WEBVTT 00:00.000 --> 00:10.609 align:start >> THIS PRESENTATION WAS MADE POSSIBLE THANKS IN PART TO THE PATRONS OF "CHARLOTTESVILLE 00:10.611 --> 00:11.543 align:start POSSIBLE THANKS IN PART TO THE PATRONS OF "CHARLOTTESVILLE INSIDE-OUT," COMMITTED TO 00:11.545 --> 00:12.276 align:start PATRONS OF "CHARLOTTESVILLE INSIDE-OUT," COMMITTED TO CLEARING THE PEOPLE, PLACES AND 00:12.278 --> 00:15.113 align:start INSIDE-OUT," COMMITTED TO CLEARING THE PEOPLE, PLACES AND QUALITY OF LIFE THAT UNIQUELY 00:15.115 --> 00:18.282 align:start CLEARING THE PEOPLE, PLACES AND QUALITY OF LIFE THAT UNIQUELY DEFINE CHARLOTTESVILLE AND ITS 00:18.284 --> 00:20.184 align:start QUALITY OF LIFE THAT UNIQUELY DEFINE CHARLOTTESVILLE AND ITS SURROUNDINGS. 00:20.186 --> 00:33.732 align:start >> ONE BRICK ROLLED OUT OF THE SHOULDER OF THIS CHIMNEY, AND IT HAS THIS INFANT'S FOOTPRINT IN 00:33.734 --> 00:33.999 align:start SHOULDER OF THIS CHIMNEY, AND IT HAS THIS INFANT'S FOOTPRINT IN IT. 00:34.001 --> 00:35.934 align:start HAS THIS INFANT'S FOOTPRINT IN IT. THAT'S ONE OF THE REASONS I DO 00:35.936 --> 00:36.334 align:start IT. THAT'S ONE OF THE REASONS I DO THIS. 00:36.336 --> 00:38.670 align:start THAT'S ONE OF THE REASONS I DO THIS. >> FOR WHTJ I'M TERRI ALLARD AND 00:38.672 --> 00:41.740 align:start THIS. >> FOR WHTJ I'M TERRI ALLARD AND THIS IS "CHARLOTTESVILLE 00:41.742 --> 00:44.375 align:start >> FOR WHTJ I'M TERRI ALLARD AND THIS IS "CHARLOTTESVILLE INSIDE-OUT." 00:44.377 --> 00:46.144 align:start THIS IS "CHARLOTTESVILLE INSIDE-OUT." ♪ 00:46.146 --> 01:06.431 align:start >> VIRGINIA'S PIEDMONT REJOINS KNOWN FOR ITS BEAUTIFUL LANDSCAPES, RICH HISTORY, AND 01:06.433 --> 01:07.632 align:start KNOWN FOR ITS BEAUTIFUL LANDSCAPES, RICH HISTORY, AND SPRAWLING COUNTRY ESTATES. 01:07.634 --> 01:11.836 align:start LANDSCAPES, RICH HISTORY, AND SPRAWLING COUNTRY ESTATES. TODAY WE'RE GOING TO VISIT ONE 01:11.838 --> 01:18.610 align:start SPRAWLING COUNTRY ESTATES. TODAY WE'RE GOING TO VISIT ONE SUCH ALBEMARLE BUILDING. 01:18.612 --> 01:21.746 align:start TODAY WE'RE GOING TO VISIT ONE SUCH ALBEMARLE BUILDING. JOIN US AS WE TALK WITH PATRICIA 01:21.748 --> 01:24.182 align:start SUCH ALBEMARLE BUILDING. JOIN US AS WE TALK WITH PATRICIA CASTELLI ABOUT HER BOOK "THE 01:24.184 --> 01:25.951 align:start JOIN US AS WE TALK WITH PATRICIA CASTELLI ABOUT HER BOOK "THE STORY OF KESWICK HALL." 01:25.953 --> 01:27.819 align:start CASTELLI ABOUT HER BOOK "THE STORY OF KESWICK HALL." COME ON. 01:27.821 --> 01:39.130 align:start >> PATRICIA, WHAT INSPIRED YOU TO WRITE YOUR BOOK? >> I WAS A FOOD AND BEVERAGE -- 01:39.132 --> 01:42.901 align:start TO WRITE YOUR BOOK? >> I WAS A FOOD AND BEVERAGE -- WE DID VILLA LUNCH IN THE HOTEL. 01:42.903 --> 01:44.368 align:start >> I WAS A FOOD AND BEVERAGE -- WE DID VILLA LUNCH IN THE HOTEL. THE TALL CEILINGS AND SQUEAKY 01:44.370 --> 01:46.337 align:start WE DID VILLA LUNCH IN THE HOTEL. THE TALL CEILINGS AND SQUEAKY STAIRS, AND I WOULD APPROACH A 01:46.339 --> 01:47.939 align:start THE TALL CEILINGS AND SQUEAKY STAIRS, AND I WOULD APPROACH A TABLE AND ASKED HOW EVERYTHING 01:47.941 --> 01:49.574 align:start STAIRS, AND I WOULD APPROACH A TABLE AND ASKED HOW EVERYTHING WAS, THEY WOULD ASK ME, CAN YOU 01:49.576 --> 01:50.541 align:start TABLE AND ASKED HOW EVERYTHING WAS, THEY WOULD ASK ME, CAN YOU TELL US ANYTHING ABOUT THE 01:50.543 --> 01:51.910 align:start WAS, THEY WOULD ASK ME, CAN YOU TELL US ANYTHING ABOUT THE HISTORY OF THIS PLACE? 01:51.912 --> 01:53.979 align:start TELL US ANYTHING ABOUT THE HISTORY OF THIS PLACE? AND I DIDN'T KNOW WHAT TO TELL 01:53.981 --> 01:54.345 align:start HISTORY OF THIS PLACE? AND I DIDN'T KNOW WHAT TO TELL THEM. 01:54.347 --> 01:55.947 align:start AND I DIDN'T KNOW WHAT TO TELL THEM. SO I MADE IT MY BUSINESS TO FINE 01:55.949 --> 01:56.214 align:start THEM. SO I MADE IT MY BUSINESS TO FINE OUT. 01:56.216 --> 01:57.816 align:start SO I MADE IT MY BUSINESS TO FINE OUT. I WENT TO THE FRONT DESK. 01:57.818 --> 01:59.350 align:start OUT. I WENT TO THE FRONT DESK. I SAID, WHAT HAVE WE GOT SOME 01:59.352 --> 02:00.118 align:start I WENT TO THE FRONT DESK. I SAID, WHAT HAVE WE GOT SOME PEOPLE ARE ASKING ME. 02:00.120 --> 02:02.153 align:start I SAID, WHAT HAVE WE GOT SOME PEOPLE ARE ASKING ME. AND THEY DIDN'T HAVE MUCH. 02:02.155 --> 02:06.290 align:start PEOPLE ARE ASKING ME. AND THEY DIDN'T HAVE MUCH. THEYED A ONE 8.5 WITHS 11 SHEET 02:06.292 --> 02:07.158 align:start AND THEY DIDN'T HAVE MUCH. THEYED A ONE 8.5 WITHS 11 SHEET OF PAPER WITH TWO PARAGRAPHS. 02:07.160 --> 02:08.760 align:start THEYED A ONE 8.5 WITHS 11 SHEET OF PAPER WITH TWO PARAGRAPHS. SO I STARTED TELLING THOSE 02:08.762 --> 02:11.763 align:start OF PAPER WITH TWO PARAGRAPHS. SO I STARTED TELLING THOSE STORIES AND IT TURN OUT SOME WAS 02:11.765 --> 02:12.230 align:start SO I STARTED TELLING THOSE STORIES AND IT TURN OUT SOME WAS WRONG. 02:12.232 --> 02:13.498 align:start STORIES AND IT TURN OUT SOME WAS WRONG. I DIDN'T KNOW ANY BETTER. 02:13.500 --> 02:14.766 align:start WRONG. I DIDN'T KNOW ANY BETTER. WHAT HAPPENED WAS I DISCOVERED 02:14.768 --> 02:16.367 align:start I DIDN'T KNOW ANY BETTER. WHAT HAPPENED WAS I DISCOVERED TWO THINGS, ONE, PEOPLE LOVE 02:16.369 --> 02:18.903 align:start WHAT HAPPENED WAS I DISCOVERED TWO THINGS, ONE, PEOPLE LOVE STORIES, AND, TWO PEOPLE SAID, 02:18.905 --> 02:21.539 align:start TWO THINGS, ONE, PEOPLE LOVE STORIES, AND, TWO PEOPLE SAID, YOU KNOW, YOU REALLY SHOULD TALK 02:21.541 --> 02:23.207 align:start STORIES, AND, TWO PEOPLE SAID, YOU KNOW, YOU REALLY SHOULD TALK TO SO AND SO BECAUSE THEY WERE 02:23.209 --> 02:25.476 align:start YOU KNOW, YOU REALLY SHOULD TALK TO SO AND SO BECAUSE THEY WERE HERE WHEN THIS AND THIS HAND. 02:25.478 --> 02:28.279 align:start TO SO AND SO BECAUSE THEY WERE HERE WHEN THIS AND THIS HAND. OR THEY WOULD SAY I WAS HEROINE 02:28.281 --> 02:29.413 align:start HERE WHEN THIS AND THIS HAND. OR THEY WOULD SAY I WAS HEROINE 1953 BECAUSE MY WEDDING 02:29.415 --> 02:31.415 align:start OR THEY WOULD SAY I WAS HEROINE 1953 BECAUSE MY WEDDING RESINGS -- OR SOMETHING LIKE 02:31.417 --> 02:31.783 align:start 1953 BECAUSE MY WEDDING RESINGS -- OR SOMETHING LIKE THAT. 02:31.785 --> 02:33.885 align:start RESINGS -- OR SOMETHING LIKE THAT. I JUST SCOFFED THERE WAR SO -- 02:33.887 --> 02:38.857 align:start THAT. I JUST SCOFFED THERE WAR SO -- DISCOVERED THERE WAR SO MANY 02:38.859 --> 02:39.390 align:start I JUST SCOFFED THERE WAR SO -- DISCOVERED THERE WAR SO MANY CONNECTIONS. 02:39.392 --> 02:41.893 align:start DISCOVERED THERE WAR SO MANY CONNECTIONS. >> TELL US ABOUT THE TOURS. 02:41.895 --> 02:44.095 align:start CONNECTIONS. >> TELL US ABOUT THE TOURS. >> I SHOW PEOPLE THAT AS A 02:44.097 --> 02:46.464 align:start >> TELL US ABOUT THE TOURS. >> I SHOW PEOPLE THAT AS A PRIVATE HOME IT LOOKED LIKE -- 02:46.466 --> 02:48.266 align:start >> I SHOW PEOPLE THAT AS A PRIVATE HOME IT LOOKED LIKE -- THE WING WITH THE TWO CHIMNEYS 02:48.268 --> 02:50.101 align:start PRIVATE HOME IT LOOKED LIKE -- THE WING WITH THE TWO CHIMNEYS AND THAT STILL STANDS. 02:50.103 --> 02:52.203 align:start THE WING WITH THE TWO CHIMNEYS AND THAT STILL STANDS. THEN THIS PART WAS TORN OFF, AND 02:52.205 --> 02:54.539 align:start AND THAT STILL STANDS. THEN THIS PART WAS TORN OFF, AND THE REST IS ACTUALLY JUST ABOUT 02:54.541 --> 02:56.875 align:start THEN THIS PART WAS TORN OFF, AND THE REST IS ACTUALLY JUST ABOUT 20 YEARS OLD. 02:56.877 --> 02:58.476 align:start THE REST IS ACTUALLY JUST ABOUT 20 YEARS OLD. WHICH WHAT IS SO AMAZING HOW 02:58.478 --> 03:00.145 align:start 20 YEARS OLD. WHICH WHAT IS SO AMAZING HOW THEY INCORPORATED THE OLD INTO 03:00.147 --> 03:01.846 align:start WHICH WHAT IS SO AMAZING HOW THEY INCORPORATED THE OLD INTO THE NEW AND MADE IT LOOK LIKE 03:01.848 --> 03:03.048 align:start THEY INCORPORATED THE OLD INTO THE NEW AND MADE IT LOOK LIKE IT'S ALWAYS BEEN HERE. 03:03.050 --> 03:06.851 align:start THE NEW AND MADE IT LOOK LIKE IT'S ALWAYS BEEN HERE. SO IT'S JUST -- THE ARCHITECT 03:06.853 --> 03:08.519 align:start IT'S ALWAYS BEEN HERE. SO IT'S JUST -- THE ARCHITECT HAS DONE AN AMAZING JOB. 03:08.521 --> 03:11.156 align:start SO IT'S JUST -- THE ARCHITECT HAS DONE AN AMAZING JOB. >> THEY START HERE -- 03:11.158 --> 03:13.324 align:start HAS DONE AN AMAZING JOB. >> THEY START HERE -- >> I SHOW THEM THAT WHAT WAS THE 03:13.326 --> 03:15.927 align:start >> THEY START HERE -- >> I SHOW THEM THAT WHAT WAS THE SITE OF THE HOUSE BECAME PART OF 03:15.929 --> 03:18.029 align:start >> I SHOW THEM THAT WHAT WAS THE SITE OF THE HOUSE BECAME PART OF THE FRONT OF THE HOUSE. 03:18.031 --> 03:20.231 align:start SITE OF THE HOUSE BECAME PART OF THE FRONT OF THE HOUSE. THEN WE WEEK BY THE HORIZON POOL 03:20.233 --> 03:22.133 align:start THE FRONT OF THE HOUSE. THEN WE WEEK BY THE HORIZON POOL AND LOOK LOOK AT WHAT WAS 03:22.135 --> 03:23.267 align:start THEN WE WEEK BY THE HORIZON POOL AND LOOK LOOK AT WHAT WAS ORIGINALLY THE FRONT OF THE 03:23.269 --> 03:24.969 align:start AND LOOK LOOK AT WHAT WAS ORIGINALLY THE FRONT OF THE HOUSE, AND THAT MAKES SENSE 03:24.971 --> 03:27.072 align:start ORIGINALLY THE FRONT OF THE HOUSE, AND THAT MAKES SENSE BECAUSE WHEN THEY DID THE 03:27.074 --> 03:28.006 align:start HOUSE, AND THAT MAKES SENSE BECAUSE WHEN THEY DID THE RENOVATION 20 YEARS AGO THEY 03:28.008 --> 03:29.774 align:start BECAUSE WHEN THEY DID THE RENOVATION 20 YEARS AGO THEY WERE SO TRUE TO THE INTEGRITY OF 03:29.776 --> 03:31.609 align:start RENOVATION 20 YEARS AGO THEY WERE SO TRUE TO THE INTEGRITY OF THE STRUCTURE THAT IT REALLY 03:31.611 --> 03:34.545 align:start WERE SO TRUE TO THE INTEGRITY OF THE STRUCTURE THAT IT REALLY LOOKS JUST LIKE IT USED TO LOOK. 03:34.547 --> 03:36.447 align:start THE STRUCTURE THAT IT REALLY LOOKS JUST LIKE IT USED TO LOOK. SO, THERE'S JUST SO MUCH ABOUT 03:36.449 --> 03:38.016 align:start LOOKS JUST LIKE IT USED TO LOOK. SO, THERE'S JUST SO MUCH ABOUT IT THAT -- WHAT I DO IS TRY TO 03:38.018 --> 03:39.818 align:start SO, THERE'S JUST SO MUCH ABOUT IT THAT -- WHAT I DO IS TRY TO DO AN OVERVIEW OF THE HISTORY, 03:39.820 --> 03:41.285 align:start IT THAT -- WHAT I DO IS TRY TO DO AN OVERVIEW OF THE HISTORY, WHICH IS REALLY BROKEN UP INTO 03:41.287 --> 03:42.954 align:start DO AN OVERVIEW OF THE HISTORY, WHICH IS REALLY BROKEN UP INTO THREE PARTS. 03:42.956 --> 03:45.056 align:start WHICH IS REALLY BROKEN UP INTO THREE PARTS. YOU HAVE THE 35 YEARS OR SO OF 03:45.058 --> 03:47.291 align:start THREE PARTS. YOU HAVE THE 35 YEARS OR SO OF PRIVATE OWNERSHIP. 03:47.293 --> 03:49.427 align:start YOU HAVE THE 35 YEARS OR SO OF PRIVATE OWNERSHIP. FOLLOWED BY ABOUT 40 YEARS, GIVE 03:49.429 --> 03:51.830 align:start PRIVATE OWNERSHIP. FOLLOWED BY ABOUT 40 YEARS, GIVE OR TAKE, OF COUNTRY CLUB. 03:51.832 --> 03:53.865 align:start FOLLOWED BY ABOUT 40 YEARS, GIVE OR TAKE, OF COUNTRY CLUB. AND THEN 20 YEARS AGO IT 03:53.867 --> 03:55.734 align:start OR TAKE, OF COUNTRY CLUB. AND THEN 20 YEARS AGO IT TRANSFORMED INTO THIS BEAUTIFUL 03:55.736 --> 03:56.134 align:start AND THEN 20 YEARS AGO IT TRANSFORMED INTO THIS BEAUTIFUL HOTEL. 03:56.136 --> 03:57.568 align:start TRANSFORMED INTO THIS BEAUTIFUL HOTEL. SO, WHAT I TRY TO DO IS WHEN I 03:57.570 --> 03:58.937 align:start HOTEL. SO, WHAT I TRY TO DO IS WHEN I GO AROUND TO THE FRONT AND SHOW 03:58.939 --> 04:00.205 align:start SO, WHAT I TRY TO DO IS WHEN I GO AROUND TO THE FRONT AND SHOW WHAT THE FRONT OF THE HOUSE 04:00.207 --> 04:01.572 align:start GO AROUND TO THE FRONT AND SHOW WHAT THE FRONT OF THE HOUSE LOOKED LIKE, I TALK ABOUT THE 04:01.574 --> 04:04.109 align:start WHAT THE FRONT OF THE HOUSE LOOKED LIKE, I TALK ABOUT THE PRIVATE OWNERS AND SOME OF THE 04:04.111 --> 04:05.143 align:start LOOKED LIKE, I TALK ABOUT THE PRIVATE OWNERS AND SOME OF THE STORIES FROM THAT TIME. 04:05.145 --> 04:06.644 align:start PRIVATE OWNERS AND SOME OF THE STORIES FROM THAT TIME. AND THEN WE MOVE OVER TO WHERE 04:06.646 --> 04:07.879 align:start STORIES FROM THAT TIME. AND THEN WE MOVE OVER TO WHERE YOU CAN SEE THE HOTEL FROM A 04:07.881 --> 04:09.948 align:start AND THEN WE MOVE OVER TO WHERE YOU CAN SEE THE HOTEL FROM A LITTLE BIT FARTHER AWAY, BUT I 04:09.950 --> 04:11.616 align:start YOU CAN SEE THE HOTEL FROM A LITTLE BIT FARTHER AWAY, BUT I HAVE A WONDERFUL AERIAL THAT 04:11.618 --> 04:13.918 align:start LITTLE BIT FARTHER AWAY, BUT I HAVE A WONDERFUL AERIAL THAT SHOWS WHAT IT LIKED LIKE FROM 04:13.920 --> 04:15.286 align:start HAVE A WONDERFUL AERIAL THAT SHOWS WHAT IT LIKED LIKE FROM THE VERY ANGLE WHEN IT WAS A 04:15.288 --> 04:15.887 align:start SHOWS WHAT IT LIKED LIKE FROM THE VERY ANGLE WHEN IT WAS A COUNTRY CLUB. 04:15.889 --> 04:17.421 align:start THE VERY ANGLE WHEN IT WAS A COUNTRY CLUB. THAT MAKES IT FUN. 04:17.423 --> 04:22.393 align:start COUNTRY CLUB. THAT MAKES IT FUN. >> TALK ABOUT WHEN IT WAS FIRST 04:22.395 --> 04:22.894 align:start THAT MAKES IT FUN. >> TALK ABOUT WHEN IT WAS FIRST BUILT. 04:22.896 --> 04:24.062 align:start >> TALK ABOUT WHEN IT WAS FIRST BUILT. >> WHEN IT WAS FIRST BUILT, 04:24.064 --> 04:24.996 align:start BUILT. >> WHEN IT WAS FIRST BUILT, THERE WAS NOTHING ON THE 04:24.998 --> 04:26.330 align:start >> WHEN IT WAS FIRST BUILT, THERE WAS NOTHING ON THE PROPERTY TO BEGIN WITH. 04:26.332 --> 04:29.834 align:start THERE WAS NOTHING ON THE PROPERTY TO BEGIN WITH. IT WAS A PIECE OF LAN THAT AND 04:29.836 --> 04:31.102 align:start PROPERTY TO BEGIN WITH. IT WAS A PIECE OF LAN THAT AND ARE MRS. ROBERT CRAWFORD BOUGHT. 04:31.104 --> 04:32.937 align:start IT WAS A PIECE OF LAN THAT AND ARE MRS. ROBERT CRAWFORD BOUGHT. HIRED A LOCAL ARCHITECT TO BUILD 04:32.939 --> 04:36.674 align:start ARE MRS. ROBERT CRAWFORD BOUGHT. HIRED A LOCAL ARCHITECT TO BUILD THEM THEIR BEAUTIFUL VILLA. 04:36.676 --> 04:38.910 align:start HIRED A LOCAL ARCHITECT TO BUILD THEM THEIR BEAUTIFUL VILLA. COST $100,000 TO BILL -- BUILD 04:38.912 --> 04:42.647 align:start THEM THEIR BEAUTIFUL VILLA. COST $100,000 TO BILL -- BUILD BACK THEN AND SO FORTUNATE TO 04:42.649 --> 04:46.251 align:start COST $100,000 TO BILL -- BUILD BACK THEN AND SO FORTUNATE TO FIND PHOTOGRAPHS OF 04:46.253 --> 04:47.385 align:start BACK THEN AND SO FORTUNATE TO FIND PHOTOGRAPHS OF MRS. CRAWFORD AND HER BOYS. 04:47.387 --> 04:52.290 align:start FIND PHOTOGRAPHS OF MRS. CRAWFORD AND HER BOYS. SO I WAS ABLE TO PIECE IT 04:52.292 --> 04:53.391 align:start MRS. CRAWFORD AND HER BOYS. SO I WAS ABLE TO PIECE IT TOGETHER. 04:53.393 --> 04:54.826 align:start SO I WAS ABLE TO PIECE IT TOGETHER. MRS. CRAWFORD WAS KIND OF A 04:54.828 --> 04:56.261 align:start TOGETHER. MRS. CRAWFORD WAS KIND OF A BIZARRE CHARACTER. 04:56.263 --> 04:57.762 align:start MRS. CRAWFORD WAS KIND OF A BIZARRE CHARACTER. I WAS SURPRISED AT ANY NUMBER OF 04:57.764 --> 05:00.999 align:start BIZARRE CHARACTER. I WAS SURPRISED AT ANY NUMBER OF TURNS WHILE I WAS DYING MY -- 05:01.001 --> 05:03.268 align:start I WAS SURPRISED AT ANY NUMBER OF TURNS WHILE I WAS DYING MY -- DOING MY RESEARCH. 05:03.270 --> 05:03.734 align:start TURNS WHILE I WAS DYING MY -- DOING MY RESEARCH. REALLY? 05:03.736 --> 05:04.635 align:start DOING MY RESEARCH. REALLY? THAT'S WHAT HAPPENED? 05:04.637 --> 05:06.137 align:start REALLY? THAT'S WHAT HAPPENED? I JUST DIDN'T EXPECT WHAT FOUND. 05:06.139 --> 05:09.607 align:start THAT'S WHAT HAPPENED? I JUST DIDN'T EXPECT WHAT FOUND. >> YOU HAVE TO ELABORATE NOW. 05:09.609 --> 05:11.676 align:start I JUST DIDN'T EXPECT WHAT FOUND. >> YOU HAVE TO ELABORATE NOW. YOU CAN'T TEASE US. 05:11.678 --> 05:12.844 align:start >> YOU HAVE TO ELABORATE NOW. YOU CAN'T TEASE US. >> THIS BEAUTIFUL HOTEL AND 05:12.846 --> 05:13.812 align:start YOU CAN'T TEASE US. >> THIS BEAUTIFUL HOTEL AND PEOPLE COME HERE FOR 05:13.814 --> 05:15.513 align:start >> THIS BEAUTIFUL HOTEL AND PEOPLE COME HERE FOR ANNIVERSARIES AND SPECIAL OVER 05:15.515 --> 05:17.515 align:start PEOPLE COME HERE FOR ANNIVERSARIES AND SPECIAL OVER INDICATIONS, WEDDINGS, SO 05:17.517 --> 05:19.017 align:start ANNIVERSARIES AND SPECIAL OVER INDICATIONS, WEDDINGS, SO BEAUTIFUL, AND SO NATURALLY I 05:19.019 --> 05:22.787 align:start INDICATIONS, WEDDINGS, SO BEAUTIFUL, AND SO NATURALLY I WAS HOPING FOR A LOVE STORY. 05:22.789 --> 05:24.755 align:start BEAUTIFUL, AND SO NATURALLY I WAS HOPING FOR A LOVE STORY. MR. AND MRS. CRAWFORD MARRY IN 05:24.757 --> 05:26.490 align:start WAS HOPING FOR A LOVE STORY. MR. AND MRS. CRAWFORD MARRY IN 1907 TWO BAYS IN 1910. 05:26.492 --> 05:28.759 align:start MR. AND MRS. CRAWFORD MARRY IN 1907 TWO BAYS IN 1910. BUILD THIS HOUSE IN 1912. 05:28.761 --> 05:31.329 align:start 1907 TWO BAYS IN 1910. BUILD THIS HOUSE IN 1912. THEY MOVED IN. 05:31.331 --> 05:32.797 align:start BUILD THIS HOUSE IN 1912. THEY MOVED IN. UNTIL 1917 WHEN MR. CRAWFORD 05:32.799 --> 05:35.466 align:start THEY MOVED IN. UNTIL 1917 WHEN MR. CRAWFORD CONVEYED THE PROPERTY TO HIS 05:35.468 --> 05:37.936 align:start UNTIL 1917 WHEN MR. CRAWFORD CONVEYED THE PROPERTY TO HIS WIFE AND LEFT. 05:37.938 --> 05:39.838 align:start CONVEYED THE PROPERTY TO HIS WIFE AND LEFT. AND THEN I FOUND ANOTHER ARTICLE 05:39.840 --> 05:42.473 align:start WIFE AND LEFT. AND THEN I FOUND ANOTHER ARTICLE THAT JUST COMPLETELY FLOORED ME. 05:42.475 --> 05:44.209 align:start AND THEN I FOUND ANOTHER ARTICLE THAT JUST COMPLETELY FLOORED ME. BOB CRAWFORD WAS TWO YEARS LATER 05:44.211 --> 05:46.110 align:start THAT JUST COMPLETELY FLOORED ME. BOB CRAWFORD WAS TWO YEARS LATER FOUND DEAD IN HIS HOTEL ROOM. 05:46.112 --> 05:49.948 align:start BOB CRAWFORD WAS TWO YEARS LATER FOUND DEAD IN HIS HOTEL ROOM. >> AND SHE ONLY MARRIED SIX DAYS 05:49.950 --> 05:50.581 align:start FOUND DEAD IN HIS HOTEL ROOM. >> AND SHE ONLY MARRIED SIX DAYS LATER. 05:50.583 --> 05:51.182 align:start >> AND SHE ONLY MARRIED SIX DAYS LATER. >> YEAH. 05:51.184 --> 05:55.119 align:start LATER. >> YEAH. >> SO, WE DIDN'T GET THE LOVE 05:55.121 --> 05:55.854 align:start >> YEAH. >> SO, WE DIDN'T GET THE LOVE STORY. 05:55.856 --> 05:58.356 align:start >> SO, WE DIDN'T GET THE LOVE STORY. YOU CAN'T MAKE THIS STUFF UP. 05:58.358 --> 05:59.757 align:start STORY. YOU CAN'T MAKE THIS STUFF UP. >> SO THEN WHAT THIS SECOND PART 05:59.759 --> 06:01.860 align:start YOU CAN'T MAKE THIS STUFF UP. >> SO THEN WHAT THIS SECOND PART OF HISTORY YOU TALK ABOUT THE 06:01.862 --> 06:02.793 align:start >> SO THEN WHAT THIS SECOND PART OF HISTORY YOU TALK ABOUT THE MOST? 06:02.795 --> 06:03.995 align:start OF HISTORY YOU TALK ABOUT THE MOST? >> WELL, MRS. CRAWFORD AND HER 06:03.997 --> 06:05.563 align:start MOST? >> WELL, MRS. CRAWFORD AND HER NEW HUSBAND DIDN'T STAY LONG. 06:05.565 --> 06:06.364 align:start >> WELL, MRS. CRAWFORD AND HER NEW HUSBAND DIDN'T STAY LONG. THEY SOLD IT. 06:06.366 --> 06:08.199 align:start NEW HUSBAND DIDN'T STAY LONG. THEY SOLD IT. IT WAS ACTUALLY IN THE HANDS OF 06:08.201 --> 06:13.338 align:start THEY SOLD IT. IT WAS ACTUALLY IN THE HANDS OF FIVE DIFFERENT PRIVATE OPENER -- 06:13.340 --> 06:14.839 align:start IT WAS ACTUALLY IN THE HANDS OF FIVE DIFFERENT PRIVATE OPENER -- OWNERS FOR 35 YEARS. 06:14.841 --> 06:16.707 align:start FIVE DIFFERENT PRIVATE OPENER -- OWNERS FOR 35 YEARS. THE IT WAS SOLD AND BECAME A 06:16.709 --> 06:17.408 align:start OWNERS FOR 35 YEARS. THE IT WAS SOLD AND BECAME A COUNTRY CLUB. 06:17.410 --> 06:19.944 align:start THE IT WAS SOLD AND BECAME A COUNTRY CLUB. AND THEN IT WAS SOLVENT, INSOLVE 06:19.946 --> 06:21.079 align:start COUNTRY CLUB. AND THEN IT WAS SOLVENT, INSOLVE VENT, BANKRUPT, NOT DOING WELL. 06:21.081 --> 06:22.413 align:start AND THEN IT WAS SOLVENT, INSOLVE VENT, BANKRUPT, NOT DOING WELL. HOW COUNTRY CLUBS GO. 06:22.415 --> 06:24.315 align:start VENT, BANKRUPT, NOT DOING WELL. HOW COUNTRY CLUBS GO. AND IT WAS AN ERA OF COUNTRY 06:24.317 --> 06:26.985 align:start HOW COUNTRY CLUBS GO. AND IT WAS AN ERA OF COUNTRY CLUBS IN OUR COUNTRY, AND ONE OF 06:26.987 --> 06:28.486 align:start AND IT WAS AN ERA OF COUNTRY CLUBS IN OUR COUNTRY, AND ONE OF THE MOST FASCINATING THINGS FOR 06:28.488 --> 06:32.390 align:start CLUBS IN OUR COUNTRY, AND ONE OF THE MOST FASCINATING THINGS FOR ME IN THIS WHOLE THING WAS 06:32.392 --> 06:34.458 align:start THE MOST FASCINATING THINGS FOR ME IN THIS WHOLE THING WAS FINDING OUT THAT THIS CLUB 06:34.460 --> 06:38.263 align:start ME IN THIS WHOLE THING WAS FINDING OUT THAT THIS CLUB REALLY PLAYED A ROLE IN -- HOW 06:38.265 --> 06:42.367 align:start FINDING OUT THAT THIS CLUB REALLY PLAYED A ROLE IN -- HOW SHOULD I SAY -- THE 1960s WERE 06:42.369 --> 06:44.035 align:start REALLY PLAYED A ROLE IN -- HOW SHOULD I SAY -- THE 1960s WERE A VERY TRANSFORMATIVE TIME IN 06:44.037 --> 06:45.203 align:start SHOULD I SAY -- THE 1960s WERE A VERY TRANSFORMATIVE TIME IN OUR COUNTRY, AND ONE OF THE 06:45.205 --> 06:47.305 align:start A VERY TRANSFORMATIVE TIME IN OUR COUNTRY, AND ONE OF THE THINGS THAT HAPPENED HERE THAT I 06:47.307 --> 06:50.508 align:start OUR COUNTRY, AND ONE OF THE THINGS THAT HAPPENED HERE THAT I FEEL SO PROUD OF IS THAT IN 06:50.510 --> 06:54.078 align:start THINGS THAT HAPPENED HERE THAT I FEEL SO PROUD OF IS THAT IN 1965, THE OWNER OF THE CLUB, 06:54.080 --> 06:56.881 align:start FEEL SO PROUD OF IS THAT IN 1965, THE OWNER OF THE CLUB, KNOX TURNBULL, INVITED A BLACK 06:56.883 --> 06:59.317 align:start 1965, THE OWNER OF THE CLUB, KNOX TURNBULL, INVITED A BLACK MINISTER AND HIS WIFE TO JOIN. 06:59.319 --> 07:01.185 align:start KNOX TURNBULL, INVITED A BLACK MINISTER AND HIS WIFE TO JOIN. >> HOW DID THAT GO? 07:01.187 --> 07:06.657 align:start MINISTER AND HIS WIFE TO JOIN. >> HOW DID THAT GO? >> THE WAY BOB REID PUT IT, THIS 07:06.659 --> 07:08.492 align:start >> HOW DID THAT GO? >> THE WAY BOB REID PUT IT, THIS QUASID QUITE A HULL LA INTO LA, 07:08.494 --> 07:11.129 align:start >> THE WAY BOB REID PUT IT, THIS QUASID QUITE A HULL LA INTO LA, AND IT MEANS MEMBERSHIP WENT 07:11.131 --> 07:14.732 align:start QUASID QUITE A HULL LA INTO LA, AND IT MEANS MEMBERSHIP WENT THROUGH THE FLOOR. 07:14.734 --> 07:17.701 align:start AND IT MEANS MEMBERSHIP WENT THROUGH THE FLOOR. AND KNOX TURNVILLE DIDN'T BACK 07:17.703 --> 07:21.339 align:start THROUGH THE FLOOR. AND KNOX TURNVILLE DIDN'T BACK TOWN, AND MEMBERSHIP DROPPED TO 07:21.341 --> 07:21.639 align:start AND KNOX TURNVILLE DIDN'T BACK TOWN, AND MEMBERSHIP DROPPED TO 55. 07:21.641 --> 07:22.706 align:start TOWN, AND MEMBERSHIP DROPPED TO 55. IT HAD BEEN AT 75. 07:22.708 --> 07:24.275 align:start 55. IT HAD BEEN AT 75. DROPPED TO 55 PEOPLE. 07:24.277 --> 07:26.010 align:start IT HAD BEEN AT 75. DROPPED TO 55 PEOPLE. BUT OVER THE COURSE OF THE NEXT 07:26.012 --> 07:27.278 align:start DROPPED TO 55 PEOPLE. BUT OVER THE COURSE OF THE NEXT SIX YEARS ROWS TO OVER 800. 07:27.280 --> 07:29.013 align:start BUT OVER THE COURSE OF THE NEXT SIX YEARS ROWS TO OVER 800. I JUST -- TO ME THAT'S SUCH A 07:29.015 --> 07:30.514 align:start SIX YEARS ROWS TO OVER 800. I JUST -- TO ME THAT'S SUCH A POINT TO CELEBRATE. 07:30.516 --> 07:33.952 align:start I JUST -- TO ME THAT'S SUCH A POINT TO CELEBRATE. THAT THE OWNER OF THIS CLUB HAD 07:33.954 --> 07:35.619 align:start POINT TO CELEBRATE. THAT THE OWNER OF THIS CLUB HAD THE COURAGE TO DO THAT. 07:35.621 --> 07:38.990 align:start THAT THE OWNER OF THIS CLUB HAD THE COURAGE TO DO THAT. IN 1965, THAT WAS GOING SOME, 07:38.992 --> 07:41.492 align:start THE COURAGE TO DO THAT. IN 1965, THAT WAS GOING SOME, AND I MET SO MANY PEOPLE WHO 07:41.494 --> 07:43.594 align:start IN 1965, THAT WAS GOING SOME, AND I MET SO MANY PEOPLE WHO WANTED TO BE A PART OF THIS 07:43.596 --> 07:46.965 align:start AND I MET SO MANY PEOPLE WHO WANTED TO BE A PART OF THIS BECAUSE OF THE POLICY. 07:46.967 --> 07:48.899 align:start WANTED TO BE A PART OF THIS BECAUSE OF THE POLICY. AND THEY WERE JUST EXCITED TO BE 07:48.901 --> 07:50.168 align:start BECAUSE OF THE POLICY. AND THEY WERE JUST EXCITED TO BE PART OF THAT. 07:50.170 --> 07:51.502 align:start AND THEY WERE JUST EXCITED TO BE PART OF THAT. >> THAT'S A WONDERFUL -- 07:51.504 --> 07:52.536 align:start PART OF THAT. >> THAT'S A WONDERFUL -- >> VERY, VERY EXCITING. 07:52.538 --> 07:53.838 align:start >> THAT'S A WONDERFUL -- >> VERY, VERY EXCITING. >> I WISH I COULD HAVE MET HIM. 07:53.840 --> 07:54.705 align:start >> VERY, VERY EXCITING. >> I WISH I COULD HAVE MET HIM. >> ME, TOO. 07:54.707 --> 07:57.041 align:start >> I WISH I COULD HAVE MET HIM. >> ME, TOO. HE MUST HAVE BEEN A VERY DYNAMIC 07:57.043 --> 07:58.343 align:start >> ME, TOO. HE MUST HAVE BEEN A VERY DYNAMIC MAN, BECAUSE -- GEES THAT WHAT 07:58.345 --> 07:59.410 align:start HE MUST HAVE BEEN A VERY DYNAMIC MAN, BECAUSE -- GEES THAT WHAT IS SAYS IN YOUR BOOK. 07:59.412 --> 08:01.980 align:start MAN, BECAUSE -- GEES THAT WHAT IS SAYS IN YOUR BOOK. >> WHEN HE DIED IN 1971 IT WAS 08:01.982 --> 08:05.016 align:start IS SAYS IN YOUR BOOK. >> WHEN HE DIED IN 1971 IT WAS AS IF THE AIR WENT OUT OF THE 08:05.018 --> 08:06.084 align:start >> WHEN HE DIED IN 1971 IT WAS AS IF THE AIR WENT OUT OF THE BALLOON, AND BY THE NEXT YEAR 08:06.086 --> 08:08.019 align:start AS IF THE AIR WENT OUT OF THE BALLOON, AND BY THE NEXT YEAR THE CLUB HAD FOLDED, AND SOME OF 08:08.021 --> 08:09.920 align:start BALLOON, AND BY THE NEXT YEAR THE CLUB HAD FOLDED, AND SOME OF WHAT PEOPLE IN THE COMMUNITY 08:09.922 --> 08:11.322 align:start THE CLUB HAD FOLDED, AND SOME OF WHAT PEOPLE IN THE COMMUNITY REMEMBER ABOUT THIS PROPERTY IS 08:11.324 --> 08:13.891 align:start WHAT PEOPLE IN THE COMMUNITY REMEMBER ABOUT THIS PROPERTY IS THAT IT WAS RUN DOWN, THE GRASS 08:13.893 --> 08:16.060 align:start REMEMBER ABOUT THIS PROPERTY IS THAT IT WAS RUN DOWN, THE GRASS WAS TOO TALL, AND IT WAS A 08:16.062 --> 08:16.660 align:start THAT IT WAS RUN DOWN, THE GRASS WAS TOO TALL, AND IT WAS A SHAMBLES. 08:16.662 --> 08:18.863 align:start WAS TOO TALL, AND IT WAS A SHAMBLES. FOR A TIME IT WAS A SHAMBLES. 08:18.865 --> 08:20.731 align:start SHAMBLES. FOR A TIME IT WAS A SHAMBLES. AND PROBABLY THE MOST POWERFUL 08:20.733 --> 08:23.501 align:start FOR A TIME IT WAS A SHAMBLES. AND PROBABLY THE MOST POWERFUL PICTURE THAT I HAVE THAT I SHOW 08:23.503 --> 08:29.107 align:start AND PROBABLY THE MOST POWERFUL PICTURE THAT I HAVE THAT I SHOW PEOPLE IS THIS ONE FROM WHEN -- 08:29.109 --> 08:29.807 align:start PICTURE THAT I HAVE THAT I SHOW PEOPLE IS THIS ONE FROM WHEN -- 1990 WHEN -- 08:29.809 --> 08:32.510 align:start PEOPLE IS THIS ONE FROM WHEN -- 1990 WHEN -- >> OH, I KNOW. 08:32.512 --> 08:34.512 align:start 1990 WHEN -- >> OH, I KNOW. >> MOST PEOPLE WOULD HAVE BULL 08:34.514 --> 08:37.882 align:start >> OH, I KNOW. >> MOST PEOPLE WOULD HAVE BULL DOED -- BULLDOZED THIS. 08:37.884 --> 08:39.984 align:start >> MOST PEOPLE WOULD HAVE BULL DOED -- BULLDOZED THIS. IT WAS IN VERY BAD SHAPE. 08:39.986 --> 08:41.585 align:start DOED -- BULLDOZED THIS. IT WAS IN VERY BAD SHAPE. BUT LUCKY FOR US SOMEONE CAME 08:41.587 --> 08:43.221 align:start IT WAS IN VERY BAD SHAPE. BUT LUCKY FOR US SOMEONE CAME ALONG WHO SAW THIS WITH HIS 08:43.223 --> 08:45.556 align:start BUT LUCKY FOR US SOMEONE CAME ALONG WHO SAW THIS WITH HIS EYES, AND ALL OF THIS WITH HIS 08:45.558 --> 08:45.956 align:start ALONG WHO SAW THIS WITH HIS EYES, AND ALL OF THIS WITH HIS MIND. 08:45.958 --> 08:49.327 align:start EYES, AND ALL OF THIS WITH HIS MIND. >> WHO IS THIS SOMEONE. 08:49.329 --> 08:51.129 align:start MIND. >> WHO IS THIS SOMEONE. >> SIR BERNARD ASHLEY, WIDOWER 08:51.131 --> 08:54.965 align:start >> WHO IS THIS SOMEONE. >> SIR BERNARD ASHLEY, WIDOWER OF LAURA ASHLEY. 08:54.967 --> 08:57.135 align:start >> SIR BERNARD ASHLEY, WIDOWER OF LAURA ASHLEY. PURCHASED THE PROPERTILY AND 08:57.137 --> 08:58.536 align:start OF LAURA ASHLEY. PURCHASED THE PROPERTILY AND TRANSFORMED IT. 08:58.538 --> 08:59.937 align:start PURCHASED THE PROPERTILY AND TRANSFORMED IT. AND PEOPLE COME IN AND SAY IT'S 08:59.939 --> 09:03.041 align:start TRANSFORMED IT. AND PEOPLE COME IN AND SAY IT'S LIKE A MUSEUM, BUT ON THE OTHER 09:03.043 --> 09:03.674 align:start AND PEOPLE COME IN AND SAY IT'S LIKE A MUSEUM, BUT ON THE OTHER HAND THERE'S THIS BALANCE 09:03.676 --> 09:04.575 align:start LIKE A MUSEUM, BUT ON THE OTHER HAND THERE'S THIS BALANCE BETWEEN BEING VERY ELEGANT AND 09:04.577 --> 09:05.776 align:start HAND THERE'S THIS BALANCE BETWEEN BEING VERY ELEGANT AND VERY BEAUTIFUL BUT AT THE SAME 09:05.778 --> 09:07.311 align:start BETWEEN BEING VERY ELEGANT AND VERY BEAUTIFUL BUT AT THE SAME TIME VERY COMFORTABLE. 09:07.313 --> 09:08.379 align:start VERY BEAUTIFUL BUT AT THE SAME TIME VERY COMFORTABLE. >> I LOVE IT. 09:08.381 --> 09:10.248 align:start TIME VERY COMFORTABLE. >> I LOVE IT. >> PEOPLE ENJOY THAT. 09:10.250 --> 09:12.650 align:start >> I LOVE IT. >> PEOPLE ENJOY THAT. >> WHEN YOU WERE PIECING THE 09:12.652 --> 09:13.884 align:start >> PEOPLE ENJOY THAT. >> WHEN YOU WERE PIECING THE BOOK TOGETHER YOU REACHED OUT TO 09:13.886 --> 09:14.885 align:start >> WHEN YOU WERE PIECING THE BOOK TOGETHER YOU REACHED OUT TO THE COMMUNITY. 09:14.887 --> 09:16.287 align:start BOOK TOGETHER YOU REACHED OUT TO THE COMMUNITY. TALK ABOUT THAT EXPERIENCE. 09:16.289 --> 09:17.522 align:start THE COMMUNITY. TALK ABOUT THAT EXPERIENCE. >> SO MANY TIMES SOMEBODY SAID, 09:17.524 --> 09:18.789 align:start TALK ABOUT THAT EXPERIENCE. >> SO MANY TIMES SOMEBODY SAID, TALK TOO SO AND SO. 09:18.791 --> 09:22.093 align:start >> SO MANY TIMES SOMEBODY SAID, TALK TOO SO AND SO. SO I DID, AND IT WAS FABULOUS. 09:22.095 --> 09:24.162 align:start TALK TOO SO AND SO. SO I DID, AND IT WAS FABULOUS. SO MANY PEOPLE HAD SO MANY 09:24.164 --> 09:24.595 align:start SO I DID, AND IT WAS FABULOUS. SO MANY PEOPLE HAD SO MANY STORIES. 09:24.597 --> 09:25.629 align:start SO MANY PEOPLE HAD SO MANY STORIES. NO ONE HAD EVER PUT THEM 09:25.631 --> 09:27.131 align:start STORIES. NO ONE HAD EVER PUT THEM TOGETHER BEFORE BUT THEY HAD 09:27.133 --> 09:29.033 align:start NO ONE HAD EVER PUT THEM TOGETHER BEFORE BUT THEY HAD SOME WONDERFUL STORIES. 09:29.035 --> 09:31.069 align:start TOGETHER BEFORE BUT THEY HAD SOME WONDERFUL STORIES. THE ONLY FUNNY ONE WAS I MET THE 09:31.071 --> 09:32.970 align:start SOME WONDERFUL STORIES. THE ONLY FUNNY ONE WAS I MET THE WOMAN WHO HAD LIVED HERE WHEN IT 09:32.972 --> 09:33.804 align:start THE ONLY FUNNY ONE WAS I MET THE WOMAN WHO HAD LIVED HERE WHEN IT WAS A PRIVATE HOME. 09:33.806 --> 09:35.540 align:start WOMAN WHO HAD LIVED HERE WHEN IT WAS A PRIVATE HOME. SHE WAS A YOUNG WOMAN. 09:35.542 --> 09:40.511 align:start WAS A PRIVATE HOME. SHE WAS A YOUNG WOMAN. HAD BEEN HERE WITH HEIR E -- 09:40.513 --> 09:42.146 align:start SHE WAS A YOUNG WOMAN. HAD BEEN HERE WITH HEIR E -- HEIR PARENTS, AND I HITMER, AND 09:42.148 --> 09:44.815 align:start HAD BEEN HERE WITH HEIR E -- HEIR PARENTS, AND I HITMER, AND I ASKED HER TO TELL ME A LITTLE 09:44.817 --> 09:46.050 align:start HEIR PARENTS, AND I HITMER, AND I ASKED HER TO TELL ME A LITTLE BIT ABOUT ORE TIME HERE, SHE 09:46.052 --> 09:47.318 align:start I ASKED HER TO TELL ME A LITTLE BIT ABOUT ORE TIME HERE, SHE SAID I DON'T FEEL LEFT-HAND TO 09:47.320 --> 09:48.486 align:start BIT ABOUT ORE TIME HERE, SHE SAID I DON'T FEEL LEFT-HAND TO TALK ABOUT THAT. 09:48.488 --> 09:50.154 align:start SAID I DON'T FEEL LEFT-HAND TO TALK ABOUT THAT. -- I DON'T FEEL INCLINED TO 09:50.156 --> 09:51.889 align:start TALK ABOUT THAT. -- I DON'T FEEL INCLINED TO TALK ABOUT THAT. 09:51.891 --> 09:52.356 align:start -- I DON'T FEEL INCLINED TO TALK ABOUT THAT. >> 90. 09:52.358 --> 09:53.458 align:start TALK ABOUT THAT. >> 90. >> AT LEAST 93. 09:53.460 --> 09:54.525 align:start >> 90. >> AT LEAST 93. AND EVERYBODY LOVES TO TALK 09:54.527 --> 09:55.593 align:start >> AT LEAST 93. AND EVERYBODY LOVES TO TALK ABOUT THEIR STORY. 09:55.595 --> 09:57.562 align:start AND EVERYBODY LOVES TO TALK ABOUT THEIR STORY. I SAID, MA'AM, I DON'T MEAN 09:57.564 --> 09:59.564 align:start ABOUT THEIR STORY. I SAID, MA'AM, I DON'T MEAN ANYTHING PERMANENT. 09:59.566 --> 10:01.165 align:start I SAID, MA'AM, I DON'T MEAN ANYTHING PERMANENT. -- PERSONAL, AND SHE SAID NO. 10:01.167 --> 10:02.300 align:start ANYTHING PERMANENT. -- PERSONAL, AND SHE SAID NO. >> SHE TALK ABOUT HER MOTHER. 10:02.302 --> 10:03.867 align:start -- PERSONAL, AND SHE SAID NO. >> SHE TALK ABOUT HER MOTHER. >> SHE DID TAKE ABOUT HER 10:03.869 --> 10:04.702 align:start >> SHE TALK ABOUT HER MOTHER. >> SHE DID TAKE ABOUT HER MOTHER. 10:04.704 --> 10:06.404 align:start >> SHE DID TAKE ABOUT HER MOTHER. SHE SAID MY MOTHER WAS A VERY 10:06.406 --> 10:08.506 align:start MOTHER. SHE SAID MY MOTHER WAS A VERY ATTRACTIVE WOMAN, YOU KNOW. 10:08.508 --> 10:10.808 align:start SHE SAID MY MOTHER WAS A VERY ATTRACTIVE WOMAN, YOU KNOW. NOT ALL RUSSIAN WOMEN ARE. 10:10.810 --> 10:14.212 align:start ATTRACTIVE WOMAN, YOU KNOW. NOT ALL RUSSIAN WOMEN ARE. AND ALL I COULD THINK OF, 10:14.214 --> 10:16.314 align:start NOT ALL RUSSIAN WOMEN ARE. AND ALL I COULD THINK OF, THERE'S A POCKETS OF PICK -- BOX 10:16.316 --> 10:18.382 align:start AND ALL I COULD THINK OF, THERE'S A POCKETS OF PICK -- BOX OF PICTURES IN THE ATTIC. 10:18.384 --> 10:19.584 align:start THERE'S A POCKETS OF PICK -- BOX OF PICTURES IN THE ATTIC. >> MUST HAVE BEEN WONDERFUL 10:19.586 --> 10:20.618 align:start OF PICTURES IN THE ATTIC. >> MUST HAVE BEEN WONDERFUL WORKING ON THE BOOK. 10:20.620 --> 10:22.620 align:start >> MUST HAVE BEEN WONDERFUL WORKING ON THE BOOK. >> JUST MEETING SO MANY PEOPLE. 10:22.622 --> 10:24.788 align:start WORKING ON THE BOOK. >> JUST MEETING SO MANY PEOPLE. I'M NOT FROM VIRGINIA SO I 10:24.790 --> 10:25.889 align:start >> JUST MEETING SO MANY PEOPLE. I'M NOT FROM VIRGINIA SO I IMMERSED IN THE COMMUNITY 10:25.891 --> 10:27.592 align:start I'M NOT FROM VIRGINIA SO I IMMERSED IN THE COMMUNITY THROUGH THIS PROJECT, AND IT 10:27.594 --> 10:29.693 align:start IMMERSED IN THE COMMUNITY THROUGH THIS PROJECT, AND IT MADE ME FEEL LIKE I GET IT. 10:29.695 --> 10:31.829 align:start THROUGH THIS PROJECT, AND IT MADE ME FEEL LIKE I GET IT. >> TO TALK ABOUT SOME OF THE 10:31.831 --> 10:34.499 align:start MADE ME FEEL LIKE I GET IT. >> TO TALK ABOUT SOME OF THE MOST DRAMATIC TIMES IN THE 10:34.501 --> 10:35.466 align:start >> TO TALK ABOUT SOME OF THE MOST DRAMATIC TIMES IN THE ESTATE'S HISTORY? 10:35.468 --> 10:36.700 align:start MOST DRAMATIC TIMES IN THE ESTATE'S HISTORY? QUITE A FEW. 10:36.702 --> 10:37.935 align:start ESTATE'S HISTORY? QUITE A FEW. >> THE DRAMA NEVER STOPS IT 10:37.937 --> 10:39.803 align:start QUITE A FEW. >> THE DRAMA NEVER STOPS IT FEELS LIKE, OR AT LEAST IN THE 10:39.805 --> 10:40.271 align:start >> THE DRAMA NEVER STOPS IT FEELS LIKE, OR AT LEAST IN THE HISTORY. 10:40.273 --> 10:42.573 align:start FEELS LIKE, OR AT LEAST IN THE HISTORY. SO MANY THINGS. 10:42.575 --> 10:45.809 align:start HISTORY. SO MANY THINGS. WAS THERE AN UNSOLVED MURDER. 10:45.811 --> 10:47.945 align:start SO MANY THINGS. WAS THERE AN UNSOLVED MURDER. A PLANE CRASH, BOMB THREAT. 10:47.947 --> 10:48.979 align:start WAS THERE AN UNSOLVED MURDER. A PLANE CRASH, BOMB THREAT. MOVIE STARS. 10:48.981 --> 10:52.116 align:start A PLANE CRASH, BOMB THREAT. MOVIE STARS. MOVIE MADE HERE IN 1980. 10:52.118 --> 10:54.585 align:start MOVIE STARS. MOVIE MADE HERE IN 1980. THE FOUR SEASONS, AND YOU SEE 10:54.587 --> 10:57.155 align:start MOVIE MADE HERE IN 1980. THE FOUR SEASONS, AND YOU SEE THAT MOVIE, YOU KNOW WHERE YOU 10:57.157 --> 10:58.889 align:start THE FOUR SEASONS, AND YOU SEE THAT MOVIE, YOU KNOW WHERE YOU ARE BECAUSE NOT MUCH HAS 10:58.891 --> 10:59.524 align:start THAT MOVIE, YOU KNOW WHERE YOU ARE BECAUSE NOT MUCH HAS CHANGED. 10:59.526 --> 11:01.959 align:start ARE BECAUSE NOT MUCH HAS CHANGED. >> AND GIANT WAS FILMED -- 11:01.961 --> 11:04.795 align:start CHANGED. >> AND GIANT WAS FILMED -- >> GIANT, JUST ACROSS THE TRACKS 11:04.797 --> 11:05.129 align:start >> AND GIANT WAS FILMED -- >> GIANT, JUST ACROSS THE TRACKS HERE. 11:05.131 --> 11:07.231 align:start >> GIANT, JUST ACROSS THE TRACKS HERE. >> A BIG DEAL. 11:07.233 --> 11:08.566 align:start HERE. >> A BIG DEAL. >> REALLY BIG DEAL. 11:08.568 --> 11:10.635 align:start >> A BIG DEAL. >> REALLY BIG DEAL. 1955, AND THE CAN'T HAVE SECURE. 11:10.637 --> 11:12.736 align:start >> REALLY BIG DEAL. 1955, AND THE CAN'T HAVE SECURE. YOU COULD JUST WALK UP TO THE 11:12.738 --> 11:13.037 align:start 1955, AND THE CAN'T HAVE SECURE. YOU COULD JUST WALK UP TO THE SET. 11:13.039 --> 11:14.772 align:start YOU COULD JUST WALK UP TO THE SET. >> SO WHY DO YOU THINK NO ONE 11:14.774 --> 11:17.775 align:start SET. >> SO WHY DO YOU THINK NO ONE ELSE HAS EVER WRITTEN THE STORY 11:17.777 --> 11:19.243 align:start >> SO WHY DO YOU THINK NO ONE ELSE HAS EVER WRITTEN THE STORY OF KESWICK HALL BEFORE? 11:19.245 --> 11:21.245 align:start ELSE HAS EVER WRITTEN THE STORY OF KESWICK HALL BEFORE? >> THE PIECES WERE DISJOINTED. 11:21.247 --> 11:24.182 align:start OF KESWICK HALL BEFORE? >> THE PIECES WERE DISJOINTED. THERE WERE A LOT OF ARTICLES 11:24.184 --> 11:24.782 align:start >> THE PIECES WERE DISJOINTED. THERE WERE A LOT OF ARTICLES WRITTEN ABOUT IT. 11:24.784 --> 11:26.350 align:start THERE WERE A LOT OF ARTICLES WRITTEN ABOUT IT. THERE'S SO MUCH OUT THERE. 11:26.352 --> 11:27.951 align:start WRITTEN ABOUT IT. THERE'S SO MUCH OUT THERE. BUT IN ONE WOULD EVER PUT IT 11:27.953 --> 11:29.153 align:start THERE'S SO MUCH OUT THERE. BUT IN ONE WOULD EVER PUT IT TOGETHER BEFORE, AND I'M NOT 11:29.155 --> 11:32.657 align:start BUT IN ONE WOULD EVER PUT IT TOGETHER BEFORE, AND I'M NOT SURE IF NO ONE SAW IT WAS 11:32.659 --> 11:34.659 align:start TOGETHER BEFORE, AND I'M NOT SURE IF NO ONE SAW IT WAS ACTUALLY A STORY. 11:34.661 --> 11:35.660 align:start SURE IF NO ONE SAW IT WAS ACTUALLY A STORY. I'M NOT SURE. 11:35.662 --> 11:37.795 align:start ACTUALLY A STORY. I'M NOT SURE. >> MAYBE YOU BEING SO CLOSELY 11:37.797 --> 11:38.996 align:start I'M NOT SURE. >> MAYBE YOU BEING SO CLOSELY CONNECTED AND BEING HERE, YOU 11:38.998 --> 11:40.698 align:start >> MAYBE YOU BEING SO CLOSELY CONNECTED AND BEING HERE, YOU WERE THE MISSING LINK. 11:40.700 --> 11:42.300 align:start CONNECTED AND BEING HERE, YOU WERE THE MISSING LINK. >> I'M SEEING THAT SO MANY 11:42.302 --> 11:43.934 align:start WERE THE MISSING LINK. >> I'M SEEING THAT SO MANY PEOPLE DID HAVE CONNECTIONS TO 11:43.936 --> 11:45.603 align:start >> I'M SEEING THAT SO MANY PEOPLE DID HAVE CONNECTIONS TO THIS PLACE, AND THAT THERE 11:45.605 --> 11:48.272 align:start PEOPLE DID HAVE CONNECTIONS TO THIS PLACE, AND THAT THERE WAS -- THERE'S A LOVE OF THIS 11:48.274 --> 11:48.739 align:start THIS PLACE, AND THAT THERE WAS -- THERE'S A LOVE OF THIS PROPERTY. 11:48.741 --> 11:50.974 align:start WAS -- THERE'S A LOVE OF THIS PROPERTY. PEOPLE JUST COME AND STAND IN 11:50.976 --> 11:51.842 align:start PROPERTY. PEOPLE JUST COME AND STAND IN AMAZEMENT. 11:51.844 --> 11:54.111 align:start PEOPLE JUST COME AND STAND IN AMAZEMENT. I THINK THAT FOR ME IT WAS 11:54.113 --> 11:56.280 align:start AMAZEMENT. I THINK THAT FOR ME IT WAS EXCITING TO PUT IT ON PAPER 11:56.282 --> 11:59.283 align:start I THINK THAT FOR ME IT WAS EXCITING TO PUT IT ON PAPER BECAUSE IT ALLOWS PEOPLE TO WALK 11:59.285 --> 12:01.085 align:start EXCITING TO PUT IT ON PAPER BECAUSE IT ALLOWS PEOPLE TO WALK DOWN MEMORY LANE. 12:01.087 --> 12:02.587 align:start BECAUSE IT ALLOWS PEOPLE TO WALK DOWN MEMORY LANE. OH, I WAS THERE WHEN THAT 12:02.589 --> 12:03.588 align:start DOWN MEMORY LANE. OH, I WAS THERE WHEN THAT HAPPENED. 12:03.590 --> 12:04.955 align:start OH, I WAS THERE WHEN THAT HAPPENED. OR, MY GRANDFATHER BROUGHT ME TO 12:04.957 --> 12:07.258 align:start HAPPENED. OR, MY GRANDFATHER BROUGHT ME TO SIM LESSONS IN THAT POOL OR 12:07.260 --> 12:08.192 align:start OR, MY GRANDFATHER BROUGHT ME TO SIM LESSONS IN THAT POOL OR SOMETHING LIKE THAT. 12:08.194 --> 12:10.394 align:start SIM LESSONS IN THAT POOL OR SOMETHING LIKE THAT. >> WHAT'S NEXT FOR YOU? 12:10.396 --> 12:12.363 align:start SOMETHING LIKE THAT. >> WHAT'S NEXT FOR YOU? >> OH, THERE'S A SECOND EDITION 12:12.365 --> 12:13.931 align:start >> WHAT'S NEXT FOR YOU? >> OH, THERE'S A SECOND EDITION COMING THAT I'M WORKING ON 12:13.933 --> 12:15.433 align:start >> OH, THERE'S A SECOND EDITION COMING THAT I'M WORKING ON ACTUALLY, BECAUSE MY INVENTORY 12:15.435 --> 12:17.668 align:start COMING THAT I'M WORKING ON ACTUALLY, BECAUSE MY INVENTORY IS RUNNING LOW, WHICH IS GREAT. 12:17.670 --> 12:20.371 align:start ACTUALLY, BECAUSE MY INVENTORY IS RUNNING LOW, WHICH IS GREAT. A FEW CHANGES IN THAT BECAUSE 12:20.373 --> 12:22.640 align:start IS RUNNING LOW, WHICH IS GREAT. A FEW CHANGES IN THAT BECAUSE SINCE THE BOOK HAS BEEN WRITTEN 12:22.642 --> 12:23.507 align:start A FEW CHANGES IN THAT BECAUSE SINCE THE BOOK HAS BEEN WRITTEN I'VE DISCOVERED NEW THINGS. 12:23.509 --> 12:25.943 align:start SINCE THE BOOK HAS BEEN WRITTEN I'VE DISCOVERED NEW THINGS. THAT WILL BE FUN TO INCLUDE NEW 12:25.945 --> 12:27.311 align:start I'VE DISCOVERED NEW THINGS. THAT WILL BE FUN TO INCLUDE NEW THINGS, AND THEN THERE'S THINGS 12:27.313 --> 12:29.680 align:start THAT WILL BE FUN TO INCLUDE NEW THINGS, AND THEN THERE'S THINGS I'M WORKING ON THAT I'M NOT 12:29.682 --> 12:31.382 align:start THINGS, AND THEN THERE'S THINGS I'M WORKING ON THAT I'M NOT GOING TO TALK ABOUT YET. 12:31.384 --> 12:32.617 align:start I'M WORKING ON THAT I'M NOT GOING TO TALK ABOUT YET. >> CONNECTED TO THE STORY JERK 12:32.619 --> 12:33.317 align:start GOING TO TALK ABOUT YET. >> CONNECTED TO THE STORY JERK CONNECTED, YES. 12:33.319 --> 12:37.020 align:start >> CONNECTED TO THE STORY JERK CONNECTED, YES. >> SO MY LAST QUESTION, WHEN 12:37.022 --> 12:38.756 align:start CONNECTED, YES. >> SO MY LAST QUESTION, WHEN YOU'RE IN YOUR 90s AND SOMEONE 12:38.758 --> 12:43.594 align:start >> SO MY LAST QUESTION, WHEN YOU'RE IN YOUR 90s AND SOMEONE COMES KNOCKING ON YOUR DOOR 12:43.596 --> 12:44.895 align:start YOU'RE IN YOUR 90s AND SOMEONE COMES KNOCKING ON YOUR DOOR BECAUSE THEY WANT TO CONTINUE 12:44.897 --> 12:48.266 align:start COMES KNOCKING ON YOUR DOOR BECAUSE THEY WANT TO CONTINUE THE STORY OF KESWICK HALL, HOW 12:48.268 --> 12:50.334 align:start BECAUSE THEY WANT TO CONTINUE THE STORY OF KESWICK HALL, HOW WILL YOU BE PORTRAYED. 12:50.336 --> 12:52.069 align:start THE STORY OF KESWICK HALL, HOW WILL YOU BE PORTRAYED. >> I'M NOT GOING TO SAY ISSUE 12:52.071 --> 12:53.237 align:start WILL YOU BE PORTRAYED. >> I'M NOT GOING TO SAY ISSUE DON'T FIND FEEL INCLINED TO TALK 12:53.239 --> 12:54.705 align:start >> I'M NOT GOING TO SAY ISSUE DON'T FIND FEEL INCLINED TO TALK ABOUT IT BECAUSE I WILL FEEL 12:54.707 --> 12:56.240 align:start DON'T FIND FEEL INCLINED TO TALK ABOUT IT BECAUSE I WILL FEEL INCLINED TO TALK ABOUT IT. 12:56.242 --> 12:58.476 align:start ABOUT IT BECAUSE I WILL FEEL INCLINED TO TALK ABOUT IT. HOPE I'M PORTRAYED AS ONE WHO 12:58.478 --> 13:00.077 align:start INCLINED TO TALK ABOUT IT. HOPE I'M PORTRAYED AS ONE WHO CAME ALONG AT MAYBE THE RIGHT 13:00.079 --> 13:02.413 align:start HOPE I'M PORTRAYED AS ONE WHO CAME ALONG AT MAYBE THE RIGHT TIME AND DUG OUT SOME PIECES, 13:02.415 --> 13:04.148 align:start CAME ALONG AT MAYBE THE RIGHT TIME AND DUG OUT SOME PIECES, PUT THEM TOGETHER, AND CONNECTED 13:04.150 --> 13:07.885 align:start TIME AND DUG OUT SOME PIECES, PUT THEM TOGETHER, AND CONNECTED THE DOTS OF THIS AMAZING STORY. 13:07.887 --> 13:08.486 align:start PUT THEM TOGETHER, AND CONNECTED THE DOTS OF THIS AMAZING STORY. >> GREAT. 13:08.488 --> 13:08.886 align:start THE DOTS OF THIS AMAZING STORY. >> GREAT. THANK YOU. 13:08.888 --> 13:22.132 align:start >> GREAT. THANK YOU. >> THANK YOU. 13:22.134 --> 13:23.734 align:start THANK YOU. >> THANK YOU. >> MOST BUILDERS LIKE TO 13:23.736 --> 13:25.503 align:start >> THANK YOU. >> MOST BUILDERS LIKE TO CONSTRUCT HOUSES USING BRAND NEW 13:25.505 --> 13:26.069 align:start >> MOST BUILDERS LIKE TO CONSTRUCT HOUSES USING BRAND NEW MATERIAL. 13:26.071 --> 13:31.041 align:start CONSTRUCT HOUSES USING BRAND NEW MATERIAL. OUR GUESTS TODAY, HOWEVER, 13:31.043 --> 13:32.176 align:start MATERIAL. OUR GUESTS TODAY, HOWEVER, PREFER USING MATERIAL FROM THE 13:32.178 --> 13:34.144 align:start OUR GUESTS TODAY, HOWEVER, PREFER USING MATERIAL FROM THE 1700S AND 1800S. 13:34.146 --> 13:42.119 align:start PREFER USING MATERIAL FROM THE 1700S AND 1800S. WE VISIT SALVAGEWRIGHTS IN 13:42.121 --> 13:43.621 align:start 1700S AND 1800S. WE VISIT SALVAGEWRIGHTS IN VIRGINIA. 13:43.623 --> 13:48.959 align:start WE VISIT SALVAGEWRIGHTS IN VIRGINIA. >> CRAIG, WHAT GOES ON HERE AT 13:48.961 --> 13:49.560 align:start VIRGINIA. >> CRAIG, WHAT GOES ON HERE AT SALVAGEWRIGHTS? 13:49.562 --> 13:50.961 align:start >> CRAIG, WHAT GOES ON HERE AT SALVAGEWRIGHTS? >> WE'RE TWO FACE. 13:50.963 --> 13:53.030 align:start SALVAGEWRIGHTS? >> WE'RE TWO FACE. WE DISASSEMBLE AND MOVE ANTIQUE 13:53.032 --> 13:54.365 align:start >> WE'RE TWO FACE. WE DISASSEMBLE AND MOVE ANTIQUE STRUCTURES AND WE HAVE A RETAIL 13:54.367 --> 13:57.134 align:start WE DISASSEMBLE AND MOVE ANTIQUE STRUCTURES AND WE HAVE A RETAIL SPACE HERE THAT WE SELL PARTS 13:57.136 --> 13:58.869 align:start STRUCTURES AND WE HAVE A RETAIL SPACE HERE THAT WE SELL PARTS FROM THE HOUSE OR WHATEVER THE 13:58.871 --> 13:59.704 align:start SPACE HERE THAT WE SELL PARTS FROM THE HOUSE OR WHATEVER THE STRUCTURE IS. 13:59.706 --> 14:02.406 align:start FROM THE HOUSE OR WHATEVER THE STRUCTURE IS. CAN'T BE COMPLETELY 14:02.408 --> 14:03.541 align:start STRUCTURE IS. CAN'T BE COMPLETELY DISASSEMBLED. 14:03.543 --> 14:05.343 align:start CAN'T BE COMPLETELY DISASSEMBLED. WE GLEAN THE PARTS AND BRING 14:05.345 --> 14:07.110 align:start DISASSEMBLED. WE GLEAN THE PARTS AND BRING THEM HERE FOR THE RETAIL SPACE. 14:07.112 --> 14:08.779 align:start WE GLEAN THE PARTS AND BRING THEM HERE FOR THE RETAIL SPACE. >> YOU'VE BEEN IN THIS BUSINESS 14:08.781 --> 14:10.848 align:start THEM HERE FOR THE RETAIL SPACE. >> YOU'VE BEEN IN THIS BUSINESS HERE FOR 15 YEARS. 14:10.850 --> 14:13.551 align:start >> YOU'VE BEEN IN THIS BUSINESS HERE FOR 15 YEARS. HOW DID YOU FIRST BECOME 14:13.553 --> 14:15.653 align:start HERE FOR 15 YEARS. HOW DID YOU FIRST BECOME INTERESTED IN SALVAGING OLD 14:15.655 --> 14:16.253 align:start HOW DID YOU FIRST BECOME INTERESTED IN SALVAGING OLD BUILDINGS? 14:16.255 --> 14:17.488 align:start INTERESTED IN SALVAGING OLD BUILDINGS? >> IT'S BEEN A LONG TIME. 14:17.490 --> 14:19.590 align:start BUILDINGS? >> IT'S BEEN A LONG TIME. I GUESS IT STARTED WHEN I WAS A 14:19.592 --> 14:22.526 align:start >> IT'S BEEN A LONG TIME. I GUESS IT STARTED WHEN I WAS A KID GROWING UP HERE IN ORANGE, 14:22.528 --> 14:25.763 align:start I GUESS IT STARTED WHEN I WAS A KID GROWING UP HERE IN ORANGE, AND MY MOTHER TAKING ME TO 14:25.765 --> 14:28.866 align:start KID GROWING UP HERE IN ORANGE, AND MY MOTHER TAKING ME TO COUNTRY AUCTIONS EVERY SATURDAY. 14:28.868 --> 14:30.000 align:start AND MY MOTHER TAKING ME TO COUNTRY AUCTIONS EVERY SATURDAY. >> YOU LIKED THAT. 14:30.002 --> 14:31.602 align:start COUNTRY AUCTIONS EVERY SATURDAY. >> YOU LIKED THAT. >> I DIDN'T REALLY WARM UP TO 14:31.604 --> 14:33.170 align:start >> YOU LIKED THAT. >> I DIDN'T REALLY WARM UP TO THE FIRST ONE BECAUSE I HAD 14:33.172 --> 14:35.773 align:start >> I DIDN'T REALLY WARM UP TO THE FIRST ONE BECAUSE I HAD DIFFERENT PLANS FOR THAT 14:35.775 --> 14:37.140 align:start THE FIRST ONE BECAUSE I HAD DIFFERENT PLANS FOR THAT SATURDAY MORNING, BUT SHE WAS 14:37.142 --> 14:40.644 align:start DIFFERENT PLANS FOR THAT SATURDAY MORNING, BUT SHE WAS GOING SO THAT MEANT I WAS GOING. 14:40.646 --> 14:42.012 align:start SATURDAY MORNING, BUT SHE WAS GOING SO THAT MEANT I WAS GOING. ABOUT I FOUNT -- BUT I FOUND OUT 14:42.014 --> 14:43.647 align:start GOING SO THAT MEANT I WAS GOING. ABOUT I FOUNT -- BUT I FOUND OUT WHAT WAS GOING ON AND LOVED IT. 14:43.649 --> 14:46.316 align:start ABOUT I FOUNT -- BUT I FOUND OUT WHAT WAS GOING ON AND LOVED IT. THE NEXT SATURDAY I WAS WAITING 14:46.318 --> 14:52.490 align:start WHAT WAS GOING ON AND LOVED IT. THE NEXT SATURDAY I WAS WAITING ON HER, HONKING THE HORN. 14:52.492 --> 14:57.428 align:start THE NEXT SATURDAY I WAS WAITING ON HER, HONKING THE HORN. SO SEEING OLD AN -- ANTIQUES, 14:57.430 --> 14:58.195 align:start ON HER, HONKING THE HORN. SO SEEING OLD AN -- ANTIQUES, THAT'S WHERE I GOT MY START. 14:58.197 --> 14:59.363 align:start SO SEEING OLD AN -- ANTIQUES, THAT'S WHERE I GOT MY START. AND THEN IN COLLEGE I HAD THE 14:59.365 --> 15:01.932 align:start THAT'S WHERE I GOT MY START. AND THEN IN COLLEGE I HAD THE OPPORTUNITY TO WORK WITH 15:01.934 --> 15:04.034 align:start AND THEN IN COLLEGE I HAD THE OPPORTUNITY TO WORK WITH TRADITIONAL LOG BUILDER AND THAT 15:04.036 --> 15:06.504 align:start OPPORTUNITY TO WORK WITH TRADITIONAL LOG BUILDER AND THAT GOT ME STARTED WITH ANTIQUE 15:06.506 --> 15:08.506 align:start TRADITIONAL LOG BUILDER AND THAT GOT ME STARTED WITH ANTIQUE TOOLS AND OLDER, TRADITIONAL 15:08.508 --> 15:11.341 align:start GOT ME STARTED WITH ANTIQUE TOOLS AND OLDER, TRADITIONAL METHODS, AND SO FROM THERE, 15:11.343 --> 15:13.644 align:start TOOLS AND OLDER, TRADITIONAL METHODS, AND SO FROM THERE, COMING BACK HOME AFTER 15:13.646 --> 15:14.612 align:start METHODS, AND SO FROM THERE, COMING BACK HOME AFTER GRADUATION, I HAD THE 15:14.614 --> 15:17.748 align:start COMING BACK HOME AFTER GRADUATION, I HAD THE OPPORTUNITY TO WORK WITH A FELLA 15:17.750 --> 15:21.619 align:start GRADUATION, I HAD THE OPPORTUNITY TO WORK WITH A FELLA IN ALBEMARLE COUNTY, NOAH 15:21.621 --> 15:24.087 align:start OPPORTUNITY TO WORK WITH A FELLA IN ALBEMARLE COUNTY, NOAH BRADLEY, WORKING WITH ANTIQUE 15:24.089 --> 15:25.556 align:start IN ALBEMARLE COUNTY, NOAH BRADLEY, WORKING WITH ANTIQUE MATERIALS AND DISASSEMBLING AND 15:25.558 --> 15:26.891 align:start BRADLEY, WORKING WITH ANTIQUE MATERIALS AND DISASSEMBLING AND MOVING ANTIQUE STRUCTURES. 15:26.893 --> 15:28.726 align:start MATERIALS AND DISASSEMBLING AND MOVING ANTIQUE STRUCTURES. THEN THE OPPORTUNITY AROSE TO 15:28.728 --> 15:31.094 align:start MOVING ANTIQUE STRUCTURES. THEN THE OPPORTUNITY AROSE TO START MY OWN BUSINESS, AND DO 15:31.096 --> 15:33.431 align:start THEN THE OPPORTUNITY AROSE TO START MY OWN BUSINESS, AND DO BOTH OF THOSE THINGS, BOTH 15:33.433 --> 15:37.868 align:start START MY OWN BUSINESS, AND DO BOTH OF THOSE THINGS, BOTH MOVING STRUCTURES, AND ALSO 15:37.870 --> 15:40.738 align:start BOTH OF THOSE THINGS, BOTH MOVING STRUCTURES, AND ALSO SELLING ARCHITECTURALS. 15:40.740 --> 15:41.672 align:start MOVING STRUCTURES, AND ALSO SELLING ARCHITECTURALS. >> LET'S TALK ABOUT THE 15:41.674 --> 15:45.709 align:start SELLING ARCHITECTURALS. >> LET'S TALK ABOUT THE BUSINESS, THE DISMANTLING OF ON 15:45.711 --> 15:48.646 align:start >> LET'S TALK ABOUT THE BUSINESS, THE DISMANTLING OF ON OLD STRUCTURE, NUMBERING IT, 15:48.648 --> 15:49.880 align:start BUSINESS, THE DISMANTLING OF ON OLD STRUCTURE, NUMBERING IT, RE-ASSEMBLING IT ELSEWHERE. 15:49.882 --> 15:50.748 align:start OLD STRUCTURE, NUMBERING IT, RE-ASSEMBLING IT ELSEWHERE. HOW DOES THAT WORK? 15:50.750 --> 15:54.117 align:start RE-ASSEMBLING IT ELSEWHERE. HOW DOES THAT WORK? >> USUALLY STARTS WITH A PHONE 15:54.119 --> 15:54.518 align:start HOW DOES THAT WORK? >> USUALLY STARTS WITH A PHONE CALL. 15:54.520 --> 16:00.057 align:start >> USUALLY STARTS WITH A PHONE CALL. SOME CALLS TO SAY, I HAVE -- 16:00.059 --> 16:01.325 align:start CALL. SOME CALLS TO SAY, I HAVE -- THIS ANTIBELL ALMOST PRECIVIL 16:01.327 --> 16:03.794 align:start SOME CALLS TO SAY, I HAVE -- THIS ANTIBELL ALMOST PRECIVIL WAR HOUSE THAT IS IN DISREPAIR 16:03.796 --> 16:06.363 align:start THIS ANTIBELL ALMOST PRECIVIL WAR HOUSE THAT IS IN DISREPAIR AND WE'RE GOING TO EITHER 16:06.365 --> 16:07.631 align:start WAR HOUSE THAT IS IN DISREPAIR AND WE'RE GOING TO EITHER DEMOLISH IT OR CALL THE FIRE 16:07.633 --> 16:10.468 align:start AND WE'RE GOING TO EITHER DEMOLISH IT OR CALL THE FIRE COMPANY IN TO BURN IT AND SO 16:10.470 --> 16:12.703 align:start DEMOLISH IT OR CALL THE FIRE COMPANY IN TO BURN IT AND SO BASED ON THAT PHONE CALL, AND 16:12.705 --> 16:14.972 align:start COMPANY IN TO BURN IT AND SO BASED ON THAT PHONE CALL, AND SOMETIMES WITH FOLLOWUP 16:14.974 --> 16:16.373 align:start BASED ON THAT PHONE CALL, AND SOMETIMES WITH FOLLOWUP PICTURES, I WILL TRY TO MAKE A 16:16.375 --> 16:17.875 align:start SOMETIMES WITH FOLLOWUP PICTURES, I WILL TRY TO MAKE A VISIT TO SEE IT. 16:17.877 --> 16:20.511 align:start PICTURES, I WILL TRY TO MAKE A VISIT TO SEE IT. THEN WE GO FROM THERE. 16:20.513 --> 16:21.912 align:start VISIT TO SEE IT. THEN WE GO FROM THERE. SOMETIMES IT'S A STRUCTURE 16:21.914 --> 16:23.280 align:start THEN WE GO FROM THERE. SOMETIMES IT'S A STRUCTURE THAT'S BEEN DAMAGED. 16:23.282 --> 16:24.582 align:start SOMETIMES IT'S A STRUCTURE THAT'S BEEN DAMAGED. THE ROOF HAS COME OFF, WATER HAS 16:24.584 --> 16:26.383 align:start THAT'S BEEN DAMAGED. THE ROOF HAS COME OFF, WATER HAS BEEN COMING IN. 16:26.385 --> 16:29.687 align:start THE ROOF HAS COME OFF, WATER HAS BEEN COMING IN. WE CAN ONLY SAVAGE SOME OF THE 16:29.689 --> 16:30.888 align:start BEEN COMING IN. WE CAN ONLY SAVAGE SOME OF THE PARTS. 16:30.890 --> 16:34.257 align:start WE CAN ONLY SAVAGE SOME OF THE PARTS. BUT THE ONES THAT ARE EARLY 16:34.259 --> 16:36.794 align:start PARTS. BUT THE ONES THAT ARE EARLY ENOUGH AND ARE SOUND ENOUGH, WE 16:36.796 --> 16:39.697 align:start BUT THE ONES THAT ARE EARLY ENOUGH AND ARE SOUND ENOUGH, WE ALWAYS TRY TO KEEP THEM 16:39.699 --> 16:40.731 align:start ENOUGH AND ARE SOUND ENOUGH, WE ALWAYS TRY TO KEEP THEM TOGETHER. 16:40.733 --> 16:43.567 align:start ALWAYS TRY TO KEEP THEM TOGETHER. NUMBER EVERY PART, DISASSEMBLE 16:43.569 --> 16:45.970 align:start TOGETHER. NUMBER EVERY PART, DISASSEMBLE THEM, STORE THEM, OR MOVE THEM 16:45.972 --> 16:47.905 align:start NUMBER EVERY PART, DISASSEMBLE THEM, STORE THEM, OR MOVE THEM TO A NEW SITE. 16:47.907 --> 16:52.877 align:start THEM, STORE THEM, OR MOVE THEM TO A NEW SITE. SO THAT'S OUR GOAL, TO KEEP THAT 16:52.879 --> 16:55.913 align:start TO A NEW SITE. SO THAT'S OUR GOAL, TO KEEP THAT ORIGINAL FABRIC TOGETHER, AND 16:55.915 --> 16:58.148 align:start SO THAT'S OUR GOAL, TO KEEP THAT ORIGINAL FABRIC TOGETHER, AND JUST RELOCATED. 16:58.150 --> 17:01.552 align:start ORIGINAL FABRIC TOGETHER, AND JUST RELOCATED. >> WHY DID PEOPLE CHOOSE TO 17:01.554 --> 17:03.854 align:start JUST RELOCATED. >> WHY DID PEOPLE CHOOSE TO REBUILD A HOME, AN OLDER HOME 17:03.856 --> 17:06.123 align:start >> WHY DID PEOPLE CHOOSE TO REBUILD A HOME, AN OLDER HOME LIKE THIS, AS OPPOSED TO A NEW 17:06.125 --> 17:06.790 align:start REBUILD A HOME, AN OLDER HOME LIKE THIS, AS OPPOSED TO A NEW HOME? 17:06.792 --> 17:07.958 align:start LIKE THIS, AS OPPOSED TO A NEW HOME? >> IN A NUTSHELL, IF THAT'S 17:07.960 --> 17:09.192 align:start HOME? >> IN A NUTSHELL, IF THAT'S WHERE YOU WANT TO ARRIVE, IF 17:09.194 --> 17:11.629 align:start >> IN A NUTSHELL, IF THAT'S WHERE YOU WANT TO ARRIVE, IF THAT'S WHAT YOU WANT, IT'S 17:11.631 --> 17:14.632 align:start WHERE YOU WANT TO ARRIVE, IF THAT'S WHAT YOU WANT, IT'S REALLY ABOUT THE ONLY PROCESS TO 17:14.634 --> 17:16.400 align:start THAT'S WHAT YOU WANT, IT'S REALLY ABOUT THE ONLY PROCESS TO GET THERE. 17:16.402 --> 17:20.437 align:start REALLY ABOUT THE ONLY PROCESS TO GET THERE. YOU CAN NEWLY FRAME AND FINISH 17:20.439 --> 17:21.271 align:start GET THERE. YOU CAN NEWLY FRAME AND FINISH WITH OLD MATERIALS. 17:21.273 --> 17:24.074 align:start YOU CAN NEWLY FRAME AND FINISH WITH OLD MATERIALS. BUT IF YOU CAN MOVE THE ACTUAL 17:24.076 --> 17:25.609 align:start WITH OLD MATERIALS. BUT IF YOU CAN MOVE THE ACTUAL STRUCTURE, THE BONES OF IT, IT 17:25.611 --> 17:30.981 align:start BUT IF YOU CAN MOVE THE ACTUAL STRUCTURE, THE BONES OF IT, IT JUST HAS A DIFFERENT FEEL. 17:30.983 --> 17:33.350 align:start STRUCTURE, THE BONES OF IT, IT JUST HAS A DIFFERENT FEEL. IT'S NOT ONLY A DIFFERENT FEEL 17:33.352 --> 17:34.985 align:start JUST HAS A DIFFERENT FEEL. IT'S NOT ONLY A DIFFERENT FEEL BUT, IN MY WAY OF THINKING -- 17:34.987 --> 17:36.520 align:start IT'S NOT ONLY A DIFFERENT FEEL BUT, IN MY WAY OF THINKING -- I'M PRETTY SENTIMENTAL ABOUT THE 17:36.522 --> 17:38.221 align:start BUT, IN MY WAY OF THINKING -- I'M PRETTY SENTIMENTAL ABOUT THE PEOPLE THAT HAVE DONE THESE 17:38.223 --> 17:39.590 align:start I'M PRETTY SENTIMENTAL ABOUT THE PEOPLE THAT HAVE DONE THESE BUILDINGS BEFORE US. 17:39.592 --> 17:42.693 align:start PEOPLE THAT HAVE DONE THESE BUILDINGS BEFORE US. THE SKILL THAT WENT INTO IT. 17:42.695 --> 17:44.227 align:start BUILDINGS BEFORE US. THE SKILL THAT WENT INTO IT. THAT IT'S REALLY IMPORTANT TO ME 17:44.229 --> 17:45.763 align:start THE SKILL THAT WENT INTO IT. THAT IT'S REALLY IMPORTANT TO ME TO KEEP AS MUCH OF THAT TOGETHER 17:45.765 --> 17:48.098 align:start THAT IT'S REALLY IMPORTANT TO ME TO KEEP AS MUCH OF THAT TOGETHER AS WE CAN. 17:48.100 --> 17:50.167 align:start TO KEEP AS MUCH OF THAT TOGETHER AS WE CAN. >> AND THEN SO THE OLDEST 17:50.169 --> 17:54.004 align:start AS WE CAN. >> AND THEN SO THE OLDEST PROJECT YOU'VE EVER WORKED WITH 17:54.006 --> 17:55.338 align:start >> AND THEN SO THE OLDEST PROJECT YOU'VE EVER WORKED WITH IS WHAT YEAR? 17:55.340 --> 17:56.473 align:start PROJECT YOU'VE EVER WORKED WITH IS WHAT YEAR? >> UNFORTUNATELY THEY DON'T 17:56.475 --> 17:58.075 align:start IS WHAT YEAR? >> UNFORTUNATELY THEY DON'T OFTEN PUT THIS HOUSE CONSTRUCTED 17:58.077 --> 18:00.778 align:start >> UNFORTUNATELY THEY DON'T OFTEN PUT THIS HOUSE CONSTRUCTED IN THIS DATE. 18:00.780 --> 18:03.246 align:start OFTEN PUT THIS HOUSE CONSTRUCTED IN THIS DATE. YOU HAVE TO PUT THE PUZZLE 18:03.248 --> 18:04.247 align:start IN THIS DATE. YOU HAVE TO PUT THE PUZZLE TOGETHER. 18:04.249 --> 18:05.482 align:start YOU HAVE TO PUT THE PUZZLE TOGETHER. YOU HAVE THREE-QUARTER FASTENERS 18:05.484 --> 18:08.919 align:start TOGETHER. YOU HAVE THREE-QUARTER FASTENERS TO SEE IF THEY'RE HAND-FORCED 18:08.921 --> 18:12.056 align:start YOU HAVE THREE-QUARTER FASTENERS TO SEE IF THEY'RE HAND-FORCED NAILS 'THE TOOLMARKS, WHETHER 18:12.058 --> 18:15.893 align:start TO SEE IF THEY'RE HAND-FORCED NAILS 'THE TOOLMARKS, WHETHER IT'S SPLIT OR THE TIMBERS ARE 18:15.895 --> 18:17.695 align:start NAILS 'THE TOOLMARKS, WHETHER IT'S SPLIT OR THE TIMBERS ARE HEWN OR ROUGH SAWN OR HOW IT WAS 18:17.697 --> 18:18.261 align:start IT'S SPLIT OR THE TIMBERS ARE HEWN OR ROUGH SAWN OR HOW IT WAS CONSTRUCTED. 18:18.263 --> 18:19.630 align:start HEWN OR ROUGH SAWN OR HOW IT WAS CONSTRUCTED. >> AND YOU CAN TELL, WHEN YOU 18:19.632 --> 18:21.932 align:start CONSTRUCTED. >> AND YOU CAN TELL, WHEN YOU LOOK AT THESE HOUSES, YOUENLY 18:21.934 --> 18:22.900 align:start >> AND YOU CAN TELL, WHEN YOU LOOK AT THESE HOUSES, YOUENLY ONLY WORK WITH HOUSES OR 18:22.902 --> 18:24.735 align:start LOOK AT THESE HOUSES, YOUENLY ONLY WORK WITH HOUSES OR STRUCTURES THAT ARE AT LEAST 100 18:24.737 --> 18:26.670 align:start ONLY WORK WITH HOUSES OR STRUCTURES THAT ARE AT LEAST 100 YEARS OLD BECAUSE BUILDING 18:26.672 --> 18:27.805 align:start STRUCTURES THAT ARE AT LEAST 100 YEARS OLD BECAUSE BUILDING CHANGED AFTER THAT. 18:27.807 --> 18:28.305 align:start YEARS OLD BECAUSE BUILDING CHANGED AFTER THAT. >> YES. 18:28.307 --> 18:29.640 align:start CHANGED AFTER THAT. >> YES. >> IT'S NOT AS MUCH WHAT YOU'D 18:29.642 --> 18:30.874 align:start >> YES. >> IT'S NOT AS MUCH WHAT YOU'D BE INTERESTED IN. 18:30.876 --> 18:31.374 align:start >> IT'S NOT AS MUCH WHAT YOU'D BE INTERESTED IN. >> RIGHT. 18:31.376 --> 18:35.212 align:start BE INTERESTED IN. >> RIGHT. THE EARLIER HOUSES WERE EITHER 18:35.214 --> 18:36.480 align:start >> RIGHT. THE EARLIER HOUSES WERE EITHER MASONRY CONSTRICTED BRICK OR 18:36.482 --> 18:38.983 align:start THE EARLIER HOUSES WERE EITHER MASONRY CONSTRICTED BRICK OR STONE, OR WALLS OR TIMBER FRAME, 18:38.985 --> 18:45.789 align:start MASONRY CONSTRICTED BRICK OR STONE, OR WALLS OR TIMBER FRAME, AND THOSE CAN BE DETON -- 18:45.791 --> 18:47.658 align:start STONE, OR WALLS OR TIMBER FRAME, AND THOSE CAN BE DETON -- DECONSTRUCTED, MOVED, AND 18:47.660 --> 18:48.892 align:start AND THOSE CAN BE DETON -- DECONSTRUCTED, MOVED, AND RECONSTRUCTED. 18:48.894 --> 18:50.527 align:start DECONSTRUCTED, MOVED, AND RECONSTRUCTED. SO WE LEAN TOWARDS PRECIVIL WAR. 18:50.529 --> 18:51.762 align:start RECONSTRUCTED. SO WE LEAN TOWARDS PRECIVIL WAR. >> HOW FAR DO YOU GOOD TO GET 18:51.764 --> 18:53.463 align:start SO WE LEAN TOWARDS PRECIVIL WAR. >> HOW FAR DO YOU GOOD TO GET THE HOUSES. 18:53.465 --> 18:55.933 align:start >> HOW FAR DO YOU GOOD TO GET THE HOUSES. >> THE FARTHEST WEST WAS 18:55.935 --> 18:56.366 align:start THE HOUSES. >> THE FARTHEST WEST WAS INDIANA. 18:56.368 --> 18:58.135 align:start >> THE FARTHEST WEST WAS INDIANA. NORTH TO NEW YORK. 18:58.137 --> 19:02.472 align:start INDIANA. NORTH TO NEW YORK. SOUTH TO GEORGIA. 19:02.474 --> 19:04.174 align:start NORTH TO NEW YORK. SOUTH TO GEORGIA. A LOT IN PENNSYLVANIA. 19:04.176 --> 19:05.809 align:start SOUTH TO GEORGIA. A LOT IN PENNSYLVANIA. A LOT IN WEST VIRGINIA. 19:05.811 --> 19:07.277 align:start A LOT IN PENNSYLVANIA. A LOT IN WEST VIRGINIA. AND LET'S TALK ABOUT SOME OF 19:07.279 --> 19:08.245 align:start A LOT IN WEST VIRGINIA. AND LET'S TALK ABOUT SOME OF YOUR PROJECTS. 19:08.247 --> 19:09.913 align:start AND LET'S TALK ABOUT SOME OF YOUR PROJECTS. SOME OF YOUR FAVORITE PROJECTS 19:09.915 --> 19:14.752 align:start YOUR PROJECTS. SOME OF YOUR FAVORITE PROJECTS OVER THE YEARS. 19:14.754 --> 19:15.452 align:start SOME OF YOUR FAVORITE PROJECTS OVER THE YEARS. >> OH, -- 19:15.454 --> 19:16.754 align:start OVER THE YEARS. >> OH, -- >> WHAT WHAT'S THAT? 19:16.756 --> 19:19.422 align:start >> OH, -- >> WHAT WHAT'S THAT? >> A HOUSE WE MOVE FROM 19:19.424 --> 19:24.828 align:start >> WHAT WHAT'S THAT? >> A HOUSE WE MOVE FROM NORTHEAST NORTH CAROLINA TO THE 19:24.830 --> 19:27.665 align:start >> A HOUSE WE MOVE FROM NORTHEAST NORTH CAROLINA TO THE A COURSE. 19:27.667 --> 19:29.767 align:start NORTHEAST NORTH CAROLINA TO THE A COURSE. 1812. 19:29.769 --> 19:31.368 align:start A COURSE. 1812. A MICROBURST RIPPED THE ROOF 19:31.370 --> 19:31.702 align:start 1812. A MICROBURST RIPPED THE ROOF OFF. 19:31.704 --> 19:34.604 align:start A MICROBURST RIPPED THE ROOF OFF. IT WAS LIVED IN UNTIL THEN. 19:34.606 --> 19:36.339 align:start OFF. IT WAS LIVED IN UNTIL THEN. SO IT WAS GOING TO BE ROOFED. 19:36.341 --> 19:39.109 align:start IT WAS LIVED IN UNTIL THEN. SO IT WAS GOING TO BE ROOFED. THEY WEREN'T GOING TO FIX THE 19:39.111 --> 19:40.243 align:start SO IT WAS GOING TO BE ROOFED. THEY WEREN'T GOING TO FIX THE ROOF. 19:40.245 --> 19:43.246 align:start THEY WEREN'T GOING TO FIX THE ROOF. SO, WE BOUGHT THE SALVAGE RIGHTS 19:43.248 --> 19:45.949 align:start ROOF. SO, WE BOUGHT THE SALVAGE RIGHTS TO IT, AND IN THIS CASE WITH THE 19:45.951 --> 19:46.950 align:start SO, WE BOUGHT THE SALVAGE RIGHTS TO IT, AND IN THIS CASE WITH THE INTENTION TO COMPLETELY 19:46.952 --> 19:47.985 align:start TO IT, AND IN THIS CASE WITH THE INTENTION TO COMPLETELY DISASSEMBLE AND IT MOVE IT. 19:47.987 --> 19:50.054 align:start INTENTION TO COMPLETELY DISASSEMBLE AND IT MOVE IT. SO I HAD AN AD IN THE 19:50.056 --> 19:51.321 align:start DISASSEMBLE AND IT MOVE IT. SO I HAD AN AD IN THE "WASHINGTON POST" FOR A LOG CAB 19:51.323 --> 19:54.158 align:start SO I HAD AN AD IN THE "WASHINGTON POST" FOR A LOG CAB BEEN I HAD FOR SALE AT THE TIME 19:54.160 --> 19:56.894 align:start "WASHINGTON POST" FOR A LOG CAB BEEN I HAD FOR SALE AT THE TIME I HAD GOTTEN THIS, AND I GOT A 19:56.896 --> 19:59.663 align:start BEEN I HAD FOR SALE AT THE TIME I HAD GOTTEN THIS, AND I GOT A PHONE CALL FROM A FELLA THAT WAS 19:59.665 --> 20:01.031 align:start I HAD GOTTEN THIS, AND I GOT A PHONE CALL FROM A FELLA THAT WAS LOOKING FOR A LOG HOUSE. 20:01.033 --> 20:02.532 align:start PHONE CALL FROM A FELLA THAT WAS LOOKING FOR A LOG HOUSE. THE END OF THE CONVERSATION HE 20:02.534 --> 20:04.968 align:start LOOKING FOR A LOG HOUSE. THE END OF THE CONVERSATION HE REALIZE IT IT WASN'T WHAT HE WAS 20:04.970 --> 20:05.569 align:start THE END OF THE CONVERSATION HE REALIZE IT IT WASN'T WHAT HE WAS LOOKING FOR. 20:05.571 --> 20:07.204 align:start REALIZE IT IT WASN'T WHAT HE WAS LOOKING FOR. HE SAID DO YOU HAVE ANYTHING 20:07.206 --> 20:08.038 align:start LOOKING FOR. HE SAID DO YOU HAVE ANYTHING ELSE INTERESTING? 20:08.040 --> 20:10.140 align:start HE SAID DO YOU HAVE ANYTHING ELSE INTERESTING? I SAID, YES, JUST GOT THIS 20:10.142 --> 20:11.408 align:start ELSE INTERESTING? I SAID, YES, JUST GOT THIS PLANTATION HOUSE, AND EXPLAINED 20:11.410 --> 20:12.509 align:start I SAID, YES, JUST GOT THIS PLANTATION HOUSE, AND EXPLAINED IT TO HIM. 20:12.511 --> 20:13.443 align:start PLANTATION HOUSE, AND EXPLAINED IT TO HIM. HE DROVE DOWN THERE. 20:13.445 --> 20:14.878 align:start IT TO HIM. HE DROVE DOWN THERE. WE PULLED UP IN THE FRONTYARD. 20:14.880 --> 20:17.181 align:start HE DROVE DOWN THERE. WE PULLED UP IN THE FRONTYARD. HE LATER CONFIDED IN ME THAT IT 20:17.183 --> 20:18.749 align:start WE PULLED UP IN THE FRONTYARD. HE LATER CONFIDED IN ME THAT IT WAS SOLD BEFORE HE GOT ANOTHER 20:18.751 --> 20:20.084 align:start HE LATER CONFIDED IN ME THAT IT WAS SOLD BEFORE HE GOT ANOTHER OF THE TRUCK. 20:20.086 --> 20:21.719 align:start WAS SOLD BEFORE HE GOT ANOTHER OF THE TRUCK. >> HE WAS GOING TO GET IT. 20:21.721 --> 20:22.986 align:start OF THE TRUCK. >> HE WAS GOING TO GET IT. >> AT LUNCH THAT DAY, HE WAS 20:22.988 --> 20:24.855 align:start >> HE WAS GOING TO GET IT. >> AT LUNCH THAT DAY, HE WAS TRYING TO GET ME DOWN ON THE 20:24.857 --> 20:25.222 align:start >> AT LUNCH THAT DAY, HE WAS TRYING TO GET ME DOWN ON THE PRICE. 20:25.224 --> 20:27.691 align:start TRYING TO GET ME DOWN ON THE PRICE. I TOLD HIM, I SAID, LOOK, I'VE 20:27.693 --> 20:29.059 align:start PRICE. I TOLD HIM, I SAID, LOOK, I'VE GOT FIVE DAUGHTERS AND THEY ALL 20:29.061 --> 20:31.461 align:start I TOLD HIM, I SAID, LOOK, I'VE GOT FIVE DAUGHTERS AND THEY ALL NEED SHOES. 20:31.463 --> 20:32.763 align:start GOT FIVE DAUGHTERS AND THEY ALL NEED SHOES. HE NEVER FORGOT. 20:32.765 --> 20:33.330 align:start NEED SHOES. HE NEVER FORGOT. STILL HASN'T. 20:33.332 --> 20:36.566 align:start HE NEVER FORGOT. STILL HASN'T. FOR ABOUT FIVE OAR -- OR SIX 20:36.568 --> 20:38.168 align:start STILL HASN'T. FOR ABOUT FIVE OAR -- OR SIX YEARS HE GAVE EACH ONE OF THE 20:38.170 --> 20:39.737 align:start FOR ABOUT FIVE OAR -- OR SIX YEARS HE GAVE EACH ONE OF THE DAUGHTERS A GIFT CERTIFICATE FOR 20:39.739 --> 20:40.871 align:start YEARS HE GAVE EACH ONE OF THE DAUGHTERS A GIFT CERTIFICATE FOR SHOES AT CHRISTMAS. 20:40.873 --> 20:43.673 align:start DAUGHTERS A GIFT CERTIFICATE FOR SHOES AT CHRISTMAS. >> I LOVE THAT. 20:43.675 --> 20:45.709 align:start SHOES AT CHRISTMAS. >> I LOVE THAT. >> WE HAVE BECOME GREAT FRIENDS 20:45.711 --> 20:46.243 align:start >> I LOVE THAT. >> WE HAVE BECOME GREAT FRIENDS SINCE THEN. 20:46.245 --> 20:49.546 align:start >> WE HAVE BECOME GREAT FRIENDS SINCE THEN. IT WAS A REALLY GREAT HOUSE, 20:49.548 --> 20:50.413 align:start SINCE THEN. IT WAS A REALLY GREAT HOUSE, GREAT MATERIALS. 20:50.415 --> 20:53.617 align:start IT WAS A REALLY GREAT HOUSE, GREAT MATERIALS. ANY OF THESE EARLY HOUSES ARE A 20:53.619 --> 20:56.453 align:start GREAT MATERIALS. ANY OF THESE EARLY HOUSES ARE A REAL TESTIMONY TO THE CRAFTSMEN 20:56.455 --> 20:57.855 align:start ANY OF THESE EARLY HOUSES ARE A REAL TESTIMONY TO THE CRAFTSMEN THAT CAME BEFORE US AND THAT'S 20:57.857 --> 20:59.857 align:start REAL TESTIMONY TO THE CRAFTSMEN THAT CAME BEFORE US AND THAT'S ONE OF THE REASONS WE TRY TO 20:59.859 --> 21:01.859 align:start THAT CAME BEFORE US AND THAT'S ONE OF THE REASONS WE TRY TO KEEP THEM ALTOGETHER. 21:01.861 --> 21:03.260 align:start ONE OF THE REASONS WE TRY TO KEEP THEM ALTOGETHER. >> WHILE YOU'RE TAKING THEM 21:03.262 --> 21:05.462 align:start KEEP THEM ALTOGETHER. >> WHILE YOU'RE TAKING THEM APART YOU FIND TREASURES. 21:05.464 --> 21:06.029 align:start >> WHILE YOU'RE TAKING THEM APART YOU FIND TREASURES. >> WE DO. 21:06.031 --> 21:09.066 align:start APART YOU FIND TREASURES. >> WE DO. >> TELL ME ABOUT THOSE. 21:09.068 --> 21:11.468 align:start >> WE DO. >> TELL ME ABOUT THOSE. >> THINGS LIKE THIS BRICK THAT 21:11.470 --> 21:15.172 align:start >> TELL ME ABOUT THOSE. >> THINGS LIKE THIS BRICK THAT HAD A INFANT'S FOOTPRINT IN IT. 21:15.174 --> 21:17.440 align:start >> THINGS LIKE THIS BRICK THAT HAD A INFANT'S FOOTPRINT IN IT. WE HAD JUST, JUST ABOUT 21:17.442 --> 21:19.643 align:start HAD A INFANT'S FOOTPRINT IN IT. WE HAD JUST, JUST ABOUT COMPLETELY DISASSEMBLED THIS 21:19.645 --> 21:24.648 align:start WE HAD JUST, JUST ABOUT COMPLETELY DISASSEMBLED THIS HOUSE, AND JUST TWO OF US ON THE 21:24.650 --> 21:26.549 align:start COMPLETELY DISASSEMBLED THIS HOUSE, AND JUST TWO OF US ON THE JOB, MYSELF AND PAUL CROCKER. 21:26.551 --> 21:29.386 align:start HOUSE, AND JUST TWO OF US ON THE JOB, MYSELF AND PAUL CROCKER. I WAS ON THE MACHINE LETTING 21:29.388 --> 21:31.721 align:start JOB, MYSELF AND PAUL CROCKER. I WAS ON THE MACHINE LETTING DOWN THE LAST WALL OF THIS 21:31.723 --> 21:35.159 align:start I WAS ON THE MACHINE LETTING DOWN THE LAST WALL OF THIS SIMBER FRAME, AND THERE WERE TWO 21:35.161 --> 21:37.727 align:start DOWN THE LAST WALL OF THIS SIMBER FRAME, AND THERE WERE TWO CHIMNEYS ON THE GABLE END AND 21:37.729 --> 21:40.363 align:start SIMBER FRAME, AND THERE WERE TWO CHIMNEYS ON THE GABLE END AND ONE SHIFTED AND ONE BRICK ROLLED 21:40.365 --> 21:42.365 align:start CHIMNEYS ON THE GABLE END AND ONE SHIFTED AND ONE BRICK ROLLED OUT OF THE SHOULDER OF THIS 21:42.367 --> 21:42.766 align:start ONE SHIFTED AND ONE BRICK ROLLED OUT OF THE SHOULDER OF THIS CHIMNEY. 21:42.768 --> 21:45.235 align:start OUT OF THE SHOULDER OF THIS CHIMNEY. AND IT HAD THIS INFANT'S 21:45.237 --> 21:47.437 align:start CHIMNEY. AND IT HAD THIS INFANT'S FOOTPRINT IN IT, AND I JUST -- I 21:47.439 --> 21:49.273 align:start AND IT HAD THIS INFANT'S FOOTPRINT IN IT, AND I JUST -- I GOT WEAK IN THE KNEES. 21:49.275 --> 21:50.674 align:start FOOTPRINT IN IT, AND I JUST -- I GOT WEAK IN THE KNEES. NOT EXPECTING. 21:50.676 --> 21:52.575 align:start GOT WEAK IN THE KNEES. NOT EXPECTING. YOU WALK AROUND THE HOUSE AND 21:52.577 --> 21:54.577 align:start NOT EXPECTING. YOU WALK AROUND THE HOUSE AND THE FOOTPRINTS ABOUT THIS LONG 21:54.579 --> 21:56.947 align:start YOU WALK AROUND THE HOUSE AND THE FOOTPRINTS ABOUT THIS LONG AND IT'S THE SURFACE OF THE 21:56.949 --> 21:59.216 align:start THE FOOTPRINTS ABOUT THIS LONG AND IT'S THE SURFACE OF THE BREAK IS DUSTED WITH PLASTER 21:59.218 --> 22:01.251 align:start AND IT'S THE SURFACE OF THE BREAK IS DUSTED WITH PLASTER DUST OR SOMETHING, AND IT REALLY 22:01.253 --> 22:04.788 align:start BREAK IS DUSTED WITH PLASTER DUST OR SOMETHING, AND IT REALLY JUST STANES OUT TO ME -- STANDS 22:04.790 --> 22:06.223 align:start DUST OR SOMETHING, AND IT REALLY JUST STANES OUT TO ME -- STANDS OUT TO ME AND THAT WAS A MOMENT 22:06.225 --> 22:07.424 align:start JUST STANES OUT TO ME -- STANDS OUT TO ME AND THAT WAS A MOMENT YOU THINK, THAT'S ONE OF THE 22:07.426 --> 22:08.826 align:start OUT TO ME AND THAT WAS A MOMENT YOU THINK, THAT'S ONE OF THE REASONS I DO THIS. 22:08.828 --> 22:09.827 align:start YOU THINK, THAT'S ONE OF THE REASONS I DO THIS. >> YES. 22:09.829 --> 22:14.364 align:start REASONS I DO THIS. >> YES. YOU HAVE OTHER BRICKS WITH 22:14.366 --> 22:16.399 align:start >> YES. YOU HAVE OTHER BRICKS WITH ANIMAL PRINTS BECAUSE THEY LAID 22:16.401 --> 22:18.368 align:start YOU HAVE OTHER BRICKS WITH ANIMAL PRINTS BECAUSE THEY LAID THE BRICK IN THE SUN TO DRY. 22:18.370 --> 22:19.803 align:start ANIMAL PRINTS BECAUSE THEY LAID THE BRICK IN THE SUN TO DRY. >> THIGH STRUCK THEM IN A WOODLE 22:19.805 --> 22:23.273 align:start THE BRICK IN THE SUN TO DRY. >> THIGH STRUCK THEM IN A WOODLE MOLD AND THEY WERE SOFT CLAY AND 22:23.275 --> 22:26.243 align:start >> THIGH STRUCK THEM IN A WOODLE MOLD AND THEY WERE SOFT CLAY AND THE LAID THEM OUT TO SUN DRY, SO 22:26.245 --> 22:28.345 align:start MOLD AND THEY WERE SOFT CLAY AND THE LAID THEM OUT TO SUN DRY, SO THAT YOU COULD THEN HANDLE THEM 22:28.347 --> 22:31.581 align:start THE LAID THEM OUT TO SUN DRY, SO THAT YOU COULD THEN HANDLE THEM AND LITERALLY BUILD A LITTLE 22:31.583 --> 22:35.953 align:start THAT YOU COULD THEN HANDLE THEM AND LITERALLY BUILD A LITTLE KILL -- KILN WHICH YOU FIRE THE 22:35.955 --> 22:36.453 align:start AND LITERALLY BUILD A LITTLE KILL -- KILN WHICH YOU FIRE THE BRICK IN. 22:36.455 --> 22:38.588 align:start KILL -- KILN WHICH YOU FIRE THE BRICK IN. SO WHEN THEY'RE EXPOSED TO ALL 22:38.590 --> 22:40.824 align:start BRICK IN. SO WHEN THEY'RE EXPOSED TO ALL THESE ANIMALS, AND IN THIS CASE 22:40.826 --> 22:42.525 align:start SO WHEN THEY'RE EXPOSED TO ALL THESE ANIMALS, AND IN THIS CASE CHILDREN, WE FINAL THESE 22:42.527 --> 22:43.026 align:start THESE ANIMALS, AND IN THIS CASE CHILDREN, WE FINAL THESE IMPRINTSES. 22:43.028 --> 22:44.294 align:start CHILDREN, WE FINAL THESE IMPRINTSES. >> WHAT ABOUT THE MARKS THAT YOU 22:44.296 --> 22:44.694 align:start IMPRINTSES. >> WHAT ABOUT THE MARKS THAT YOU FOUND? 22:44.696 --> 22:48.698 align:start >> WHAT ABOUT THE MARKS THAT YOU FOUND? WHAT DO YOU CALL THOSE MARKS? 22:48.700 --> 22:50.100 align:start FOUND? WHAT DO YOU CALL THOSE MARKS? BUILD -- 22:50.102 --> 22:55.538 align:start WHAT DO YOU CALL THOSE MARKS? BUILD -- >> THE HEWING MARKS. 22:55.540 --> 22:58.242 align:start BUILD -- >> THE HEWING MARKS. THAT'S A HOUSE IN ORANGE COUNTY 22:58.244 --> 23:01.178 align:start >> THE HEWING MARKS. THAT'S A HOUSE IN ORANGE COUNTY THAT WE MOVED -- EVEN THOUGH WE 23:01.180 --> 23:03.347 align:start THAT'S A HOUSE IN ORANGE COUNTY THAT WE MOVED -- EVEN THOUGH WE JUST MOVED IT ACROSS THE COUNTY, 23:03.349 --> 23:05.282 align:start THAT WE MOVED -- EVEN THOUGH WE JUST MOVED IT ACROSS THE COUNTY, IT'S A VERY LARGE HOUSE. 23:05.284 --> 23:07.985 align:start JUST MOVED IT ACROSS THE COUNTY, IT'S A VERY LARGE HOUSE. WE HAD TO DISASSEMBLE IT AND 23:07.987 --> 23:08.852 align:start IT'S A VERY LARGE HOUSE. WE HAD TO DISASSEMBLE IT AND RECONSTRUCT IT. 23:08.854 --> 23:12.822 align:start WE HAD TO DISASSEMBLE IT AND RECONSTRUCT IT. BUT WHILE IT WAS ON ITS NEW 23:12.824 --> 23:14.657 align:start RECONSTRUCT IT. BUT WHILE IT WAS ON ITS NEW FOUNDATION, WE WERE SETTING 'THE 23:14.659 --> 23:17.261 align:start BUT WHILE IT WAS ON ITS NEW FOUNDATION, WE WERE SETTING 'THE FLOOR SYSTEM SO WE HAD THESE BIG 23:17.263 --> 23:20.197 align:start FOUNDATION, WE WERE SETTING 'THE FLOOR SYSTEM SO WE HAD THESE BIG TIMBERS, SOME ARE BEAM, AND THEN 23:20.199 --> 23:21.131 align:start FLOOR SYSTEM SO WE HAD THESE BIG TIMBERS, SOME ARE BEAM, AND THEN THE FLOOR JOISTS HOOKING INTO 23:21.133 --> 23:21.531 align:start TIMBERS, SOME ARE BEAM, AND THEN THE FLOOR JOISTS HOOKING INTO THEM. 23:21.533 --> 23:27.170 align:start THE FLOOR JOISTS HOOKING INTO THEM. I WAS GOING ALONG, PEGGING THE 23:27.172 --> 23:30.740 align:start THEM. I WAS GOING ALONG, PEGGING THE BEAMS, AND NEILED DOWN -- NEED 23:30.742 --> 23:33.343 align:start I WAS GOING ALONG, PEGGING THE BEAMS, AND NEILED DOWN -- NEED DOWN ON THE TIMBER TO SHARPEN 23:33.345 --> 23:34.644 align:start BEAMS, AND NEILED DOWN -- NEED DOWN ON THE TIMBER TO SHARPEN THING PEG AND YOU CAN SEE MY 23:34.646 --> 23:35.612 align:start DOWN ON THE TIMBER TO SHARPEN THING PEG AND YOU CAN SEE MY CHOP MARKS RIGHT HERE. 23:35.614 --> 23:36.746 align:start THING PEG AND YOU CAN SEE MY CHOP MARKS RIGHT HERE. SO THAT WAS 2009. 23:36.748 --> 23:37.647 align:start CHOP MARKS RIGHT HERE. SO THAT WAS 2009. SOMETHING LIKE THAT. 23:37.649 --> 23:40.050 align:start SO THAT WAS 2009. SOMETHING LIKE THAT. AND WHILE I WAS DOWN ON MY 23:40.052 --> 23:42.752 align:start SOMETHING LIKE THAT. AND WHILE I WAS DOWN ON MY KNEES, I LOOKED UP AND FOUR 23:42.754 --> 23:44.821 align:start AND WHILE I WAS DOWN ON MY KNEES, I LOOKED UP AND FOUR INCHES AWAY ARE THE CHOP MARKS 23:44.823 --> 23:46.323 align:start KNEES, I LOOKED UP AND FOUR INCHES AWAY ARE THE CHOP MARKS FROM THE GUY THAT ORIGINALLY 23:46.325 --> 23:48.959 align:start INCHES AWAY ARE THE CHOP MARKS FROM THE GUY THAT ORIGINALLY BUILT THE HOUSE, 1820. 23:48.961 --> 23:49.526 align:start FROM THE GUY THAT ORIGINALLY BUILT THE HOUSE, 1820. >> OH, WOW. 23:49.528 --> 23:50.827 align:start BUILT THE HOUSE, 1820. >> OH, WOW. >> RIGHT HERE IN ORANGE COUNTY, 23:50.829 --> 23:54.164 align:start >> OH, WOW. >> RIGHT HERE IN ORANGE COUNTY, ON WHAT WAS PART OF MONTPELIER. 23:54.166 --> 23:56.699 align:start >> RIGHT HERE IN ORANGE COUNTY, ON WHAT WAS PART OF MONTPELIER. ANOTHER MOMENT JUST LIKE FINDING 23:56.701 --> 24:00.437 align:start ON WHAT WAS PART OF MONTPELIER. ANOTHER MOMENT JUST LIKE FINDING THE BRICK WITH THE INFANT'S 24:00.439 --> 24:03.206 align:start ANOTHER MOMENT JUST LIKE FINDING THE BRICK WITH THE INFANT'S PRINT IN IT. 24:03.208 --> 24:04.975 align:start THE BRICK WITH THE INFANT'S PRINT IN IT. MAKES ITS WORTH WHILE. 24:04.977 --> 24:06.509 align:start PRINT IN IT. MAKES ITS WORTH WHILE. >> DOES IT COST A LOT MORE FOR A 24:06.511 --> 24:07.911 align:start MAKES ITS WORTH WHILE. >> DOES IT COST A LOT MORE FOR A CLIENT TO BUILD A HOUSE THIS 24:07.913 --> 24:08.245 align:start >> DOES IT COST A LOT MORE FOR A CLIENT TO BUILD A HOUSE THIS WAY? 24:08.247 --> 24:09.712 align:start CLIENT TO BUILD A HOUSE THIS WAY? >> IT DOES. 24:09.714 --> 24:15.252 align:start WAY? >> IT DOES. BUT THE END PRODUCT IS GOOD. 24:15.254 --> 24:17.387 align:start >> IT DOES. BUT THE END PRODUCT IS GOOD. >> AND IS WORTH A LOT MORE. 24:17.389 --> 24:18.155 align:start BUT THE END PRODUCT IS GOOD. >> AND IS WORTH A LOT MORE. >> I BELIEVE SO. 24:18.157 --> 24:19.156 align:start >> AND IS WORTH A LOT MORE. >> I BELIEVE SO. HAS A GOOD STORY. 24:19.158 --> 24:20.857 align:start >> I BELIEVE SO. HAS A GOOD STORY. >> SO WHAT GOES ON HERE AT THE 24:20.859 --> 24:21.491 align:start HAS A GOOD STORY. >> SO WHAT GOES ON HERE AT THE RETAIL STORE? 24:21.493 --> 24:22.426 align:start >> SO WHAT GOES ON HERE AT THE RETAIL STORE? WHO COMES THROUGH? 24:22.428 --> 24:25.862 align:start RETAIL STORE? WHO COMES THROUGH? WHO ARE YOUR LINES? 24:25.864 --> 24:28.231 align:start WHO COMES THROUGH? WHO ARE YOUR LINES? >> THEY'RE PART CURIOSITY -- 24:28.233 --> 24:30.067 align:start WHO ARE YOUR LINES? >> THEY'RE PART CURIOSITY -- WHAT IS GOING ON HERE? 24:30.069 --> 24:32.469 align:start >> THEY'RE PART CURIOSITY -- WHAT IS GOING ON HERE? I DON'T HAVE A LOT OF SIGNAGE, 24:32.471 --> 24:33.536 align:start WHAT IS GOING ON HERE? I DON'T HAVE A LOT OF SIGNAGE, AND I'M REALLY NOT TRYING TO 24:33.538 --> 24:35.839 align:start I DON'T HAVE A LOT OF SIGNAGE, AND I'M REALLY NOT TRYING TO KEEP IT A SECRET. 24:35.841 --> 24:37.807 align:start AND I'M REALLY NOT TRYING TO KEEP IT A SECRET. BUT WE JUST ARE HERE ONE DAY A 24:37.809 --> 24:39.843 align:start KEEP IT A SECRET. BUT WE JUST ARE HERE ONE DAY A WEEK, SATURDAY, AND THE REST OF 24:39.845 --> 24:41.811 align:start BUT WE JUST ARE HERE ONE DAY A WEEK, SATURDAY, AND THE REST OF THE TIME WE'RE OUT IN THE FIELD 24:41.813 --> 24:42.846 align:start WEEK, SATURDAY, AND THE REST OF THE TIME WE'RE OUT IN THE FIELD OR SALVAGING. 24:42.848 --> 24:47.384 align:start THE TIME WE'RE OUT IN THE FIELD OR SALVAGING. SO IT STARTS WITH PEOPLE SEEING 24:47.386 --> 24:48.618 align:start OR SALVAGING. SO IT STARTS WITH PEOPLE SEEING AN 1820 SMOKEHOUSE AND A NEW 24:48.620 --> 24:50.887 align:start SO IT STARTS WITH PEOPLE SEEING AN 1820 SMOKEHOUSE AND A NEW LOGHOUSE IN THE PARKING LOT, AND 24:50.889 --> 24:53.790 align:start AN 1820 SMOKEHOUSE AND A NEW LOGHOUSE IN THE PARKING LOT, AND ALL THESE BATHTUBS AND STONE AND 24:53.792 --> 24:56.593 align:start LOGHOUSE IN THE PARKING LOT, AND ALL THESE BATHTUBS AND STONE AND ALL THIS STUFF, CLUTTER, SO SOME 24:56.595 --> 24:58.261 align:start ALL THESE BATHTUBS AND STONE AND ALL THIS STUFF, CLUTTER, SO SOME OF THEM JUST COME IN TO SEE 24:58.263 --> 25:00.464 align:start ALL THIS STUFF, CLUTTER, SO SOME OF THEM JUST COME IN TO SEE WHAT'S GOING ON HERE, AND THEN A 25:00.466 --> 25:05.235 align:start OF THEM JUST COME IN TO SEE WHAT'S GOING ON HERE, AND THEN A LOT OF LADIES THAT WANT TO HAVE 25:05.237 --> 25:08.205 align:start WHAT'S GOING ON HERE, AND THEN A LOT OF LADIES THAT WANT TO HAVE SOME TYPE OF ARCHITECTURAL 25:08.207 --> 25:10.273 align:start LOT OF LADIES THAT WANT TO HAVE SOME TYPE OF ARCHITECTURAL ACCENT IN THEIR HOME, OR 25:10.275 --> 25:12.075 align:start SOME TYPE OF ARCHITECTURAL ACCENT IN THEIR HOME, OR BUILDERS THAT HAVE PROJECTS 25:12.077 --> 25:14.211 align:start ACCENT IN THEIR HOME, OR BUILDERS THAT HAVE PROJECTS WHERE THEY WANT TO INCORPORATE 25:14.213 --> 25:15.045 align:start BUILDERS THAT HAVE PROJECTS WHERE THEY WANT TO INCORPORATE ANTIQUE MATERIALS. 25:15.047 --> 25:18.815 align:start WHERE THEY WANT TO INCORPORATE ANTIQUE MATERIALS. AND PEOPLE THAT ARE INTERESTED 25:18.817 --> 25:22.119 align:start ANTIQUE MATERIALS. AND PEOPLE THAT ARE INTERESTED IN REUSING THESE FOR THINGS 25:22.121 --> 25:24.954 align:start AND PEOPLE THAT ARE INTERESTED IN REUSING THESE FOR THINGS OTHER THAN THEIR FIRST USE. 25:24.956 --> 25:27.757 align:start IN REUSING THESE FOR THINGS OTHER THAN THEIR FIRST USE. THAT MAKES ME HAPPY. 25:27.759 --> 25:29.292 align:start OTHER THAN THEIR FIRST USE. THAT MAKES ME HAPPY. THEY'RE DOING THAT. 25:29.294 --> 25:30.360 align:start THAT MAKES ME HAPPY. THEY'RE DOING THAT. >> THANK YOU. 25:30.362 --> 25:31.094 align:start THEY'RE DOING THAT. >> THANK YOU. >> THANK YOU. 25:31.096 --> 25:33.663 align:start >> THANK YOU. >> THANK YOU. I ENJOYED IT. 25:33.665 --> 25:44.074 align:start ♪ >> THAT'S IT FOR THIS WEEK. FOR WHTJ, I'M TERRI ALLARD. 25:44.076 --> 25:45.875 align:start >> THAT'S IT FOR THIS WEEK. FOR WHTJ, I'M TERRI ALLARD. JOIN US NEXT TIME ON 25:45.877 --> 25:49.413 align:start FOR WHTJ, I'M TERRI ALLARD. JOIN US NEXT TIME ON "CHARLOTTESVILLE INSIDE-OUT." 25:49.415 --> 26:31.188 align:start ♪ >> THIS PRESENTATION WAS MADE POSSIBLE THANKS IN PART TO THE 26:31.190 --> 26:32.289 align:start >> THIS PRESENTATION WAS MADE POSSIBLE THANKS IN PART TO THE PATRONS OF "CHARLOTTESVILLE 26:32.291 --> 26:33.623 align:start POSSIBLE THANKS IN PART TO THE PATRONS OF "CHARLOTTESVILLE INSIDE-OUT," COMMITTED TO 26:33.625 --> 26:34.691 align:start PATRONS OF "CHARLOTTESVILLE INSIDE-OUT," COMMITTED TO EXPLORING THE PEOPLE, PLACES AND 26:34.693 --> 26:37.026 align:start INSIDE-OUT," COMMITTED TO EXPLORING THE PEOPLE, PLACES AND QUALITY OF LIFE THAT UNIQUELY 26:37.028 --> 26:40.630 align:start EXPLORING THE PEOPLE, PLACES AND QUALITY OF LIFE THAT UNIQUELY DEFINE CHARLOTTESVILLE AND ITS 26:40.632 --> 26:42.899 align:start QUALITY OF LIFE THAT UNIQUELY DEFINE CHARLOTTESVILLE AND ITS SURROUNDINGS.