00:08:18,133 --> 00:08:19,866 ITCHY ABOUT - MY CLOCK WAS 255 00:08:19,866 --> 00:08:21,666 TICKING AND YOU KNOW I WAS HMM 256 00:08:21,666 --> 00:08:23,733 SHOULD WE DO THIS? I DON'T KNOW. 257 00:08:23,733 --> 00:08:26,866 I DON'T KNOW. AND SO WE FINALLY 258 00:08:26,866 --> 00:08:28,233 MADE THE LEAP AND HAD BEAUTIFUL 259 00:08:28,233 --> 00:08:32,166 VERONICA IN 1994. WE GOT MARRIED 260 00:08:32,166 --> 00:08:34,233 IN 1993 IN ST. THOMAS. 261 00:08:34,233 --> 00:08:34,966 >>HOD: BEST THING WE EVER DID. 262 00:08:34,966 --> 00:08:35,700 IT WAS THE BEST PRESENT SHE EVER 263 00:08:35,700 --> 00:08:36,033 GAVE ME. 264 00:08:36,033 --> 00:08:37,000 >>TERRI: OH! 265 00:08:37,000 --> 00:08:40,200 >>STEPHANIE: THANK YOU. YOU GAVE 266 00:08:40,200 --> 00:08:40,933 THERE'S A LOT OF HER, THERE'S A 267 00:08:40,933 --> 00:08:43,266 LOT OF YOU IN HER, BELIEVE ME. 268 00:08:43,266 --> 00:08:45,133 >>HOD: SHE'S BECOMING A TOP 269 00:08:45,133 --> 00:08:46,933 NOTCH JAZZ SINGER NOW AND SHE 270 00:08:46,933 --> 00:08:47,666 WAS ALSO INTO ROCK AND ROLL AND 271 00:08:47,666 --> 00:08:49,000 SOMEHOW SHE'S GOING TO DO 272 00:08:49,000 --> 00:08:50,466 SOMETHING THAT'S GOING TO BE 273 00:08:50,466 --> 00:08:51,200 REALLY SIGNIFICANT AND DIFFERENT 274 00:08:51,200 --> 00:08:53,600 I THINK. 275 00:08:53,600 --> 00:08:56,033 >>TERRI: YEAH, SHE'S, WHEN SHE 276 00:08:56,033 --> 00:08:57,366 WAS NINE YOUR DAUGHTER VERONICA 277 00:08:57,366 --> 00:08:57,900 HAD HER FIRST ALBUM? 278 00:08:57,900 --> 00:08:58,700 >>STEPHANIE: YEAH. 279 00:08:58,700 --> 00:09:00,566 >>TERRI: RIGHT? I MEAN, SHE'S 280 00:09:00,566 --> 00:09:02,266 REALLY QUITE TALENTED, TOO. 281 00:09:02,266 --> 00:09:04,166 >>STEPHANIE: SHE'S ALWAYS WANTED 282 00:09:04,166 --> 00:09:06,066 TO DO IT WITH US, YOU KNOW IT 283 00:09:06,066 --> 00:09:07,466 WAS A FAMILY, IT'S A BEAUTIFUL 284 00:09:07,466 --> 00:09:08,500 FAMILY THING. YOU KNOW IT'S VERY 285 00:09:08,500 --> 00:09:11,066 LOVING. IT'S REALLY FABULOUS 286 00:09:11,066 --> 00:09:12,866 SHE SINGS WITH US AND THEN SHE 287 00:09:12,866 --> 00:09:14,566 HAS HER OWN, HAS HER OWN CAREER 288 00:09:14,566 --> 00:09:16,400 NOW AND IT'S BEEN WONDERFUL. 289 00:09:16,400 --> 00:09:18,066 >>TERRI: NOW YOU'RE UP AGAINST 290 00:09:18,066 --> 00:09:18,700 A HEALTH ISSUE. YOU WERE 291 00:09:18,700 --> 00:09:19,400 RECENTLY DIAGNOSED WITH LUNG 292 00:09:19,400 --> 00:09:22,800 CANCER, HOD. 293 00:09:22,800 --> 00:09:26,033 >>HOD: LAUGHS. YES. BIG SHOCK 294 00:09:26,033 --> 00:09:28,433 AND SURPRISE. NEVER HAVING, WELL 295 00:09:28,433 --> 00:09:30,500 I MEAN I SMOKED A LONG TIME AGO 296 00:09:30,500 --> 00:09:31,833 AND GAVE IT UP A LONG TIME AGO. 297 00:09:31,833 --> 00:09:34,266 NEVER THOUGHT ABOUT IT. 298 00:09:34,266 --> 00:09:35,366 >>STEPHANIE: YOU'VE BEEN 299 00:09:35,366 --> 00:09:37,100 HEALTHY. 300 00:09:37,100 --> 00:09:38,133 >>HOD: NEVER HAD ANYTHING TO 301 00:09:38,133 --> 00:09:39,400 INDICATE THAT I HAD A BAD LUNG 302 00:09:39,400 --> 00:09:40,833 OR SOMETHING. 303 00:09:40,833 --> 00:09:42,033 >>STEPHANIE: YEAH, HE WAS A 304 00:09:42,033 --> 00:09:43,733 MARATHON RUNNER, VERY ATHLETIC 305 00:09:43,733 --> 00:09:44,833 AND STRONG AND NEVER SICK OR 306 00:09:44,833 --> 00:09:45,566 ANYTHING, SO IT WAS A SHOCK. 307 00:09:45,566 --> 00:09:46,600 >>TERRI: RIGHT, RIGHT. 308 00:09:46,600 --> 00:09:47,366 >>HOD: YEAH. 309 00:09:47,366 --> 00:09:48,100 >>TERRI: AND AH, WHAT DID YOUR 310 00:09:48,100 --> 00:09:48,800 DAUGHTER VERONICA SAY TO YOU 311 00:09:48,800 --> 00:09:54,233 STEPHANIE? 312 00:09:54,233 --> 00:09:54,933 >>STEPHANIE: OH, RECENTLY? I 313 00:09:54,933 --> 00:09:55,633 TOLD YOU THAT. WELL, YOU KNOW 314 00:09:55,633 --> 00:09:56,333 SHE SAID MOM, YOU HAVE TO GET 315 00:09:56,333 --> 00:09:57,033 DADDY WELL BECAUSE HIS, HE'S, 316 00:09:57,033 --> 00:09:57,733 HIS MUSIC IS TOO IMPORTANT TO 317 00:09:57,733 --> 00:09:58,466 THE WORLD. YOU HAVE TO MAKE SURE 318 00:09:58,466 --> 00:10:04,066 HE GETS BETTER 319 00:10:04,066 --> 00:10:30,500 ♪ 320 00:10:30,500 --> 00:10:31,200 >>TERRI: THERE ARE ALL THESE 321 00:10:31,200 --> 00:10:31,900 DIFFERENT THINGS THAT YOU'VE 322 00:10:31,900 --> 00:10:32,800 BEEN WORKING ON YOU HAVE BOOK 323 00:10:32,800 --> 00:10:34,266 ABOUT YOUR WHOLE CAREER. 324 00:10:34,266 --> 00:10:36,466 >>HOD: IT'S SUPPOSED TO BE 325 00:10:36,466 --> 00:10:37,966 REALLY, NOT A REALLY EDUCATIONAL 326 00:10:37,966 --> 00:10:41,333 ACADEMIC TYPE OF A BOOK, 327 00:10:41,333 --> 00:10:43,266 BIOGRAPHICAL THING, IT'S 328 00:10:43,266 --> 00:10:44,600 SUPPOSED TO BE AN OFF THE CUFF 329 00:10:44,600 --> 00:10:47,466 TYPE OF THING TELLING FUNNY 330 00:10:47,466 --> 00:10:48,200 STORIES THAT OCCURRED IN CLUBS 331 00:10:48,200 --> 00:10:50,466 WHILE I WAS PERFORMING. 332 00:10:50,466 --> 00:10:51,600 >>STEPHANIE: VERY FUNNY. 333 00:10:51,600 --> 00:10:52,333 >>STEPHANIE: YOU GET THE FEELING 334 00:10:52,333 --> 00:10:53,900 OF THE JAZZ LIFE. 335 00:10:53,900 --> 00:10:55,733 >>TERRI: WHAT A GREAT BOOK. AND 336 00:10:55,733 --> 00:10:58,000 YOU'RE WORKING ON A BOOK TOO. 337 00:10:58,000 --> 00:10:59,900 YOU HAVE A COUPLE OF BOOKS, ONE 338 00:10:59,900 --> 00:11:02,300 THAT YOU'RE REALLY EXCITED ABOUT 339 00:11:02,300 --> 00:11:03,000 IS HELPING PEOPLE TO SING AND 340 00:11:03,000 --> 00:11:03,733 LIKE TO GIVE THEM PERMISSION TO 341 00:11:03,733 --> 00:11:04,933 SING. 342 00:11:04,933 --> 00:11:06,366 >>STEPHANIE: YOU KNOW IT'S FUNNY 343 00:11:06,366 --> 00:11:07,900 HOW LIFE TAKES YOU ON THESE 344 00:11:07,900 --> 00:11:08,966 JOURNEYS. YOU KNOW HERE I WAS 345 00:11:08,966 --> 00:11:09,866 JUST A JAZZ SINGER. NEXT THING 346 00:11:09,866 --> 00:11:11,333 I'M TEACHING JAZZ, WHICH I 347 00:11:11,333 --> 00:11:13,800 WASN'T TRAINED IN SCHOOL TO 348 00:11:13,800 --> 00:11:14,500 TEACH JAZZ BUT YOU JUST TEACH 349 00:11:14,500 --> 00:11:15,400 WHAT YOU KNOW. 350 00:11:15,400 --> 00:11:16,100 >>TERRI: AND WHAT YOU'VE DONE 351 00:11:16,100 --> 00:11:17,033 FOR MANY YEARS. 352 00:11:17,033 --> 00:11:18,433 >>STEPHANIE: AND SO I WAS 353 00:11:18,433 --> 00:11:20,233 HELPING CHOIR DIRECTORS AND IT 354 00:11:20,233 --> 00:11:21,700 TOOK ON A BIGGER SCOPE. AND AS I 355 00:11:21,700 --> 00:11:23,166 DID THAT I REALIZED EVERYBODY 356 00:11:23,166 --> 00:11:25,166 HAD THE SAME ISSUES. EVERYBODY 357 00:11:25,166 --> 00:11:26,333 WAS PRETTY INSECURE ABOUT 358 00:11:26,333 --> 00:11:28,300 SINGING. IT FELT VERY NAKED, 359 00:11:28,300 --> 00:11:33,033 VERY EXPOSED AND THERE WERE 360 00:11:33,033 --> 00:11:33,733 CERTAIN TECHNICAL THINGS WITH 361 00:11:33,733 --> 00:11:43,000 THE MOUTH AND THE JAW AND THE 362 00:11:43,000 --> 00:11:43,733 THROAT THAT THEY'RE ALL COMMON 363 00:11:43,733 --> 00:11:44,466 TO ALL OF US AND IN FAC TIF THEY 364 00:11:44,466 --> 00:11:45,166 CAN RELEASE THAT YOU KNOW AND 365 00:11:45,166 --> 00:11:45,900 FREE UP A LITTLE BIT THE MUSIC 366 00:11:45,900 --> 00:11:48,600 WILL COME OUT BEAUTIFULLY. 367 00:11:48,600 --> 00:11:49,766 >>TERRI: HOW MANY CD'S IF YOU 368 00:11:49,766 --> 00:11:51,533 CAN EVEN COME UP WITH A NUMBER, 369 00:11:51,533 --> 00:11:53,166 THAT YOU'VE RECORDED SEPARATELY, 370 00:11:53,166 --> 00:11:55,366 TOGETHER AND THEN WITH OTHER 371 00:11:55,366 --> 00:11:55,933 PEOPLE. I MEAN LIKE A 372 00:11:55,933 --> 00:11:57,700 GUESTIMATE. 373 00:11:57,700 --> 00:11:59,200 >>STEPHANIE: WELL, THE ONLY 374 00:11:59,200 --> 00:12:01,200 REASON I KNOW HOD'S IS BECAUSE 375 00:12:01,200 --> 00:12:03,100 HE'S WRITING THIS BOOK. AND SO 376 00:12:03,100 --> 00:12:04,566 THERE'S SOMEONE IN HOLLAND, IN 377 00:12:04,566 --> 00:12:05,466 THE NETHERLANDS, WHO'S WRITING 378 00:12:05,466 --> 00:12:07,500 THE DISCOGRAPHY AND HE CAME UP 379 00:12:07,500 --> 00:12:08,500 WITH 69 RECORDINGS THAT HOD'S 380 00:12:08,500 --> 00:12:10,033 ON. 381 00:12:10,033 --> 00:12:12,766 >>TERRI: THAT YOU'RE INVOLVED. 382 00:12:12,766 --> 00:12:13,233 OH MY GOODNESS. 383 00:12:13,233 --> 00:12:13,966 >>STEPHANIE: SO I THINK YOU HAVE 384 00:12:13,966 --> 00:12:14,633 ABOUT AS A LEADER, 20 AS A 385 00:12:14,633 --> 00:12:15,066 LEADER MAYBE. 386 00:12:15,066 --> 00:12:15,766 >>HOD: I DON'T THINK IF IT'S 387 00:12:15,766 --> 00:12:16,600 THAT MUCH 388 00:12:16,600 --> 00:12:20,233 >>TERRI: SO SPEAKING OF 389 00:12:20,233 --> 00:12:21,133 INSPIRATION. IF YOU COULD GIVE 390 00:12:21,133 --> 00:12:22,433 ADVICE TO OTHERS WHO ARE 391 00:12:22,433 --> 00:12:23,533 PERFORMERS AND MUSICIANS I MEAN, 392 00:12:23,533 --> 00:12:24,200 WHAT'S YOUR BEST ADVICE FOR 393 00:12:24,200 --> 00:12:27,100 SURVIVING IN THIS INDUSTRY? 394 00:12:27,100 --> 00:12:27,833 >>HOD: WELL, AND KEEP TRYING AND 395 00:12:27,833 --> 00:12:28,933 HOPE FOR THE BEST. 396 00:12:28,933 --> 00:12:30,000 >>STEPHANIE: YEAH YOU WORK ON 397 00:12:30,000 --> 00:12:30,666 YOUR MUSIC AND YOU DEVELOP 398 00:12:30,666 --> 00:12:35,500 YOURSELF. 399 00:12:35,500 --> 00:12:36,233 >>HOD: YOU DEVELOP YOUR JUST TRY 400 00:12:36,233 --> 00:12:36,866 TO DEVELOP YOUR OWN STYLE. 401 00:12:36,866 --> 00:12:37,600 >>STEPHANIE: YOU HAVE TO ALMOST 402 00:12:37,600 --> 00:12:38,333 KEEP REINVENTING YOURSELF AND I 403 00:12:38,333 --> 00:12:39,066 DON'T MEAN CHANGING WHAT YOU DO 404 00:12:39,066 --> 00:12:39,333 BUT 405 00:12:39,333 --> 00:12:40,366 >>TERRI: YEAH. 406 00:12:40,366 --> 00:12:42,300 >>STEPHANIE: NO TWO JAZZ 407 00:12:42,300 --> 00:12:43,033 MUSICIANS SHOULD SOUND THE SAME. 408 00:12:43,033 --> 00:12:46,166 THEY SHOULD NEVER SOUND THE SAME 409 00:12:46,166 --> 00:12:47,966 BECAUSE PEOPLE ARE DIFFERENT. SO 410 00:12:47,966 --> 00:12:50,233 WE JUST ENCOURAGE PEOPLE TO DO 411 00:12:50,233 --> 00:12:51,466 IT. LISTEN TO MUSIC, BUY 412 00:12:51,466 --> 00:12:52,333 RECORDINGS, GO TO LIVE 413 00:12:52,333 --> 00:12:53,700 PERFORMANCES, EXPERIENCE IT, 414 00:12:53,700 --> 00:12:55,966 SHARE IT, GET YOUR KIDS INVOLVED 415 00:12:55,966 --> 00:12:57,366 WITH IT. IT'S FANTASTIC. 416 00:12:57,366 --> 00:12:58,433 >>TERRI: THANK YOU ALL SO MUCH. 417 00:12:58,433 --> 00:12:59,166 >>STEPHANIE: THANK YOU, TERRI. 418 00:12:59,166 --> 00:13:07,766 THANK YOU FOR HAVING US. 419 00:12:59,766 --> 00:13:40,433 >>HOD: THANK YOU. 420 00:13:40,433 --> 00:13:41,033 THIS IS A PLACE THAT'S 421 00:13:41,033 --> 00:13:41,766 CONSISTENT. YOU KNOW WHAT YOU'RE 422 00:13:41,766 --> 00:13:42,500 GETTING YOU KNOW THE PEOPLE THAT 423 00:13:42,500 --> 00:13:43,166 ARE HERE IT'S SOMEWHAT LIKE 424 00:13:43,166 --> 00:13:43,900 CHEERS IN THE BAR OF OLD. THEY 425 00:13:43,900 --> 00:13:44,366 KNOW YOUR NAME. 426 00:13:44,366 --> 00:13:45,933 TERRI: TODAY WE'RE GOING TO STOP 427 00:13:45,933 --> 00:13:48,100 BY A VERY SPECIAL 428 00:13:48,100 --> 00:13:50,066 CHARLOTTESVILLE ESTABLISHMENT 429 00:13:50,066 --> 00:13:50,733 THAT HAS BEEN PROVIDING OUR 430 00:13:50,733 --> 00:13:52,366 COMMUNITY WITH HOMEMADE 431 00:13:52,366 --> 00:13:55,066 LEMONADE, THICK MILKSHAKE, TASTY 432 00:13:55,066 --> 00:13:56,800 DELI TREATS AND A PRESCRIPTION 433 00:13:56,800 --> 00:13:59,233 DELIVERY SERVICE FOR OVER A 434 00:13:59,233 --> 00:14:02,100 CENTURY. JOIN US AS WE VISIT 435 00:14:02,100 --> 00:14:02,833 WITH JOHN PLANTZ, OWNER OF 436 00:14:02,833 --> 00:14:03,566 TIMBERLAKES DRUG STORE AND SODA 437 00:14:03,566 --> 00:14:04,300 FOUNTAIN ON THE DOWNTOWN MALL. 438 00:14:04,300 --> 00:14:06,866 COME ON. 439 00:14:06,866 --> 00:14:08,633 KAYLIE: OK. AND DID YOU WANT TO 440 00:14:08,633 --> 00:14:10,166 HAVE THAT DELIVERED OR DID YOU 441 00:14:10,166 --> 00:14:10,900 WANT TO PICK IT UP? OK. SOUNDS 442 00:14:10,900 --> 00:14:13,766 GOOD. THANK YOU. GOOD BYE. 443 00:14:13,766 --> 00:14:17,000 JOHN: TIMBERLAKES HAS BEEN AT 444 00:14:17,000 --> 00:14:17,733 THIS LOCATION SINCE 1917, BUT IT 445 00:14:17,733 --> 00:14:19,833 WAS DOWN THE BLOCK, 2 BLOCKS 446 00:14:19,833 --> 00:14:28,166 DOWN FROM 1890 UNTIL 1917. AND 447 00:14:28,166 --> 00:14:30,200 THE BUSINESS HAS BEEN OWNED- I'M 448 00:14:30,200 --> 00:14:32,633 THE FOURTH OWNER IN ALL OF THOSE 449 00:14:32,633 --> 00:14:34,400 YEARS, SO EVERYBODY KEEPS IT 450 00:14:34,400 --> 00:14:37,366 ABOUT 30 OR 40 YEARS AND THEN 451 00:14:37,366 --> 00:14:40,866 SO, I'VE BEEN HERE SINCE '77, SO 452 00:14:40,866 --> 00:14:49,666 WHAT DOES THAT MAKE IT? 40 YEARS 453 00:14:49,666 --> 00:14:50,400 IN 2017. BUT I HAVE NO INTENTION 454 00:14:50,400 --> 00:14:51,133 OF RETIRING. I'M HAVING TOO MUCH 455 00:14:51,133 --> 00:14:51,400 FUN. 456 00:14:51,400 --> 00:14:52,133 TERRI: LAUGHS. TALK ABOUT WHAT 457 00:14:52,133 --> 00:14:53,500 IS SO SPECIAL ABOUT TIMBERLAKES. 458 00:14:53,500 --> 00:14:54,233 THERE ARE A LOT OF THINGS THAT 459 00:14:54,233 --> 00:14:55,033 MAKE IT SPECIAL. 460 00:14:55,033 --> 00:14:55,933 JOHN: WELL, I GUESS JUST THE 461 00:14:55,933 --> 00:14:57,966 FACT THAT IT REPRESENTS THE 462 00:14:57,966 --> 00:14:58,700 PAST. A LOT OF THESE PEOPLE HAVE 463 00:14:58,700 --> 00:14:59,466 BEEN COMING IN HERE SINCE THEY 464 00:14:59,466 --> 00:15:00,200 WERE LITTLE KIDS AND THEIR 465 00:15:00,200 --> 00:15:03,766 GRANDPARENTS BROUGHT THEM IN AND 466 00:15:03,766 --> 00:15:04,833 THEY JUST KEEP COMING. 467 00:15:04,833 --> 00:15:08,466 SENA: TIMBERLAKES STILL KIND OF 468 00:15:08,466 --> 00:15:15,600 HAS THAT OLD FASHIONEDDRUG 469 00:15:15,600 --> 00:15:16,333 STOREESQUENESS TO IT WHERE YOU 470 00:15:16,333 --> 00:15:17,033 CAN GET, THERE WAS A VANILLA 471 00:15:17,033 --> 00:15:18,100 POWDER THAT MY MOM LOVED FOR A 472 00:15:18,100 --> 00:15:19,166 LONG TIME SO FOR A WHILE THIS 473 00:15:19,166 --> 00:15:20,766 WAS THE ONLY PLACE I COULD FIND 474 00:15:20,766 --> 00:15:22,533 TO GET HER CHRISTMAS PRESENTS 475 00:15:22,533 --> 00:15:23,233 EVERY YEAR. JUST GOOD PEOPLE. 476 00:15:23,233 --> 00:15:23,833 AND PART OF YOUR LOCAL 477 00:15:23,833 --> 00:15:27,233 NEIGHBORHOOD. 478 00:15:27,233 --> 00:15:28,666 TERRI: WITH YOUR PHARMACY YOU 479 00:15:28,666 --> 00:15:31,700 DELIVER. 480 00:15:31,700 --> 00:15:35,100 JOHN: YEAH, THAT'S REALLY WHAT'S 481 00:15:35,100 --> 00:15:35,800 KEPT US IN BUSINESS, THE FREE 482 00:15:35,800 --> 00:15:37,733 DELIVERY. IT'S PROBABLY NOT THE 483 00:15:37,733 --> 00:15:40,633 BEST PLACE IN THE WORLD TO HAVE 484 00:15:40,633 --> 00:15:41,366 A DRUG STORE, CAUSE PEOPLE GO TO 485 00:15:41,366 --> 00:15:42,033 THE DOCTOR, THEY DON'T FEEL 486 00:15:42,033 --> 00:15:42,766 GOOD, BUT OUR DELIVERY SERVICE 487 00:15:42,766 --> 00:15:43,500 MAKES UP FOR THAT. WE CAN GET IT 488 00:15:43,500 --> 00:15:44,233 TO YOUR HOUSE WITHIN A COUPLE OF 489 00:15:44,233 --> 00:15:44,633 HOURS SO. 490 00:15:44,633 --> 00:15:46,000 TERRI: AND YOU HAVE YOUR 491 00:15:46,000 --> 00:15:46,733 FABULOUS SODA FOUNTAIN WHICH IS 492 00:15:46,733 --> 00:15:47,566 - 493 00:15:47,566 --> 00:15:49,233 JOHN: YEAH, THE SODA FOUNTAIN IS 494 00:15:49,233 --> 00:15:50,866 THE FAMOUS PART OF THE 495 00:15:50,866 --> 00:15:52,700 DRUGSTORE- WHICH I ALWAYS TELL 496 00:15:52,700 --> 00:15:56,600 PEOPLE, WE FILL PRESCRIPTIONS 497 00:15:56,600 --> 00:16:17,533 TOO. BUT IF YOU SAY TO ANYBODY, 498 00:16:17,533 --> 00:16:18,266 IF YOU'RE AT A COCKTAIL PARTY OR 499 00:16:18,266 --> 00:16:19,000 SOMETHING, SOMEBODY INTRODUCES 500 00:16:19,000 --> 00:16:19,733 ME TO SOMEBODY, THEY SAY, WELL, 501 00:16:19,733 --> 00:16:20,433 WHERE DO YOU WORK? AND I SAY, 502 00:16:20,433 --> 00:16:21,133 TIMBERLAKES, OH, YOU HAVE THE 503 00:16:21,133 --> 00:16:21,866 BEST GRILLED CHEESE, OR OH YOU 504 00:16:21,866 --> 00:16:22,600 HAVE THE BEST MILKSHAKES, NOBODY 505 00:16:22,600 --> 00:16:23,333 TALKS ABOUT THE PHARMACY END OF 506 00:16:23,333 --> 00:16:23,600 IT. 507 00:16:23,600 --> 00:16:24,266 TERRI: SO YOU HAVE REAL ICE 508 00:16:24,266 --> 00:16:25,000 CREAM, I MEAN SHAKES WITH REAL 509 00:16:25,000 --> 00:16:25,700 ICE CREAM, YOU MAKE YOUR OWN 510 00:16:25,700 --> 00:16:26,366 LEMONADE, YOUR OWN LIME AID. 511 00:16:26,366 --> 00:16:27,066 JOHN: RIGHT. WE MAKE OUR OWN 512 00:16:27,066 --> 00:16:27,866 CHILI, WHICH PEOPLE JUST LOVE. 513 00:16:27,866 --> 00:16:29,766 TERRI: PIE. 514 00:16:29,766 --> 00:16:31,533 JOHN: WE BAKE OUR OWN TURKEY 515 00:16:31,533 --> 00:16:32,866 BREAST, WE BAKE TURKEYS IN THE 516 00:16:32,866 --> 00:16:37,666 OVEN DOWNSTAIRS IN THE KITCHEN. 517 00:16:37,666 --> 00:16:38,900 AND UH, YEAH, YOU DON'T GET REAL 518 00:16:38,900 --> 00:16:40,966 TURKEY BREASTS JUST ANY PLACE, 519 00:16:40,966 --> 00:16:41,700 THE KIND LIKE YOU MAKE AT HOME, 520 00:16:41,700 --> 00:16:42,466 IT'S JUST THE REAL STUFF. 521 00:16:42,466 --> 00:16:44,166 TERRI: AND PIE. 522 00:16:44,166 --> 00:16:45,766 JOHN: YEAH. PIE, PIE, PIE. WE 523 00:16:45,766 --> 00:16:48,266 HAVE A LOT OF PIES. 524 00:16:48,266 --> 00:16:49,000 TERRI: I'M SO EXCITED ABOUT THE 525 00:16:49,000 --> 00:16:51,666 PIE. LAUGHTER 526 00:16:51,666 --> 00:16:52,500 WARREN: WE'RE HAVING A CHOCOLATE 527 00:16:52,500 --> 00:16:55,066 MILKSHAKE. 528 00:16:55,066 --> 00:16:56,166 HEATHER: WE CAME IN TO HAVE 529 00:16:56,166 --> 00:16:58,500 LUNCH SO WE CAN EARN THE 530 00:16:58,500 --> 00:16:59,266 MILKSHAKE THAT FOLLOWS BECAUSE 531 00:16:59,266 --> 00:17:02,466 THIS IS THE BEST MILKSHAKE THAT 532 00:17:02,466 --> 00:17:03,200 THERE IS. SO IF WE DO A GOOD JOB 533 00:17:03,200 --> 00:17:03,900 AND EAT OUR LUNCH THEN WE'RE 534 00:17:03,900 --> 00:17:04,700 GONNA SPLIT A CHOCOLATE 535 00:17:04,700 --> 00:17:05,400 MILKSHAKE WHEN ALL OF THIS IS 536 00:17:05,400 --> 00:17:05,833 OVER. 537 00:17:05,833 --> 00:17:07,933 WARD: FOR ONE REASON OR ANOTHER 538 00:17:07,933 --> 00:17:09,333 YEARS AGO THE DECISION WAS MADE 539 00:17:09,333 --> 00:17:13,466 TO ONLY NAME SANDWICHES AFTER 540 00:17:13,466 --> 00:17:16,100 PEOPLE WHO HAD DIED AND SO ONE 541 00:17:16,100 --> 00:17:17,700 OF THE PERSONS WHO RAN THIS 542 00:17:17,700 --> 00:17:21,300 PLACE WAS A GENTLEMAN NAMED 543 00:17:21,300 --> 00:17:25,966 MCCAFFEY AND SO A SANDWICH WAS 544 00:17:25,966 --> 00:17:27,066 NAMED FOR HIM. ANOTHER WAS LOUIS 545 00:17:27,066 --> 00:17:28,433 GLAZER WHO IF YOU WILL 546 00:17:28,433 --> 00:17:29,133 MANUFACTURED QUILL PENS THAT 547 00:17:29,133 --> 00:17:31,200 WERE USED AT MONTICELLO. ONE OF 548 00:17:31,200 --> 00:17:34,000 OUR MORE BELOVED GENTLEMEN IN 549 00:17:34,000 --> 00:17:34,733 THE COMMUNITY WAS DARDEN TOWE, A 550 00:17:34,733 --> 00:17:37,300 SANDWICH IS NAMED FOR HIM. 551 00:17:37,300 --> 00:17:41,733 CONNIE: DEVILED EGGS. MAYONAISE, 552 00:17:41,733 --> 00:17:42,966 CELERY AND MUSTARD, THAT'S ALL I 553 00:17:42,966 --> 00:17:45,466 PUT IN THAT. AND WE MAKE CHICKEN 554 00:17:45,466 --> 00:17:46,200 SALAD THAT'S REALLY FOR, AND THE 555 00:17:46,200 --> 00:17:49,600 TUNA FISH. AND THE ONLY THING WE 556 00:17:49,600 --> 00:17:51,933 PUT IN OUR TUNA IS RELISH AND 557 00:17:51,933 --> 00:17:53,566 MAYONAISE AND THE ONLY THING WE 558 00:17:53,566 --> 00:17:54,800 PUT IN OUR CHICKEN IS CELERY AND 559 00:17:54,800 --> 00:17:57,300 MAYONAISE AND PEOPLE SEEM TO 560 00:17:57,300 --> 00:17:58,033 LIKE IT LIKE THAT SO WE CONTINUE 561 00:17:58,033 --> 00:17:58,733 TO DO IT AND THEY CONTINUE TO 562 00:17:58,733 --> 00:18:02,066 BUY. 563 00:18:02,066 --> 00:18:03,533 TERRI: SO TALK ABOUT YOUR 564 00:18:03,533 --> 00:18:05,966 FABULOUS STAFF. 565 00:18:05,966 --> 00:18:07,033 JOHN: FABULOUS STAFF, WHERE DO I 566 00:18:07,033 --> 00:18:09,766 BEGIN? ACTUALLY THEY ALL SERVE A 567 00:18:09,766 --> 00:18:13,133 VERY IMPORTANT PURPOSE HERE AND 568 00:18:13,133 --> 00:18:16,666 UH, WE HAVE A LOT OF BANTERING 569 00:18:16,666 --> 00:18:17,200 THAT GOES ON. 570 00:18:17,200 --> 00:18:19,333 TERRI: YEAH. 571 00:18:19,333 --> 00:18:21,766 JOHN: BUT THE PROBLEM IS, THE 572 00:18:21,766 --> 00:18:22,800 STAFF IS, THE PROBLEM IS WE HAVE 573 00:18:22,800 --> 00:18:28,000 ONE LADY WHO JUST RETIRED OVER 574 00:18:28,000 --> 00:18:30,733 50 YEARS OF SERVICE. WE HAVE TWO 575 00:18:30,733 --> 00:18:33,033 LADIES WHO ARE TALKING ABOUT 576 00:18:33,033 --> 00:18:35,233 RETIRING, AND THEY'RE BOTH, 577 00:18:35,233 --> 00:18:35,966 ONE'S OVER 50 AND THE OTHER ONE 578 00:18:35,966 --> 00:18:37,633 IS GETTING CLOSE. 579 00:18:37,633 --> 00:18:38,366 TERRI: FOR 50 YEARS OF SERVICE, 580 00:18:38,366 --> 00:18:39,766 RIGHT. 581 00:18:39,766 --> 00:18:40,966 JOHN: AND UH, IT'S HARD TO 582 00:18:40,966 --> 00:18:41,833 REPLACE THOSE KINDS OF PEOPLE. 583 00:18:41,833 --> 00:18:44,466 TERRI: YEAH. 584 00:18:44,466 --> 00:18:49,066 JOHN: SO, IF SOMEBODY OUT THERE 585 00:18:49,066 --> 00:18:49,800 IS LIKE 75 YEARS OLD AND WANTS A 586 00:18:49,800 --> 00:18:51,066 JOB COME AND SEE ME. 587 00:18:51,066 --> 00:19:01,633 DEBBIE: I DIDN'T EVEN KNOW THIS 588 00:19:01,633 --> 00:19:02,366 PLACE EXISTED UNTIL I WALKED BY. 589 00:19:02,366 --> 00:19:03,100 I USED TO GO TO LANE HIGH SCHOOL 590 00:19:03,100 --> 00:19:03,800 AND I USED TO LIVE ON BELMONT 591 00:19:03,800 --> 00:19:04,966 AND I WOULD GO BACK AND FORTH 592 00:19:04,966 --> 00:19:05,766 YOU KNOW IN THE MORNINGS TO GO 593 00:19:05,766 --> 00:19:06,500 TO SCHOOL AND BACK TO GO HOME. 594 00:19:06,500 --> 00:19:09,033 AND I DIDN'T EVEN KNOW THIS 595 00:19:09,033 --> 00:19:09,766 PLACE EVER EXISTED UNTIL I SEEN 596 00:19:09,766 --> 00:19:10,500 THE YOU KNOW THE AD IN THE PAPER 597 00:19:10,500 --> 00:19:11,333 SAYING YOU KNOW THAT THEY NEEDED 598 00:19:11,333 --> 00:19:12,300 HELP. SO I SAID YOU KNOW LET'S 599 00:19:12,300 --> 00:19:14,933 GO IN HERE AND CHECK IT OUT AND 600 00:19:14,933 --> 00:19:15,666 FIND OUT. AND THAT'S WHAT I DID 601 00:19:15,666 --> 00:19:17,266 AND I'VE BEEN HERE FOR SIXTEEN 602 00:19:17,266 --> 00:19:18,733 YEARS NOW. AND ONCE IN AWHILE IT 603 00:19:18,733 --> 00:19:22,666 HAS ITS UPS AND DOWNS YOU KNOW, 604 00:19:22,666 --> 00:19:23,366 CUSTOMERS LIKE THIS ONE OVER 605 00:19:23,366 --> 00:19:26,500 HERE YOU KNOW THIS LAUGHTER. 606 00:19:26,500 --> 00:19:27,200 CHARLES: THERE GOES THE TIP, 607 00:19:27,200 --> 00:19:29,600 I'LL TELL YOU THAT, BOY. 608 00:19:29,600 --> 00:19:36,033 KAYLIE: IT IS NOT EASY, WE HAVE 609 00:19:36,033 --> 00:19:38,466 A LOT OF REGULARS WHO HAVE BEEN 610 00:19:38,466 --> 00:19:40,233 HERE SINCE BEFORE I WAS EVEN 611 00:19:40,233 --> 00:19:40,866 BORN, SO WORKING HERE HAS 612 00:19:40,866 --> 00:19:41,866 DEFINITELY BEEN A NEW 613 00:19:41,866 --> 00:19:49,466 EXPERIENCE. WE HAVE A LOT OF 614 00:19:49,466 --> 00:19:50,300 ORIGINAL PRODUCTS ALSO, LIKE 615 00:19:50,300 --> 00:19:51,800 JEAN NATE I THINK IT'S CALLED, 616 00:19:51,800 --> 00:19:54,800 AND LIKE ELIZABETH ARDEN AND THE 617 00:19:54,800 --> 00:19:55,900 BLUE GRASS,ALL OF THAT LIKE THE 618 00:19:55,900 --> 00:19:57,066 DUSTING POWDER YOU KNOW. THAT'S 619 00:19:57,066 --> 00:19:57,800 ALL, YOU CAN'T REALLY FIND THAT 620 00:19:57,800 --> 00:19:59,733 ANYWHERE ELSE, LIKE AT ANY OTHER 621 00:19:59,733 --> 00:20:00,433 DRUG STORE. SO IT'S NICE WHEN 622 00:20:00,433 --> 00:20:01,166 PEOPLE GET EXCITED BECAUSE THEY 623 00:20:01,166 --> 00:20:01,866 COME IN AND SEE THAT WE HAVE 624 00:20:01,866 --> 00:20:02,166 THAT. 625 00:20:02,166 --> 00:20:05,566 TERRI: SO TALK ABOUT HOW, TALK 626 00:20:05,566 --> 00:20:07,766 ABOUT HOW YOU COMPETE WITH SOME 627 00:20:07,766 --> 00:20:08,533 OF THESE LARGER CHAIN 628 00:20:08,533 --> 00:20:09,266 DRUGSTORES, BECAUSE THAT MUST BE 629 00:20:09,266 --> 00:20:16,333 TRICKY. 630 00:20:16,333 --> 00:20:17,233 JOHN: IT'S VERY DIFFICULT, AND 631 00:20:17,233 --> 00:20:18,433 AH BUT WE, REALLY, TECHNICALLY 632 00:20:18,433 --> 00:20:19,133 PROBABLY SHOULDN'T STILL BE 633 00:20:19,133 --> 00:20:22,900 HERE. BUT WE HAVE A BIG 634 00:20:22,900 --> 00:20:23,633 FOLLOWING OF PHARMACY OF PEOPLE 635 00:20:23,633 --> 00:20:26,566 WHO NEED PHARMACEUTICAL 636 00:20:26,566 --> 00:20:29,266 SERVICES. AND A LOT OF THEM ARE 637 00:20:29,266 --> 00:20:30,133 SHUT-INS. A LOT OF ‘EM -ALOT OF 638 00:20:30,133 --> 00:20:30,833 THEM JUST LIKE TO DEAL WITH A 639 00:20:30,833 --> 00:20:31,566 PLACE THEY CAN TALK TO SOMEBODY. 640 00:20:31,566 --> 00:20:50,433 TERRI: RIGHT. 641 00:20:50,433 --> 00:20:51,133 JOHN: SO THEY CALL UP ON THE 642 00:20:51,133 --> 00:20:51,833 PHONE AND THEY GET TO TALK TO 643 00:20:51,833 --> 00:20:52,500 US. AND THAT MEANS A LOT TO 644 00:20:52,500 --> 00:20:52,833 PEOPLE. 645 00:20:52,833 --> 00:20:53,233 TERRI: YEAH. 646 00:20:53,233 --> 00:20:53,933 JOHN: NOT ALL PEOPLE, I THINK 647 00:20:53,933 --> 00:20:54,633 THE YOUNG GENERATION DOESN'T 648 00:20:54,633 --> 00:20:55,366 REALLY KNOW THAT, THEY'RE USED 649 00:20:55,366 --> 00:20:56,100 TO DEALING WITH ANONYMOUS PEOPLE 650 00:20:56,100 --> 00:21:24,533 OR INTERNET OR WHATEVER, BUT THE 651 00:21:24,533 --> 00:21:25,233 OLDER GENERATION LIKE TO DEAL 652 00:21:25,233 --> 00:21:26,666 WITH SOMEBODY THEY KNOW. 653 00:21:26,666 --> 00:21:29,366 TERRI: WELL, THEN, THEY LIKE 654 00:21:29,366 --> 00:21:30,066 HOMEMADE FOOD TOO, EVERYBODY 655 00:21:30,066 --> 00:21:30,766 LIKES HOMEMADE FOOD, YOU HAVE. 656 00:21:30,766 --> 00:21:31,500 JOHN: YOU KEEP GOING BACK TO THE 657 00:21:31,500 --> 00:21:31,933 SODA FOUNTAIN 658 00:21:31,933 --> 00:21:32,666 TERRI: I KNOW, CAUSE WE HAVEN'T 659 00:21:32,666 --> 00:21:33,366 REALLY GIVEN IT ITS DUE TIME 660 00:21:33,366 --> 00:21:33,633 YET. 661 00:21:33,633 --> 00:21:34,066 JOHN: NO, ITS. 662 00:21:34,066 --> 00:21:34,766 TERRI: WHAT IS YOUR FAVORITE 663 00:21:34,766 --> 00:21:35,500 THING ON THE MENU? IN THE SODA 664 00:21:35,500 --> 00:21:36,233 FOUNTAIN, I KEEP GOING BACK TO- 665 00:21:36,233 --> 00:21:36,966 JOHN: UHHM, MY FAVORITE THING IS 666 00:21:36,966 --> 00:21:37,700 PROBABLY I PROBABLY EAT THE TUNA 667 00:21:37,700 --> 00:21:38,400 FISH SANDWICH MORE OFTEN THAN 668 00:21:38,400 --> 00:21:39,133 NOT, PARTLY BECAUSE IT'S HEALTHY 669 00:21:39,133 --> 00:21:39,866 BUT I LOVE IT WHEN WE HAVE HOME 670 00:21:39,866 --> 00:21:40,333 GROWN TOMATOES. 671 00:21:40,333 --> 00:21:55,500 TERRI: OH YEAH. 672 00:21:55,500 --> 00:21:56,200 JOHN: DO YOU KNOW WHERE THEY 673 00:21:56,200 --> 00:21:56,600 COME FROM? 674 00:21:56,600 --> 00:21:57,033 TERRI: WHERE? 675 00:21:57,033 --> 00:21:57,800 JOHN: I GROW ‘EM. ALL SUMMER 676 00:21:57,800 --> 00:22:00,933 LONG HERE, WELL STARTING IN 677 00:22:00,933 --> 00:22:01,666 ABOUT THE MIDDLE OF JULY THROUGH 678 00:22:01,666 --> 00:22:02,400 AUGUST THE TOMATOES WE HAVE AH 679 00:22:02,400 --> 00:22:10,566 COME OUT OF MY GARDEN. 680 00:22:10,566 --> 00:22:11,300 TERRI: OH, THAT IS SO GREAT. AND 681 00:22:11,300 --> 00:22:12,000 YOU'RE THE PHARMACIST, YOU'RE 682 00:22:12,000 --> 00:22:12,533 BEHIND THE COUNTER. 683 00:22:12,533 --> 00:22:12,966 JOHN: RIGHT. 684 00:22:12,966 --> 00:22:14,233 TERRI: SO YOU ARE A BUSY GUY. 685 00:22:14,233 --> 00:22:14,966 JOHN: YEAH. I WORK 4 DAYS A WEEK 686 00:22:14,966 --> 00:22:15,566 NOW AND I HAVE ANOTHER 687 00:22:15,566 --> 00:22:16,266 PHARMACIST, SHE A YOUNG WOMAN 688 00:22:16,266 --> 00:22:16,866 AND SHE TRIES TO CHANGE 689 00:22:16,866 --> 00:22:17,533 EVERYTHING THAT I DO. AND I 690 00:22:17,533 --> 00:22:18,266 WON'T LET HER SO WE GO BACK AND 691 00:22:18,266 --> 00:22:18,966 FORTH ALL THE TIME. BUT TO ME 692 00:22:18,966 --> 00:22:19,633 YOU KNOW TO ME LIKE ALL THE 693 00:22:19,633 --> 00:22:20,366 PEOPLE WHO WORK HERE, NONE OF US 694 00:22:20,366 --> 00:22:20,966 LIKE CHANGE. WE'RE ALL 695 00:22:20,966 --> 00:22:21,666 OLD-FASHIONED, WE SEE NOTHING 696 00:22:21,666 --> 00:22:22,400 WRONG WITH THE OLD WAYS BUT YOU 697 00:22:22,400 --> 00:22:23,100 KNOW THEY KEEP, PEOPLE KEEP 698 00:22:23,100 --> 00:22:23,833 TRYING TO RAM THINGS DOWN YOUR 699 00:22:23,833 --> 00:22:24,566 THROAT HOW YOU HAVE TO DO THIS 700 00:22:24,566 --> 00:22:31,400 OR HOW YOU HAVE TO DO THAT, BUT 701 00:22:31,400 --> 00:22:32,600 I'M PRETTY STUBBORN ABOUT THAT. 702 00:22:32,600 --> 00:22:34,366 MILLIE: I WATCHED THEM LAY THE 703 00:22:34,366 --> 00:22:35,100 FIRST BRICK OF THE MALL. AND I 704 00:22:35,100 --> 00:22:35,900 CAME HERE WE HAD TWO WAY TRAFFIC 705 00:22:35,900 --> 00:23:15,966 AND COULD PARK OUT IN FRONT OF 706 00:23:15,966 --> 00:23:16,666 THE STORE. YOU TRY TO PLEASE 707 00:23:16,666 --> 00:23:17,400 YOUR CUSTOMERS NO MATTER WHAT. 708 00:23:17,400 --> 00:23:18,133 SOMETHING MAY COME UP THAT'S NOT 709 00:23:18,133 --> 00:23:18,866 MAYBE YOUR FAULT BUT YOU CORRECT 710 00:23:18,866 --> 00:23:19,600 IT AND BE GRACIOUS ABOUT IT. YOU 711 00:23:19,600 --> 00:23:20,300 DON'T MAKE YOUR CUSTOMER FEEL 712 00:23:20,300 --> 00:23:21,033 THAT YOU ARE DOING HIM A FAVOR. 713 00:23:21,033 --> 00:23:23,266 IT'S THE OTHER WAY AROUND. 714 00:23:23,266 --> 00:23:24,200 CONNIE: I LOVE THE CUSTOMERS 715 00:23:24,200 --> 00:23:25,600 BECAUSE ALL OF THEM ARE 716 00:23:25,600 --> 00:23:27,033 DIFFERENT, ALL OF THEM HAVE 717 00:23:27,033 --> 00:23:31,400 STORIES TO TELL AND WE'VE HAD 718 00:23:31,400 --> 00:23:32,133 SOME PRETTY GOOD TIMES, TOO. I 719 00:23:32,133 --> 00:23:32,866 FIRST CAME TO WORK MY COUSIN WAS 720 00:23:32,866 --> 00:23:59,466 HERE AND SHE GOT ME ON BECAUSE I 721 00:23:59,466 --> 00:24:00,266 HAD JUST GOTTEN OUT OF SCHOOL IN 722 00:24:00,266 --> 00:24:01,100 '68. AND I HAD STAYED AT HOME 723 00:24:01,100 --> 00:24:01,800 FOR A LITTLE WHILE SO THEN IN 724 00:24:01,800 --> 00:24:02,533 '69 AFTER I GOT MARRIED I SAID I 725 00:24:02,533 --> 00:24:03,266 WANTED TO WORK TO PUT SOME MONEY 726 00:24:03,266 --> 00:24:04,000 IN MAYBE FOR A HOME LATER. WELL 727 00:24:04,000 --> 00:24:04,666 I WAS ONLY SUPPOSED TO WORK 728 00:24:04,666 --> 00:24:05,366 UNTIL WE DID THE HOME BUT NOW 729 00:24:05,366 --> 00:24:06,100 I'M STILL WORKING AND THE HOME'S 730 00:24:06,100 --> 00:24:06,766 BEEN PAID FOR NOW FOR ABOUT 731 00:24:06,766 --> 00:24:07,433 FIFTEEN YEARS. LAUGHTER. OR 732 00:24:07,433 --> 00:24:07,733 MORE. 733 00:24:07,733 --> 00:24:08,400 TERRI: TELL ME ONE OF YOUR 734 00:24:08,400 --> 00:24:09,133 FAVORITE STORIES THAT TOOK PLACE 735 00:24:09,133 --> 00:24:09,766 ABOUT A CUSTOMER OR STAFF 736 00:24:09,766 --> 00:24:10,466 ANYBODY, ONE OF YOUR FAVORITE 737 00:24:10,466 --> 00:24:11,000 TIMBERLAKE STORIES. 738 00:24:11,000 --> 00:24:11,666 JOHN: WELL, I USUALLY TELL 739 00:24:11,666 --> 00:24:12,400 PEOPLE ABOUT THE LADY WHO HAS A 740 00:24:12,400 --> 00:24:13,066 DOG AND THE DOG IS GAINING 741 00:24:13,066 --> 00:24:13,766 WEIGHT AND SHE ASKS ME FOR A, 742 00:24:13,766 --> 00:24:14,500 WHAT CAN I GIVE THE DOG TO HELP 743 00:24:14,500 --> 00:24:15,233 HIM LOSE WEIGHT? AND I SAID DID 744 00:24:15,233 --> 00:24:15,966 YOU EVER THINK ABOUT NOT PUTTING 745 00:24:15,966 --> 00:24:20,366 SO MUCH FOOD IN THE DOG DISH? 746 00:24:20,366 --> 00:24:20,766 TERRI: OK. 747 00:24:20,766 --> 00:24:21,466 JOHN: AND SHE SAID, OH NO, I 748 00:24:21,466 --> 00:24:22,200 COULDN'T DO THAT; HE LOOKS AT ME 749 00:24:22,200 --> 00:24:22,933 WITH THOSE BROWN EYES. AND THEN 750 00:24:22,933 --> 00:24:23,666 THERE'S ANOTHER LADY WHO TOLD ME 751 00:24:23,666 --> 00:24:24,366 ABOUT HER CAT. HER CAT HAS A 752 00:24:24,366 --> 00:24:25,100 HEADACHE. AND I SAID HOW DID YOU 753 00:24:25,100 --> 00:24:25,766 DO THAT? OR HOW DO YOU KNOW 754 00:24:25,766 --> 00:24:26,500 THAT? OH, I CAN JUST TELL BY THE 755 00:24:26,500 --> 00:24:27,233 WAY IT HOLDS ITS HEAD. SO, THOSE 756 00:24:27,233 --> 00:24:27,966 ARE SOME OF THE ANIMAL STORIES 757 00:24:27,966 --> 00:24:28,666 BUT UH I ALWAYS SAID I WOULD 758 00:24:28,666 --> 00:24:29,400 WRITE SOME OF THESE STORIES DOWN 759 00:24:29,400 --> 00:24:30,133 AND PUT THEM IN A BOOK. BUT THEY 760 00:24:30,133 --> 00:24:30,833 COME ALONG EVERY WEEK THERE'S 761 00:24:30,833 --> 00:24:31,533 ANOTHER ONE AND OF COURSE YOU 762 00:24:31,533 --> 00:24:32,166 DON'T REMEMBER THEM ALL. 763 00:24:32,166 --> 00:24:35,700 TERRI: MAYBE IF YOU EVER RETIRE, 764 00:24:35,700 --> 00:24:36,966 MAYBE THAT'S WHAT YOU'LL DO. 765 00:24:36,966 --> 00:24:43,966 JOHN: I MIGHT WRITE A BOOK ABOUT 766 00:24:43,966 --> 00:24:44,666 FUNNY THINGS THAT HAPPEN IN A 767 00:24:44,666 --> 00:24:45,066 DRUGSTORE. 768 00:24:45,066 --> 00:24:45,766 TERRI: THAT WOULD BE A GREAT 769 00:24:45,766 --> 00:24:46,066 BOOK. 770 00:24:46,066 --> 00:24:46,800 JOHN: I COULD TELL YOU ONE ABOUT 771 00:24:46,800 --> 00:24:47,466 A LUBRICANT, BUT I WON'T GO 772 00:24:47,466 --> 00:24:49,033 THERE. 773 00:24:49,033 --> 00:24:49,766 TERRI : OK,SO SERIOUSLY, ARE YOU 774 00:24:49,766 --> 00:24:50,500 NEVER GONNA RETIRE? AND IF NOT, 775 00:24:50,500 --> 00:24:56,766 WHY? 776 00:24:56,766 --> 00:24:57,466 JOHN: UH, I REALLY DON'T HAVE 777 00:24:57,466 --> 00:24:58,200 ANY PLANS TO RETIRE. I DON'T SEE 778 00:24:58,200 --> 00:25:11,633 ANY, I THINK RETIREMENT IS WHAT 779 00:25:11,633 --> 00:25:12,366 YOUNG PEOPLE THINK ABOUT. WHEN 780 00:25:12,366 --> 00:25:13,100 YOU'RE YOUNG, YOU DON'T WANT TO 781 00:25:13,100 --> 00:25:13,800 GO TO WORK. BUT WHEN YOU GET 782 00:25:13,800 --> 00:25:14,500 OLDER THE JOB REALLY FILLS UP 783 00:25:14,500 --> 00:25:15,733 YOUR DAY. I MEAN, I LIKE PEOPLE. 784 00:25:15,733 --> 00:25:17,266 TERRI: YEAH. 785 00:25:17,266 --> 00:25:18,933 JOHN: SO HERE I HAVE PEOPLE ALL 786 00:25:18,933 --> 00:25:19,666 THE TIME, I CAN CHITCHAT ALL THE 787 00:25:19,666 --> 00:25:21,533 TIME TELL PEOPLE WHAT I THINK, 788 00:25:21,533 --> 00:25:25,433 GIVE THEM SOME INFORMATION. AND 789 00:25:25,433 --> 00:25:26,166 IF I RETIRE, I'M AND AT HOME AND 790 00:25:26,166 --> 00:25:26,866 ALL THAT'S GONE. SO, THEN I 791 00:25:26,866 --> 00:25:45,300 HAVE MY WIFE. 792 00:25:45,300 --> 00:25:45,733 TERRI: LAUGHS. 793 00:25:45,733 --> 00:25:46,433 JOHN: WHICH I'M OKAY WITH BUT 794 00:25:46,433 --> 00:25:47,133 SHE MIGHT HAVE A PROBLEM WITH 795 00:25:47,133 --> 00:25:48,033 THAT. 796 00:25:48,033 --> 00:25:48,766 TERRI: WELL JOHN, THANK YOU FOR 797 00:25:48,766 --> 00:25:49,500 ALL YOU DO HERE AT TIMBERLAKES - 798 00:25:49,500 --> 00:25:50,200 I HOPE YOU DON'T EVER RETIRE 799 00:25:50,200 --> 00:25:50,533 EITHER. 800 00:25:50,533 --> 00:25:51,100 JOHN: WELL, THANK YOU. 801 00:25:51,100 --> 00:25:56,266 TERRI: THANK YOU. 802 00:25:56,266 --> 00:25:57,000 TERRI ALLARD: THAT'S IT FOR THIS 803 00:25:57,000 --> 00:25:57,733 WEEK. FOR WHTJ I'M TERRI ALLARD. 804 00:25:57,733 --> 00:26:03,133 SEE YOU NEXT TIME ON 805 00:25:58,300 --> 00:26:36,533 CHARLOTTESVILLE INSIDE-OUT. 806 00:26:36,533 --> 00:26:37,266 ANNOUNCER: THIS PRESENTATION WAS 807 00:26:37,266 --> 00:26:38,000 MADE POSSIBLE THANKS IN PART TO 808 00:26:38,000 --> 00:26:38,800 THE PATRONS OF “CHARLOTTESVILLE 809 00:26:38,800 --> 00:26:39,500 INSIDE-OUT ” COMMITTED TO 810 00:26:39,500 --> 00:26:40,233 EXPLORING THE PEOPLE, PLACES AND 811 00:26:40,233 --> 00:26:40,933 QUALITY OF LIFE THAT UNIQUELY 812 00:26:40,933 --> 00:26:43,233 DEFINE CHARLOTTESVILLE AND ITS 813 00:26:41,666 --> 00:26:43,233 SURROUNDINGS.