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(Latin flavor music)

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>>Thank you all so 
much for being here.

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We're gonna start 
with a tune called

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(speaking foreign language)

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and (speaks in 
foreign language) is

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basically a percussion jam.

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>>Today we're going to sit down

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with a popular musical couple

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whose lives revolve 
around making,

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teaching and sharing music.

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Their spirit is contagious, 
(male performer speaking)

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and their sound 
has been described

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as "funkalicious, samba soul."

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Join us as we visit 
Humberto Sales

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and Madeline Holly 
Sales of Beleza Music.

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Come on!

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(singing in foreign language) 
(funky Latin music)

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>>We met in Salvador 
Bahia, where Berto is from,

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and I had moved to 
sort of gift myself

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studying music again, and 
living close to the ocean.

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And I was taking classes

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at the Federal 
University of Bahia,

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and a mutual friend of ours,

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we had been talking and I said,

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"Let's form a group

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"and we'll do some bossa novas

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"and some jazz, 
and it'll be fun."

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And he said, "Awesome, I 
have a perfect guitarist,"

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and the perfect guitarist he 
was thinking of was Berto,

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but, he went to Berto... 
>>But,

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Berto is very busy.

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(Terri laughs) 
(Madeline mumbles)

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That's true. (laughs)

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I'm not lying. 
>>You turned it down.

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Just say it.

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>>He turned it down. 
>>Yeah, I said,

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"Well, you know, I'm 
very busy right now,

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"I'm not sure she's gonna 
get the right accent,

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"so I've heard before." 
(Terri gasps)

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Not her, but other 
artists, and I said,

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"Nah, let's just pass on that."

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>>He's tryin' to be nice.

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He basically said, "Gringas 
can't sing bossa nova,

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"I don't wanna do this, and 
I don't wanna meet her."

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(women laughing) 
>>Don't wanna do this, no.

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>>Okay, but then go ahead, 
'cause this gets good.

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>>So then we, actually, 
accidentally met,

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through this mutual friend,

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at a big flamenco 
concert in the theater.

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He, Humberto, they're 
both named Humberto.

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Humberto said, "Hey, 
Humberto, this is Madeline,

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"the American I was 
telling you about

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"that wants to form a group."

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>>Yeah, and this 
Humberto, he said,

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"Oh, really." 
(Terri laughs)

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"Oh, that's the Madeline.

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"Okay, great."

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Now I'm very, you know,

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enthusiastic about the show. 
>>Let's give it a shot.

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>>An now, "Okay, 
let's give it a shot."

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(singing in foreign language) 
(bossa nova music)

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>>Let's talk about 
music, Humberto.

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When did you start 
playing music?

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>>For real, perhaps I was 10.

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For fun I was six, 
playing with my guitars,

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I mean, my dad's guitars.

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Untuning everything, 
it sounds fun,

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but it was very hard,

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because the music 
that we listened to

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was the Brazilian 
musicians such as

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Tom Jobim, Joao Gilberto, 
Gilberto Gil, Caetano Veloso,

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these guys, and they did not

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compose things that 
were very easy,

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and so I kinda had to dig in.

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>>Can you give me an example?

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Can you give me an example 
of what's not easy?

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>>Oh my gosh.

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So I'll show, for example,

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one song that got 
stuck in my head when

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I think I were 11 or 12.

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(intricate flowing guitar music)

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(singing in foreign language)

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>>Yeah, I can't imagine

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why you though that 
was hard. (laughs)

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>>11 year old. 
>>No, I was very easy,

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so you know, yeah. 
(Madeline laughs)

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>>And then you went on to 
study at the university?

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>>Yeah, I went to 
study in the university

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for classical 
guitar performance.

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I never stopped.

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>>Never stopped, and Madeline,

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your background is 
in music and theater,

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but not as formally. 
>>Mm-hm, right.

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>>Tell us a little 
bit about yours.

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>>I grew up, it's 
interesting now,

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teaching a lot of 
children music,

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and I absolutely appreciate, 
from both of my parents,

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just growing up with music.

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I mean, it was 
one of my mother's

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ways of entertaining 
us, I guess,

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but I didn't really actually 
do formal voice lessons

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until I was an adult, 
and that really opened.

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>>Me too. 
>>Yeah, it opened.

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You know, I thought like,

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no, I can sing what 
I want to sing.

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Then I had problems and had 
to go back for technique,

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and it was great.

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(bossa nova music) 
♪ There was a man

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♪ He walked the mall 
in (foreign language) ♪

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♪ The people laughed, 
they stared they mocked ♪

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♪ They said there's 
something wrong ♪

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♪ His hair was wild

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♪ His voice was strong

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♪ And it was full of soul

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♪ The gospel he was 
preachin', child, ♪

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♪ Well it was ages old

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♪ We are the same here

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♪ We are the same you know

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♪ We are the same here 
>>you perform,

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you write, and you teach.

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What would be something that 
you would impart to a student

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that you think is just 
a really great tip?

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>>I think of singing 
as though you were,

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it's like you're 
riding on breath,

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the way that a 
bird rides on wind

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you know? 
>>Right.

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>>So if you take a good breath,

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(deeply breaths)

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♪ Now I'm singing

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♪ As though I'm singing 
with a singing voice ♪

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It just becomes more open,

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rounder. 
>>Yeah.

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>>And the space itself, 
so just two things.

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I mean, just taking in 
a good amount of breath

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and giving it space, and 
that means in your mouth

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and in your body 
and every other way.

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Huge, huge. 
>>Yeah, it's huge.

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And Berto, you teach too. 
>>Mm-hm.

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>>So you teach 
guitar, ear training,

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theory. 
>>Yeah, it's music theory,

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music harmony, you know,

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something that might be a 
little complicated for some,

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and then I go, "This is so much.

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"Oh, do you hear this?

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"Now look at this chord 
resolve into this,"

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and the odd she 
goes, "Well yeah.

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"You're just geeking out 
here right now." (laughs)

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(Terri laughing) 
>>No, it's fun, I love it.

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I appreciate it. 
>>It's so much fun.

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>>So, talk about your 
music you all play.

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You play a lot of 
different styles of music,

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but really, if you were 
gonna describe Beleza Music,

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how would you describe it?

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>>So, a friend of ours, 
who was a DJ at WTJU said,

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"You know what you guys play?

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"You guys play 
funkalicious, samba soul,

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(fingers snapping) 
because it combines,

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you know, a lot of 
what the American

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sort of soul, jazzy, funky thing

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with samba, and that 
is just referencing.

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We do other rhythms 
from Brazil too,

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but just it's flavor. 
>>Right.

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>>It's flavor from 
both cultures, so

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I like that condensed 
version of it.

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>>Yeah, and it's a great 
description, I think.

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It really nails it.

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So, talk about the different 
places that you play.

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Where do you perform?

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>>As Beleza, we play, 
mostly now it seems,

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in wineries around the area,

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and we'll do some theaters.

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Mostly regional, 
we'll do theaters.

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We have a festival that we 
love in North Carolina as well,

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but locally, we play 
at the wineries,

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and at our friend 
Bashir's Taverna.

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>>Oh yeah. 
>>Oh, and

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Humberto has a project, 
(background Latin music)

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a Latin guitar project 
now, with his friend Miles.

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>>Oh great. 
>>Yeah,

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playin' at the Bebedero.

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Restaurants. 
>>At the Bebedero.

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>>Yeah, every Tuesday. 
>>Right,

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and you're basically the house 
band for Glass House Winery.

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(all laughing)

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>>Yeah, we like Glass House.

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>>I think they would 
claim you in a heart beat.

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(upbeat Latin flavor music) 
(singing in foreign language)

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Name some of the different 
musicians that you work with

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or have worked with through 
the years in all of your bands.

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You also have the band In 
Full, which is a cover band.

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>>Yeah, as Beleza, 
we've worked a lot

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with Matt Wyatt on drums

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and Dave Berzonsky on bass,

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with Jeff Decker on horns.

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He's been gracious 
enough to record with us,

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a couple of times, 
on our albums,

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and perform for CD 
releases and things.

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And then, In Full,

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as you mentioned. 
>>Yeah.

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>>It's sort of a 
corporate and wedding band

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that James Mclaughlin 
is the leader of,

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so he's on drums actually.

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Charles Owens, sax 
player, keyboard and rap.

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Then we have Andrew 
Randazzo on the bass.

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He's from Richmond.

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Schiavone McGee is the 
male vocal lead as well.

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Humberto gets his 
eclectic guitar on.

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>>Get rock on, yeah. (laughs)

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>>Yeah, so it's fun.

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It's a completely different 
personality for us,

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but it's fun. 
>>Yeah.

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How many albums do you have?

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>>Three. 
>>Three.

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>>Three, so tell us, just 
briefly, about each one.

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>>Each one, number one,

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recorded in Brazil like a 
(whooshing)

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every day going. 
(Terri laughs)

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It was kinda hard, 
because we were--

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(Terri laughing) 
>>Quick job.

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>>Okay, here you 
go, do, do, do, do.

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No, in Brazil you know, you 
run the clock about that.

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Give me five minutes, and an 
hour later everything happens.

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>>It's true. 
>>So,

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we went to our friend's studio,

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and then you had to first, 
you know, say hello,

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and that takes an hour. 
>>Talk to their mother.

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>>Talk to her mom.

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>>And have the snack that 
she prepared for you.

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>>Have a snack, a little juice.

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>>Then talk to the brother. 
>>A break for this

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a break for that. (laughs)

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>>That's my kind of recording.

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I like that. 
>>Yeah.

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>>Except for that 
we were only there.

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We had just moved to the U.S.,

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and we were only there for 
a certain number of days,

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so we didn't have all that time.

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>>We had to do it.

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>>Ironically, the name of 
that album is "Time to Dream."

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(Terri laughing) 
>>Yeah that was good.

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Yeah, yeah. 
>>I love that, okay and then.

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>>And then the second 
is sort of an EP

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that has more original 
music of ours on it,

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that was a wonderful 
Kickstarter project, actually.

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We weren't gonna 
do a Kickstarter,

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but we ended up we had 
just bought this house,

247
00:09:09,400 --> 00:09:10,933
actually, (laughs)

248
00:09:10,933 --> 00:09:13,866
and the HVAC went out right 
before my sister's wedding,

249
00:09:13,866 --> 00:09:14,900
and we were having 
all this family,

250
00:09:14,900 --> 00:09:16,300
and I was like, "Yay." 
>>"Yay,"

251
00:09:16,300 --> 00:09:17,500
and she was freaking out. 
>>And now we'll be

252
00:09:17,500 --> 00:09:19,166
spending that money that 
we had for the album

253
00:09:19,166 --> 00:09:21,833
on a whole new HVAC, 
and graciously,

254
00:09:21,833 --> 00:09:23,266
wonderfully, you know,

255
00:09:23,266 --> 00:09:26,533
we had friends and supporters 
support that album,

256
00:09:26,533 --> 00:09:27,733
so that was fun.

257
00:09:27,733 --> 00:09:29,366
We recorded that 
in The Sound studio

258
00:09:29,366 --> 00:09:30,966
here in Charlottesville.

259
00:09:30,966 --> 00:09:32,400
>>Yeah, the album's called 
"Cooking with Flavor."

260
00:09:32,400 --> 00:09:34,400
>>"Cookin' With Flavor." 
>>Look, there's flavor again.

261
00:09:34,400 --> 00:09:35,900
>>Gotta have flavor. 
>>Flavor, exactly.

262
00:09:35,900 --> 00:09:37,100
You gotta, you know, yeah. 
>>There's flavor again.

263
00:09:37,100 --> 00:09:39,433
Then you also have, 
your latest project is,

264
00:09:39,433 --> 00:09:40,766
I don't wanna say 
a children's album.

265
00:09:40,766 --> 00:09:41,766
It's a family album.

266
00:09:41,766 --> 00:09:43,233
>>So it's called "Just For Fun,"

267
00:09:43,233 --> 00:09:46,633
and it was sorta sparked 
by both the influence

268
00:09:46,633 --> 00:09:48,066
and joy, really, that we have,

269
00:09:48,066 --> 00:09:50,400
having a lot of 
kids in our studios,

270
00:09:50,400 --> 00:09:53,700
so the idea started like, 
"Let's do real music, fun.

271
00:09:53,700 --> 00:09:56,100
"They lyrics have to 
be either just fun

272
00:09:56,100 --> 00:09:58,100
"or uplifting in some way,"

273
00:09:58,100 --> 00:10:00,633
and so, hence, was 
born this project,

274
00:10:00,633 --> 00:10:02,400
"Just For Fun." 
>>"Just For Fun."

275
00:10:02,400 --> 00:10:03,700
(rhythmic cheerful music)

276
00:10:03,700 --> 00:10:05,233
♪ I know a girl in 
Charlottesville ♪

277
00:10:05,233 --> 00:10:07,300
♪ Li'l Liza Jane

278
00:10:07,300 --> 00:10:09,433
♪ Rides her bike up 
and down the hill ♪

279
00:10:09,433 --> 00:10:11,866
♪ Little Liza Jane

280
00:10:11,866 --> 00:10:14,366
>>I know people probably 
ask you this all the time.

281
00:10:14,366 --> 00:10:18,133
You live together, 
and you work together.

282
00:10:18,133 --> 00:10:19,600
How does that work out?

283
00:10:19,600 --> 00:10:21,800
I mean, is that difficult?

284
00:10:21,800 --> 00:10:23,333
>>It works well.

285
00:10:23,333 --> 00:10:26,100
Yeah, I think we're lucky 
that we get along so well,

286
00:10:26,100 --> 00:10:28,800
that we really have a 
lot of the same interests

287
00:10:28,800 --> 00:10:30,200
and have fun together. 
>>And same tastes?

288
00:10:30,200 --> 00:10:31,800
>>Yeah, you know. 
>>Ahh, we don't.

289
00:10:31,800 --> 00:10:33,400
>>She tries to copy me. (laughs)

290
00:10:33,400 --> 00:10:35,366
(Terri laughs)

291
00:10:35,366 --> 00:10:37,033
>>This happens often. 
>>Yes.

292
00:10:37,033 --> 00:10:38,733
>>I put on red; he's got red.

293
00:10:38,733 --> 00:10:40,900
I put on purple; 
he's got purple.

294
00:10:40,900 --> 00:10:43,133
I put on green; he has green.

295
00:10:44,500 --> 00:10:46,233
I do dress first, I'm saying. 
>>Well yeah,

296
00:10:46,233 --> 00:10:47,966
she always dresses first, so 
(Madeline laughing)

297
00:10:47,966 --> 00:10:48,933
it's unfair here. (laughs) 
>>You're totally in sync.

298
00:10:48,933 --> 00:10:50,566
I mean, you're totally in sync.

299
00:10:52,900 --> 00:10:54,233
You clearly love music.

300
00:10:54,233 --> 00:10:55,766
Your whole world is about it,

301
00:10:55,766 --> 00:10:59,066
so, I mean, do you have 
a philosophy behind that?

302
00:10:59,066 --> 00:11:00,733
>>Music is, really,

303
00:11:00,733 --> 00:11:02,833
the way I wanna express 
myself in the world,

304
00:11:02,833 --> 00:11:06,000
and I think that 
my passion for it

305
00:11:07,133 --> 00:11:09,033
is related to the fact 
that it feels like

306
00:11:09,033 --> 00:11:12,166
it really is the 
best way to express

307
00:11:12,166 --> 00:11:14,866
the range of human emotion,

308
00:11:14,866 --> 00:11:19,000
from just the deepest 
sorrow to elation and joy,

309
00:11:19,000 --> 00:11:22,500
and I like having that language.

310
00:11:22,500 --> 00:11:23,966
>>What about you?

311
00:11:23,966 --> 00:11:26,066
>>Music was calling me since 
even I was a little kid,

312
00:11:26,066 --> 00:11:27,600
and because I always,

313
00:11:27,600 --> 00:11:30,433
I had daydreams that I 
was playing on a stage,

314
00:11:30,433 --> 00:11:34,433
and by the way, there 
was a woman beside me.

315
00:11:34,433 --> 00:11:36,533
Hmm, interesting, yeah. 
(background Madeline singing)

316
00:11:36,533 --> 00:11:39,466
But anyway. (laughs) 
(Terri chuckles)

317
00:11:39,466 --> 00:11:41,533
When I saw myself in this dream,

318
00:11:41,533 --> 00:11:43,866
I was always smiling and happy,

319
00:11:43,866 --> 00:11:46,800
and then Beleza 
translates into happiness,

320
00:11:46,800 --> 00:11:48,700
and I guess it's 
the vehicle for me

321
00:11:48,700 --> 00:11:52,000
to translate my 
happiness to the world.

322
00:11:52,000 --> 00:11:53,566
And then they have 
to love it, you know,

323
00:11:53,566 --> 00:11:56,166
and then I definitely love it.

324
00:11:57,366 --> 00:11:58,933
>>There's no doubt 
that you all love it,

325
00:11:58,933 --> 00:12:00,133
and it's contagious.

326
00:12:00,133 --> 00:12:02,333
Your energy is 
really contagious.

327
00:12:02,333 --> 00:12:03,933
Thank you so much for 
sharing it with us.

328
00:12:03,933 --> 00:12:05,466
>>Yeah. 
>>Yeah, thank you.

329
00:12:05,466 --> 00:12:06,900
>>And for hanging out with 
us today, before your gig.

330
00:12:06,900 --> 00:12:08,533
>>Yeah. (laughs) 
>>Yeah.

331
00:12:08,533 --> 00:12:10,266
>>Thank you. 
>>Thank you.

332
00:12:10,266 --> 00:12:13,233
♪ Sha ba da da da da ba bah

333
00:12:13,233 --> 00:12:16,300
♪ Sha ba da da da da ba bah

334
00:12:16,300 --> 00:12:19,266
♪ Bah ba da da da da ba bah

335
00:12:19,266 --> 00:12:22,933
♪ Bah ba da da da da ba bah

336
00:12:26,066 --> 00:12:28,266
(crowd cheering and clapping)

337
00:12:28,266 --> 00:12:29,100
>>Thank you.

338
00:12:29,100 --> 00:12:32,500
(jazz and trumpet music)