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00:00:00,000 --> 00:00:10,609
>> THIS PRESENTATION WAS MADE 
POSSIBLE THANKS IN PART TO THE 
PATRONS OF "CHARLOTTESVILLE

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00:00:10,611 --> 00:00:11,543
POSSIBLE THANKS IN PART TO THE 
PATRONS OF "CHARLOTTESVILLE 
INSIDE-OUT," COMMITTED TO

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00:00:11,545 --> 00:00:12,276
PATRONS OF "CHARLOTTESVILLE 
INSIDE-OUT," COMMITTED TO 
CLEARING THE PEOPLE, PLACES AND

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00:00:12,278 --> 00:00:15,113
INSIDE-OUT," COMMITTED TO 
CLEARING THE PEOPLE, PLACES AND 
QUALITY OF LIFE THAT UNIQUELY

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00:00:15,115 --> 00:00:18,282
CLEARING THE PEOPLE, PLACES AND 
QUALITY OF LIFE THAT UNIQUELY 
DEFINE CHARLOTTESVILLE AND ITS

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00:00:18,284 --> 00:00:20,184
QUALITY OF LIFE THAT UNIQUELY 
DEFINE CHARLOTTESVILLE AND ITS 
SURROUNDINGS.

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00:00:20,186 --> 00:00:33,732
>> ONE BRICK ROLLED OUT OF THE 
SHOULDER OF THIS CHIMNEY, AND IT 
HAS THIS INFANT'S FOOTPRINT IN

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00:00:33,734 --> 00:00:33,999
SHOULDER OF THIS CHIMNEY, AND IT 
HAS THIS INFANT'S FOOTPRINT IN 
IT.

9
00:00:34,001 --> 00:00:35,934
HAS THIS INFANT'S FOOTPRINT IN 
IT. 
THAT'S ONE OF THE REASONS I DO

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00:00:35,936 --> 00:00:36,334
IT. 
THAT'S ONE OF THE REASONS I DO 
THIS.

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00:00:36,336 --> 00:00:38,670
THAT'S ONE OF THE REASONS I DO 
THIS. 
>> FOR WHTJ I'M TERRI ALLARD AND

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00:00:38,672 --> 00:00:41,740
THIS. 
>> FOR WHTJ I'M TERRI ALLARD AND 
THIS IS "CHARLOTTESVILLE

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00:00:41,742 --> 00:00:44,375
>> FOR WHTJ I'M TERRI ALLARD AND 
THIS IS "CHARLOTTESVILLE 
INSIDE-OUT."

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00:00:44,377 --> 00:00:46,144
THIS IS "CHARLOTTESVILLE 
INSIDE-OUT." 
♪

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00:00:46,146 --> 00:01:06,431
>> VIRGINIA'S PIEDMONT REJOINS 
KNOWN FOR ITS BEAUTIFUL 
LANDSCAPES, RICH HISTORY, AND

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00:01:06,433 --> 00:01:07,632
KNOWN FOR ITS BEAUTIFUL 
LANDSCAPES, RICH HISTORY, AND 
SPRAWLING COUNTRY ESTATES.

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00:01:07,634 --> 00:01:11,836
LANDSCAPES, RICH HISTORY, AND 
SPRAWLING COUNTRY ESTATES. 
TODAY WE'RE GOING TO VISIT ONE

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00:01:11,838 --> 00:01:18,610
SPRAWLING COUNTRY ESTATES. 
TODAY WE'RE GOING TO VISIT ONE 
SUCH ALBEMARLE BUILDING.

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00:01:18,612 --> 00:01:21,746
TODAY WE'RE GOING TO VISIT ONE 
SUCH ALBEMARLE BUILDING. 
JOIN US AS WE TALK WITH PATRICIA

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00:01:21,748 --> 00:01:24,182
SUCH ALBEMARLE BUILDING. 
JOIN US AS WE TALK WITH PATRICIA 
CASTELLI ABOUT HER BOOK "THE

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00:01:24,184 --> 00:01:25,951
JOIN US AS WE TALK WITH PATRICIA 
CASTELLI ABOUT HER BOOK "THE 
STORY OF KESWICK HALL."

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00:01:25,953 --> 00:01:27,819
CASTELLI ABOUT HER BOOK "THE 
STORY OF KESWICK HALL." 
COME ON.

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00:01:27,821 --> 00:01:39,130
>> PATRICIA, WHAT INSPIRED YOU 
TO WRITE YOUR BOOK? 
>> I WAS A FOOD AND BEVERAGE --

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TO WRITE YOUR BOOK? 
>> I WAS A FOOD AND BEVERAGE -- 
WE DID VILLA LUNCH IN THE HOTEL.

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00:01:42,903 --> 00:01:44,368
>> I WAS A FOOD AND BEVERAGE -- 
WE DID VILLA LUNCH IN THE HOTEL. 
THE TALL CEILINGS AND SQUEAKY

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WE DID VILLA LUNCH IN THE HOTEL. 
THE TALL CEILINGS AND SQUEAKY 
STAIRS, AND I WOULD APPROACH A

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00:01:46,339 --> 00:01:47,939
THE TALL CEILINGS AND SQUEAKY 
STAIRS, AND I WOULD APPROACH A 
TABLE AND ASKED HOW EVERYTHING

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STAIRS, AND I WOULD APPROACH A 
TABLE AND ASKED HOW EVERYTHING 
WAS, THEY WOULD ASK ME, CAN YOU

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00:01:49,576 --> 00:01:50,541
TABLE AND ASKED HOW EVERYTHING 
WAS, THEY WOULD ASK ME, CAN YOU 
TELL US ANYTHING ABOUT THE

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00:01:50,543 --> 00:01:51,910
WAS, THEY WOULD ASK ME, CAN YOU 
TELL US ANYTHING ABOUT THE 
HISTORY OF THIS PLACE?

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TELL US ANYTHING ABOUT THE 
HISTORY OF THIS PLACE? 
AND I DIDN'T KNOW WHAT TO TELL

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00:01:53,981 --> 00:01:54,345
HISTORY OF THIS PLACE? 
AND I DIDN'T KNOW WHAT TO TELL 
THEM.

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AND I DIDN'T KNOW WHAT TO TELL 
THEM. 
SO I MADE IT MY BUSINESS TO FINE

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THEM. 
SO I MADE IT MY BUSINESS TO FINE 
OUT.

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SO I MADE IT MY BUSINESS TO FINE 
OUT. 
I WENT TO THE FRONT DESK.

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00:01:57,818 --> 00:01:59,350
OUT. 
I WENT TO THE FRONT DESK. 
I SAID, WHAT HAVE WE GOT SOME

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00:01:59,352 --> 00:02:00,118
I WENT TO THE FRONT DESK. 
I SAID, WHAT HAVE WE GOT SOME 
PEOPLE ARE ASKING ME.

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00:02:00,120 --> 00:02:02,153
I SAID, WHAT HAVE WE GOT SOME 
PEOPLE ARE ASKING ME. 
AND THEY DIDN'T HAVE MUCH.

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00:02:02,155 --> 00:02:06,290
PEOPLE ARE ASKING ME. 
AND THEY DIDN'T HAVE MUCH. 
THEYED A ONE 8.5 WITHS 11 SHEET

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00:02:06,292 --> 00:02:07,158
AND THEY DIDN'T HAVE MUCH. 
THEYED A ONE 8.5 WITHS 11 SHEET 
OF PAPER WITH TWO PARAGRAPHS.

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00:02:07,160 --> 00:02:08,760
THEYED A ONE 8.5 WITHS 11 SHEET 
OF PAPER WITH TWO PARAGRAPHS. 
SO I STARTED TELLING THOSE

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00:02:08,762 --> 00:02:11,763
OF PAPER WITH TWO PARAGRAPHS. 
SO I STARTED TELLING THOSE 
STORIES AND IT TURN OUT SOME WAS

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00:02:11,765 --> 00:02:12,230
SO I STARTED TELLING THOSE 
STORIES AND IT TURN OUT SOME WAS 
WRONG.

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00:02:12,232 --> 00:02:13,498
STORIES AND IT TURN OUT SOME WAS 
WRONG. 
I DIDN'T KNOW ANY BETTER.

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00:02:13,500 --> 00:02:14,766
WRONG. 
I DIDN'T KNOW ANY BETTER. 
WHAT HAPPENED WAS I DISCOVERED

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00:02:14,768 --> 00:02:16,367
I DIDN'T KNOW ANY BETTER. 
WHAT HAPPENED WAS I DISCOVERED 
TWO THINGS, ONE, PEOPLE LOVE

47
00:02:16,369 --> 00:02:18,903
WHAT HAPPENED WAS I DISCOVERED 
TWO THINGS, ONE, PEOPLE LOVE 
STORIES, AND, TWO PEOPLE SAID,

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00:02:18,905 --> 00:02:21,539
TWO THINGS, ONE, PEOPLE LOVE 
STORIES, AND, TWO PEOPLE SAID, 
YOU KNOW, YOU REALLY SHOULD TALK

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00:02:21,541 --> 00:02:23,207
STORIES, AND, TWO PEOPLE SAID, 
YOU KNOW, YOU REALLY SHOULD TALK 
TO SO AND SO BECAUSE THEY WERE

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00:02:23,209 --> 00:02:25,476
YOU KNOW, YOU REALLY SHOULD TALK 
TO SO AND SO BECAUSE THEY WERE 
HERE WHEN THIS AND THIS HAND.

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00:02:25,478 --> 00:02:28,279
TO SO AND SO BECAUSE THEY WERE 
HERE WHEN THIS AND THIS HAND. 
OR THEY WOULD SAY I WAS HEROINE

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00:02:28,281 --> 00:02:29,413
HERE WHEN THIS AND THIS HAND. 
OR THEY WOULD SAY I WAS HEROINE 
1953 BECAUSE MY WEDDING

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00:02:29,415 --> 00:02:31,415
OR THEY WOULD SAY I WAS HEROINE 
1953 BECAUSE MY WEDDING 
RESINGS -- OR SOMETHING LIKE

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00:02:31,417 --> 00:02:31,783
1953 BECAUSE MY WEDDING 
RESINGS -- OR SOMETHING LIKE 
THAT.

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00:02:31,785 --> 00:02:33,885
RESINGS -- OR SOMETHING LIKE 
THAT. 
I JUST SCOFFED THERE WAR SO --

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00:02:33,887 --> 00:02:38,857
THAT. 
I JUST SCOFFED THERE WAR SO -- 
DISCOVERED THERE WAR SO MANY

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00:02:38,859 --> 00:02:39,390
I JUST SCOFFED THERE WAR SO -- 
DISCOVERED THERE WAR SO MANY 
CONNECTIONS.

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00:02:39,392 --> 00:02:41,893
DISCOVERED THERE WAR SO MANY 
CONNECTIONS. 
>> TELL US ABOUT THE TOURS.

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00:02:41,895 --> 00:02:44,095
CONNECTIONS. 
>> TELL US ABOUT THE TOURS. 
>> I SHOW PEOPLE THAT AS A

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00:02:44,097 --> 00:02:46,464
>> TELL US ABOUT THE TOURS. 
>> I SHOW PEOPLE THAT AS A 
PRIVATE HOME IT LOOKED LIKE --

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00:02:46,466 --> 00:02:48,266
>> I SHOW PEOPLE THAT AS A 
PRIVATE HOME IT LOOKED LIKE -- 
THE WING WITH THE TWO CHIMNEYS

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00:02:48,268 --> 00:02:50,101
PRIVATE HOME IT LOOKED LIKE -- 
THE WING WITH THE TWO CHIMNEYS 
AND THAT STILL STANDS.

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00:02:50,103 --> 00:02:52,203
THE WING WITH THE TWO CHIMNEYS 
AND THAT STILL STANDS. 
THEN THIS PART WAS TORN OFF, AND

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00:02:52,205 --> 00:02:54,539
AND THAT STILL STANDS. 
THEN THIS PART WAS TORN OFF, AND 
THE REST IS ACTUALLY JUST ABOUT

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00:02:54,541 --> 00:02:56,875
THEN THIS PART WAS TORN OFF, AND 
THE REST IS ACTUALLY JUST ABOUT 
20 YEARS OLD.

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00:02:56,877 --> 00:02:58,476
THE REST IS ACTUALLY JUST ABOUT 
20 YEARS OLD. 
WHICH WHAT IS SO AMAZING HOW

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00:02:58,478 --> 00:03:00,145
20 YEARS OLD. 
WHICH WHAT IS SO AMAZING HOW 
THEY INCORPORATED THE OLD INTO

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00:03:00,147 --> 00:03:01,846
WHICH WHAT IS SO AMAZING HOW 
THEY INCORPORATED THE OLD INTO 
THE NEW AND MADE IT LOOK LIKE

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00:03:01,848 --> 00:03:03,048
THEY INCORPORATED THE OLD INTO 
THE NEW AND MADE IT LOOK LIKE 
IT'S ALWAYS BEEN HERE.

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00:03:03,050 --> 00:03:06,851
THE NEW AND MADE IT LOOK LIKE 
IT'S ALWAYS BEEN HERE. 
SO IT'S JUST -- THE ARCHITECT

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00:03:06,853 --> 00:03:08,519
IT'S ALWAYS BEEN HERE. 
SO IT'S JUST -- THE ARCHITECT 
HAS DONE AN AMAZING JOB.

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00:03:08,521 --> 00:03:11,156
SO IT'S JUST -- THE ARCHITECT 
HAS DONE AN AMAZING JOB. 
>> THEY START HERE --

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00:03:11,158 --> 00:03:13,324
HAS DONE AN AMAZING JOB. 
>> THEY START HERE -- 
>> I SHOW THEM THAT WHAT WAS THE

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00:03:13,326 --> 00:03:15,927
>> THEY START HERE -- 
>> I SHOW THEM THAT WHAT WAS THE 
SITE OF THE HOUSE BECAME PART OF

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00:03:15,929 --> 00:03:18,029
>> I SHOW THEM THAT WHAT WAS THE 
SITE OF THE HOUSE BECAME PART OF 
THE FRONT OF THE HOUSE.

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00:03:18,031 --> 00:03:20,231
SITE OF THE HOUSE BECAME PART OF 
THE FRONT OF THE HOUSE. 
THEN WE WEEK BY THE HORIZON POOL

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00:03:20,233 --> 00:03:22,133
THE FRONT OF THE HOUSE. 
THEN WE WEEK BY THE HORIZON POOL 
AND LOOK LOOK AT WHAT WAS

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00:03:22,135 --> 00:03:23,267
THEN WE WEEK BY THE HORIZON POOL 
AND LOOK LOOK AT WHAT WAS 
ORIGINALLY THE FRONT OF THE

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00:03:23,269 --> 00:03:24,969
AND LOOK LOOK AT WHAT WAS 
ORIGINALLY THE FRONT OF THE 
HOUSE, AND THAT MAKES SENSE

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00:03:24,971 --> 00:03:27,072
ORIGINALLY THE FRONT OF THE 
HOUSE, AND THAT MAKES SENSE 
BECAUSE WHEN THEY DID THE

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00:03:27,074 --> 00:03:28,006
HOUSE, AND THAT MAKES SENSE 
BECAUSE WHEN THEY DID THE 
RENOVATION 20 YEARS AGO THEY

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00:03:28,008 --> 00:03:29,774
BECAUSE WHEN THEY DID THE 
RENOVATION 20 YEARS AGO THEY 
WERE SO TRUE TO THE INTEGRITY OF

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00:03:29,776 --> 00:03:31,609
RENOVATION 20 YEARS AGO THEY 
WERE SO TRUE TO THE INTEGRITY OF 
THE STRUCTURE THAT IT REALLY

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00:03:31,611 --> 00:03:34,545
WERE SO TRUE TO THE INTEGRITY OF 
THE STRUCTURE THAT IT REALLY 
LOOKS JUST LIKE IT USED TO LOOK.

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00:03:34,547 --> 00:03:36,447
THE STRUCTURE THAT IT REALLY 
LOOKS JUST LIKE IT USED TO LOOK. 
SO, THERE'S JUST SO MUCH ABOUT

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00:03:36,449 --> 00:03:38,016
LOOKS JUST LIKE IT USED TO LOOK. 
SO, THERE'S JUST SO MUCH ABOUT 
IT THAT -- WHAT I DO IS TRY TO

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00:03:38,018 --> 00:03:39,818
SO, THERE'S JUST SO MUCH ABOUT 
IT THAT -- WHAT I DO IS TRY TO 
DO AN OVERVIEW OF THE HISTORY,

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00:03:39,820 --> 00:03:41,285
IT THAT -- WHAT I DO IS TRY TO 
DO AN OVERVIEW OF THE HISTORY, 
WHICH IS REALLY BROKEN UP INTO

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00:03:41,287 --> 00:03:42,954
DO AN OVERVIEW OF THE HISTORY, 
WHICH IS REALLY BROKEN UP INTO 
THREE PARTS.

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00:03:42,956 --> 00:03:45,056
WHICH IS REALLY BROKEN UP INTO 
THREE PARTS. 
YOU HAVE THE 35 YEARS OR SO OF

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00:03:45,058 --> 00:03:47,291
THREE PARTS. 
YOU HAVE THE 35 YEARS OR SO OF 
PRIVATE OWNERSHIP.

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00:03:47,293 --> 00:03:49,427
YOU HAVE THE 35 YEARS OR SO OF 
PRIVATE OWNERSHIP. 
FOLLOWED BY ABOUT 40 YEARS, GIVE

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00:03:49,429 --> 00:03:51,830
PRIVATE OWNERSHIP. 
FOLLOWED BY ABOUT 40 YEARS, GIVE 
OR TAKE, OF COUNTRY CLUB.

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00:03:51,832 --> 00:03:53,865
FOLLOWED BY ABOUT 40 YEARS, GIVE 
OR TAKE, OF COUNTRY CLUB. 
AND THEN 20 YEARS AGO IT

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00:03:53,867 --> 00:03:55,734
OR TAKE, OF COUNTRY CLUB. 
AND THEN 20 YEARS AGO IT 
TRANSFORMED INTO THIS BEAUTIFUL

96
00:03:55,736 --> 00:03:56,134
AND THEN 20 YEARS AGO IT 
TRANSFORMED INTO THIS BEAUTIFUL 
HOTEL.

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00:03:56,136 --> 00:03:57,568
TRANSFORMED INTO THIS BEAUTIFUL 
HOTEL. 
SO, WHAT I TRY TO DO IS WHEN I

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00:03:57,570 --> 00:03:58,937
HOTEL. 
SO, WHAT I TRY TO DO IS WHEN I 
GO AROUND TO THE FRONT AND SHOW

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00:03:58,939 --> 00:04:00,205
SO, WHAT I TRY TO DO IS WHEN I 
GO AROUND TO THE FRONT AND SHOW 
WHAT THE FRONT OF THE HOUSE

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00:04:00,207 --> 00:04:01,572
GO AROUND TO THE FRONT AND SHOW 
WHAT THE FRONT OF THE HOUSE 
LOOKED LIKE, I TALK ABOUT THE

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00:04:01,574 --> 00:04:04,109
WHAT THE FRONT OF THE HOUSE 
LOOKED LIKE, I TALK ABOUT THE 
PRIVATE OWNERS AND SOME OF THE

102
00:04:04,111 --> 00:04:05,143
LOOKED LIKE, I TALK ABOUT THE 
PRIVATE OWNERS AND SOME OF THE 
STORIES FROM THAT TIME.

103
00:04:05,145 --> 00:04:06,644
PRIVATE OWNERS AND SOME OF THE 
STORIES FROM THAT TIME. 
AND THEN WE MOVE OVER TO WHERE

104
00:04:06,646 --> 00:04:07,879
STORIES FROM THAT TIME. 
AND THEN WE MOVE OVER TO WHERE 
YOU CAN SEE THE HOTEL FROM A

105
00:04:07,881 --> 00:04:09,948
AND THEN WE MOVE OVER TO WHERE 
YOU CAN SEE THE HOTEL FROM A 
LITTLE BIT FARTHER AWAY, BUT I

106
00:04:09,950 --> 00:04:11,616
YOU CAN SEE THE HOTEL FROM A 
LITTLE BIT FARTHER AWAY, BUT I 
HAVE A WONDERFUL AERIAL THAT

107
00:04:11,618 --> 00:04:13,918
LITTLE BIT FARTHER AWAY, BUT I 
HAVE A WONDERFUL AERIAL THAT 
SHOWS WHAT IT LIKED LIKE FROM

108
00:04:13,920 --> 00:04:15,286
HAVE A WONDERFUL AERIAL THAT 
SHOWS WHAT IT LIKED LIKE FROM 
THE VERY ANGLE WHEN IT WAS A

109
00:04:15,288 --> 00:04:15,887
SHOWS WHAT IT LIKED LIKE FROM 
THE VERY ANGLE WHEN IT WAS A 
COUNTRY CLUB.

110
00:04:15,889 --> 00:04:17,421
THE VERY ANGLE WHEN IT WAS A 
COUNTRY CLUB. 
THAT MAKES IT FUN.

111
00:04:17,423 --> 00:04:22,393
COUNTRY CLUB. 
THAT MAKES IT FUN. 
>> TALK ABOUT WHEN IT WAS FIRST

112
00:04:22,395 --> 00:04:22,894
THAT MAKES IT FUN. 
>> TALK ABOUT WHEN IT WAS FIRST 
BUILT.

113
00:04:22,896 --> 00:04:24,062
>> TALK ABOUT WHEN IT WAS FIRST 
BUILT. 
>> WHEN IT WAS FIRST BUILT,

114
00:04:24,064 --> 00:04:24,996
BUILT. 
>> WHEN IT WAS FIRST BUILT, 
THERE WAS NOTHING ON THE

115
00:04:24,998 --> 00:04:26,330
>> WHEN IT WAS FIRST BUILT, 
THERE WAS NOTHING ON THE 
PROPERTY TO BEGIN WITH.

116
00:04:26,332 --> 00:04:29,834
THERE WAS NOTHING ON THE 
PROPERTY TO BEGIN WITH. 
IT WAS A PIECE OF LAN THAT AND

117
00:04:29,836 --> 00:04:31,102
PROPERTY TO BEGIN WITH. 
IT WAS A PIECE OF LAN THAT AND 
ARE MRS. ROBERT CRAWFORD BOUGHT.

118
00:04:31,104 --> 00:04:32,937
IT WAS A PIECE OF LAN THAT AND 
ARE MRS. ROBERT CRAWFORD BOUGHT. 
HIRED A LOCAL ARCHITECT TO BUILD

119
00:04:32,939 --> 00:04:36,674
ARE MRS. ROBERT CRAWFORD BOUGHT. 
HIRED A LOCAL ARCHITECT TO BUILD 
THEM THEIR BEAUTIFUL VILLA.

120
00:04:36,676 --> 00:04:38,910
HIRED A LOCAL ARCHITECT TO BUILD 
THEM THEIR BEAUTIFUL VILLA. 
COST $100,000 TO BILL -- BUILD

121
00:04:38,912 --> 00:04:42,647
THEM THEIR BEAUTIFUL VILLA. 
COST $100,000 TO BILL -- BUILD 
BACK THEN AND SO FORTUNATE TO

122
00:04:42,649 --> 00:04:46,251
COST $100,000 TO BILL -- BUILD 
BACK THEN AND SO FORTUNATE TO 
FIND PHOTOGRAPHS OF

123
00:04:46,253 --> 00:04:47,385
BACK THEN AND SO FORTUNATE TO 
FIND PHOTOGRAPHS OF 
MRS. CRAWFORD AND HER BOYS.

124
00:04:47,387 --> 00:04:52,290
FIND PHOTOGRAPHS OF 
MRS. CRAWFORD AND HER BOYS. 
SO I WAS ABLE TO PIECE IT

125
00:04:52,292 --> 00:04:53,391
MRS. CRAWFORD AND HER BOYS. 
SO I WAS ABLE TO PIECE IT 
TOGETHER.

126
00:04:53,393 --> 00:04:54,826
SO I WAS ABLE TO PIECE IT 
TOGETHER. 
MRS. CRAWFORD WAS KIND OF A

127
00:04:54,828 --> 00:04:56,261
TOGETHER. 
MRS. CRAWFORD WAS KIND OF A 
BIZARRE CHARACTER.

128
00:04:56,263 --> 00:04:57,762
MRS. CRAWFORD WAS KIND OF A 
BIZARRE CHARACTER. 
I WAS SURPRISED AT ANY NUMBER OF

129
00:04:57,764 --> 00:05:00,999
BIZARRE CHARACTER. 
I WAS SURPRISED AT ANY NUMBER OF 
TURNS WHILE I WAS DYING MY --

130
00:05:01,001 --> 00:05:03,268
I WAS SURPRISED AT ANY NUMBER OF 
TURNS WHILE I WAS DYING MY -- 
DOING MY RESEARCH.

131
00:05:03,270 --> 00:05:03,734
TURNS WHILE I WAS DYING MY -- 
DOING MY RESEARCH. 
REALLY?

132
00:05:03,736 --> 00:05:04,635
DOING MY RESEARCH. 
REALLY? 
THAT'S WHAT HAPPENED?

133
00:05:04,637 --> 00:05:06,137
REALLY? 
THAT'S WHAT HAPPENED? 
I JUST DIDN'T EXPECT WHAT FOUND.

134
00:05:06,139 --> 00:05:09,607
THAT'S WHAT HAPPENED? 
I JUST DIDN'T EXPECT WHAT FOUND. 
>> YOU HAVE TO ELABORATE NOW.

135
00:05:09,609 --> 00:05:11,676
I JUST DIDN'T EXPECT WHAT FOUND. 
>> YOU HAVE TO ELABORATE NOW. 
YOU CAN'T TEASE US.

136
00:05:11,678 --> 00:05:12,844
>> YOU HAVE TO ELABORATE NOW. 
YOU CAN'T TEASE US. 
>> THIS BEAUTIFUL HOTEL AND

137
00:05:12,846 --> 00:05:13,812
YOU CAN'T TEASE US. 
>> THIS BEAUTIFUL HOTEL AND 
PEOPLE COME HERE FOR

138
00:05:13,814 --> 00:05:15,513
>> THIS BEAUTIFUL HOTEL AND 
PEOPLE COME HERE FOR 
ANNIVERSARIES AND SPECIAL OVER

139
00:05:15,515 --> 00:05:17,515
PEOPLE COME HERE FOR 
ANNIVERSARIES AND SPECIAL OVER 
INDICATIONS, WEDDINGS, SO

140
00:05:17,517 --> 00:05:19,017
ANNIVERSARIES AND SPECIAL OVER 
INDICATIONS, WEDDINGS, SO 
BEAUTIFUL, AND SO NATURALLY I

141
00:05:19,019 --> 00:05:22,787
INDICATIONS, WEDDINGS, SO 
BEAUTIFUL, AND SO NATURALLY I 
WAS HOPING FOR A LOVE STORY.

142
00:05:22,789 --> 00:05:24,755
BEAUTIFUL, AND SO NATURALLY I 
WAS HOPING FOR A LOVE STORY. 
MR. AND MRS. CRAWFORD MARRY IN

143
00:05:24,757 --> 00:05:26,490
WAS HOPING FOR A LOVE STORY. 
MR. AND MRS. CRAWFORD MARRY IN 
1907 TWO BAYS IN 1910.

144
00:05:26,492 --> 00:05:28,759
MR. AND MRS. CRAWFORD MARRY IN 
1907 TWO BAYS IN 1910. 
BUILD THIS HOUSE IN 1912.

145
00:05:28,761 --> 00:05:31,329
1907 TWO BAYS IN 1910. 
BUILD THIS HOUSE IN 1912. 
THEY MOVED IN.

146
00:05:31,331 --> 00:05:32,797
BUILD THIS HOUSE IN 1912. 
THEY MOVED IN. 
UNTIL 1917 WHEN MR. CRAWFORD

147
00:05:32,799 --> 00:05:35,466
THEY MOVED IN. 
UNTIL 1917 WHEN MR. CRAWFORD 
CONVEYED THE PROPERTY TO HIS

148
00:05:35,468 --> 00:05:37,936
UNTIL 1917 WHEN MR. CRAWFORD 
CONVEYED THE PROPERTY TO HIS 
WIFE AND LEFT.

149
00:05:37,938 --> 00:05:39,838
CONVEYED THE PROPERTY TO HIS 
WIFE AND LEFT. 
AND THEN I FOUND ANOTHER ARTICLE

150
00:05:39,840 --> 00:05:42,473
WIFE AND LEFT. 
AND THEN I FOUND ANOTHER ARTICLE 
THAT JUST COMPLETELY FLOORED ME.

151
00:05:42,475 --> 00:05:44,209
AND THEN I FOUND ANOTHER ARTICLE 
THAT JUST COMPLETELY FLOORED ME. 
BOB CRAWFORD WAS TWO YEARS LATER

152
00:05:44,211 --> 00:05:46,110
THAT JUST COMPLETELY FLOORED ME. 
BOB CRAWFORD WAS TWO YEARS LATER 
FOUND DEAD IN HIS HOTEL ROOM.

153
00:05:46,112 --> 00:05:49,948
BOB CRAWFORD WAS TWO YEARS LATER 
FOUND DEAD IN HIS HOTEL ROOM. 
>> AND SHE ONLY MARRIED SIX DAYS

154
00:05:49,950 --> 00:05:50,581
FOUND DEAD IN HIS HOTEL ROOM. 
>> AND SHE ONLY MARRIED SIX DAYS 
LATER.

155
00:05:50,583 --> 00:05:51,182
>> AND SHE ONLY MARRIED SIX DAYS 
LATER. 
>> YEAH.

156
00:05:51,184 --> 00:05:55,119
LATER. 
>> YEAH. 
>> SO, WE DIDN'T GET THE LOVE

157
00:05:55,121 --> 00:05:55,854
>> YEAH. 
>> SO, WE DIDN'T GET THE LOVE 
STORY.

158
00:05:55,856 --> 00:05:58,356
>> SO, WE DIDN'T GET THE LOVE 
STORY. 
YOU CAN'T MAKE THIS STUFF UP.

159
00:05:58,358 --> 00:05:59,757
STORY. 
YOU CAN'T MAKE THIS STUFF UP. 
>> SO THEN WHAT THIS SECOND PART

160
00:05:59,759 --> 00:06:01,860
YOU CAN'T MAKE THIS STUFF UP. 
>> SO THEN WHAT THIS SECOND PART 
OF HISTORY YOU TALK ABOUT THE

161
00:06:01,862 --> 00:06:02,793
>> SO THEN WHAT THIS SECOND PART 
OF HISTORY YOU TALK ABOUT THE 
MOST?

162
00:06:02,795 --> 00:06:03,995
OF HISTORY YOU TALK ABOUT THE 
MOST? 
>> WELL, MRS. CRAWFORD AND HER

163
00:06:03,997 --> 00:06:05,563
MOST? 
>> WELL, MRS. CRAWFORD AND HER 
NEW HUSBAND DIDN'T STAY LONG.

164
00:06:05,565 --> 00:06:06,364
>> WELL, MRS. CRAWFORD AND HER 
NEW HUSBAND DIDN'T STAY LONG. 
THEY SOLD IT.

165
00:06:06,366 --> 00:06:08,199
NEW HUSBAND DIDN'T STAY LONG. 
THEY SOLD IT. 
IT WAS ACTUALLY IN THE HANDS OF

166
00:06:08,201 --> 00:06:13,338
THEY SOLD IT. 
IT WAS ACTUALLY IN THE HANDS OF 
FIVE DIFFERENT PRIVATE OPENER --

167
00:06:13,340 --> 00:06:14,839
IT WAS ACTUALLY IN THE HANDS OF 
FIVE DIFFERENT PRIVATE OPENER -- 
OWNERS FOR 35 YEARS.

168
00:06:14,841 --> 00:06:16,707
FIVE DIFFERENT PRIVATE OPENER -- 
OWNERS FOR 35 YEARS. 
THE IT WAS SOLD AND BECAME A

169
00:06:16,709 --> 00:06:17,408
OWNERS FOR 35 YEARS. 
THE IT WAS SOLD AND BECAME A 
COUNTRY CLUB.

170
00:06:17,410 --> 00:06:19,944
THE IT WAS SOLD AND BECAME A 
COUNTRY CLUB. 
AND THEN IT WAS SOLVENT, INSOLVE

171
00:06:19,946 --> 00:06:21,079
COUNTRY CLUB. 
AND THEN IT WAS SOLVENT, INSOLVE 
VENT, BANKRUPT, NOT DOING WELL.

172
00:06:21,081 --> 00:06:22,413
AND THEN IT WAS SOLVENT, INSOLVE 
VENT, BANKRUPT, NOT DOING WELL. 
HOW COUNTRY CLUBS GO.

173
00:06:22,415 --> 00:06:24,315
VENT, BANKRUPT, NOT DOING WELL. 
HOW COUNTRY CLUBS GO. 
AND IT WAS AN ERA OF COUNTRY

174
00:06:24,317 --> 00:06:26,985
HOW COUNTRY CLUBS GO. 
AND IT WAS AN ERA OF COUNTRY 
CLUBS IN OUR COUNTRY, AND ONE OF

175
00:06:26,987 --> 00:06:28,486
AND IT WAS AN ERA OF COUNTRY 
CLUBS IN OUR COUNTRY, AND ONE OF 
THE MOST FASCINATING THINGS FOR

176
00:06:28,488 --> 00:06:32,390
CLUBS IN OUR COUNTRY, AND ONE OF 
THE MOST FASCINATING THINGS FOR 
ME IN THIS WHOLE THING WAS

177
00:06:32,392 --> 00:06:34,458
THE MOST FASCINATING THINGS FOR 
ME IN THIS WHOLE THING WAS 
FINDING OUT THAT THIS CLUB

178
00:06:34,460 --> 00:06:38,263
ME IN THIS WHOLE THING WAS 
FINDING OUT THAT THIS CLUB 
REALLY PLAYED A ROLE IN -- HOW

179
00:06:38,265 --> 00:06:42,367
FINDING OUT THAT THIS CLUB 
REALLY PLAYED A ROLE IN -- HOW 
SHOULD I SAY -- THE 1960s WERE

180
00:06:42,369 --> 00:06:44,035
REALLY PLAYED A ROLE IN -- HOW 
SHOULD I SAY -- THE 1960s WERE 
A VERY TRANSFORMATIVE TIME IN

181
00:06:44,037 --> 00:06:45,203
SHOULD I SAY -- THE 1960s WERE 
A VERY TRANSFORMATIVE TIME IN 
OUR COUNTRY, AND ONE OF THE

182
00:06:45,205 --> 00:06:47,305
A VERY TRANSFORMATIVE TIME IN 
OUR COUNTRY, AND ONE OF THE 
THINGS THAT HAPPENED HERE THAT I

183
00:06:47,307 --> 00:06:50,508
OUR COUNTRY, AND ONE OF THE 
THINGS THAT HAPPENED HERE THAT I 
FEEL SO PROUD OF IS THAT IN

184
00:06:50,510 --> 00:06:54,078
THINGS THAT HAPPENED HERE THAT I 
FEEL SO PROUD OF IS THAT IN 
1965, THE OWNER OF THE CLUB,

185
00:06:54,080 --> 00:06:56,881
FEEL SO PROUD OF IS THAT IN 
1965, THE OWNER OF THE CLUB, 
KNOX TURNBULL, INVITED A BLACK

186
00:06:56,883 --> 00:06:59,317
1965, THE OWNER OF THE CLUB, 
KNOX TURNBULL, INVITED A BLACK 
MINISTER AND HIS WIFE TO JOIN.

187
00:06:59,319 --> 00:07:01,185
KNOX TURNBULL, INVITED A BLACK 
MINISTER AND HIS WIFE TO JOIN. 
>> HOW DID THAT GO?

188
00:07:01,187 --> 00:07:06,657
MINISTER AND HIS WIFE TO JOIN. 
>> HOW DID THAT GO? 
>> THE WAY BOB REID PUT IT, THIS

189
00:07:06,659 --> 00:07:08,492
>> HOW DID THAT GO? 
>> THE WAY BOB REID PUT IT, THIS 
QUASID QUITE A HULL LA INTO LA,

190
00:07:08,494 --> 00:07:11,129
>> THE WAY BOB REID PUT IT, THIS 
QUASID QUITE A HULL LA INTO LA, 
AND IT MEANS MEMBERSHIP WENT

191
00:07:11,131 --> 00:07:14,732
QUASID QUITE A HULL LA INTO LA, 
AND IT MEANS MEMBERSHIP WENT 
THROUGH THE FLOOR.

192
00:07:14,734 --> 00:07:17,701
AND IT MEANS MEMBERSHIP WENT 
THROUGH THE FLOOR. 
AND KNOX TURNVILLE DIDN'T BACK

193
00:07:17,703 --> 00:07:21,339
THROUGH THE FLOOR. 
AND KNOX TURNVILLE DIDN'T BACK 
TOWN, AND MEMBERSHIP DROPPED TO

194
00:07:21,341 --> 00:07:21,639
AND KNOX TURNVILLE DIDN'T BACK 
TOWN, AND MEMBERSHIP DROPPED TO 
55.

195
00:07:21,641 --> 00:07:22,706
TOWN, AND MEMBERSHIP DROPPED TO 
55. 
IT HAD BEEN AT 75.

196
00:07:22,708 --> 00:07:24,275
55. 
IT HAD BEEN AT 75. 
DROPPED TO 55 PEOPLE.

197
00:07:24,277 --> 00:07:26,010
IT HAD BEEN AT 75. 
DROPPED TO 55 PEOPLE. 
BUT OVER THE COURSE OF THE NEXT

198
00:07:26,012 --> 00:07:27,278
DROPPED TO 55 PEOPLE. 
BUT OVER THE COURSE OF THE NEXT 
SIX YEARS ROWS TO OVER 800.

199
00:07:27,280 --> 00:07:29,013
BUT OVER THE COURSE OF THE NEXT 
SIX YEARS ROWS TO OVER 800. 
I JUST -- TO ME THAT'S SUCH A

200
00:07:29,015 --> 00:07:30,514
SIX YEARS ROWS TO OVER 800. 
I JUST -- TO ME THAT'S SUCH A 
POINT TO CELEBRATE.

201
00:07:30,516 --> 00:07:33,952
I JUST -- TO ME THAT'S SUCH A 
POINT TO CELEBRATE. 
THAT THE OWNER OF THIS CLUB HAD

202
00:07:33,954 --> 00:07:35,619
POINT TO CELEBRATE. 
THAT THE OWNER OF THIS CLUB HAD 
THE COURAGE TO DO THAT.

203
00:07:35,621 --> 00:07:38,990
THAT THE OWNER OF THIS CLUB HAD 
THE COURAGE TO DO THAT. 
IN 1965, THAT WAS GOING SOME,

204
00:07:38,992 --> 00:07:41,492
THE COURAGE TO DO THAT. 
IN 1965, THAT WAS GOING SOME, 
AND I MET SO MANY PEOPLE WHO

205
00:07:41,494 --> 00:07:43,594
IN 1965, THAT WAS GOING SOME, 
AND I MET SO MANY PEOPLE WHO 
WANTED TO BE A PART OF THIS

206
00:07:43,596 --> 00:07:46,965
AND I MET SO MANY PEOPLE WHO 
WANTED TO BE A PART OF THIS 
BECAUSE OF THE POLICY.

207
00:07:46,967 --> 00:07:48,899
WANTED TO BE A PART OF THIS 
BECAUSE OF THE POLICY. 
AND THEY WERE JUST EXCITED TO BE

208
00:07:48,901 --> 00:07:50,168
BECAUSE OF THE POLICY. 
AND THEY WERE JUST EXCITED TO BE 
PART OF THAT.

209
00:07:50,170 --> 00:07:51,502
AND THEY WERE JUST EXCITED TO BE 
PART OF THAT. 
>> THAT'S A WONDERFUL --

210
00:07:51,504 --> 00:07:52,536
PART OF THAT. 
>> THAT'S A WONDERFUL -- 
>> VERY, VERY EXCITING.

211
00:07:52,538 --> 00:07:53,838
>> THAT'S A WONDERFUL -- 
>> VERY, VERY EXCITING. 
>> I WISH I COULD HAVE MET HIM.

212
00:07:53,840 --> 00:07:54,705
>> VERY, VERY EXCITING. 
>> I WISH I COULD HAVE MET HIM. 
>> ME, TOO.

213
00:07:54,707 --> 00:07:57,041
>> I WISH I COULD HAVE MET HIM. 
>> ME, TOO. 
HE MUST HAVE BEEN A VERY DYNAMIC

214
00:07:57,043 --> 00:07:58,343
>> ME, TOO. 
HE MUST HAVE BEEN A VERY DYNAMIC 
MAN, BECAUSE -- GEES THAT WHAT

215
00:07:58,345 --> 00:07:59,410
HE MUST HAVE BEEN A VERY DYNAMIC 
MAN, BECAUSE -- GEES THAT WHAT 
IS SAYS IN YOUR BOOK.

216
00:07:59,412 --> 00:08:01,980
MAN, BECAUSE -- GEES THAT WHAT 
IS SAYS IN YOUR BOOK. 
>> WHEN HE DIED IN 1971 IT WAS

217
00:08:01,982 --> 00:08:05,016
IS SAYS IN YOUR BOOK. 
>> WHEN HE DIED IN 1971 IT WAS 
AS IF THE AIR WENT OUT OF THE

218
00:08:05,018 --> 00:08:06,084
>> WHEN HE DIED IN 1971 IT WAS 
AS IF THE AIR WENT OUT OF THE 
BALLOON, AND BY THE NEXT YEAR

219
00:08:06,086 --> 00:08:08,019
AS IF THE AIR WENT OUT OF THE 
BALLOON, AND BY THE NEXT YEAR 
THE CLUB HAD FOLDED, AND SOME OF

220
00:08:08,021 --> 00:08:09,920
BALLOON, AND BY THE NEXT YEAR 
THE CLUB HAD FOLDED, AND SOME OF 
WHAT PEOPLE IN THE COMMUNITY

221
00:08:09,922 --> 00:08:11,322
THE CLUB HAD FOLDED, AND SOME OF 
WHAT PEOPLE IN THE COMMUNITY 
REMEMBER ABOUT THIS PROPERTY IS

222
00:08:11,324 --> 00:08:13,891
WHAT PEOPLE IN THE COMMUNITY 
REMEMBER ABOUT THIS PROPERTY IS 
THAT IT WAS RUN DOWN, THE GRASS

223
00:08:13,893 --> 00:08:16,060
REMEMBER ABOUT THIS PROPERTY IS 
THAT IT WAS RUN DOWN, THE GRASS 
WAS TOO TALL, AND IT WAS A

224
00:08:16,062 --> 00:08:16,660
THAT IT WAS RUN DOWN, THE GRASS 
WAS TOO TALL, AND IT WAS A 
SHAMBLES.

225
00:08:16,662 --> 00:08:18,863
WAS TOO TALL, AND IT WAS A 
SHAMBLES. 
FOR A TIME IT WAS A SHAMBLES.

226
00:08:18,865 --> 00:08:20,731
SHAMBLES. 
FOR A TIME IT WAS A SHAMBLES. 
AND PROBABLY THE MOST POWERFUL

227
00:08:20,733 --> 00:08:23,501
FOR A TIME IT WAS A SHAMBLES. 
AND PROBABLY THE MOST POWERFUL 
PICTURE THAT I HAVE THAT I SHOW

228
00:08:23,503 --> 00:08:29,107
AND PROBABLY THE MOST POWERFUL 
PICTURE THAT I HAVE THAT I SHOW 
PEOPLE IS THIS ONE FROM WHEN --

229
00:08:29,109 --> 00:08:29,807
PICTURE THAT I HAVE THAT I SHOW 
PEOPLE IS THIS ONE FROM WHEN -- 
1990 WHEN --

230
00:08:29,809 --> 00:08:32,510
PEOPLE IS THIS ONE FROM WHEN -- 
1990 WHEN -- 
>> OH, I KNOW.

231
00:08:32,512 --> 00:08:34,512
1990 WHEN -- 
>> OH, I KNOW. 
>> MOST PEOPLE WOULD HAVE BULL

232
00:08:34,514 --> 00:08:37,882
>> OH, I KNOW. 
>> MOST PEOPLE WOULD HAVE BULL 
DOED -- BULLDOZED THIS.

233
00:08:37,884 --> 00:08:39,984
>> MOST PEOPLE WOULD HAVE BULL 
DOED -- BULLDOZED THIS. 
IT WAS IN VERY BAD SHAPE.

234
00:08:39,986 --> 00:08:41,585
DOED -- BULLDOZED THIS. 
IT WAS IN VERY BAD SHAPE. 
BUT LUCKY FOR US SOMEONE CAME

235
00:08:41,587 --> 00:08:43,221
IT WAS IN VERY BAD SHAPE. 
BUT LUCKY FOR US SOMEONE CAME 
ALONG WHO SAW THIS WITH HIS

236
00:08:43,223 --> 00:08:45,556
BUT LUCKY FOR US SOMEONE CAME 
ALONG WHO SAW THIS WITH HIS 
EYES, AND ALL OF THIS WITH HIS

237
00:08:45,558 --> 00:08:45,956
ALONG WHO SAW THIS WITH HIS 
EYES, AND ALL OF THIS WITH HIS 
MIND.

238
00:08:45,958 --> 00:08:49,327
EYES, AND ALL OF THIS WITH HIS 
MIND. 
>> WHO IS THIS SOMEONE.

239
00:08:49,329 --> 00:08:51,129
MIND. 
>> WHO IS THIS SOMEONE. 
>> SIR BERNARD ASHLEY, WIDOWER

240
00:08:51,131 --> 00:08:54,965
>> WHO IS THIS SOMEONE. 
>> SIR BERNARD ASHLEY, WIDOWER 
OF LAURA ASHLEY.

241
00:08:54,967 --> 00:08:57,135
>> SIR BERNARD ASHLEY, WIDOWER 
OF LAURA ASHLEY. 
PURCHASED THE PROPERTILY AND

242
00:08:57,137 --> 00:08:58,536
OF LAURA ASHLEY. 
PURCHASED THE PROPERTILY AND 
TRANSFORMED IT.

243
00:08:58,538 --> 00:08:59,937
PURCHASED THE PROPERTILY AND 
TRANSFORMED IT. 
AND PEOPLE COME IN AND SAY IT'S

244
00:08:59,939 --> 00:09:03,041
TRANSFORMED IT. 
AND PEOPLE COME IN AND SAY IT'S 
LIKE A MUSEUM, BUT ON THE OTHER

245
00:09:03,043 --> 00:09:03,674
AND PEOPLE COME IN AND SAY IT'S 
LIKE A MUSEUM, BUT ON THE OTHER 
HAND THERE'S THIS BALANCE

246
00:09:03,676 --> 00:09:04,575
LIKE A MUSEUM, BUT ON THE OTHER 
HAND THERE'S THIS BALANCE 
BETWEEN BEING VERY ELEGANT AND

247
00:09:04,577 --> 00:09:05,776
HAND THERE'S THIS BALANCE 
BETWEEN BEING VERY ELEGANT AND 
VERY BEAUTIFUL BUT AT THE SAME

248
00:09:05,778 --> 00:09:07,311
BETWEEN BEING VERY ELEGANT AND 
VERY BEAUTIFUL BUT AT THE SAME 
TIME VERY COMFORTABLE.

249
00:09:07,313 --> 00:09:08,379
VERY BEAUTIFUL BUT AT THE SAME 
TIME VERY COMFORTABLE. 
>> I LOVE IT.

250
00:09:08,381 --> 00:09:10,248
TIME VERY COMFORTABLE. 
>> I LOVE IT. 
>> PEOPLE ENJOY THAT.

251
00:09:10,250 --> 00:09:12,650
>> I LOVE IT. 
>> PEOPLE ENJOY THAT. 
>> WHEN YOU WERE PIECING THE

252
00:09:12,652 --> 00:09:13,884
>> PEOPLE ENJOY THAT. 
>> WHEN YOU WERE PIECING THE 
BOOK TOGETHER YOU REACHED OUT TO

253
00:09:13,886 --> 00:09:14,885
>> WHEN YOU WERE PIECING THE 
BOOK TOGETHER YOU REACHED OUT TO 
THE COMMUNITY.

254
00:09:14,887 --> 00:09:16,287
BOOK TOGETHER YOU REACHED OUT TO 
THE COMMUNITY. 
TALK ABOUT THAT EXPERIENCE.

255
00:09:16,289 --> 00:09:17,522
THE COMMUNITY. 
TALK ABOUT THAT EXPERIENCE. 
>> SO MANY TIMES SOMEBODY SAID,

256
00:09:17,524 --> 00:09:18,789
TALK ABOUT THAT EXPERIENCE. 
>> SO MANY TIMES SOMEBODY SAID, 
TALK TOO SO AND SO.

257
00:09:18,791 --> 00:09:22,093
>> SO MANY TIMES SOMEBODY SAID, 
TALK TOO SO AND SO. 
SO I DID, AND IT WAS FABULOUS.

258
00:09:22,095 --> 00:09:24,162
TALK TOO SO AND SO. 
SO I DID, AND IT WAS FABULOUS. 
SO MANY PEOPLE HAD SO MANY

259
00:09:24,164 --> 00:09:24,595
SO I DID, AND IT WAS FABULOUS. 
SO MANY PEOPLE HAD SO MANY 
STORIES.

260
00:09:24,597 --> 00:09:25,629
SO MANY PEOPLE HAD SO MANY 
STORIES. 
NO ONE HAD EVER PUT THEM

261
00:09:25,631 --> 00:09:27,131
STORIES. 
NO ONE HAD EVER PUT THEM 
TOGETHER BEFORE BUT THEY HAD

262
00:09:27,133 --> 00:09:29,033
NO ONE HAD EVER PUT THEM 
TOGETHER BEFORE BUT THEY HAD 
SOME WONDERFUL STORIES.

263
00:09:29,035 --> 00:09:31,069
TOGETHER BEFORE BUT THEY HAD 
SOME WONDERFUL STORIES. 
THE ONLY FUNNY ONE WAS I MET THE

264
00:09:31,071 --> 00:09:32,970
SOME WONDERFUL STORIES. 
THE ONLY FUNNY ONE WAS I MET THE 
WOMAN WHO HAD LIVED HERE WHEN IT

265
00:09:32,972 --> 00:09:33,804
THE ONLY FUNNY ONE WAS I MET THE 
WOMAN WHO HAD LIVED HERE WHEN IT 
WAS A PRIVATE HOME.

266
00:09:33,806 --> 00:09:35,540
WOMAN WHO HAD LIVED HERE WHEN IT 
WAS A PRIVATE HOME. 
SHE WAS A YOUNG WOMAN.

267
00:09:35,542 --> 00:09:40,511
WAS A PRIVATE HOME. 
SHE WAS A YOUNG WOMAN. 
HAD BEEN HERE WITH HEIR E --

268
00:09:40,513 --> 00:09:42,146
SHE WAS A YOUNG WOMAN. 
HAD BEEN HERE WITH HEIR E -- 
HEIR PARENTS, AND I HITMER, AND

269
00:09:42,148 --> 00:09:44,815
HAD BEEN HERE WITH HEIR E -- 
HEIR PARENTS, AND I HITMER, AND 
I ASKED HER TO TELL ME A LITTLE

270
00:09:44,817 --> 00:09:46,050
HEIR PARENTS, AND I HITMER, AND 
I ASKED HER TO TELL ME A LITTLE 
BIT ABOUT ORE TIME HERE, SHE

271
00:09:46,052 --> 00:09:47,318
I ASKED HER TO TELL ME A LITTLE 
BIT ABOUT ORE TIME HERE, SHE 
SAID I DON'T FEEL LEFT-HAND TO

272
00:09:47,320 --> 00:09:48,486
BIT ABOUT ORE TIME HERE, SHE 
SAID I DON'T FEEL LEFT-HAND TO 
TALK ABOUT THAT.

273
00:09:48,488 --> 00:09:50,154
SAID I DON'T FEEL LEFT-HAND TO 
TALK ABOUT THAT. 
-- I DON'T FEEL INCLINED TO

274
00:09:50,156 --> 00:09:51,889
TALK ABOUT THAT. 
-- I DON'T FEEL INCLINED TO 
TALK ABOUT THAT.

275
00:09:51,891 --> 00:09:52,356
-- I DON'T FEEL INCLINED TO 
TALK ABOUT THAT. 
>> 90.

276
00:09:52,358 --> 00:09:53,458
TALK ABOUT THAT. 
>> 90. 
>> AT LEAST 93.

277
00:09:53,460 --> 00:09:54,525
>> 90. 
>> AT LEAST 93. 
AND EVERYBODY LOVES TO TALK

278
00:09:54,527 --> 00:09:55,593
>> AT LEAST 93. 
AND EVERYBODY LOVES TO TALK 
ABOUT THEIR STORY.

279
00:09:55,595 --> 00:09:57,562
AND EVERYBODY LOVES TO TALK 
ABOUT THEIR STORY. 
I SAID, MA'AM, I DON'T MEAN

280
00:09:57,564 --> 00:09:59,564
ABOUT THEIR STORY. 
I SAID, MA'AM, I DON'T MEAN 
ANYTHING PERMANENT.

281
00:09:59,566 --> 00:10:01,165
I SAID, MA'AM, I DON'T MEAN 
ANYTHING PERMANENT. 
-- PERSONAL, AND SHE SAID NO.

282
00:10:01,167 --> 00:10:02,300
ANYTHING PERMANENT. 
-- PERSONAL, AND SHE SAID NO. 
>> SHE TALK ABOUT HER MOTHER.

283
00:10:02,302 --> 00:10:03,867
-- PERSONAL, AND SHE SAID NO. 
>> SHE TALK ABOUT HER MOTHER. 
>> SHE DID TAKE ABOUT HER

284
00:10:03,869 --> 00:10:04,702
>> SHE TALK ABOUT HER MOTHER. 
>> SHE DID TAKE ABOUT HER 
MOTHER.

285
00:10:04,704 --> 00:10:06,404
>> SHE DID TAKE ABOUT HER 
MOTHER. 
SHE SAID MY MOTHER WAS A VERY

286
00:10:06,406 --> 00:10:08,506
MOTHER. 
SHE SAID MY MOTHER WAS A VERY 
ATTRACTIVE WOMAN, YOU KNOW.

287
00:10:08,508 --> 00:10:10,808
SHE SAID MY MOTHER WAS A VERY 
ATTRACTIVE WOMAN, YOU KNOW. 
NOT ALL RUSSIAN WOMEN ARE.

288
00:10:10,810 --> 00:10:14,212
ATTRACTIVE WOMAN, YOU KNOW. 
NOT ALL RUSSIAN WOMEN ARE. 
AND ALL I COULD THINK OF,

289
00:10:14,214 --> 00:10:16,314
NOT ALL RUSSIAN WOMEN ARE. 
AND ALL I COULD THINK OF, 
THERE'S A POCKETS OF PICK -- BOX

290
00:10:16,316 --> 00:10:18,382
AND ALL I COULD THINK OF, 
THERE'S A POCKETS OF PICK -- BOX 
OF PICTURES IN THE ATTIC.

291
00:10:18,384 --> 00:10:19,584
THERE'S A POCKETS OF PICK -- BOX 
OF PICTURES IN THE ATTIC. 
>> MUST HAVE BEEN WONDERFUL

292
00:10:19,586 --> 00:10:20,618
OF PICTURES IN THE ATTIC. 
>> MUST HAVE BEEN WONDERFUL 
WORKING ON THE BOOK.

293
00:10:20,620 --> 00:10:22,620
>> MUST HAVE BEEN WONDERFUL 
WORKING ON THE BOOK. 
>> JUST MEETING SO MANY PEOPLE.

294
00:10:22,622 --> 00:10:24,788
WORKING ON THE BOOK. 
>> JUST MEETING SO MANY PEOPLE. 
I'M NOT FROM VIRGINIA SO I

295
00:10:24,790 --> 00:10:25,889
>> JUST MEETING SO MANY PEOPLE. 
I'M NOT FROM VIRGINIA SO I 
IMMERSED IN THE COMMUNITY

296
00:10:25,891 --> 00:10:27,592
I'M NOT FROM VIRGINIA SO I 
IMMERSED IN THE COMMUNITY 
THROUGH THIS PROJECT, AND IT

297
00:10:27,594 --> 00:10:29,693
IMMERSED IN THE COMMUNITY 
THROUGH THIS PROJECT, AND IT 
MADE ME FEEL LIKE I GET IT.

298
00:10:29,695 --> 00:10:31,829
THROUGH THIS PROJECT, AND IT 
MADE ME FEEL LIKE I GET IT. 
>> TO TALK ABOUT SOME OF THE

299
00:10:31,831 --> 00:10:34,499
MADE ME FEEL LIKE I GET IT. 
>> TO TALK ABOUT SOME OF THE 
MOST DRAMATIC TIMES IN THE

300
00:10:34,501 --> 00:10:35,466
>> TO TALK ABOUT SOME OF THE 
MOST DRAMATIC TIMES IN THE 
ESTATE'S HISTORY?

301
00:10:35,468 --> 00:10:36,700
MOST DRAMATIC TIMES IN THE 
ESTATE'S HISTORY? 
QUITE A FEW.

302
00:10:36,702 --> 00:10:37,935
ESTATE'S HISTORY? 
QUITE A FEW. 
>> THE DRAMA NEVER STOPS IT

303
00:10:37,937 --> 00:10:39,803
QUITE A FEW. 
>> THE DRAMA NEVER STOPS IT 
FEELS LIKE, OR AT LEAST IN THE

304
00:10:39,805 --> 00:10:40,271
>> THE DRAMA NEVER STOPS IT 
FEELS LIKE, OR AT LEAST IN THE 
HISTORY.

305
00:10:40,273 --> 00:10:42,573
FEELS LIKE, OR AT LEAST IN THE 
HISTORY. 
SO MANY THINGS.

306
00:10:42,575 --> 00:10:45,809
HISTORY. 
SO MANY THINGS. 
WAS THERE AN UNSOLVED MURDER.

307
00:10:45,811 --> 00:10:47,945
SO MANY THINGS. 
WAS THERE AN UNSOLVED MURDER. 
A PLANE CRASH, BOMB THREAT.

308
00:10:47,947 --> 00:10:48,979
WAS THERE AN UNSOLVED MURDER. 
A PLANE CRASH, BOMB THREAT. 
MOVIE STARS.

309
00:10:48,981 --> 00:10:52,116
A PLANE CRASH, BOMB THREAT. 
MOVIE STARS. 
MOVIE MADE HERE IN 1980.

310
00:10:52,118 --> 00:10:54,585
MOVIE STARS. 
MOVIE MADE HERE IN 1980. 
THE FOUR SEASONS, AND YOU SEE

311
00:10:54,587 --> 00:10:57,155
MOVIE MADE HERE IN 1980. 
THE FOUR SEASONS, AND YOU SEE 
THAT MOVIE, YOU KNOW WHERE YOU

312
00:10:57,157 --> 00:10:58,889
THE FOUR SEASONS, AND YOU SEE 
THAT MOVIE, YOU KNOW WHERE YOU 
ARE BECAUSE NOT MUCH HAS

313
00:10:58,891 --> 00:10:59,524
THAT MOVIE, YOU KNOW WHERE YOU 
ARE BECAUSE NOT MUCH HAS 
CHANGED.

314
00:10:59,526 --> 00:11:01,959
ARE BECAUSE NOT MUCH HAS 
CHANGED. 
>> AND GIANT WAS FILMED --

315
00:11:01,961 --> 00:11:04,795
CHANGED. 
>> AND GIANT WAS FILMED -- 
>> GIANT, JUST ACROSS THE TRACKS

316
00:11:04,797 --> 00:11:05,129
>> AND GIANT WAS FILMED -- 
>> GIANT, JUST ACROSS THE TRACKS 
HERE.

317
00:11:05,131 --> 00:11:07,231
>> GIANT, JUST ACROSS THE TRACKS 
HERE. 
>> A BIG DEAL.

318
00:11:07,233 --> 00:11:08,566
HERE. 
>> A BIG DEAL. 
>> REALLY BIG DEAL.

319
00:11:08,568 --> 00:11:10,635
>> A BIG DEAL. 
>> REALLY BIG DEAL. 
1955, AND THE CAN'T HAVE SECURE.

320
00:11:10,637 --> 00:11:12,736
>> REALLY BIG DEAL. 
1955, AND THE CAN'T HAVE SECURE. 
YOU COULD JUST WALK UP TO THE

321
00:11:12,738 --> 00:11:13,037
1955, AND THE CAN'T HAVE SECURE. 
YOU COULD JUST WALK UP TO THE 
SET.

322
00:11:13,039 --> 00:11:14,772
YOU COULD JUST WALK UP TO THE 
SET. 
>> SO WHY DO YOU THINK NO ONE

323
00:11:14,774 --> 00:11:17,775
SET. 
>> SO WHY DO YOU THINK NO ONE 
ELSE HAS EVER WRITTEN THE STORY

324
00:11:17,777 --> 00:11:19,243
>> SO WHY DO YOU THINK NO ONE 
ELSE HAS EVER WRITTEN THE STORY 
OF KESWICK HALL BEFORE?

325
00:11:19,245 --> 00:11:21,245
ELSE HAS EVER WRITTEN THE STORY 
OF KESWICK HALL BEFORE? 
>> THE PIECES WERE DISJOINTED.

326
00:11:21,247 --> 00:11:24,182
OF KESWICK HALL BEFORE? 
>> THE PIECES WERE DISJOINTED. 
THERE WERE A LOT OF ARTICLES

327
00:11:24,184 --> 00:11:24,782
>> THE PIECES WERE DISJOINTED. 
THERE WERE A LOT OF ARTICLES 
WRITTEN ABOUT IT.

328
00:11:24,784 --> 00:11:26,350
THERE WERE A LOT OF ARTICLES 
WRITTEN ABOUT IT. 
THERE'S SO MUCH OUT THERE.

329
00:11:26,352 --> 00:11:27,951
WRITTEN ABOUT IT. 
THERE'S SO MUCH OUT THERE. 
BUT IN ONE WOULD EVER PUT IT

330
00:11:27,953 --> 00:11:29,153
THERE'S SO MUCH OUT THERE. 
BUT IN ONE WOULD EVER PUT IT 
TOGETHER BEFORE, AND I'M NOT

331
00:11:29,155 --> 00:11:32,657
BUT IN ONE WOULD EVER PUT IT 
TOGETHER BEFORE, AND I'M NOT 
SURE IF NO ONE SAW IT WAS

332
00:11:32,659 --> 00:11:34,659
TOGETHER BEFORE, AND I'M NOT 
SURE IF NO ONE SAW IT WAS 
ACTUALLY A STORY.

333
00:11:34,661 --> 00:11:35,660
SURE IF NO ONE SAW IT WAS 
ACTUALLY A STORY. 
I'M NOT SURE.

334
00:11:35,662 --> 00:11:37,795
ACTUALLY A STORY. 
I'M NOT SURE. 
>> MAYBE YOU BEING SO CLOSELY

335
00:11:37,797 --> 00:11:38,996
I'M NOT SURE. 
>> MAYBE YOU BEING SO CLOSELY 
CONNECTED AND BEING HERE, YOU

336
00:11:38,998 --> 00:11:40,698
>> MAYBE YOU BEING SO CLOSELY 
CONNECTED AND BEING HERE, YOU 
WERE THE MISSING LINK.

337
00:11:40,700 --> 00:11:42,300
CONNECTED AND BEING HERE, YOU 
WERE THE MISSING LINK. 
>> I'M SEEING THAT SO MANY

338
00:11:42,302 --> 00:11:43,934
WERE THE MISSING LINK. 
>> I'M SEEING THAT SO MANY 
PEOPLE DID HAVE CONNECTIONS TO

339
00:11:43,936 --> 00:11:45,603
>> I'M SEEING THAT SO MANY 
PEOPLE DID HAVE CONNECTIONS TO 
THIS PLACE, AND THAT THERE

340
00:11:45,605 --> 00:11:48,272
PEOPLE DID HAVE CONNECTIONS TO 
THIS PLACE, AND THAT THERE 
WAS -- THERE'S A LOVE OF THIS

341
00:11:48,274 --> 00:11:48,739
THIS PLACE, AND THAT THERE 
WAS -- THERE'S A LOVE OF THIS 
PROPERTY.

342
00:11:48,741 --> 00:11:50,974
WAS -- THERE'S A LOVE OF THIS 
PROPERTY. 
PEOPLE JUST COME AND STAND IN

343
00:11:50,976 --> 00:11:51,842
PROPERTY. 
PEOPLE JUST COME AND STAND IN 
AMAZEMENT.

344
00:11:51,844 --> 00:11:54,111
PEOPLE JUST COME AND STAND IN 
AMAZEMENT. 
I THINK THAT FOR ME IT WAS

345
00:11:54,113 --> 00:11:56,280
AMAZEMENT. 
I THINK THAT FOR ME IT WAS 
EXCITING TO PUT IT ON PAPER

346
00:11:56,282 --> 00:11:59,283
I THINK THAT FOR ME IT WAS 
EXCITING TO PUT IT ON PAPER 
BECAUSE IT ALLOWS PEOPLE TO WALK

347
00:11:59,285 --> 00:12:01,085
EXCITING TO PUT IT ON PAPER 
BECAUSE IT ALLOWS PEOPLE TO WALK 
DOWN MEMORY LANE.

348
00:12:01,087 --> 00:12:02,587
BECAUSE IT ALLOWS PEOPLE TO WALK 
DOWN MEMORY LANE. 
OH, I WAS THERE WHEN THAT

349
00:12:02,589 --> 00:12:03,588
DOWN MEMORY LANE. 
OH, I WAS THERE WHEN THAT 
HAPPENED.

350
00:12:03,590 --> 00:12:04,955
OH, I WAS THERE WHEN THAT 
HAPPENED. 
OR, MY GRANDFATHER BROUGHT ME TO

351
00:12:04,957 --> 00:12:07,258
HAPPENED. 
OR, MY GRANDFATHER BROUGHT ME TO 
SIM LESSONS IN THAT POOL OR

352
00:12:07,260 --> 00:12:08,192
OR, MY GRANDFATHER BROUGHT ME TO 
SIM LESSONS IN THAT POOL OR 
SOMETHING LIKE THAT.

353
00:12:08,194 --> 00:12:10,394
SIM LESSONS IN THAT POOL OR 
SOMETHING LIKE THAT. 
>> WHAT'S NEXT FOR YOU?

354
00:12:10,396 --> 00:12:12,363
SOMETHING LIKE THAT. 
>> WHAT'S NEXT FOR YOU? 
>> OH, THERE'S A SECOND EDITION

355
00:12:12,365 --> 00:12:13,931
>> WHAT'S NEXT FOR YOU? 
>> OH, THERE'S A SECOND EDITION 
COMING THAT I'M WORKING ON

356
00:12:13,933 --> 00:12:15,433
>> OH, THERE'S A SECOND EDITION 
COMING THAT I'M WORKING ON 
ACTUALLY, BECAUSE MY INVENTORY

357
00:12:15,435 --> 00:12:17,668
COMING THAT I'M WORKING ON 
ACTUALLY, BECAUSE MY INVENTORY 
IS RUNNING LOW, WHICH IS GREAT.

358
00:12:17,670 --> 00:12:20,371
ACTUALLY, BECAUSE MY INVENTORY 
IS RUNNING LOW, WHICH IS GREAT. 
A FEW CHANGES IN THAT BECAUSE

359
00:12:20,373 --> 00:12:22,640
IS RUNNING LOW, WHICH IS GREAT. 
A FEW CHANGES IN THAT BECAUSE 
SINCE THE BOOK HAS BEEN WRITTEN

360
00:12:22,642 --> 00:12:23,507
A FEW CHANGES IN THAT BECAUSE 
SINCE THE BOOK HAS BEEN WRITTEN 
I'VE DISCOVERED NEW THINGS.

361
00:12:23,509 --> 00:12:25,943
SINCE THE BOOK HAS BEEN WRITTEN 
I'VE DISCOVERED NEW THINGS. 
THAT WILL BE FUN TO INCLUDE NEW

362
00:12:25,945 --> 00:12:27,311
I'VE DISCOVERED NEW THINGS. 
THAT WILL BE FUN TO INCLUDE NEW 
THINGS, AND THEN THERE'S THINGS

363
00:12:27,313 --> 00:12:29,680
THAT WILL BE FUN TO INCLUDE NEW 
THINGS, AND THEN THERE'S THINGS 
I'M WORKING ON THAT I'M NOT

364
00:12:29,682 --> 00:12:31,382
THINGS, AND THEN THERE'S THINGS 
I'M WORKING ON THAT I'M NOT 
GOING TO TALK ABOUT YET.

365
00:12:31,384 --> 00:12:32,617
I'M WORKING ON THAT I'M NOT 
GOING TO TALK ABOUT YET. 
>> CONNECTED TO THE STORY JERK

366
00:12:32,619 --> 00:12:33,317
GOING TO TALK ABOUT YET. 
>> CONNECTED TO THE STORY JERK 
CONNECTED, YES.

367
00:12:33,319 --> 00:12:37,020
>> CONNECTED TO THE STORY JERK 
CONNECTED, YES. 
>> SO MY LAST QUESTION, WHEN

368
00:12:37,022 --> 00:12:38,756
CONNECTED, YES. 
>> SO MY LAST QUESTION, WHEN 
YOU'RE IN YOUR 90s AND SOMEONE

369
00:12:38,758 --> 00:12:43,594
>> SO MY LAST QUESTION, WHEN 
YOU'RE IN YOUR 90s AND SOMEONE 
COMES KNOCKING ON YOUR DOOR

370
00:12:43,596 --> 00:12:44,895
YOU'RE IN YOUR 90s AND SOMEONE 
COMES KNOCKING ON YOUR DOOR 
BECAUSE THEY WANT TO CONTINUE

371
00:12:44,897 --> 00:12:48,266
COMES KNOCKING ON YOUR DOOR 
BECAUSE THEY WANT TO CONTINUE 
THE STORY OF KESWICK HALL, HOW

372
00:12:48,268 --> 00:12:50,334
BECAUSE THEY WANT TO CONTINUE 
THE STORY OF KESWICK HALL, HOW 
WILL YOU BE PORTRAYED.

373
00:12:50,336 --> 00:12:52,069
THE STORY OF KESWICK HALL, HOW 
WILL YOU BE PORTRAYED. 
>> I'M NOT GOING TO SAY ISSUE

374
00:12:52,071 --> 00:12:53,237
WILL YOU BE PORTRAYED. 
>> I'M NOT GOING TO SAY ISSUE 
DON'T FIND FEEL INCLINED TO TALK

375
00:12:53,239 --> 00:12:54,705
>> I'M NOT GOING TO SAY ISSUE 
DON'T FIND FEEL INCLINED TO TALK 
ABOUT IT BECAUSE I WILL FEEL

376
00:12:54,707 --> 00:12:56,240
DON'T FIND FEEL INCLINED TO TALK 
ABOUT IT BECAUSE I WILL FEEL 
INCLINED TO TALK ABOUT IT.

377
00:12:56,242 --> 00:12:58,476
ABOUT IT BECAUSE I WILL FEEL 
INCLINED TO TALK ABOUT IT. 
HOPE I'M PORTRAYED AS ONE WHO

378
00:12:58,478 --> 00:13:00,077
INCLINED TO TALK ABOUT IT. 
HOPE I'M PORTRAYED AS ONE WHO 
CAME ALONG AT MAYBE THE RIGHT

379
00:13:00,079 --> 00:13:02,413
HOPE I'M PORTRAYED AS ONE WHO 
CAME ALONG AT MAYBE THE RIGHT 
TIME AND DUG OUT SOME PIECES,

380
00:13:02,415 --> 00:13:04,148
CAME ALONG AT MAYBE THE RIGHT 
TIME AND DUG OUT SOME PIECES, 
PUT THEM TOGETHER, AND CONNECTED

381
00:13:04,150 --> 00:13:07,885
TIME AND DUG OUT SOME PIECES, 
PUT THEM TOGETHER, AND CONNECTED 
THE DOTS OF THIS AMAZING STORY.

382
00:13:07,887 --> 00:13:08,486
PUT THEM TOGETHER, AND CONNECTED 
THE DOTS OF THIS AMAZING STORY. 
>> GREAT.

383
00:13:08,488 --> 00:13:08,886
THE DOTS OF THIS AMAZING STORY. 
>> GREAT. 
THANK YOU.

384
00:13:08,888 --> 00:13:22,132
>> GREAT. 
THANK YOU. 
>> THANK YOU.

385
00:13:22,134 --> 00:13:23,734
THANK YOU. 
>> THANK YOU. 
>> MOST BUILDERS LIKE TO

386
00:13:23,736 --> 00:13:25,503
>> THANK YOU. 
>> MOST BUILDERS LIKE TO 
CONSTRUCT HOUSES USING BRAND NEW

387
00:13:25,505 --> 00:13:26,069
>> MOST BUILDERS LIKE TO 
CONSTRUCT HOUSES USING BRAND NEW 
MATERIAL.

388
00:13:26,071 --> 00:13:31,041
CONSTRUCT HOUSES USING BRAND NEW 
MATERIAL. 
OUR GUESTS TODAY, HOWEVER,

389
00:13:31,043 --> 00:13:32,176
MATERIAL. 
OUR GUESTS TODAY, HOWEVER, 
PREFER USING MATERIAL FROM THE

390
00:13:32,178 --> 00:13:34,144
OUR GUESTS TODAY, HOWEVER, 
PREFER USING MATERIAL FROM THE 
1700S AND 1800S.

391
00:13:34,146 --> 00:13:42,119
PREFER USING MATERIAL FROM THE 
1700S AND 1800S. 
WE VISIT SALVAGEWRIGHTS IN

392
00:13:42,121 --> 00:13:43,621
1700S AND 1800S. 
WE VISIT SALVAGEWRIGHTS IN 
VIRGINIA.

393
00:13:43,623 --> 00:13:48,959
WE VISIT SALVAGEWRIGHTS IN 
VIRGINIA. 
>> CRAIG, WHAT GOES ON HERE AT

394
00:13:48,961 --> 00:13:49,560
VIRGINIA. 
>> CRAIG, WHAT GOES ON HERE AT 
SALVAGEWRIGHTS?

395
00:13:49,562 --> 00:13:50,961
>> CRAIG, WHAT GOES ON HERE AT 
SALVAGEWRIGHTS? 
>> WE'RE TWO FACE.

396
00:13:50,963 --> 00:13:53,030
SALVAGEWRIGHTS? 
>> WE'RE TWO FACE. 
WE DISASSEMBLE AND MOVE ANTIQUE

397
00:13:53,032 --> 00:13:54,365
>> WE'RE TWO FACE. 
WE DISASSEMBLE AND MOVE ANTIQUE 
STRUCTURES AND WE HAVE A RETAIL

398
00:13:54,367 --> 00:13:57,134
WE DISASSEMBLE AND MOVE ANTIQUE 
STRUCTURES AND WE HAVE A RETAIL 
SPACE HERE THAT WE SELL PARTS

399
00:13:57,136 --> 00:13:58,869
STRUCTURES AND WE HAVE A RETAIL 
SPACE HERE THAT WE SELL PARTS 
FROM THE HOUSE OR WHATEVER THE

400
00:13:58,871 --> 00:13:59,704
SPACE HERE THAT WE SELL PARTS 
FROM THE HOUSE OR WHATEVER THE 
STRUCTURE IS.

401
00:13:59,706 --> 00:14:02,406
FROM THE HOUSE OR WHATEVER THE 
STRUCTURE IS. 
CAN'T BE COMPLETELY

402
00:14:02,408 --> 00:14:03,541
STRUCTURE IS. 
CAN'T BE COMPLETELY 
DISASSEMBLED.

403
00:14:03,543 --> 00:14:05,343
CAN'T BE COMPLETELY 
DISASSEMBLED. 
WE GLEAN THE PARTS AND BRING

404
00:14:05,345 --> 00:14:07,110
DISASSEMBLED. 
WE GLEAN THE PARTS AND BRING 
THEM HERE FOR THE RETAIL SPACE.

405
00:14:07,112 --> 00:14:08,779
WE GLEAN THE PARTS AND BRING 
THEM HERE FOR THE RETAIL SPACE. 
>> YOU'VE BEEN IN THIS BUSINESS

406
00:14:08,781 --> 00:14:10,848
THEM HERE FOR THE RETAIL SPACE. 
>> YOU'VE BEEN IN THIS BUSINESS 
HERE FOR 15 YEARS.

407
00:14:10,850 --> 00:14:13,551
>> YOU'VE BEEN IN THIS BUSINESS 
HERE FOR 15 YEARS. 
HOW DID YOU FIRST BECOME

408
00:14:13,553 --> 00:14:15,653
HERE FOR 15 YEARS. 
HOW DID YOU FIRST BECOME 
INTERESTED IN SALVAGING OLD

409
00:14:15,655 --> 00:14:16,253
HOW DID YOU FIRST BECOME 
INTERESTED IN SALVAGING OLD 
BUILDINGS?

410
00:14:16,255 --> 00:14:17,488
INTERESTED IN SALVAGING OLD 
BUILDINGS? 
>> IT'S BEEN A LONG TIME.

411
00:14:17,490 --> 00:14:19,590
BUILDINGS? 
>> IT'S BEEN A LONG TIME. 
I GUESS IT STARTED WHEN I WAS A

412
00:14:19,592 --> 00:14:22,526
>> IT'S BEEN A LONG TIME. 
I GUESS IT STARTED WHEN I WAS A 
KID GROWING UP HERE IN ORANGE,

413
00:14:22,528 --> 00:14:25,763
I GUESS IT STARTED WHEN I WAS A 
KID GROWING UP HERE IN ORANGE, 
AND MY MOTHER TAKING ME TO

414
00:14:25,765 --> 00:14:28,866
KID GROWING UP HERE IN ORANGE, 
AND MY MOTHER TAKING ME TO 
COUNTRY AUCTIONS EVERY SATURDAY.

415
00:14:28,868 --> 00:14:30,000
AND MY MOTHER TAKING ME TO 
COUNTRY AUCTIONS EVERY SATURDAY. 
>> YOU LIKED THAT.

416
00:14:30,002 --> 00:14:31,602
COUNTRY AUCTIONS EVERY SATURDAY. 
>> YOU LIKED THAT. 
>> I DIDN'T REALLY WARM UP TO

417
00:14:31,604 --> 00:14:33,170
>> YOU LIKED THAT. 
>> I DIDN'T REALLY WARM UP TO 
THE FIRST ONE BECAUSE I HAD

418
00:14:33,172 --> 00:14:35,773
>> I DIDN'T REALLY WARM UP TO 
THE FIRST ONE BECAUSE I HAD 
DIFFERENT PLANS FOR THAT

419
00:14:35,775 --> 00:14:37,140
THE FIRST ONE BECAUSE I HAD 
DIFFERENT PLANS FOR THAT 
SATURDAY MORNING, BUT SHE WAS

420
00:14:37,142 --> 00:14:40,644
DIFFERENT PLANS FOR THAT 
SATURDAY MORNING, BUT SHE WAS 
GOING SO THAT MEANT I WAS GOING.

421
00:14:40,646 --> 00:14:42,012
SATURDAY MORNING, BUT SHE WAS 
GOING SO THAT MEANT I WAS GOING. 
ABOUT I FOUNT -- BUT I FOUND OUT

422
00:14:42,014 --> 00:14:43,647
GOING SO THAT MEANT I WAS GOING. 
ABOUT I FOUNT -- BUT I FOUND OUT 
WHAT WAS GOING ON AND LOVED IT.

423
00:14:43,649 --> 00:14:46,316
ABOUT I FOUNT -- BUT I FOUND OUT 
WHAT WAS GOING ON AND LOVED IT. 
THE NEXT SATURDAY I WAS WAITING

424
00:14:46,318 --> 00:14:52,490
WHAT WAS GOING ON AND LOVED IT. 
THE NEXT SATURDAY I WAS WAITING 
ON HER, HONKING THE HORN.

425
00:14:52,492 --> 00:14:57,428
THE NEXT SATURDAY I WAS WAITING 
ON HER, HONKING THE HORN. 
SO SEEING OLD AN -- ANTIQUES,

426
00:14:57,430 --> 00:14:58,195
ON HER, HONKING THE HORN. 
SO SEEING OLD AN -- ANTIQUES, 
THAT'S WHERE I GOT MY START.

427
00:14:58,197 --> 00:14:59,363
SO SEEING OLD AN -- ANTIQUES, 
THAT'S WHERE I GOT MY START. 
AND THEN IN COLLEGE I HAD THE

428
00:14:59,365 --> 00:15:01,932
THAT'S WHERE I GOT MY START. 
AND THEN IN COLLEGE I HAD THE 
OPPORTUNITY TO WORK WITH

429
00:15:01,934 --> 00:15:04,034
AND THEN IN COLLEGE I HAD THE 
OPPORTUNITY TO WORK WITH 
TRADITIONAL LOG BUILDER AND THAT

430
00:15:04,036 --> 00:15:06,504
OPPORTUNITY TO WORK WITH 
TRADITIONAL LOG BUILDER AND THAT 
GOT ME STARTED WITH ANTIQUE

431
00:15:06,506 --> 00:15:08,506
TRADITIONAL LOG BUILDER AND THAT 
GOT ME STARTED WITH ANTIQUE 
TOOLS AND OLDER, TRADITIONAL

432
00:15:08,508 --> 00:15:11,341
GOT ME STARTED WITH ANTIQUE 
TOOLS AND OLDER, TRADITIONAL 
METHODS, AND SO FROM THERE,

433
00:15:11,343 --> 00:15:13,644
TOOLS AND OLDER, TRADITIONAL 
METHODS, AND SO FROM THERE, 
COMING BACK HOME AFTER

434
00:15:13,646 --> 00:15:14,612
METHODS, AND SO FROM THERE, 
COMING BACK HOME AFTER 
GRADUATION, I HAD THE

435
00:15:14,614 --> 00:15:17,748
COMING BACK HOME AFTER 
GRADUATION, I HAD THE 
OPPORTUNITY TO WORK WITH A FELLA

436
00:15:17,750 --> 00:15:21,619
GRADUATION, I HAD THE 
OPPORTUNITY TO WORK WITH A FELLA 
IN ALBEMARLE COUNTY, NOAH

437
00:15:21,621 --> 00:15:24,087
OPPORTUNITY TO WORK WITH A FELLA 
IN ALBEMARLE COUNTY, NOAH 
BRADLEY, WORKING WITH ANTIQUE

438
00:15:24,089 --> 00:15:25,556
IN ALBEMARLE COUNTY, NOAH 
BRADLEY, WORKING WITH ANTIQUE 
MATERIALS AND DISASSEMBLING AND

439
00:15:25,558 --> 00:15:26,891
BRADLEY, WORKING WITH ANTIQUE 
MATERIALS AND DISASSEMBLING AND 
MOVING ANTIQUE STRUCTURES.

440
00:15:26,893 --> 00:15:28,726
MATERIALS AND DISASSEMBLING AND 
MOVING ANTIQUE STRUCTURES. 
THEN THE OPPORTUNITY AROSE TO

441
00:15:28,728 --> 00:15:31,094
MOVING ANTIQUE STRUCTURES. 
THEN THE OPPORTUNITY AROSE TO 
START MY OWN BUSINESS, AND DO

442
00:15:31,096 --> 00:15:33,431
THEN THE OPPORTUNITY AROSE TO 
START MY OWN BUSINESS, AND DO 
BOTH OF THOSE THINGS, BOTH

443
00:15:33,433 --> 00:15:37,868
START MY OWN BUSINESS, AND DO 
BOTH OF THOSE THINGS, BOTH 
MOVING STRUCTURES, AND ALSO

444
00:15:37,870 --> 00:15:40,738
BOTH OF THOSE THINGS, BOTH 
MOVING STRUCTURES, AND ALSO 
SELLING ARCHITECTURALS.

445
00:15:40,740 --> 00:15:41,672
MOVING STRUCTURES, AND ALSO 
SELLING ARCHITECTURALS. 
>> LET'S TALK ABOUT THE

446
00:15:41,674 --> 00:15:45,709
SELLING ARCHITECTURALS. 
>> LET'S TALK ABOUT THE 
BUSINESS, THE DISMANTLING OF ON

447
00:15:45,711 --> 00:15:48,646
>> LET'S TALK ABOUT THE 
BUSINESS, THE DISMANTLING OF ON 
OLD STRUCTURE, NUMBERING IT,

448
00:15:48,648 --> 00:15:49,880
BUSINESS, THE DISMANTLING OF ON 
OLD STRUCTURE, NUMBERING IT, 
RE-ASSEMBLING IT ELSEWHERE.

449
00:15:49,882 --> 00:15:50,748
OLD STRUCTURE, NUMBERING IT, 
RE-ASSEMBLING IT ELSEWHERE. 
HOW DOES THAT WORK?

450
00:15:50,750 --> 00:15:54,117
RE-ASSEMBLING IT ELSEWHERE. 
HOW DOES THAT WORK? 
>> USUALLY STARTS WITH A PHONE

451
00:15:54,119 --> 00:15:54,518
HOW DOES THAT WORK? 
>> USUALLY STARTS WITH A PHONE 
CALL.

452
00:15:54,520 --> 00:16:00,057
>> USUALLY STARTS WITH A PHONE 
CALL. 
SOME CALLS TO SAY, I HAVE --

453
00:16:00,059 --> 00:16:01,325
CALL. 
SOME CALLS TO SAY, I HAVE -- 
THIS ANTIBELL ALMOST PRECIVIL

454
00:16:01,327 --> 00:16:03,794
SOME CALLS TO SAY, I HAVE -- 
THIS ANTIBELL ALMOST PRECIVIL 
WAR HOUSE THAT IS IN DISREPAIR

455
00:16:03,796 --> 00:16:06,363
THIS ANTIBELL ALMOST PRECIVIL 
WAR HOUSE THAT IS IN DISREPAIR 
AND WE'RE GOING TO EITHER

456
00:16:06,365 --> 00:16:07,631
WAR HOUSE THAT IS IN DISREPAIR 
AND WE'RE GOING TO EITHER 
DEMOLISH IT OR CALL THE FIRE

457
00:16:07,633 --> 00:16:10,468
AND WE'RE GOING TO EITHER 
DEMOLISH IT OR CALL THE FIRE 
COMPANY IN TO BURN IT AND SO

458
00:16:10,470 --> 00:16:12,703
DEMOLISH IT OR CALL THE FIRE 
COMPANY IN TO BURN IT AND SO 
BASED ON THAT PHONE CALL, AND

459
00:16:12,705 --> 00:16:14,972
COMPANY IN TO BURN IT AND SO 
BASED ON THAT PHONE CALL, AND 
SOMETIMES WITH FOLLOWUP

460
00:16:14,974 --> 00:16:16,373
BASED ON THAT PHONE CALL, AND 
SOMETIMES WITH FOLLOWUP 
PICTURES, I WILL TRY TO MAKE A

461
00:16:16,375 --> 00:16:17,875
SOMETIMES WITH FOLLOWUP 
PICTURES, I WILL TRY TO MAKE A 
VISIT TO SEE IT.

462
00:16:17,877 --> 00:16:20,511
PICTURES, I WILL TRY TO MAKE A 
VISIT TO SEE IT. 
THEN WE GO FROM THERE.

463
00:16:20,513 --> 00:16:21,912
VISIT TO SEE IT. 
THEN WE GO FROM THERE. 
SOMETIMES IT'S A STRUCTURE

464
00:16:21,914 --> 00:16:23,280
THEN WE GO FROM THERE. 
SOMETIMES IT'S A STRUCTURE 
THAT'S BEEN DAMAGED.

465
00:16:23,282 --> 00:16:24,582
SOMETIMES IT'S A STRUCTURE 
THAT'S BEEN DAMAGED. 
THE ROOF HAS COME OFF, WATER HAS

466
00:16:24,584 --> 00:16:26,383
THAT'S BEEN DAMAGED. 
THE ROOF HAS COME OFF, WATER HAS 
BEEN COMING IN.

467
00:16:26,385 --> 00:16:29,687
THE ROOF HAS COME OFF, WATER HAS 
BEEN COMING IN. 
WE CAN ONLY SAVAGE SOME OF THE

468
00:16:29,689 --> 00:16:30,888
BEEN COMING IN. 
WE CAN ONLY SAVAGE SOME OF THE 
PARTS.

469
00:16:30,890 --> 00:16:34,257
WE CAN ONLY SAVAGE SOME OF THE 
PARTS. 
BUT THE ONES THAT ARE EARLY

470
00:16:34,259 --> 00:16:36,794
PARTS. 
BUT THE ONES THAT ARE EARLY 
ENOUGH AND ARE SOUND ENOUGH, WE

471
00:16:36,796 --> 00:16:39,697
BUT THE ONES THAT ARE EARLY 
ENOUGH AND ARE SOUND ENOUGH, WE 
ALWAYS TRY TO KEEP THEM

472
00:16:39,699 --> 00:16:40,731
ENOUGH AND ARE SOUND ENOUGH, WE 
ALWAYS TRY TO KEEP THEM 
TOGETHER.

473
00:16:40,733 --> 00:16:43,567
ALWAYS TRY TO KEEP THEM 
TOGETHER. 
NUMBER EVERY PART, DISASSEMBLE

474
00:16:43,569 --> 00:16:45,970
TOGETHER. 
NUMBER EVERY PART, DISASSEMBLE 
THEM, STORE THEM, OR MOVE THEM

475
00:16:45,972 --> 00:16:47,905
NUMBER EVERY PART, DISASSEMBLE 
THEM, STORE THEM, OR MOVE THEM 
TO A NEW SITE.

476
00:16:47,907 --> 00:16:52,877
THEM, STORE THEM, OR MOVE THEM 
TO A NEW SITE. 
SO THAT'S OUR GOAL, TO KEEP THAT

477
00:16:52,879 --> 00:16:55,913
TO A NEW SITE. 
SO THAT'S OUR GOAL, TO KEEP THAT 
ORIGINAL FABRIC TOGETHER, AND

478
00:16:55,915 --> 00:16:58,148
SO THAT'S OUR GOAL, TO KEEP THAT 
ORIGINAL FABRIC TOGETHER, AND 
JUST RELOCATED.

479
00:16:58,150 --> 00:17:01,552
ORIGINAL FABRIC TOGETHER, AND 
JUST RELOCATED. 
>> WHY DID PEOPLE CHOOSE TO

480
00:17:01,554 --> 00:17:03,854
JUST RELOCATED. 
>> WHY DID PEOPLE CHOOSE TO 
REBUILD A HOME, AN OLDER HOME

481
00:17:03,856 --> 00:17:06,123
>> WHY DID PEOPLE CHOOSE TO 
REBUILD A HOME, AN OLDER HOME 
LIKE THIS, AS OPPOSED TO A NEW

482
00:17:06,125 --> 00:17:06,790
REBUILD A HOME, AN OLDER HOME 
LIKE THIS, AS OPPOSED TO A NEW 
HOME?

483
00:17:06,792 --> 00:17:07,958
LIKE THIS, AS OPPOSED TO A NEW 
HOME? 
>> IN A NUTSHELL, IF THAT'S

484
00:17:07,960 --> 00:17:09,192
HOME? 
>> IN A NUTSHELL, IF THAT'S 
WHERE YOU WANT TO ARRIVE, IF

485
00:17:09,194 --> 00:17:11,629
>> IN A NUTSHELL, IF THAT'S 
WHERE YOU WANT TO ARRIVE, IF 
THAT'S WHAT YOU WANT, IT'S

486
00:17:11,631 --> 00:17:14,632
WHERE YOU WANT TO ARRIVE, IF 
THAT'S WHAT YOU WANT, IT'S 
REALLY ABOUT THE ONLY PROCESS TO

487
00:17:14,634 --> 00:17:16,400
THAT'S WHAT YOU WANT, IT'S 
REALLY ABOUT THE ONLY PROCESS TO 
GET THERE.

488
00:17:16,402 --> 00:17:20,437
REALLY ABOUT THE ONLY PROCESS TO 
GET THERE. 
YOU CAN NEWLY FRAME AND FINISH

489
00:17:20,439 --> 00:17:21,271
GET THERE. 
YOU CAN NEWLY FRAME AND FINISH 
WITH OLD MATERIALS.

490
00:17:21,273 --> 00:17:24,074
YOU CAN NEWLY FRAME AND FINISH 
WITH OLD MATERIALS. 
BUT IF YOU CAN MOVE THE ACTUAL

491
00:17:24,076 --> 00:17:25,609
WITH OLD MATERIALS. 
BUT IF YOU CAN MOVE THE ACTUAL 
STRUCTURE, THE BONES OF IT, IT

492
00:17:25,611 --> 00:17:30,981
BUT IF YOU CAN MOVE THE ACTUAL 
STRUCTURE, THE BONES OF IT, IT 
JUST   HAS A DIFFERENT FEEL.

493
00:17:30,983 --> 00:17:33,350
STRUCTURE, THE BONES OF IT, IT 
JUST   HAS A DIFFERENT FEEL. 
IT'S NOT ONLY A DIFFERENT FEEL

494
00:17:33,352 --> 00:17:34,985
JUST   HAS A DIFFERENT FEEL. 
IT'S NOT ONLY A DIFFERENT FEEL 
BUT, IN MY WAY OF THINKING --

495
00:17:34,987 --> 00:17:36,520
IT'S NOT ONLY A DIFFERENT FEEL 
BUT, IN MY WAY OF THINKING -- 
I'M PRETTY SENTIMENTAL ABOUT THE

496
00:17:36,522 --> 00:17:38,221
BUT, IN MY WAY OF THINKING -- 
I'M PRETTY SENTIMENTAL ABOUT THE 
PEOPLE THAT HAVE DONE THESE

497
00:17:38,223 --> 00:17:39,590
I'M PRETTY SENTIMENTAL ABOUT THE 
PEOPLE THAT HAVE DONE THESE 
BUILDINGS BEFORE US.

498
00:17:39,592 --> 00:17:42,693
PEOPLE THAT HAVE DONE THESE 
BUILDINGS BEFORE US. 
THE SKILL THAT WENT INTO IT.

499
00:17:42,695 --> 00:17:44,227
BUILDINGS BEFORE US. 
THE SKILL THAT WENT INTO IT. 
THAT IT'S REALLY IMPORTANT TO ME

500
00:17:44,229 --> 00:17:45,763
THE SKILL THAT WENT INTO IT. 
THAT IT'S REALLY IMPORTANT TO ME 
TO KEEP AS MUCH OF THAT TOGETHER

501
00:17:45,765 --> 00:17:48,098
THAT IT'S REALLY IMPORTANT TO ME 
TO KEEP AS MUCH OF THAT TOGETHER 
AS WE CAN.

502
00:17:48,100 --> 00:17:50,167
TO KEEP AS MUCH OF THAT TOGETHER 
AS WE CAN. 
>> AND THEN SO THE OLDEST

503
00:17:50,169 --> 00:17:54,004
AS WE CAN. 
>> AND THEN SO THE OLDEST 
PROJECT YOU'VE EVER WORKED WITH

504
00:17:54,006 --> 00:17:55,338
>> AND THEN SO THE OLDEST 
PROJECT YOU'VE EVER WORKED WITH 
IS WHAT YEAR?

505
00:17:55,340 --> 00:17:56,473
PROJECT YOU'VE EVER WORKED WITH 
IS WHAT YEAR? 
>> UNFORTUNATELY THEY DON'T

506
00:17:56,475 --> 00:17:58,075
IS WHAT YEAR? 
>> UNFORTUNATELY THEY DON'T 
OFTEN PUT THIS HOUSE CONSTRUCTED

507
00:17:58,077 --> 00:18:00,778
>> UNFORTUNATELY THEY DON'T 
OFTEN PUT THIS HOUSE CONSTRUCTED 
IN THIS DATE.

508
00:18:00,780 --> 00:18:03,246
OFTEN PUT THIS HOUSE CONSTRUCTED 
IN THIS DATE. 
YOU HAVE TO PUT THE PUZZLE

509
00:18:03,248 --> 00:18:04,247
IN THIS DATE. 
YOU HAVE TO PUT THE PUZZLE 
TOGETHER.

510
00:18:04,249 --> 00:18:05,482
YOU HAVE TO PUT THE PUZZLE 
TOGETHER. 
YOU HAVE THREE-QUARTER FASTENERS

511
00:18:05,484 --> 00:18:08,919
TOGETHER. 
YOU HAVE THREE-QUARTER FASTENERS 
TO SEE IF THEY'RE HAND-FORCED

512
00:18:08,921 --> 00:18:12,056
YOU HAVE THREE-QUARTER FASTENERS 
TO SEE IF THEY'RE HAND-FORCED 
NAILS 'THE TOOLMARKS, WHETHER

513
00:18:12,058 --> 00:18:15,893
TO SEE IF THEY'RE HAND-FORCED 
NAILS 'THE TOOLMARKS, WHETHER 
IT'S SPLIT OR THE TIMBERS ARE

514
00:18:15,895 --> 00:18:17,695
NAILS 'THE TOOLMARKS, WHETHER 
IT'S SPLIT OR THE TIMBERS ARE 
HEWN OR ROUGH SAWN OR HOW IT WAS

515
00:18:17,697 --> 00:18:18,261
IT'S SPLIT OR THE TIMBERS ARE 
HEWN OR ROUGH SAWN OR HOW IT WAS 
CONSTRUCTED.

516
00:18:18,263 --> 00:18:19,630
HEWN OR ROUGH SAWN OR HOW IT WAS 
CONSTRUCTED. 
>> AND YOU CAN TELL, WHEN YOU

517
00:18:19,632 --> 00:18:21,932
CONSTRUCTED. 
>> AND YOU CAN TELL, WHEN YOU 
LOOK AT THESE HOUSES, YOUENLY

518
00:18:21,934 --> 00:18:22,900
>> AND YOU CAN TELL, WHEN YOU 
LOOK AT THESE HOUSES, YOUENLY 
ONLY WORK WITH HOUSES OR

519
00:18:22,902 --> 00:18:24,735
LOOK AT THESE HOUSES, YOUENLY 
ONLY WORK WITH HOUSES OR 
STRUCTURES THAT ARE AT LEAST 100

520
00:18:24,737 --> 00:18:26,670
ONLY WORK WITH HOUSES OR 
STRUCTURES THAT ARE AT LEAST 100 
YEARS OLD BECAUSE BUILDING

521
00:18:26,672 --> 00:18:27,805
STRUCTURES THAT ARE AT LEAST 100 
YEARS OLD BECAUSE BUILDING 
CHANGED AFTER THAT.

522
00:18:27,807 --> 00:18:28,305
YEARS OLD BECAUSE BUILDING 
CHANGED AFTER THAT. 
>> YES.

523
00:18:28,307 --> 00:18:29,640
CHANGED AFTER THAT. 
>> YES. 
>> IT'S NOT AS MUCH WHAT YOU'D

524
00:18:29,642 --> 00:18:30,874
>> YES. 
>> IT'S NOT AS MUCH WHAT YOU'D 
BE INTERESTED IN.

525
00:18:30,876 --> 00:18:31,374
>> IT'S NOT AS MUCH WHAT YOU'D 
BE INTERESTED IN. 
>> RIGHT.

526
00:18:31,376 --> 00:18:35,212
BE INTERESTED IN. 
>> RIGHT. 
THE EARLIER HOUSES WERE EITHER

527
00:18:35,214 --> 00:18:36,480
>> RIGHT. 
THE EARLIER HOUSES WERE EITHER 
MASONRY CONSTRICTED BRICK OR

528
00:18:36,482 --> 00:18:38,983
THE EARLIER HOUSES WERE EITHER 
MASONRY CONSTRICTED BRICK OR 
STONE, OR WALLS OR TIMBER FRAME,

529
00:18:38,985 --> 00:18:45,789
MASONRY CONSTRICTED BRICK OR 
STONE, OR WALLS OR TIMBER FRAME, 
AND THOSE CAN BE DETON --

530
00:18:45,791 --> 00:18:47,658
STONE, OR WALLS OR TIMBER FRAME, 
AND THOSE CAN BE DETON -- 
DECONSTRUCTED, MOVED, AND

531
00:18:47,660 --> 00:18:48,892
AND THOSE CAN BE DETON -- 
DECONSTRUCTED, MOVED, AND 
RECONSTRUCTED.

532
00:18:48,894 --> 00:18:50,527
DECONSTRUCTED, MOVED, AND 
RECONSTRUCTED. 
SO WE LEAN TOWARDS PRECIVIL WAR.

533
00:18:50,529 --> 00:18:51,762
RECONSTRUCTED. 
SO WE LEAN TOWARDS PRECIVIL WAR. 
>> HOW FAR DO YOU GOOD TO GET

534
00:18:51,764 --> 00:18:53,463
SO WE LEAN TOWARDS PRECIVIL WAR. 
>> HOW FAR DO YOU GOOD TO GET 
THE HOUSES.

535
00:18:53,465 --> 00:18:55,933
>> HOW FAR DO YOU GOOD TO GET 
THE HOUSES. 
>> THE FARTHEST WEST WAS

536
00:18:55,935 --> 00:18:56,366
THE HOUSES. 
>> THE FARTHEST WEST WAS 
INDIANA.

537
00:18:56,368 --> 00:18:58,135
>> THE FARTHEST WEST WAS 
INDIANA. 
NORTH TO NEW YORK.

538
00:18:58,137 --> 00:19:02,472
INDIANA. 
NORTH TO NEW YORK. 
SOUTH TO GEORGIA.

539
00:19:02,474 --> 00:19:04,174
NORTH TO NEW YORK. 
SOUTH TO GEORGIA. 
A LOT IN PENNSYLVANIA.

540
00:19:04,176 --> 00:19:05,809
SOUTH TO GEORGIA. 
A LOT IN PENNSYLVANIA. 
A LOT IN WEST VIRGINIA.

541
00:19:05,811 --> 00:19:07,277
A LOT IN PENNSYLVANIA. 
A LOT IN WEST VIRGINIA. 
AND LET'S TALK ABOUT SOME OF

542
00:19:07,279 --> 00:19:08,245
A LOT IN WEST VIRGINIA. 
AND LET'S TALK ABOUT SOME OF 
YOUR PROJECTS.

543
00:19:08,247 --> 00:19:09,913
AND LET'S TALK ABOUT SOME OF 
YOUR PROJECTS. 
SOME OF YOUR FAVORITE PROJECTS

544
00:19:09,915 --> 00:19:14,752
YOUR PROJECTS. 
SOME OF YOUR FAVORITE PROJECTS 
OVER THE YEARS.

545
00:19:14,754 --> 00:19:15,452
SOME OF YOUR FAVORITE PROJECTS 
OVER THE YEARS. 
>> OH, --

546
00:19:15,454 --> 00:19:16,754
OVER THE YEARS. 
>> OH, -- 
>> WHAT WHAT'S THAT?

547
00:19:16,756 --> 00:19:19,422
>> OH, -- 
>> WHAT WHAT'S THAT? 
>> A HOUSE WE MOVE FROM

548
00:19:19,424 --> 00:19:24,828
>> WHAT WHAT'S THAT? 
>> A HOUSE WE MOVE FROM 
NORTHEAST NORTH CAROLINA TO THE

549
00:19:24,830 --> 00:19:27,665
>> A HOUSE WE MOVE FROM 
NORTHEAST NORTH CAROLINA TO THE 
A COURSE.

550
00:19:27,667 --> 00:19:29,767
NORTHEAST NORTH CAROLINA TO THE 
A COURSE. 
1812.

551
00:19:29,769 --> 00:19:31,368
A COURSE. 
1812. 
A MICROBURST RIPPED THE ROOF

552
00:19:31,370 --> 00:19:31,702
1812. 
A MICROBURST RIPPED THE ROOF 
OFF.

553
00:19:31,704 --> 00:19:34,604
A MICROBURST RIPPED THE ROOF 
OFF. 
IT WAS LIVED IN UNTIL THEN.

554
00:19:34,606 --> 00:19:36,339
OFF. 
IT WAS LIVED IN UNTIL THEN. 
SO IT WAS GOING TO BE ROOFED.

555
00:19:36,341 --> 00:19:39,109
IT WAS LIVED IN UNTIL THEN. 
SO IT WAS GOING TO BE ROOFED. 
THEY WEREN'T GOING TO FIX THE

556
00:19:39,111 --> 00:19:40,243
SO IT WAS GOING TO BE ROOFED. 
THEY WEREN'T GOING TO FIX THE 
ROOF.

557
00:19:40,245 --> 00:19:43,246
THEY WEREN'T GOING TO FIX THE 
ROOF. 
SO, WE BOUGHT THE SALVAGE RIGHTS

558
00:19:43,248 --> 00:19:45,949
ROOF. 
SO, WE BOUGHT THE SALVAGE RIGHTS 
TO IT, AND IN THIS CASE WITH THE

559
00:19:45,951 --> 00:19:46,950
SO, WE BOUGHT THE SALVAGE RIGHTS 
TO IT, AND IN THIS CASE WITH THE 
INTENTION TO COMPLETELY

560
00:19:46,952 --> 00:19:47,985
TO IT, AND IN THIS CASE WITH THE 
INTENTION TO COMPLETELY 
DISASSEMBLE AND IT MOVE IT.

561
00:19:47,987 --> 00:19:50,054
INTENTION TO COMPLETELY 
DISASSEMBLE AND IT MOVE IT. 
SO I HAD AN AD IN THE

562
00:19:50,056 --> 00:19:51,321
DISASSEMBLE AND IT MOVE IT. 
SO I HAD AN AD IN THE 
"WASHINGTON POST" FOR A LOG CAB

563
00:19:51,323 --> 00:19:54,158
SO I HAD AN AD IN THE 
"WASHINGTON POST" FOR A LOG CAB 
BEEN I HAD FOR SALE AT THE TIME

564
00:19:54,160 --> 00:19:56,894
"WASHINGTON POST" FOR A LOG CAB 
BEEN I HAD FOR SALE AT THE TIME 
I HAD GOTTEN THIS, AND I GOT A

565
00:19:56,896 --> 00:19:59,663
BEEN I HAD FOR SALE AT THE TIME 
I HAD GOTTEN THIS, AND I GOT A 
PHONE CALL FROM A FELLA THAT WAS

566
00:19:59,665 --> 00:20:01,031
I HAD GOTTEN THIS, AND I GOT A 
PHONE CALL FROM A FELLA THAT WAS 
LOOKING FOR A LOG HOUSE.

567
00:20:01,033 --> 00:20:02,532
PHONE CALL FROM A FELLA THAT WAS 
LOOKING FOR A LOG HOUSE. 
THE END OF THE CONVERSATION HE

568
00:20:02,534 --> 00:20:04,968
LOOKING FOR A LOG HOUSE. 
THE END OF THE CONVERSATION HE 
REALIZE IT IT WASN'T WHAT HE WAS

569
00:20:04,970 --> 00:20:05,569
THE END OF THE CONVERSATION HE 
REALIZE IT IT WASN'T WHAT HE WAS 
LOOKING FOR.

570
00:20:05,571 --> 00:20:07,204
REALIZE IT IT WASN'T WHAT HE WAS 
LOOKING FOR. 
HE SAID DO YOU HAVE ANYTHING

571
00:20:07,206 --> 00:20:08,038
LOOKING FOR. 
HE SAID DO YOU HAVE ANYTHING 
ELSE INTERESTING?

572
00:20:08,040 --> 00:20:10,140
HE SAID DO YOU HAVE ANYTHING 
ELSE INTERESTING? 
I SAID, YES, JUST GOT THIS

573
00:20:10,142 --> 00:20:11,408
ELSE INTERESTING? 
I SAID, YES, JUST GOT THIS 
PLANTATION HOUSE, AND EXPLAINED

574
00:20:11,410 --> 00:20:12,509
I SAID, YES, JUST GOT THIS 
PLANTATION HOUSE, AND EXPLAINED 
IT TO HIM.

575
00:20:12,511 --> 00:20:13,443
PLANTATION HOUSE, AND EXPLAINED 
IT TO HIM. 
HE DROVE DOWN THERE.

576
00:20:13,445 --> 00:20:14,878
IT TO HIM. 
HE DROVE DOWN THERE. 
WE PULLED UP IN THE FRONTYARD.

577
00:20:14,880 --> 00:20:17,181
HE DROVE DOWN THERE. 
WE PULLED UP IN THE FRONTYARD. 
HE LATER CONFIDED IN ME THAT IT

578
00:20:17,183 --> 00:20:18,749
WE PULLED UP IN THE FRONTYARD. 
HE LATER CONFIDED IN ME THAT IT 
WAS SOLD BEFORE HE GOT ANOTHER

579
00:20:18,751 --> 00:20:20,084
HE LATER CONFIDED IN ME THAT IT 
WAS SOLD BEFORE HE GOT ANOTHER 
OF THE TRUCK.

580
00:20:20,086 --> 00:20:21,719
WAS SOLD BEFORE HE GOT ANOTHER 
OF THE TRUCK. 
>> HE WAS GOING TO GET IT.

581
00:20:21,721 --> 00:20:22,986
OF THE TRUCK. 
>> HE WAS GOING TO GET IT. 
>> AT LUNCH THAT DAY, HE WAS

582
00:20:22,988 --> 00:20:24,855
>> HE WAS GOING TO GET IT. 
>> AT LUNCH THAT DAY, HE WAS 
TRYING TO GET ME DOWN ON THE

583
00:20:24,857 --> 00:20:25,222
>> AT LUNCH THAT DAY, HE WAS 
TRYING TO GET ME DOWN ON THE 
PRICE.

584
00:20:25,224 --> 00:20:27,691
TRYING TO GET ME DOWN ON THE 
PRICE. 
I TOLD HIM, I SAID, LOOK, I'VE

585
00:20:27,693 --> 00:20:29,059
PRICE. 
I TOLD HIM, I SAID, LOOK, I'VE 
GOT FIVE DAUGHTERS AND THEY ALL

586
00:20:29,061 --> 00:20:31,461
I TOLD HIM, I SAID, LOOK, I'VE 
GOT FIVE DAUGHTERS AND THEY ALL 
NEED SHOES.

587
00:20:31,463 --> 00:20:32,763
GOT FIVE DAUGHTERS AND THEY ALL 
NEED SHOES. 
HE NEVER FORGOT.

588
00:20:32,765 --> 00:20:33,330
NEED SHOES. 
HE NEVER FORGOT. 
STILL HASN'T.

589
00:20:33,332 --> 00:20:36,566
HE NEVER FORGOT. 
STILL HASN'T. 
FOR ABOUT FIVE OAR -- OR SIX

590
00:20:36,568 --> 00:20:38,168
STILL HASN'T. 
FOR ABOUT FIVE OAR -- OR SIX 
YEARS HE GAVE EACH ONE OF THE

591
00:20:38,170 --> 00:20:39,737
FOR ABOUT FIVE OAR -- OR SIX 
YEARS HE GAVE EACH ONE OF THE 
DAUGHTERS A GIFT CERTIFICATE FOR

592
00:20:39,739 --> 00:20:40,871
YEARS HE GAVE EACH ONE OF THE 
DAUGHTERS A GIFT CERTIFICATE FOR 
SHOES AT CHRISTMAS.

593
00:20:40,873 --> 00:20:43,673
DAUGHTERS A GIFT CERTIFICATE FOR 
SHOES AT CHRISTMAS. 
>> I LOVE THAT.

594
00:20:43,675 --> 00:20:45,709
SHOES AT CHRISTMAS. 
>> I LOVE THAT. 
>> WE HAVE BECOME GREAT FRIENDS

595
00:20:45,711 --> 00:20:46,243
>> I LOVE THAT. 
>> WE HAVE BECOME GREAT FRIENDS 
SINCE THEN.

596
00:20:46,245 --> 00:20:49,546
>> WE HAVE BECOME GREAT FRIENDS 
SINCE THEN. 
IT WAS A REALLY GREAT HOUSE,

597
00:20:49,548 --> 00:20:50,413
SINCE THEN. 
IT WAS A REALLY GREAT HOUSE, 
GREAT MATERIALS.

598
00:20:50,415 --> 00:20:53,617
IT WAS A REALLY GREAT HOUSE, 
GREAT MATERIALS. 
ANY OF THESE EARLY HOUSES ARE A

599
00:20:53,619 --> 00:20:56,453
GREAT MATERIALS. 
ANY OF THESE EARLY HOUSES ARE A 
REAL TESTIMONY TO THE CRAFTSMEN

600
00:20:56,455 --> 00:20:57,855
ANY OF THESE EARLY HOUSES ARE A 
REAL TESTIMONY TO THE CRAFTSMEN 
THAT CAME BEFORE US AND THAT'S

601
00:20:57,857 --> 00:20:59,857
REAL TESTIMONY TO THE CRAFTSMEN 
THAT CAME BEFORE US AND THAT'S 
ONE OF THE REASONS WE TRY TO

602
00:20:59,859 --> 00:21:01,859
THAT CAME BEFORE US AND THAT'S 
ONE OF THE REASONS WE TRY TO 
KEEP THEM ALTOGETHER.

603
00:21:01,861 --> 00:21:03,260
ONE OF THE REASONS WE TRY TO 
KEEP THEM ALTOGETHER. 
>> WHILE YOU'RE TAKING THEM

604
00:21:03,262 --> 00:21:05,462
KEEP THEM ALTOGETHER. 
>> WHILE YOU'RE TAKING THEM 
APART YOU FIND TREASURES.

605
00:21:05,464 --> 00:21:06,029
>> WHILE YOU'RE TAKING THEM 
APART YOU FIND TREASURES. 
>> WE DO.

606
00:21:06,031 --> 00:21:09,066
APART YOU FIND TREASURES. 
>> WE DO. 
>> TELL ME ABOUT THOSE.

607
00:21:09,068 --> 00:21:11,468
>> WE DO. 
>> TELL ME ABOUT THOSE. 
>> THINGS LIKE THIS BRICK THAT

608
00:21:11,470 --> 00:21:15,172
>> TELL ME ABOUT THOSE. 
>> THINGS LIKE THIS BRICK THAT 
HAD A INFANT'S FOOTPRINT IN IT.

609
00:21:15,174 --> 00:21:17,440
>> THINGS LIKE THIS BRICK THAT 
HAD A INFANT'S FOOTPRINT IN IT. 
WE HAD JUST, JUST ABOUT

610
00:21:17,442 --> 00:21:19,643
HAD A INFANT'S FOOTPRINT IN IT. 
WE HAD JUST, JUST ABOUT 
COMPLETELY DISASSEMBLED THIS

611
00:21:19,645 --> 00:21:24,648
WE HAD JUST, JUST ABOUT 
COMPLETELY DISASSEMBLED THIS 
HOUSE, AND JUST TWO OF US ON THE

612
00:21:24,650 --> 00:21:26,549
COMPLETELY DISASSEMBLED THIS 
HOUSE, AND JUST TWO OF US ON THE 
JOB, MYSELF AND PAUL CROCKER.

613
00:21:26,551 --> 00:21:29,386
HOUSE, AND JUST TWO OF US ON THE 
JOB, MYSELF AND PAUL CROCKER. 
I WAS ON THE MACHINE LETTING

614
00:21:29,388 --> 00:21:31,721
JOB, MYSELF AND PAUL CROCKER. 
I WAS ON THE MACHINE LETTING 
DOWN THE LAST WALL OF THIS

615
00:21:31,723 --> 00:21:35,159
I WAS ON THE MACHINE LETTING 
DOWN THE LAST WALL OF THIS 
SIMBER FRAME, AND THERE WERE TWO

616
00:21:35,161 --> 00:21:37,727
DOWN THE LAST WALL OF THIS 
SIMBER FRAME, AND THERE WERE TWO 
CHIMNEYS ON THE GABLE END AND

617
00:21:37,729 --> 00:21:40,363
SIMBER FRAME, AND THERE WERE TWO 
CHIMNEYS ON THE GABLE END AND 
ONE SHIFTED AND ONE BRICK ROLLED

618
00:21:40,365 --> 00:21:42,365
CHIMNEYS ON THE GABLE END AND 
ONE SHIFTED AND ONE BRICK ROLLED 
OUT OF THE SHOULDER OF THIS

619
00:21:42,367 --> 00:21:42,766
ONE SHIFTED AND ONE BRICK ROLLED 
OUT OF THE SHOULDER OF THIS 
CHIMNEY.

620
00:21:42,768 --> 00:21:45,235
OUT OF THE SHOULDER OF THIS 
CHIMNEY. 
AND IT HAD THIS INFANT'S

621
00:21:45,237 --> 00:21:47,437
CHIMNEY. 
AND IT HAD THIS INFANT'S 
FOOTPRINT IN IT, AND I JUST -- I

622
00:21:47,439 --> 00:21:49,273
AND IT HAD THIS INFANT'S 
FOOTPRINT IN IT, AND I JUST -- I 
GOT WEAK IN THE KNEES.

623
00:21:49,275 --> 00:21:50,674
FOOTPRINT IN IT, AND I JUST -- I 
GOT WEAK IN THE KNEES. 
NOT EXPECTING.

624
00:21:50,676 --> 00:21:52,575
GOT WEAK IN THE KNEES. 
NOT EXPECTING. 
YOU WALK AROUND THE HOUSE AND

625
00:21:52,577 --> 00:21:54,577
NOT EXPECTING. 
YOU WALK AROUND THE HOUSE AND 
THE FOOTPRINTS ABOUT THIS LONG

626
00:21:54,579 --> 00:21:56,947
YOU WALK AROUND THE HOUSE AND 
THE FOOTPRINTS ABOUT THIS LONG 
AND IT'S THE SURFACE OF THE

627
00:21:56,949 --> 00:21:59,216
THE FOOTPRINTS ABOUT THIS LONG 
AND IT'S THE SURFACE OF THE 
BREAK IS DUSTED WITH PLASTER

628
00:21:59,218 --> 00:22:01,251
AND IT'S THE SURFACE OF THE 
BREAK IS DUSTED WITH PLASTER 
DUST OR SOMETHING, AND IT REALLY

629
00:22:01,253 --> 00:22:04,788
BREAK IS DUSTED WITH PLASTER 
DUST OR SOMETHING, AND IT REALLY 
JUST STANES OUT TO ME -- STANDS

630
00:22:04,790 --> 00:22:06,223
DUST OR SOMETHING, AND IT REALLY 
JUST STANES OUT TO ME -- STANDS 
OUT TO ME AND THAT WAS A MOMENT

631
00:22:06,225 --> 00:22:07,424
JUST STANES OUT TO ME -- STANDS 
OUT TO ME AND THAT WAS A MOMENT 
YOU THINK, THAT'S ONE OF THE

632
00:22:07,426 --> 00:22:08,826
OUT TO ME AND THAT WAS A MOMENT 
YOU THINK, THAT'S ONE OF THE 
REASONS I DO THIS.

633
00:22:08,828 --> 00:22:09,827
YOU THINK, THAT'S ONE OF THE 
REASONS I DO THIS. 
>> YES.

634
00:22:09,829 --> 00:22:14,364
REASONS I DO THIS. 
>> YES. 
YOU HAVE OTHER BRICKS WITH

635
00:22:14,366 --> 00:22:16,399
>> YES. 
YOU HAVE OTHER BRICKS WITH 
ANIMAL PRINTS BECAUSE THEY LAID

636
00:22:16,401 --> 00:22:18,368
YOU HAVE OTHER BRICKS WITH 
ANIMAL PRINTS BECAUSE THEY LAID 
THE BRICK IN THE SUN TO DRY.

637
00:22:18,370 --> 00:22:19,803
ANIMAL PRINTS BECAUSE THEY LAID 
THE BRICK IN THE SUN TO DRY. 
>> THIGH STRUCK THEM IN A WOODLE

638
00:22:19,805 --> 00:22:23,273
THE BRICK IN THE SUN TO DRY. 
>> THIGH STRUCK THEM IN A WOODLE 
MOLD AND THEY WERE SOFT CLAY AND

639
00:22:23,275 --> 00:22:26,243
>> THIGH STRUCK THEM IN A WOODLE 
MOLD AND THEY WERE SOFT CLAY AND 
THE LAID THEM OUT TO SUN DRY, SO

640
00:22:26,245 --> 00:22:28,345
MOLD AND THEY WERE SOFT CLAY AND 
THE LAID THEM OUT TO SUN DRY, SO 
THAT YOU COULD THEN HANDLE THEM

641
00:22:28,347 --> 00:22:31,581
THE LAID THEM OUT TO SUN DRY, SO 
THAT YOU COULD THEN HANDLE THEM 
AND LITERALLY BUILD A LITTLE

642
00:22:31,583 --> 00:22:35,953
THAT YOU COULD THEN HANDLE THEM 
AND LITERALLY BUILD A LITTLE 
KILL -- KILN WHICH YOU FIRE THE

643
00:22:35,955 --> 00:22:36,453
AND LITERALLY BUILD A LITTLE 
KILL -- KILN WHICH YOU FIRE THE 
BRICK IN.

644
00:22:36,455 --> 00:22:38,588
KILL -- KILN WHICH YOU FIRE THE 
BRICK IN. 
SO WHEN THEY'RE EXPOSED TO ALL

645
00:22:38,590 --> 00:22:40,824
BRICK IN. 
SO WHEN THEY'RE EXPOSED TO ALL 
THESE ANIMALS, AND IN THIS CASE

646
00:22:40,826 --> 00:22:42,525
SO WHEN THEY'RE EXPOSED TO ALL 
THESE ANIMALS, AND IN THIS CASE 
CHILDREN, WE FINAL THESE

647
00:22:42,527 --> 00:22:43,026
THESE ANIMALS, AND IN THIS CASE 
CHILDREN, WE FINAL THESE 
IMPRINTSES.

648
00:22:43,028 --> 00:22:44,294
CHILDREN, WE FINAL THESE 
IMPRINTSES. 
>> WHAT ABOUT THE MARKS THAT YOU

649
00:22:44,296 --> 00:22:44,694
IMPRINTSES. 
>> WHAT ABOUT THE MARKS THAT YOU 
FOUND?

650
00:22:44,696 --> 00:22:48,698
>> WHAT ABOUT THE MARKS THAT YOU 
FOUND? 
WHAT DO YOU CALL THOSE MARKS?

651
00:22:48,700 --> 00:22:50,100
FOUND? 
WHAT DO YOU CALL THOSE MARKS? 
BUILD --

652
00:22:50,102 --> 00:22:55,538
WHAT DO YOU CALL THOSE MARKS? 
BUILD -- 
>> THE HEWING MARKS.

653
00:22:55,540 --> 00:22:58,242
BUILD -- 
>> THE HEWING MARKS. 
THAT'S A HOUSE IN ORANGE COUNTY

654
00:22:58,244 --> 00:23:01,178
>> THE HEWING MARKS. 
THAT'S A HOUSE IN ORANGE COUNTY 
THAT WE MOVED -- EVEN THOUGH WE

655
00:23:01,180 --> 00:23:03,347
THAT'S A HOUSE IN ORANGE COUNTY 
THAT WE MOVED -- EVEN THOUGH WE 
JUST MOVED IT ACROSS THE COUNTY,

656
00:23:03,349 --> 00:23:05,282
THAT WE MOVED -- EVEN THOUGH WE 
JUST MOVED IT ACROSS THE COUNTY, 
IT'S A VERY LARGE HOUSE.

657
00:23:05,284 --> 00:23:07,985
JUST MOVED IT ACROSS THE COUNTY, 
IT'S A VERY LARGE HOUSE. 
WE HAD TO DISASSEMBLE IT AND

658
00:23:07,987 --> 00:23:08,852
IT'S A VERY LARGE HOUSE. 
WE HAD TO DISASSEMBLE IT AND 
RECONSTRUCT IT.

659
00:23:08,854 --> 00:23:12,822
WE HAD TO DISASSEMBLE IT AND 
RECONSTRUCT IT. 
BUT WHILE IT WAS ON ITS NEW

660
00:23:12,824 --> 00:23:14,657
RECONSTRUCT IT. 
BUT WHILE IT WAS ON ITS NEW 
FOUNDATION, WE WERE SETTING 'THE

661
00:23:14,659 --> 00:23:17,261
BUT WHILE IT WAS ON ITS NEW 
FOUNDATION, WE WERE SETTING 'THE 
FLOOR SYSTEM SO WE HAD THESE BIG

662
00:23:17,263 --> 00:23:20,197
FOUNDATION, WE WERE SETTING 'THE 
FLOOR SYSTEM SO WE HAD THESE BIG 
TIMBERS, SOME ARE BEAM, AND THEN

663
00:23:20,199 --> 00:23:21,131
FLOOR SYSTEM SO WE HAD THESE BIG 
TIMBERS, SOME ARE BEAM, AND THEN 
THE FLOOR JOISTS HOOKING INTO

664
00:23:21,133 --> 00:23:21,531
TIMBERS, SOME ARE BEAM, AND THEN 
THE FLOOR JOISTS HOOKING INTO 
THEM.

665
00:23:21,533 --> 00:23:27,170
THE FLOOR JOISTS HOOKING INTO 
THEM. 
I WAS GOING ALONG, PEGGING THE

666
00:23:27,172 --> 00:23:30,740
THEM. 
I WAS GOING ALONG, PEGGING THE 
BEAMS, AND NEILED DOWN -- NEED

667
00:23:30,742 --> 00:23:33,343
I WAS GOING ALONG, PEGGING THE 
BEAMS, AND NEILED DOWN -- NEED 
DOWN ON THE TIMBER TO SHARPEN

668
00:23:33,345 --> 00:23:34,644
BEAMS, AND NEILED DOWN -- NEED 
DOWN ON THE TIMBER TO SHARPEN 
THING PEG AND YOU CAN SEE MY

669
00:23:34,646 --> 00:23:35,612
DOWN ON THE TIMBER TO SHARPEN 
THING PEG AND YOU CAN SEE MY 
CHOP MARKS RIGHT HERE.

670
00:23:35,614 --> 00:23:36,746
THING PEG AND YOU CAN SEE MY 
CHOP MARKS RIGHT HERE. 
SO THAT WAS 2009.

671
00:23:36,748 --> 00:23:37,647
CHOP MARKS RIGHT HERE. 
SO THAT WAS 2009. 
SOMETHING LIKE THAT.

672
00:23:37,649 --> 00:23:40,050
SO THAT WAS 2009. 
SOMETHING LIKE THAT. 
AND WHILE I WAS DOWN ON MY

673
00:23:40,052 --> 00:23:42,752
SOMETHING LIKE THAT. 
AND WHILE I WAS DOWN ON MY 
KNEES, I LOOKED UP AND FOUR

674
00:23:42,754 --> 00:23:44,821
AND WHILE I WAS DOWN ON MY 
KNEES, I LOOKED UP AND FOUR 
INCHES AWAY ARE THE CHOP MARKS

675
00:23:44,823 --> 00:23:46,323
KNEES, I LOOKED UP AND FOUR 
INCHES AWAY ARE THE CHOP MARKS 
FROM THE GUY THAT ORIGINALLY

676
00:23:46,325 --> 00:23:48,959
INCHES AWAY ARE THE CHOP MARKS 
FROM THE GUY THAT ORIGINALLY 
BUILT THE HOUSE, 1820.

677
00:23:48,961 --> 00:23:49,526
FROM THE GUY THAT ORIGINALLY 
BUILT THE HOUSE, 1820. 
>> OH, WOW.

678
00:23:49,528 --> 00:23:50,827
BUILT THE HOUSE, 1820. 
>> OH, WOW. 
>> RIGHT HERE IN ORANGE COUNTY,

679
00:23:50,829 --> 00:23:54,164
>> OH, WOW. 
>> RIGHT HERE IN ORANGE COUNTY, 
ON WHAT WAS PART OF MONTPELIER.

680
00:23:54,166 --> 00:23:56,699
>> RIGHT HERE IN ORANGE COUNTY, 
ON WHAT WAS PART OF MONTPELIER. 
ANOTHER MOMENT JUST LIKE FINDING

681
00:23:56,701 --> 00:24:00,437
ON WHAT WAS PART OF MONTPELIER. 
ANOTHER MOMENT JUST LIKE FINDING 
THE BRICK WITH THE INFANT'S

682
00:24:00,439 --> 00:24:03,206
ANOTHER MOMENT JUST LIKE FINDING 
THE BRICK WITH THE INFANT'S 
PRINT IN IT.

683
00:24:03,208 --> 00:24:04,975
THE BRICK WITH THE INFANT'S 
PRINT IN IT. 
MAKES ITS WORTH WHILE.

684
00:24:04,977 --> 00:24:06,509
PRINT IN IT. 
MAKES ITS WORTH WHILE. 
>> DOES IT COST A LOT MORE FOR A

685
00:24:06,511 --> 00:24:07,911
MAKES ITS WORTH WHILE. 
>> DOES IT COST A LOT MORE FOR A 
CLIENT TO BUILD A HOUSE THIS

686
00:24:07,913 --> 00:24:08,245
>> DOES IT COST A LOT MORE FOR A 
CLIENT TO BUILD A HOUSE THIS 
WAY?

687
00:24:08,247 --> 00:24:09,712
CLIENT TO BUILD A HOUSE THIS 
WAY? 
>> IT DOES.

688
00:24:09,714 --> 00:24:15,252
WAY? 
>> IT DOES. 
BUT THE END PRODUCT IS GOOD.

689
00:24:15,254 --> 00:24:17,387
>> IT DOES. 
BUT THE END PRODUCT IS GOOD. 
>> AND IS WORTH A LOT MORE.

690
00:24:17,389 --> 00:24:18,155
BUT THE END PRODUCT IS GOOD. 
>> AND IS WORTH A LOT MORE. 
>> I BELIEVE SO.

691
00:24:18,157 --> 00:24:19,156
>> AND IS WORTH A LOT MORE. 
>> I BELIEVE SO. 
HAS A GOOD STORY.

692
00:24:19,158 --> 00:24:20,857
>> I BELIEVE SO. 
HAS A GOOD STORY. 
>> SO WHAT GOES ON HERE AT THE

693
00:24:20,859 --> 00:24:21,491
HAS A GOOD STORY. 
>> SO WHAT GOES ON HERE AT THE 
RETAIL STORE?

694
00:24:21,493 --> 00:24:22,426
>> SO WHAT GOES ON HERE AT THE 
RETAIL STORE? 
WHO COMES THROUGH?

695
00:24:22,428 --> 00:24:25,862
RETAIL STORE? 
WHO COMES THROUGH? 
WHO ARE YOUR LINES?

696
00:24:25,864 --> 00:24:28,231
WHO COMES THROUGH? 
WHO ARE YOUR LINES? 
>> THEY'RE PART CURIOSITY --

697
00:24:28,233 --> 00:24:30,067
WHO ARE YOUR LINES? 
>> THEY'RE PART CURIOSITY -- 
WHAT IS GOING ON HERE?

698
00:24:30,069 --> 00:24:32,469
>> THEY'RE PART CURIOSITY -- 
WHAT IS GOING ON HERE? 
I DON'T HAVE A LOT OF SIGNAGE,

699
00:24:32,471 --> 00:24:33,536
WHAT IS GOING ON HERE? 
I DON'T HAVE A LOT OF SIGNAGE, 
AND I'M REALLY NOT TRYING TO

700
00:24:33,538 --> 00:24:35,839
I DON'T HAVE A LOT OF SIGNAGE, 
AND I'M REALLY NOT TRYING TO 
KEEP IT A SECRET.

701
00:24:35,841 --> 00:24:37,807
AND I'M REALLY NOT TRYING TO 
KEEP IT A SECRET. 
BUT WE JUST ARE HERE ONE DAY A

702
00:24:37,809 --> 00:24:39,843
KEEP IT A SECRET. 
BUT WE JUST ARE HERE ONE DAY A 
WEEK, SATURDAY, AND THE REST OF

703
00:24:39,845 --> 00:24:41,811
BUT WE JUST ARE HERE ONE DAY A 
WEEK, SATURDAY, AND THE REST OF 
THE TIME WE'RE OUT IN THE FIELD

704
00:24:41,813 --> 00:24:42,846
WEEK, SATURDAY, AND THE REST OF 
THE TIME WE'RE OUT IN THE FIELD 
OR SALVAGING.

705
00:24:42,848 --> 00:24:47,384
THE TIME WE'RE OUT IN THE FIELD 
OR SALVAGING. 
SO IT STARTS WITH PEOPLE SEEING

706
00:24:47,386 --> 00:24:48,618
OR SALVAGING. 
SO IT STARTS WITH PEOPLE SEEING 
AN 1820 SMOKEHOUSE AND A NEW

707
00:24:48,620 --> 00:24:50,887
SO IT STARTS WITH PEOPLE SEEING 
AN 1820 SMOKEHOUSE AND A NEW 
LOGHOUSE IN THE PARKING LOT, AND

708
00:24:50,889 --> 00:24:53,790
AN 1820 SMOKEHOUSE AND A NEW 
LOGHOUSE IN THE PARKING LOT, AND 
ALL THESE BATHTUBS AND STONE AND

709
00:24:53,792 --> 00:24:56,593
LOGHOUSE IN THE PARKING LOT, AND 
ALL THESE BATHTUBS AND STONE AND 
ALL THIS STUFF, CLUTTER, SO SOME

710
00:24:56,595 --> 00:24:58,261
ALL THESE BATHTUBS AND STONE AND 
ALL THIS STUFF, CLUTTER, SO SOME 
OF THEM JUST COME IN TO SEE

711
00:24:58,263 --> 00:25:00,464
ALL THIS STUFF, CLUTTER, SO SOME 
OF THEM JUST COME IN TO SEE 
WHAT'S GOING ON HERE, AND THEN A

712
00:25:00,466 --> 00:25:05,235
OF THEM JUST COME IN TO SEE 
WHAT'S GOING ON HERE, AND THEN A 
LOT OF LADIES THAT WANT TO HAVE

713
00:25:05,237 --> 00:25:08,205
WHAT'S GOING ON HERE, AND THEN A 
LOT OF LADIES THAT WANT TO HAVE 
SOME TYPE OF ARCHITECTURAL

714
00:25:08,207 --> 00:25:10,273
LOT OF LADIES THAT WANT TO HAVE 
SOME TYPE OF ARCHITECTURAL 
ACCENT IN THEIR HOME, OR

715
00:25:10,275 --> 00:25:12,075
SOME TYPE OF ARCHITECTURAL 
ACCENT IN THEIR HOME, OR 
BUILDERS THAT HAVE PROJECTS

716
00:25:12,077 --> 00:25:14,211
ACCENT IN THEIR HOME, OR 
BUILDERS THAT HAVE PROJECTS 
WHERE THEY WANT TO INCORPORATE

717
00:25:14,213 --> 00:25:15,045
BUILDERS THAT HAVE PROJECTS 
WHERE THEY WANT TO INCORPORATE 
ANTIQUE MATERIALS.

718
00:25:15,047 --> 00:25:18,815
WHERE THEY WANT TO INCORPORATE 
ANTIQUE MATERIALS. 
AND PEOPLE THAT ARE INTERESTED

719
00:25:18,817 --> 00:25:22,119
ANTIQUE MATERIALS. 
AND PEOPLE THAT ARE INTERESTED 
IN REUSING THESE FOR THINGS

720
00:25:22,121 --> 00:25:24,954
AND PEOPLE THAT ARE INTERESTED 
IN REUSING THESE FOR THINGS 
OTHER THAN THEIR FIRST USE.

721
00:25:24,956 --> 00:25:27,757
IN REUSING THESE FOR THINGS 
OTHER THAN THEIR FIRST USE. 
THAT MAKES ME HAPPY.

722
00:25:27,759 --> 00:25:29,292
OTHER THAN THEIR FIRST USE. 
THAT MAKES ME HAPPY. 
THEY'RE DOING THAT.

723
00:25:29,294 --> 00:25:30,360
THAT MAKES ME HAPPY. 
THEY'RE DOING THAT. 
>> THANK YOU.

724
00:25:30,362 --> 00:25:31,094
THEY'RE DOING THAT. 
>> THANK YOU. 
>> THANK YOU.

725
00:25:31,096 --> 00:25:33,663
>> THANK YOU. 
>> THANK YOU. 
I ENJOYED IT.

726
00:25:33,665 --> 00:25:44,074
♪ 
>> THAT'S IT FOR THIS WEEK. 
FOR WHTJ, I'M TERRI ALLARD.

727
00:25:44,076 --> 00:25:45,875
>> THAT'S IT FOR THIS WEEK. 
FOR WHTJ, I'M TERRI ALLARD. 
JOIN US NEXT TIME ON

728
00:25:45,877 --> 00:25:49,413
FOR WHTJ, I'M TERRI ALLARD. 
JOIN US NEXT TIME ON 
"CHARLOTTESVILLE INSIDE-OUT."

729
00:25:49,415 --> 00:26:31,188
♪ 
>> THIS PRESENTATION WAS MADE 
POSSIBLE THANKS IN PART TO THE

730
00:26:31,190 --> 00:26:32,289
>> THIS PRESENTATION WAS MADE 
POSSIBLE THANKS IN PART TO THE 
PATRONS OF "CHARLOTTESVILLE

731
00:26:32,291 --> 00:26:33,623
POSSIBLE THANKS IN PART TO THE 
PATRONS OF "CHARLOTTESVILLE 
INSIDE-OUT," COMMITTED TO

732
00:26:33,625 --> 00:26:34,691
PATRONS OF "CHARLOTTESVILLE 
INSIDE-OUT," COMMITTED TO 
EXPLORING THE PEOPLE, PLACES AND

733
00:26:34,693 --> 00:26:37,026
INSIDE-OUT," COMMITTED TO 
EXPLORING THE PEOPLE, PLACES AND 
QUALITY OF LIFE THAT UNIQUELY

734
00:26:37,028 --> 00:26:40,630
EXPLORING THE PEOPLE, PLACES AND 
QUALITY OF LIFE THAT UNIQUELY 
DEFINE CHARLOTTESVILLE AND ITS

735
00:26:40,632 --> 00:26:42,899
QUALITY OF LIFE THAT UNIQUELY 
DEFINE CHARLOTTESVILLE AND ITS 
SURROUNDINGS.