WEBVTT 00:00.100 --> 00:01.700 align:left position:10% line:71% size:80% >> SO THERE IS ALWAYS, ALWAYS 00:01.700 --> 00:02.600 align:left position:10% line:71% size:80% CHALK AND YOU CAN EXPRESS 00:02.600 --> 00:03.633 align:left position:10% line:71% size:80% YOURSELF AT ANY POINT IN TIME. 00:03.633 --> 00:06.033 align:left position:10% line:71% size:80% THAT'S WHAT IT'S THERE FOR. 00:06.033 --> 00:08.333 align:left position:10% line:71% size:80% >> I SAID THAT I DIDN'T PAINT 00:08.333 --> 00:10.333 align:left position:10% line:71% size:80% ANYTHING, I JUST UNCOVER MURALS. 00:10.333 --> 00:12.500 align:left position:10% line:71% size:80% SO WHEN YOU SEE THE MURAL, 00:12.500 --> 00:13.633 align:left position:10% line:71% size:80% YOU'RE JUST SEEING YOURSELF AND 00:13.633 --> 00:15.200 align:left position:10% line:71% size:80% THE COMMUNITY AROUND. 00:15.200 --> 00:21.066 align:left position:10% line:71% size:80% >> TERRI: AS YOU DRIVE THROUGH 00:21.066 --> 00:22.100 align:left position:10% line:71% size:80% THE CHARLOTTESVILLE AREA, 00:22.100 --> 00:22.733 align:left position:10% line:71% size:80% DO YOU EVER WONDER WHO IS 00:22.733 --> 00:24.066 align:left position:10% line:71% size:80% RESPONSIBLE FOR THE COLORFUL AND 00:24.066 --> 00:25.300 align:left position:10% line:71% size:80% DIVERSE ARTWORK YOU SEE PAINTED 00:25.300 --> 00:26.333 align:left position:10% line:71% size:80% ON THE WALLS AND BUILDINGS AND 00:26.333 --> 00:27.666 align:left position:10% line:71% size:80% SCHOOLS AND BUSINESSES IN OUR 00:27.666 --> 00:29.566 align:left position:10% line:71% size:80% COMMUNITY? 00:29.566 --> 00:30.866 align:left position:10% line:71% size:80% JOIN US TODAY AS WE CHECK OUT 00:30.866 --> 00:31.500 align:left position:10% line:71% size:80% THE CHARLOTTESVILLE MURAL 00:31.500 --> 00:31.833 align:left position:10% line:71% size:80% PROJECT. 00:31.833 --> 00:38.333 align:left position:10% line:71% size:80% COME ON! 00:38.333 --> 00:39.300 align:left position:10% line:71% size:80% >> ALAN, HOW DID THE 00:39.300 --> 00:40.200 align:left position:10% line:71% size:80% CHARLOTTESVILLE MURAL PROJECT 00:40.200 --> 00:42.600 align:left position:10% line:71% size:80% GET STARTED? 00:42.600 --> 00:43.766 align:left position:10% line:71% size:80% >> WELL, THE CHARLOTTESVILLE 00:43.766 --> 00:45.566 align:left position:10% line:71% size:80% MURAL PROJECT IT'S EXISTED FOR 00:45.566 --> 00:49.166 align:left position:10% line:71% size:80% THE BETTER PART OF A DECADE NOW 00:49.166 --> 00:50.033 align:left position:10% line:71% size:80% AND IT WAS STARTED BY ROSS 00:50.033 --> 00:50.900 align:left position:10% line:71% size:80% MCDERMOTT HERE AT THE BRIDGE 00:50.900 --> 00:51.566 align:left position:10% line:71% size:80% UNDER THE LEADERSHIP OF GREG 00:51.566 --> 00:57.033 align:left position:10% line:71% size:80% KELLY AS JUST A JUST A REALLY 00:57.033 --> 01:00.100 align:left position:10% line:71% size:80% PURE EFFORT TO BEAUTIFY 01:00.100 --> 01:01.966 align:left position:10% line:71% size:80% CHARLOTTESVILLE AND GET SOME 01:01.966 --> 01:02.933 align:left position:10% line:71% size:80% AMAZING COLORS ON WALLS AND TO 01:02.933 --> 01:06.900 align:left position:10% line:71% size:80% MAKE OUR COMMUNITY MORE VIBRANT. 01:06.900 --> 01:11.500 align:left position:10% line:71% size:80% AND TO HIGHLIGHT THE WORK OF 01:11.500 --> 01:12.900 align:left position:10% line:71% size:80% SOME LOCAL AND REGIONAL ARTISTS 01:12.900 --> 01:13.833 align:left position:10% line:71% size:80% THAT ARE EXTREMELY TALENTED AND 01:13.833 --> 01:15.733 align:left position:10% line:71% size:80% WERE DOING GREAT THINGS. 01:15.733 --> 01:16.766 align:left position:10% line:71% size:80% >> TERRI: AND WHY DO YOU GET 01:16.766 --> 01:17.433 align:left position:10% line:71% size:80% EXCITED ABOUT THE MURALS IN 01:17.433 --> 01:19.233 align:left position:10% line:71% size:80% TOWN? 01:19.233 --> 01:24.933 align:left position:10% line:71% size:80% >> I GET EXCITED ABOUT THE 01:24.933 --> 01:25.900 align:left position:10% line:71% size:80% MURALS IN TOWN BECAUSE EVERY 01:25.900 --> 01:27.066 align:left position:10% line:71% size:80% MURAL TELLS A DIFFERENT STORY. 01:27.066 --> 01:28.066 align:left position:10% line:71% size:80% THERE'S SO MUCH OPPORTUNITY WHEN 01:28.066 --> 01:29.300 align:left position:10% line:71% size:80% YOU ENGAGE IN PUBLIC ART, WHEN 01:29.300 --> 01:34.433 align:left position:10% line:71% size:80% YOU WHEN YOU CREATE PUBLIC ART 01:34.433 --> 01:35.766 align:left position:10% line:71% size:80% AND WHEN YOU ENGAGE AS A -- AS A 01:35.766 --> 01:36.933 align:left position:10% line:71% size:80% SPECTATOR OR A PATRON OR, YOU 01:36.933 --> 01:39.000 align:left position:10% line:71% size:80% KNOW, WHATEVER, JUST AN AVERAGE 01:39.000 --> 01:43.500 align:left position:10% line:71% size:80% JOE, THERE'S SO MUCH OPPORTUNITY 01:43.500 --> 01:44.333 align:left position:10% line:71% size:80% TO LEARN AND APPRECIATE THE 01:44.333 --> 01:45.200 align:left position:10% line:71% size:80% DIFFERENT PERSPECTIVES THAT 01:45.200 --> 01:47.366 align:left position:10% line:71% size:80% EXISTS WITHIN YOUR COMMUNITY. 01:47.366 --> 01:49.933 align:left position:10% line:71% size:80% >> TERRI: SO YOU HAVE THE MURAL 01:49.933 --> 01:54.100 align:left position:10% line:71% size:80% THAT'S HERE AT THE BRIDGE, 01:54.100 --> 01:59.600 align:left position:10% line:71% size:80% THAT'S THE FACE OF THE BRIDGE 01:59.600 --> 02:00.633 align:left position:10% line:71% size:80% THEN YOU HAVE THE MURAL THAT'S 02:00.633 --> 02:01.033 align:left position:10% line:71% size:80% ON THE SIDE. 02:01.033 --> 02:01.833 align:left position:10% line:71% size:80% TELL US A LITTLE ABOUT THIS ONE. 02:01.833 --> 02:02.866 align:left position:10% line:71% size:80% >> WE KIND OF THINK OF IT AS OUR 02:02.866 --> 02:03.733 align:left position:10% line:71% size:80% SORT OF COMMUNITY FACING MURAL. 02:03.733 --> 02:04.366 align:left position:10% line:71% size:80% IT'S OUR INVITATION TO THE 02:04.366 --> 02:09.100 align:left position:10% line:71% size:80% COMMUNITY TO BE A PART OF WHAT 02:09.100 --> 02:10.200 align:left position:10% line:71% size:80% WE'RE DOING HERE AND TO -- TO 02:10.200 --> 02:10.766 align:left position:10% line:71% size:80% COLLABORATIVE PROCESS. 02:10.766 --> 02:11.500 align:left position:10% line:71% size:80% >> SHE HAS A PIECE OF CHALK, AND 02:11.500 --> 02:12.333 align:left position:10% line:71% size:80% SHE HAS SOMETHING TO SAY. 02:12.333 --> 02:13.400 align:left position:10% line:71% size:80% SO SHE'S GOING TO CLIMB UP TO 02:13.400 --> 02:15.466 align:left position:10% line:71% size:80% THE TOP TO PUT HER MARK. 02:15.466 --> 02:16.566 align:left position:10% line:71% size:80% THE ONLY PART OF THE MURAL 02:16.566 --> 02:19.100 align:left position:10% line:71% size:80% THAT'S PERMANENT IS THE GIRL ON 02:19.100 --> 02:20.233 align:left position:10% line:71% size:80% THE LADDER WITH THE HANDS OF THE 02:20.233 --> 02:20.666 align:left position:10% line:71% size:80% BOTTOM. 02:20.666 --> 02:23.800 align:left position:10% line:71% size:80% SO THAT'S DRAWN IN PAINT. 02:23.800 --> 02:24.766 align:left position:10% line:71% size:80% EVERYTHING ELSE IS CHALK, AND 02:24.766 --> 02:25.833 align:left position:10% line:71% size:80% EVERYTHING ELSE MUTATES. 02:25.833 --> 02:33.366 align:left position:10% line:71% size:80% IN TERMS OF INVITING PEOPLE TO 02:33.366 --> 02:34.233 align:left position:10% line:71% size:80% ADD THEMSELVES TO MY WORK 02:34.233 --> 02:34.933 align:left position:10% line:71% size:80% THAT'S BEEN A LITTLE BIT OF A 02:34.933 --> 02:35.666 align:left position:10% line:71% size:80% STRUGGLE AS SOON AS I HOOKED UP 02:35.666 --> 02:36.400 align:left position:10% line:71% size:80% THE BRIDGE THAT JUST GOT FIGURED 02:36.400 --> 02:37.100 align:left position:10% line:71% size:80% OUT IMMEDIATELY BECAUSE THAT'S 02:37.100 --> 02:37.533 align:left position:10% line:71% size:80% WHAT THEY DO. 02:37.533 --> 02:38.400 align:left position:10% line:71% size:80% THEY CONNECT PEOPLE. 02:38.400 --> 02:40.100 align:left position:10% line:71% size:80% >> TERRI: APPROXIMATELY, HOW 02:40.100 --> 02:41.100 align:left position:10% line:71% size:80% MANY MURALS HAVE YOU ALL CREATED 02:41.100 --> 02:42.133 align:left position:10% line:71% size:80% SINCE IT STARTED? 02:42.133 --> 02:44.300 align:left position:10% line:71% size:80% >> IT'S HARD TO KEEP TRACK. 02:44.300 --> 02:46.533 align:left position:10% line:71% size:80% I WANT TO SAY SOMEWHERE IN THE 02:46.533 --> 02:49.400 align:left position:10% line:71% size:80% REALM OF 20-25 AT THIS POINT. 02:49.400 --> 02:50.766 align:left position:10% line:71% size:80% >> TERRI: AND MENTION SOME, 02:50.766 --> 02:51.766 align:left position:10% line:71% size:80% THEY'RE ALL OVER THE COMMUNITY. 02:51.766 --> 02:53.366 align:left position:10% line:71% size:80% >> MAYBE THE BIGGEST ONE THAT'S 02:53.366 --> 02:54.500 align:left position:10% line:71% size:80% MAYBE THE MOST PROMINENT MIGHT 02:54.500 --> 02:56.166 align:left position:10% line:71% size:80% BE THE DAVID GUINN AND RITA DOVE 02:56.166 --> 02:57.066 align:left position:10% line:71% size:80% COLLABORATION THAT'S ON THE 02:57.066 --> 02:57.766 align:left position:10% line:71% size:80% GRADUATE HOTEL. 02:57.766 --> 03:01.533 align:left position:10% line:71% size:80% NEAR THE UNIVERSITY. 03:01.533 --> 03:04.300 align:left position:10% line:71% size:80% THAT'S A REALLY BIG ONE. 03:04.300 --> 03:08.133 align:left position:10% line:71% size:80% >> TERRI: RIGHT. 03:08.133 --> 03:10.033 align:left position:10% line:71% size:80% >> WE'VE DONE SOME EXCELLENT 03:10.033 --> 03:10.733 align:left position:10% line:71% size:80% PIECES ON SOME RETAINING WALLS 03:10.733 --> 03:11.766 align:left position:10% line:71% size:80% IN TOWN INCLUDING THE BARRACKS 03:11.766 --> 03:12.933 align:left position:10% line:71% size:80% ROAD WALL. 03:12.933 --> 03:14.033 align:left position:10% line:71% size:80% >> TERRI: THERE'S ANOTHER MURAL 03:14.033 --> 03:14.700 align:left position:10% line:71% size:80% THAT'S OVER RIGHT AROUND THE 03:14.700 --> 03:15.400 align:left position:10% line:71% size:80% CORNER FROM THAT ON GEORGETOWN 03:15.400 --> 03:16.100 align:left position:10% line:71% size:80% AND HYDRAULIC THAT WAS PART OF 03:16.100 --> 03:16.866 align:left position:10% line:71% size:80% ALBEMARLE HIGH SCHOOL'S PROJECT. 03:16.866 --> 03:18.100 align:left position:10% line:71% size:80% >> YEAH. 03:18.100 --> 03:19.100 align:left position:10% line:71% size:80% >> TERRI: TELL US A LITTLE ABOUT 03:19.100 --> 03:20.400 align:left position:10% line:71% size:80% THAT. 03:20.400 --> 03:21.633 align:left position:10% line:71% size:80% >> IT'S SORT OF ONE CONCEPT, ONE 03:21.633 --> 03:23.233 align:left position:10% line:71% size:80% MURAL THAT SPANS TWO WALLS. 03:23.233 --> 03:26.400 align:left position:10% line:71% size:80% WE HAD A LOT OF FUN GETTING THE 03:26.400 --> 03:31.666 align:left position:10% line:71% size:80% ALBEMARLE HIGH SCHOOL STUDENTS 03:31.666 --> 03:32.833 align:left position:10% line:71% size:80% INVOLVED IN THAT PROCESS -- BOTH 03:32.833 --> 03:33.966 align:left position:10% line:71% size:80% ARTISTS, DETERMINING WHAT SHOULD 03:33.966 --> 03:35.133 align:left position:10% line:71% size:80% GO ON THE WALL AND WHAT IT 03:35.133 --> 03:35.833 align:left position:10% line:71% size:80% SHOULD MEAN TO THE SURROUNDING 03:35.833 --> 03:37.300 align:left position:10% line:71% size:80% COMMUNITY. 03:37.300 --> 03:40.033 align:left position:10% line:71% size:80% THE STUDENTS WORKED CLOSELY WITH 03:40.033 --> 03:45.133 align:left position:10% line:71% size:80% EMILY HERR AND ELEANOR DOUGHTY 03:45.133 --> 03:46.266 align:left position:10% line:71% size:80% TO PHOTOGRAPH FELLOW CLASSMATES 03:46.266 --> 03:47.833 align:left position:10% line:71% size:80% AND CREATE AN ACCURATE AND 03:47.833 --> 03:49.800 align:left position:10% line:71% size:80% DIVERSE REPRESENTATION OF THEIR 03:49.800 --> 03:50.866 align:left position:10% line:71% size:80% STUDENT COMMUNITY AND THE 03:50.866 --> 03:51.566 align:left position:10% line:71% size:80% BROADER COMMUNITY SURROUNDING 03:51.566 --> 03:53.766 align:left position:10% line:71% size:80% THEIR SCHOOL. 03:53.766 --> 03:54.700 align:left position:10% line:71% size:80% AND THEN THE STUDENTS CAME OUT 03:54.700 --> 04:00.933 align:left position:10% line:71% size:80% AND EVEN HELPED PAINT HELP TO 04:00.933 --> 04:02.133 align:left position:10% line:71% size:80% PUT THE ACTUAL COLORS ONTO THE 04:02.133 --> 04:02.433 align:left position:10% line:71% size:80% WALL. 04:02.433 --> 04:03.166 align:left position:10% line:71% size:80% WHICH WAS WHICH WAS THRILLING TO 04:03.166 --> 04:03.933 align:left position:10% line:71% size:80% WATCH. 04:03.933 --> 04:05.100 align:left position:10% line:71% size:80% >> TERRI: OH, THEN, YOU KNOW, 04:05.100 --> 04:05.700 align:left position:10% line:71% size:80% AND THAT'S SO IMPORTANT. 04:05.700 --> 04:06.433 align:left position:10% line:71% size:80% A BIG PART OF THE MURAL PROJECT 04:06.433 --> 04:07.233 align:left position:10% line:71% size:80% IS THAT YOU ALL PARTNER IN THE 04:07.233 --> 04:08.100 align:left position:10% line:71% size:80% COMMUNITY WITH A LOT OF 04:08.100 --> 04:09.100 align:left position:10% line:71% size:80% DIFFERENT GROUPS AND A LOT OF 04:09.100 --> 04:11.400 align:left position:10% line:71% size:80% SCHOOLS. 04:11.400 --> 04:15.333 align:left position:10% line:71% size:80% >> THERE'S SO MUCH OPPORTUNITY 04:15.333 --> 04:17.766 align:left position:10% line:71% size:80% FOR CIVIC ENGAGEMENT BUILT INTO 04:17.766 --> 04:19.233 align:left position:10% line:71% size:80% THE MURAL PROCESS, KNOWING THAT 04:19.233 --> 04:20.233 align:left position:10% line:71% size:80% A MURAL IS GOING TO BE SUCH, YOU 04:20.233 --> 04:20.966 align:left position:10% line:71% size:80% KNOW, A BIG PUBLIC THING IN THE 04:20.966 --> 04:21.633 align:left position:10% line:71% size:80% COMMUNITY, THERE'S A LOT TO 04:21.633 --> 04:23.733 align:left position:10% line:71% size:80% THINK ABOUT. 04:23.733 --> 04:29.600 align:left position:10% line:71% size:80% WHEN WE HAVE THE OPPORTUNITY TO 04:29.600 --> 04:30.533 align:left position:10% line:71% size:80% ENGAGE STUDENTS AND ADULTS ALIKE 04:30.533 --> 04:31.533 align:left position:10% line:71% size:80% IN THE PROCESS OF DISCUSSING 04:31.533 --> 04:32.600 align:left position:10% line:71% size:80% WHAT SHOULD GO ON A WALL AND WHO 04:32.600 --> 04:33.300 align:left position:10% line:71% size:80% OR WHAT SHOULD BE REPRESENTED 04:33.300 --> 04:33.600 align:left position:10% line:71% size:80% AND -- 04:33.600 --> 04:34.766 align:left position:10% line:71% size:80% >> TERRI: RIGHT. 04:34.766 --> 04:36.700 align:left position:10% line:71% size:80% >> -- TELLING THE STORY OF THE 04:36.700 --> 04:38.700 align:left position:10% line:71% size:80% COMMUNITY. 04:38.700 --> 04:39.633 align:left position:10% line:71% size:80% THAT'S A BEAUTIFUL THING. 04:39.633 --> 04:45.833 align:left position:10% line:71% size:80% THAT'S AN OPPORTUNITY THAT WE 04:45.833 --> 04:47.566 align:left position:10% line:71% size:80% WANT TO CAPITALIZE ON THAT AND 04:47.566 --> 04:48.266 align:left position:10% line:71% size:80% ENCOURAGE PEOPLE TO ENGAGE AND 04:48.266 --> 04:49.000 align:left position:10% line:71% size:80% BE A PART OF THEIR COMMUNITY AND 04:49.000 --> 04:49.733 align:left position:10% line:71% size:80% GROW SOMETHING VIBRANT TOGETHER. 04:49.733 --> 04:50.433 align:left position:10% line:71% size:80% >> YOU SEE IT AND IT GIVES YOU 04:50.433 --> 04:51.166 align:left position:10% line:71% size:80% MORE VIEW OF HOW CHARLOTTESVILLE 04:51.166 --> 04:51.866 align:left position:10% line:71% size:80% HOW OVERALL VIRGINIA IS WE ALL 04:51.866 --> 04:52.533 align:left position:10% line:71% size:80% HAVE DIFFERENT BACKGROUNDS. 04:52.533 --> 04:55.566 align:left position:10% line:71% size:80% WE COME FROM DIFFERENT PLACES, 04:55.566 --> 04:57.200 align:left position:10% line:71% size:80% BUT STILL WE'RE EQUAL AS PEOPLE 04:57.200 --> 04:59.033 align:left position:10% line:71% size:80% AND IT'S REALLY AMAZING THAT WE 04:59.033 --> 05:02.333 align:left position:10% line:71% size:80% GET OUR OWN MURAL AND WE GET TO 05:02.333 --> 05:03.333 align:left position:10% line:71% size:80% SHOW THAT WE'RE DIFFERENT BUT 05:03.333 --> 05:05.066 align:left position:10% line:71% size:80% STILL THE SAME. 05:05.066 --> 05:06.333 align:left position:10% line:71% size:80% >> WE USE ACTUALLY RED AND 05:06.333 --> 05:07.033 align:left position:10% line:71% size:80% GREEN. 05:07.033 --> 05:09.333 align:left position:10% line:71% size:80% WE JUST MIX THEM UP. 05:09.333 --> 05:10.366 align:left position:10% line:71% size:80% I DON'T KNOW WHAT THEY MAKE, BUT 05:10.366 --> 05:13.966 align:left position:10% line:71% size:80% I JUST MIX IT UP. 05:13.966 --> 05:15.233 align:left position:10% line:71% size:80% THE THINGS WE DONE IT I THINK IS 05:15.233 --> 05:16.766 align:left position:10% line:71% size:80% AMAZING. 05:16.766 --> 05:18.500 align:left position:10% line:71% size:80% IF I BE LIKE PART OF SOMETHING 05:18.500 --> 05:19.533 align:left position:10% line:71% size:80% AND THIS THING IS GOING TO MAKE 05:19.533 --> 05:23.433 align:left position:10% line:71% size:80% PEOPLE HAPPY WHEN THEY LOOK AT 05:23.433 --> 05:25.633 align:left position:10% line:71% size:80% IT, THEN WHEN I TELL MY FRIEND, 05:25.633 --> 05:26.366 align:left position:10% line:71% size:80% I JUST PART OF THIS PROJECT, SO 05:26.366 --> 05:26.933 align:left position:10% line:71% size:80% LIKE PROUD ABOUT THEM. 05:26.933 --> 05:27.633 align:left position:10% line:71% size:80% >> THESE ARE STUDENTS WHO ARE 05:27.633 --> 05:29.133 align:left position:10% line:71% size:80% 16-17 YEARS OLD. 05:29.133 --> 05:30.933 align:left position:10% line:71% size:80% THEY'RE ON THE CUSP OF GOING OUT 05:30.933 --> 05:31.933 align:left position:10% line:71% size:80% INTO THE COMMUNITY AS YOUNG 05:31.933 --> 05:36.600 align:left position:10% line:71% size:80% CITIZENS AND RESIDENTS. 05:36.600 --> 05:37.633 align:left position:10% line:71% size:80% THEY WANTED TO RESPOND TO THE 05:37.633 --> 05:39.833 align:left position:10% line:71% size:80% CURRENT NARRATIVE OF THE 05:39.833 --> 05:44.466 align:left position:10% line:71% size:80% MONUMENTS IN OUR COMMUNITY AND 05:44.466 --> 05:45.966 align:left position:10% line:71% size:80% WE LOOKED AT MURALS AS ONE WAY 05:45.966 --> 05:47.000 align:left position:10% line:71% size:80% TO SORT OF TELL A STORY IN THE 05:47.000 --> 05:47.733 align:left position:10% line:71% size:80% COMMUNITY, TO MEMORIALIZE EVENTS 05:47.733 --> 05:48.366 align:left position:10% line:71% size:80% THAT HAVE HAPPENED IN THE 05:48.366 --> 05:49.666 align:left position:10% line:71% size:80% COMMUNITY AND CREATE A MONUMENT 05:49.666 --> 05:51.200 align:left position:10% line:71% size:80% TO SOMETHING IN THE COMMUNITY. 05:51.200 --> 05:53.700 align:left position:10% line:71% size:80% >> TERRI: SO TALK ABOUT THE 05:53.700 --> 05:54.900 align:left position:10% line:71% size:80% DIFFERENT TECHNIQUES THAT THE 05:54.900 --> 05:55.566 align:left position:10% line:71% size:80% ARTISTS USE TO CREATE THESE 05:55.566 --> 05:56.200 align:left position:10% line:71% size:80% MURALS. 05:56.200 --> 05:57.033 align:left position:10% line:71% size:80% IS IT ALL JUST PAINT WITH A 05:57.033 --> 05:59.266 align:left position:10% line:71% size:80% BRUSH OR -- 05:59.266 --> 06:00.400 align:left position:10% line:71% size:80% >> WE'VE GOT ARTISTS THAT WILL 06:00.400 --> 06:02.466 align:left position:10% line:71% size:80% USE SPRAY CANS. 06:02.466 --> 06:03.466 align:left position:10% line:71% size:80% WE'VE GOT ARTISTS THAT WILL USE 06:03.466 --> 06:05.133 align:left position:10% line:71% size:80% PAINT BRUSHES. 06:05.133 --> 06:05.966 align:left position:10% line:71% size:80% WE'VE GOT, YOU KNOW, PAINT 06:05.966 --> 06:07.000 align:left position:10% line:71% size:80% ROLLERS, AND SOMETIMES ALL 06:07.000 --> 06:08.433 align:left position:10% line:71% size:80% THREE. 06:08.433 --> 06:10.733 align:left position:10% line:71% size:80% SOMETIMES ARTISTS USE STENCILS 06:10.733 --> 06:11.633 align:left position:10% line:71% size:80% TO GET A SHAPE ON THE WALL AND 06:11.633 --> 06:12.666 align:left position:10% line:71% size:80% THEN GO BACK AND ADD DETAIL 06:12.666 --> 06:14.233 align:left position:10% line:71% size:80% LATER. 06:14.233 --> 06:15.933 align:left position:10% line:71% size:80% A LOT OF TIMES THEY'LL USE A 06:15.933 --> 06:17.733 align:left position:10% line:71% size:80% VIDEO PROJECTOR. 06:17.733 --> 06:18.766 align:left position:10% line:71% size:80% THEY'LL GO OUT AT NIGHT, THEY'LL 06:18.766 --> 06:22.666 align:left position:10% line:71% size:80% VIDEO PROJECT AN IMAGE ON A WALL 06:22.666 --> 06:24.533 align:left position:10% line:71% size:80% AND THEY'LL TRACE IT OR IN THE 06:24.533 --> 06:25.233 align:left position:10% line:71% size:80% CASE OF CHICHO WHERE HE OUT ON 06:25.233 --> 06:26.066 align:left position:10% line:71% size:80% BARRACKS ROAD, CHICHO JUST GOES 06:26.066 --> 06:29.666 align:left position:10% line:71% size:80% OUT THERE FREEHAND AND STARTS 06:29.666 --> 06:30.600 align:left position:10% line:71% size:80% SKETCHING IT ON -- HE GRABS A 06:30.600 --> 06:31.833 align:left position:10% line:71% size:80% CAN OF BROWN PAINT AND STARTS 06:31.833 --> 06:32.500 align:left position:10% line:71% size:80% JUST PUTTING A SKETCH ON THE 06:32.500 --> 06:38.133 align:left position:10% line:71% size:80% WALL. 06:38.133 --> 06:40.500 align:left position:10% line:71% size:80% WATCHING THIS PROCESS UNFOLD OUR 06:40.500 --> 06:41.200 align:left position:10% line:71% size:80% JAW JUST DROPS, YOU KNOW LIKE 06:41.200 --> 06:41.866 align:left position:10% line:71% size:80% HOW DOES HE DO IT, LIKE HOW? 06:41.866 --> 06:42.300 align:left position:10% line:71% size:80% IT'S AMAZING. 06:42.300 --> 06:43.000 align:left position:10% line:71% size:80% >> TERRI: AND EVERYONE GETS TO 06:43.000 --> 06:43.300 align:left position:10% line:71% size:80% WATCH. 06:43.300 --> 06:43.933 align:left position:10% line:71% size:80% >> YEAH, YEAH, AND SO LIKE 06:43.933 --> 06:44.666 align:left position:10% line:71% size:80% THERE'S NO WRONG WAY TO PAINT A 06:44.666 --> 06:44.966 align:left position:10% line:71% size:80% MURAL. 06:44.966 --> 06:45.666 align:left position:10% line:71% size:80% AS LONG AS IT LOOKS AWESOME AT 06:45.666 --> 06:48.800 align:left position:10% line:71% size:80% THE END. 06:48.800 --> 06:50.500 align:left position:10% line:71% size:80% >> TERRI: WHAT IS THIS RESPONSE 06:50.500 --> 06:51.166 align:left position:10% line:71% size:80% FROM THE COMMUNITY ABOUT ALL 06:51.166 --> 06:51.766 align:left position:10% line:71% size:80% THESE BEAUTIFUL MURALS? 06:51.766 --> 06:53.066 align:left position:10% line:71% size:80% >> NOT EVERYONE LOVES EVERY ART 06:53.066 --> 06:55.133 align:left position:10% line:71% size:80% PIECE, BUT WE STRIVE TO BE AS 06:55.133 --> 06:56.633 align:left position:10% line:71% size:80% INCLUSIVE AND AS RELEVANT AS 06:56.633 --> 07:02.566 align:left position:10% line:71% size:80% POSSIBLE WITH ARTWORK. 07:02.566 --> 07:03.800 align:left position:10% line:71% size:80% WE DO EVERYTHING WE CAN TO 07:03.800 --> 07:06.200 align:left position:10% line:71% size:80% INCORPORATE A WIDE RANGE OF 07:06.200 --> 07:09.966 align:left position:10% line:71% size:80% PERSPECTIVES AND CROSS OUR 07:09.966 --> 07:11.966 align:left position:10% line:71% size:80% FINGERS AND HOPE -- HOPE THE 07:11.966 --> 07:12.666 align:left position:10% line:71% size:80% COMMUNITY ACCEPTS IT AS THEIR 07:12.666 --> 07:12.933 align:left position:10% line:71% size:80% OWN. 07:12.933 --> 07:13.600 align:left position:10% line:71% size:80% IN MOST CASES, THEY HAVE NO 07:13.600 --> 07:14.033 align:left position:10% line:71% size:80% REASON NOT TO. 07:14.033 --> 07:14.666 align:left position:10% line:71% size:80% BECAUSE A LOT OF TIMES THE 07:14.666 --> 07:15.966 align:left position:10% line:71% size:80% COMMUNITY IS HELPING OR THE 07:15.966 --> 07:21.400 align:left position:10% line:71% size:80% COMMUNITY IS INVOLVED IN THE 07:21.400 --> 07:24.433 align:left position:10% line:71% size:80% ARTIST VETTING PROCESS, OR THEY 07:24.433 --> 07:26.733 align:left position:10% line:71% size:80% HAVE GONE TO MEETINGS TO DISCUSS 07:26.733 --> 07:27.866 align:left position:10% line:71% size:80% WHAT THEY WANT TO INCLUDE IN 07:27.866 --> 07:29.100 align:left position:10% line:71% size:80% THAT CALL FOR ARTISTS. 07:29.100 --> 07:31.533 align:left position:10% line:71% size:80% SO WE LOVE TO TELL A STORY THAT 07:31.533 --> 07:32.433 align:left position:10% line:71% size:80% GOES BEYOND THE IMAGERY ON THE 07:32.433 --> 07:35.800 align:left position:10% line:71% size:80% WALL. 07:35.800 --> 07:38.000 align:left position:10% line:71% size:80% WE LOVE TO TELL A STORY THAT 07:38.000 --> 07:38.733 align:left position:10% line:71% size:80% INCLUDES THE PROCESS OF THAT ART 07:38.733 --> 07:40.233 align:left position:10% line:71% size:80% GOING UP AS WELL. 07:40.233 --> 07:43.233 align:left position:10% line:71% size:80% >> IT IS COOL TO WORK IN VIEW OF 07:43.233 --> 07:45.200 align:left position:10% line:71% size:80% ALL THE PEOPLE BECAUSE IT IS 07:45.200 --> 07:48.833 align:left position:10% line:71% size:80% TOTALLY ALIVE. 07:48.833 --> 07:50.633 align:left position:10% line:71% size:80% THAT MUTUAL INSPIRATION, IT IS 07:50.633 --> 07:53.700 align:left position:10% line:71% size:80% PURE, IS HAPPENING ALL THE TIME. 07:53.700 --> 07:57.833 align:left position:10% line:71% size:80% UM, I'M PAINTING THIS AND 07:57.833 --> 08:01.833 align:left position:10% line:71% size:80% SOMEBODY IS TELLING ME, OH, YOU 08:01.833 --> 08:03.500 align:left position:10% line:71% size:80% SHOULD PAINT THAT, AND I'M LUCKY 08:03.500 --> 08:05.233 align:left position:10% line:71% size:80% ENOUGH TO KEEP MYSELF OPEN TO 08:05.233 --> 08:08.866 align:left position:10% line:71% size:80% CHANGE THINGS AND NOT BE VERY 08:08.866 --> 08:10.133 align:left position:10% line:71% size:80% STRICT TO THE -- TO THE SKETCH. 08:10.133 --> 08:12.066 align:left position:10% line:71% size:80% SOMEBODY CAME AND MADE SOME 08:12.066 --> 08:13.133 align:left position:10% line:71% size:80% SIGNATURES, GRAFFITI ON THE 08:13.133 --> 08:15.933 align:left position:10% line:71% size:80% PANTS OF SOME CHARACTER. 08:15.933 --> 08:16.933 align:left position:10% line:71% size:80% SO WHEN I SAW THAT, I THOUGHT, 08:16.933 --> 08:18.200 align:left position:10% line:71% size:80% OKAY, WELL, THIS PERSON IS 08:18.200 --> 08:21.166 align:left position:10% line:71% size:80% PROBABLY A NEIGHBOR. 08:21.166 --> 08:25.966 align:left position:10% line:71% size:80% AND ALSO, IF THE CONCEPT OF A 08:25.966 --> 08:27.033 align:left position:10% line:71% size:80% MURAL IS MUTUAL INSPIRATION, 08:27.033 --> 08:27.866 align:left position:10% line:71% size:80% THEN THIS SHOULD BE INCLUDED 08:27.866 --> 08:34.266 align:left position:10% line:71% size:80% SOMEHOW. 08:34.266 --> 08:35.733 align:left position:10% line:71% size:80% SO WHAT I DID JUST WAS TO 08:35.733 --> 08:36.966 align:left position:10% line:71% size:80% INCLUDE THAT SIGNATURE IN THE 08:36.966 --> 08:52.066 align:left position:10% line:71% size:80% PATTERNS OF THE PANTS. 08:52.066 --> 08:53.633 align:left position:10% line:71% size:80% ♪♪♪ 08:53.633 --> 08:54.533 align:left position:10% line:71% size:80% >> TERRI: THERE'S A MURAL IN 08:54.533 --> 08:57.000 align:left position:10% line:71% size:80% BELMONT, ON MONTICELLO ROAD, 08:57.000 --> 08:58.000 align:left position:10% line:71% size:80% IT'S THE WORKING HISTORY MURAL? 08:58.000 --> 08:58.533 align:left position:10% line:71% size:80% TALK ABOUT THAT ONE. 08:58.533 --> 08:59.233 align:left position:10% line:71% size:80% >> YEAH. 08:59.233 --> 09:00.566 align:left position:10% line:71% size:80% WE HAD A BUILDING OWNER WHO WAS 09:00.566 --> 09:01.466 align:left position:10% line:71% size:80% EXCITED. 09:01.466 --> 09:02.533 align:left position:10% line:71% size:80% A BUILDING OWNER WHO WAS VERY 09:02.533 --> 09:03.266 align:left position:10% line:71% size:80% FLEXIBLE, VERY, VERY 09:03.266 --> 09:03.800 align:left position:10% line:71% size:80% ACCOMMODATING. 09:03.800 --> 09:05.366 align:left position:10% line:71% size:80% AND VERY -- 09:05.366 --> 09:06.400 align:left position:10% line:71% size:80% >> TERRI: WE'LL JUST CALL HIM 09:06.400 --> 09:09.233 align:left position:10% line:71% size:80% JOE. 09:09.233 --> 09:09.666 align:left position:10% line:71% size:80% >> RIGHT? 09:09.666 --> 09:10.466 align:left position:10% line:71% size:80% YEAH, WE'LL CALL HIM JOE. 09:10.466 --> 09:11.366 align:left position:10% line:71% size:80% JOE, JOE HAD, YOU KNOW, REALLY, 09:11.366 --> 09:12.900 align:left position:10% line:71% size:80% REALLY WANTED TO JUST LIKE 09:12.900 --> 09:13.900 align:left position:10% line:71% size:80% EMPOWER AN ARTIST BY GIVING AN 09:13.900 --> 09:16.066 align:left position:10% line:71% size:80% ARTIST SPACE TO DO WORK. 09:16.066 --> 09:20.166 align:left position:10% line:71% size:80% WE KIND OF COAXED SOME IDEAS OUT 09:20.166 --> 09:21.100 align:left position:10% line:71% size:80% OF JOE. 09:21.100 --> 09:22.566 align:left position:10% line:71% size:80% JOE THOUGHT TO HIMSELF, YOU 09:22.566 --> 09:26.000 align:left position:10% line:71% size:80% KNOW, YOU KNOW, WE'VE GOT WE'VE 09:26.000 --> 09:26.966 align:left position:10% line:71% size:80% GOT A LOT OF HISTORY HERE IN 09:26.966 --> 09:27.800 align:left position:10% line:71% size:80% BELMONT IN THE TRADES AND IN 09:27.800 --> 09:30.966 align:left position:10% line:71% size:80% MANUFACTURING AND SKILLED LABOR. 09:30.966 --> 09:31.900 align:left position:10% line:71% size:80% AND WHO KNOWS, MAYBE THAT'S A 09:31.900 --> 09:36.566 align:left position:10% line:71% size:80% GOOD MOTIVATION. 09:36.566 --> 09:39.300 align:left position:10% line:71% size:80% AND THE ARTISTS LOVED IT. 09:39.300 --> 09:42.200 align:left position:10% line:71% size:80% THE ARTISTS RAN WITH IT, WAS 09:42.200 --> 09:43.900 align:left position:10% line:71% size:80% SUPER EXCITED ABOUT THAT CONCEPT 09:43.900 --> 09:44.633 align:left position:10% line:71% size:80% AND ENDED UP CREATING SOMETHING 09:44.633 --> 09:45.233 align:left position:10% line:71% size:80% REALLY STUNNING, REALLY 09:45.233 --> 09:45.600 align:left position:10% line:71% size:80% BEAUTIFUL. 09:45.600 --> 09:48.066 align:left position:10% line:71% size:80% WE CAN'T DO THE MURAL PROJECT 09:48.066 --> 09:49.400 align:left position:10% line:71% size:80% WITHOUT ALL OF OUR VOLUNTEERS. 09:49.400 --> 09:50.500 align:left position:10% line:71% size:80% WE ALSO CAN'T DO IT WITHOUT THE 09:50.500 --> 09:51.233 align:left position:10% line:71% size:80% FOLKS WHO OPEN UP THEIR WALLETS 09:51.233 --> 09:52.600 align:left position:10% line:71% size:80% AND SAY, I LOVE ART. 09:52.600 --> 09:54.500 align:left position:10% line:71% size:80% I LOVE WHAT THE MURAL PROJECT IS 09:54.500 --> 09:56.966 align:left position:10% line:71% size:80% DOING AND I WANT TO HELP GET 09:56.966 --> 09:57.833 align:left position:10% line:71% size:80% THAT AMAZING ARTIST ON THAT 09:57.833 --> 09:58.833 align:left position:10% line:71% size:80% WALL. 09:58.833 --> 10:00.433 align:left position:10% line:71% size:80% >> TERRI: THE LOGISTICS, TOO. 10:00.433 --> 10:01.766 align:left position:10% line:71% size:80% I MEAN, YOU HAVE -- YOU HAVE TO 10:01.766 --> 10:02.533 align:left position:10% line:71% size:80% GET PERMISSION. 10:02.533 --> 10:04.800 align:left position:10% line:71% size:80% >> THERE'S NO PLAYBOOK FOR THIS, 10:04.800 --> 10:06.466 align:left position:10% line:71% size:80% WE TRY TO SORT IT OUT AS WE GO 10:06.466 --> 10:07.566 align:left position:10% line:71% size:80% AND TRY TO MAKE THE RIGHT MOVES 10:07.566 --> 10:08.200 align:left position:10% line:71% size:80% AND CONNECT WITH THE RIGHT 10:08.200 --> 10:09.200 align:left position:10% line:71% size:80% PEOPLE AND GET THE RIGHT 10:09.200 --> 10:10.266 align:left position:10% line:71% size:80% PARTNERS INVOLVED AND HOPE FOR 10:10.266 --> 10:11.233 align:left position:10% line:71% size:80% THE BEST. 10:11.233 --> 10:12.233 align:left position:10% line:71% size:80% WITH EACH MURAL WE'RE LOOKING AT 10:12.233 --> 10:15.866 align:left position:10% line:71% size:80% A DIFFERENT SET OF PARTNERS, 10:15.866 --> 10:17.933 align:left position:10% line:71% size:80% WE'RE LOOKING AT SCHOOLS, WE'RE 10:17.933 --> 10:21.266 align:left position:10% line:71% size:80% LOOKING AT COMMUNITY CENTERS 10:21.266 --> 10:22.833 align:left position:10% line:71% size:80% WE'RE LOOKING AT SOCIAL SERVICES 10:22.833 --> 10:23.700 align:left position:10% line:71% size:80% ORGANIZATIONS LIKE THE HAVEN, 10:23.700 --> 10:24.966 align:left position:10% line:71% size:80% NEW CITY ARTS IS A CRUCIAL PART 10:24.966 --> 10:25.700 align:left position:10% line:71% size:80% OF THE PAINT AND POETRY MURALS. 10:25.700 --> 10:31.033 align:left position:10% line:71% size:80% >> TERRI: WHAT DO YOU WANT FOR 10:31.033 --> 10:34.466 align:left position:10% line:71% size:80% THE FUTURE FOR THE FOR THE 10:34.466 --> 10:35.633 align:left position:10% line:71% size:80% MURAL PROJECT, WHAT DO YOU SEE? 10:35.633 --> 10:36.200 align:left position:10% line:71% size:80% WHAT DO YOU HOPE FOR? 10:36.200 --> 10:37.566 align:left position:10% line:71% size:80% >> ULTIMATELY, MY HOPE FOR THE 10:37.566 --> 10:38.766 align:left position:10% line:71% size:80% MURAL PROJECT IS THAT IT 10:38.766 --> 10:40.066 align:left position:10% line:71% size:80% CONTINUES TO HAVE A BIGGER 10:40.066 --> 10:44.100 align:left position:10% line:71% size:80% IMPACT, BUT ALSO AN INCREASINGLY 10:44.100 --> 10:46.466 align:left position:10% line:71% size:80% RELEVANT IMPACT THAT WE CONTINUE 10:46.466 --> 10:47.600 align:left position:10% line:71% size:80% TO FIND NEW AND MEANINGFUL WAYS 10:47.600 --> 10:51.900 align:left position:10% line:71% size:80% TO CONNECT WITH COMMUNITIES AND 10:51.900 --> 10:52.566 align:left position:10% line:71% size:80% LISTEN. 10:52.566 --> 10:54.866 align:left position:10% line:71% size:80% I THINK THAT AS AN ORGANIZATION 10:54.866 --> 10:56.066 align:left position:10% line:71% size:80% THAT PUTS ART IN PUBLIC WE HAVE 10:56.066 --> 10:58.833 align:left position:10% line:71% size:80% A RESPONSIBILITY TO DO SO. 10:58.833 --> 10:59.700 align:left position:10% line:71% size:80% WE HAVE A RESPONSIBILITY TO DO 10:59.700 --> 11:03.633 align:left position:10% line:71% size:80% WORK THAT'S RELEVANT TO 11:03.633 --> 11:05.866 align:left position:10% line:71% size:80% COMMUNITIES THAT -- THAT 11:05.866 --> 11:10.400 align:left position:10% line:71% size:80% LISTENS, THAT KNOWS WHEN TO PUMP 11:10.400 --> 11:11.333 align:left position:10% line:71% size:80% THE BRAKES AND KNOWS WHEN TO GO 11:11.333 --> 11:16.500 align:left position:10% line:71% size:80% FULL STEAM AHEAD. 11:16.500 --> 11:20.633 align:left position:10% line:71% size:80% SO WE'RE ALWAYS LEARNING AND WE 11:20.633 --> 11:22.566 align:left position:10% line:71% size:80% ULTIMATELY -- I JUST HOPE THE 11:22.566 --> 11:23.266 align:left position:10% line:71% size:80% MURAL PROJECT CONTINUES TO, TO 11:23.266 --> 11:24.000 align:left position:10% line:71% size:80% GROW IN A WAY THAT IS RESPECTFUL 11:24.000 --> 11:24.633 align:left position:10% line:71% size:80% OF THE COMMUNITIES THAT WE 11:24.633 --> 11:38.266 align:left position:10% line:71% size:80% ENGAGE. 11:38.266 --> 11:39.133 align:left position:10% line:71% size:80% >> TERRI: ALAN, THANK YOU SO 11:39.133 --> 11:39.433 align:left position:10% line:71% size:80% MUCH. 11:39.433 --> 11:40.166 align:left position:10% line:71% size:80% >> ABSOLUTELY. 11:40.166 --> 11:41.200 align:left position:10% line:71% size:80% >> THERE WAS THIS NEIGHBOR ON 11:41.200 --> 11:41.666 align:left position:10% line:71% size:80% THAT WHEELCHAIR. 11:41.666 --> 11:42.400 align:left position:10% line:71% size:80% AND I TOLD HIM -- HEY, I'M GOING 11:42.400 --> 11:43.100 align:left position:10% line:71% size:80% TO INCLUDE YOU BECAUSE HE PASS 11:43.100 --> 11:43.700 align:left position:10% line:71% size:80% BY EVERY DAY BUT THEN AS 11:43.700 --> 11:44.366 align:left position:10% line:71% size:80% EVERYBODY'S FLOATING WAS THE 11:44.366 --> 11:50.100 align:left position:10% line:71% size:80% POINT OF A WHEELCHAIR. 11:50.100 --> 11:51.000 align:left position:10% line:71% size:80% AND SO HERE IS HIM WHAT, EH 11:51.000 --> 11:52.300 align:left position:10% line:71% size:80% FLOATING AND HE LOOKS LIKE HE'S 11:52.300 --> 11:53.000 align:left position:10% line:71% size:80% HAVING NO DIFFICULTY WITH HIS 11:53.000 --> 11:53.666 align:left position:10% line:71% size:80% LEGS BECAUSE HE'S FLOATING. 11:53.666 --> 11:58.600 align:left position:10% line:71% size:80% >> WHEN YOU HAVE A MURAL ON THE 11:58.600 --> 11:59.933 align:left position:10% line:71% size:80% WALL OUTSIDE, EVERYBODY GETS TO 11:59.933 --> 12:00.433 align:left position:10% line:71% size:80% EXPERIENCE IT. 12:00.433 --> 12:01.166 align:left position:10% line:71% size:80% WHETHER OR NOT YOU ARE TIED WITH 12:01.166 --> 12:01.833 align:left position:10% line:71% size:80% THE ART WORLD WHETHER OR NOT 12:01.833 --> 12:02.533 align:left position:10% line:71% size:80% YOU'RE THE KIND OF PERSON WHO 12:02.533 --> 12:03.266 align:left position:10% line:71% size:80% WOULD GO TO FIRST FRIDAYS OR TO 12:03.266 --> 12:03.733 align:left position:10% line:71% size:80% A GALLERY. 12:03.733 --> 12:04.833 align:left position:10% line:71% size:80% ALL YOU HAVE TO DO IS WALK DOWN 12:04.833 --> 12:07.266 align:left position:10% line:71% size:80% THE STREET TO EXPERIENCE ART. 12:07.266 --> 12:08.433 align:left position:10% line:71% size:80% AS SOON AS I DID THAT, I GOT 12:08.433 --> 12:11.166 align:left position:10% line:71% size:80% HOOKED, HONESTLY. 12:11.166 --> 12:12.200 align:left position:10% line:71% size:80% AND NOW I WANT TO DO MURALS ALL 12:12.200 --> 12:15.866 align:left position:10% line:71% size:80% OVER THE CITY.