1
00:00:08,860 --> 00:00:10,610
>>> "ART IN BLOOM" HAPPENS EVERY

2
00:00:10,610 --> 00:00:12,440
OTHER YEAR AT THE MUSEUM, AND

3
00:00:12,440 --> 00:00:15,160
IT'S BEEN GOING ON IN DIFFERENT

4
00:00:15,160 --> 00:00:19,580
ITERATIONS SINCE 1996.

5
00:00:19,580 --> 00:00:24,370
CELEBRATION, IN WHICH FLORAL

6
00:00:24,370 --> 00:00:26,470
ARTISTS, ANOTHER FORM OF ART,

7
00:00:26,470 --> 00:00:28,010
ARE INSPIRED BY WORKS IN THE

8
00:00:28,010 --> 00:00:29,160
MUSEUM COLLECTION.

9
00:00:29,160 --> 00:00:31,820
SO, THAT THE FLORAL DESIGN

10
00:00:31,820 --> 00:00:34,050
INSTALLATION IS IN CONVERSATION

11
00:00:34,050 --> 00:00:35,510
EITHER WITH THE BUILDING OR WITH

12
00:00:35,510 --> 00:00:37,030
A WORK OF ART.

13
00:00:37,030 --> 00:00:38,270
SO IT CELEBRATES TWO FORMS OF

14
00:00:38,270 --> 00:00:39,800
ART TOGETHER.

15
00:00:39,800 --> 00:00:40,800
♪♪

16
00:00:40,800 --> 00:00:44,340
THERE ARE 40 DESIGNERS THIS

17
00:00:44,340 --> 00:00:45,340
YEAR.

18
00:00:45,340 --> 00:00:46,340
THE ARTISTS -- THEY'RE MOSTLY

19
00:00:46,340 --> 00:00:47,340
LOCAL.

20
00:00:47,340 --> 00:00:48,340
WHICH IS EXCITING 'CAUSE THEN

21
00:00:48,340 --> 00:00:50,730
YOU CAN ENJOY THEIR FLORAL

22
00:00:50,730 --> 00:01:02,070
DESIGNS OTHER TIMES OF YEAR. 
♪♪

23
00:01:02,070 --> 00:01:04,490
>> I HAVE THE PAPER DAISY FLOWER

24
00:01:04,490 --> 00:01:06,540
BOUTIQUE THAT IS A FULL SERVICE

25
00:01:06,540 --> 00:01:09,640
FLOWER SHOP IN THE SHORT NORTH.

26
00:01:09,640 --> 00:01:11,020
I THINK THAT'S GOOD.

27
00:01:11,020 --> 00:01:13,500
YEAH, MAYBE COME OUT LIKE TO ME

28
00:01:13,500 --> 00:01:15,360
PUTTING ONE HERE AND ONE HERE.

29
00:01:15,360 --> 00:01:17,740
AND THEN KIND OF COMING DOWN.

30
00:01:17,740 --> 00:01:19,700
IT'S INSPIRED BY THE AMAZING

31
00:01:19,700 --> 00:01:21,060
LICHTENSTEIN, THAT'S RIGHT

32
00:01:21,060 --> 00:01:22,060
THERE.

33
00:01:22,060 --> 00:01:23,060
THAT I'VE SEEN EVERY TIME I'VE

34
00:01:23,060 --> 00:01:24,060
COME INTO THE MUSEUM.

35
00:01:24,060 --> 00:01:25,720
I FEEL LIKE IT'S THE FIRST THING

36
00:01:25,720 --> 00:01:28,170
I SEE WHEN I COME IN HERE, AND,

37
00:01:28,170 --> 00:01:29,700
KIND OF, LIKE, SETS THE MOOD FOR

38
00:01:29,700 --> 00:01:31,920
THIS WHOLE MODERN WING OF IT.

39
00:01:31,920 --> 00:01:33,740
SO, I'VE ALWAYS LOVED THAT.

40
00:01:33,740 --> 00:01:34,810
TO ME, IT WAS ALMOST LIKE THIS

41
00:01:34,810 --> 00:01:37,340
SUN, KIND OF, RADIATING DOWN.

42
00:01:37,340 --> 00:01:39,090
I FELT LIKE WE'RE COMING OUT OF

43
00:01:39,090 --> 00:01:40,090
WHAT'S BEEN A PRETTY DARK

44
00:01:40,090 --> 00:01:43,910
PERIOD.

45
00:01:43,910 --> 00:01:44,910
♪♪

46
00:01:44,910 --> 00:01:45,910
THEY DON'T HAVE A WATER SOURCE,

47
00:01:45,910 --> 00:01:46,910
SO I HAD TO GO WITH SOME

48
00:01:46,910 --> 00:01:48,900
HEARTIER VARIETIES FOR THIS PART

49
00:01:48,900 --> 00:01:49,900
OF IT.

50
00:01:49,900 --> 00:01:52,570
SO I HAVE SOME CARNATIONS, I

51
00:01:52,570 --> 00:01:54,160
HAVE SOME MUMS, I HAVE SOME

52
00:01:54,160 --> 00:01:57,080
BLUTCHED GREENS, I HAVE SOME

53
00:01:57,080 --> 00:01:58,520
STATUS, SOME BILLY-BALLS, AND,

54
00:01:58,520 --> 00:02:00,710
UM, A LOT OF THIS EQUISETUM.

55
00:02:00,710 --> 00:02:02,520
SO IT WAS STUFF THAT WOULD BE A

56
00:02:02,520 --> 00:02:03,990
LITTLE BIT MORE FORGIVING

57
00:02:03,990 --> 00:02:07,130
WITHOUT A WATER SOURCE.

58
00:02:07,130 --> 00:02:08,510
AND THEN WE HAVE SOME GERBER

59
00:02:08,510 --> 00:02:10,300
DAISIES, AND SOME ROSES THAT

60
00:02:10,300 --> 00:02:14,160
WILL HAVE THE WATER DOWN HERE.

61
00:02:14,160 --> 00:02:16,100
BUT IT WAS REALLY MORE THE

62
00:02:16,100 --> 00:02:17,920
COLORS, LIKE, THE POP ART, THE

63
00:02:17,920 --> 00:02:20,220
HARSH HUES THAT IS KIND OF

64
00:02:20,220 --> 00:02:34,760
DRIVING THE PIECE.

65
00:02:34,760 --> 00:02:35,760
♪♪

66
00:02:35,760 --> 00:02:36,760
>> IT'S REALLY A BIG RANGE.

67
00:02:36,760 --> 00:02:37,760
THEY'RE REALLY BIG

68
00:02:37,760 --> 00:02:38,760
INSTALLATIONS, AND THEN ARE

69
00:02:38,760 --> 00:02:39,760
THEY'RE REALLY INTIMATE.

70
00:02:39,760 --> 00:02:40,760
I THINK THERE'S A LIVING WALL

71
00:02:40,760 --> 00:02:43,280
THIS YEAR.

72
00:02:43,280 --> 00:02:44,280
♪♪

73
00:02:44,280 --> 00:02:48,080
>> WE NEED CREATIVITY IN OUR

74
00:02:48,080 --> 00:02:49,080
WORLD, MORE THAN EVER.

75
00:02:49,080 --> 00:02:51,760
THE PANDEMIC HAS SHOWN US THAT.

76
00:02:51,760 --> 00:02:53,350
WE REALLY NEED CREATIVITY TO

77
00:02:53,350 --> 00:02:55,030
SOLVE THE PROBLEMS OF THE 21st

78
00:02:55,030 --> 00:02:56,030
CENTURY.

79
00:02:56,030 --> 00:02:57,030
♪♪

80
00:02:57,030 --> 00:02:58,030
>> WE GOT TWO MORE, THREE MORE.

81
00:02:58,030 --> 00:02:59,030
>> WELL, NO, WE GO 12.

82
00:02:59,030 --> 00:03:00,030
>> CAN I GO ALL THE WAY UP TO

83
00:03:00,030 --> 00:03:01,030
HERE?

84
00:03:01,030 --> 00:03:04,510
>> GO ALL THE WAY UP, YEAH.

85
00:03:04,510 --> 00:03:06,090
>> OH, OKAY.

86
00:03:06,090 --> 00:03:07,090
>> YEAH.

87
00:03:07,090 --> 00:03:11,630
>> SO YOU'RE GOING TO PUT MORE

88
00:03:11,630 --> 00:03:13,210
ON HERE?

89
00:03:13,210 --> 00:03:16,490
>> YEAH, I GOT FOUR MORE TO GO.

90
00:03:16,490 --> 00:03:17,490
>> OKAY.

91
00:03:17,490 --> 00:03:18,490
>> WE'RE A LANDSCAPE COMPANY.

92
00:03:18,490 --> 00:03:19,490
SO WE'RE DOING A CONTAINER

93
00:03:19,490 --> 00:03:20,490
GARDEN.

94
00:03:20,490 --> 00:03:21,490
UM, SO WE WANTED TO USE LIVE

95
00:03:21,490 --> 00:03:22,490
PLANTS, AND THEN ALSO SOMETHING

96
00:03:22,490 --> 00:03:23,860
THAT WOULD BE RELEVANT FOR THE

97
00:03:23,860 --> 00:03:25,100
WEATHER RIGHT NOW.

98
00:03:25,100 --> 00:03:28,250
UM, BUT WE HAD SNOW YESTERDAY.

99
00:03:28,250 --> 00:03:29,330
WE HAVE FREEZING TEMPERATURES

100
00:03:29,330 --> 00:03:30,330
TODAY.

101
00:03:30,330 --> 00:03:31,870
AND THEN 60 DEGREES, MAYBE, THIS

102
00:03:31,870 --> 00:03:32,870
WEEKEND.

103
00:03:32,870 --> 00:03:33,870
SO WE'RE JUST TRYING TO FIND

104
00:03:33,870 --> 00:03:34,870
SOMETHING THAT WILL THRIVE IN

105
00:03:34,870 --> 00:03:35,870
WHAT WEATHER WE'RE GOING TO HAVE

106
00:03:35,870 --> 00:03:37,070
THIS WEEKEND FOR OHIO.

107
00:03:37,070 --> 00:03:39,010
UM, AND USE, LIKE, REAL PLANT

108
00:03:39,010 --> 00:03:40,340
MATERIAL YOU CAN USE IN YOUR

109
00:03:40,340 --> 00:03:41,340
HOME GARDEN.

110
00:03:41,340 --> 00:03:42,570
SO WE HAVE PANSIES, WE HAVE SOME

111
00:03:42,570 --> 00:03:44,360
RED CABBAGE, UM, WE HAVE SOME

112
00:03:44,360 --> 00:03:45,450
SOD SO IT LOOKS LIKE IT'S

113
00:03:45,450 --> 00:03:46,450
GROWING.

114
00:03:46,450 --> 00:03:49,250
UM, 'CAUSE OUR PIECE IS, UM,

115
00:03:49,250 --> 00:03:50,330
BASED ON SOUND.

116
00:03:50,330 --> 00:03:52,840
SO, OUR PIECE OF ART IS THE

117
00:03:52,840 --> 00:03:53,840
STUDY OF STRINGS.

118
00:03:53,840 --> 00:03:54,910
SO IT'S A PIECE THAT WAS PLAYED

119
00:03:54,910 --> 00:03:59,290
AT A CONCENTRATION CAMP. 
♪♪

120
00:03:59,290 --> 00:04:01,770
ALL OF THE PEOPLE EXCEPT FOR THE

121
00:04:01,770 --> 00:04:04,200
CONDUCTOR PASSED AWAY, AND THEY

122
00:04:04,200 --> 00:04:06,970
RECREATE THE PIECE AND THEN THE

123
00:04:06,970 --> 00:04:09,890
ARTIST THEN JUST EXTRACULATED

124
00:04:09,890 --> 00:04:13,020
THOSE TWO PARTS TO SHOW HOW

125
00:04:13,020 --> 00:04:14,560
EVERYONE ELSE WAS GONE.

126
00:04:14,560 --> 00:04:16,470
WE'RE TRYING TO DO THE IDEA

127
00:04:16,470 --> 00:04:17,470
OF -- YOU'RE COMING FROM

128
00:04:17,470 --> 00:04:19,280
SOMETHING VERY FLOWEY AND

129
00:04:19,280 --> 00:04:21,070
ORGANIC TO SOMETHING THAT'S VERY

130
00:04:21,070 --> 00:04:23,000
JARRING AND STARK.

131
00:04:23,000 --> 00:04:25,070
SO THIS IS KIND OF THE

132
00:04:25,070 --> 00:04:27,410
ANTITHESIS OF THE PIECE.

133
00:04:27,410 --> 00:04:28,630
WE'VE ENJOYED CONTAINER GARDENS

134
00:04:28,630 --> 00:04:31,630
BECAUSE THEY'RE A FINITE SIZE,

135
00:04:31,630 --> 00:04:33,210
YOU CAN SWAP THEM OUT, AND YOU

136
00:04:33,210 --> 00:04:34,870
CAN ALSO EXPERIMENT WITH PLANTS.

137
00:04:34,870 --> 00:04:36,730
IF IT DOESN'T WORK, YOU JUST

138
00:04:36,730 --> 00:04:38,930
PULL THAT ONE PLANT OUT AND PUT

139
00:04:38,930 --> 00:04:44,750
A DIFFERENT ONE IN.

140
00:04:44,750 --> 00:04:45,750
♪♪

141
00:04:45,750 --> 00:04:46,750
>> WE NOW KNOW A LOT ABOUT WHAT

142
00:04:46,750 --> 00:04:47,770
BEAUTY DOES TO THE HUMAN SPIRIT,

143
00:04:47,770 --> 00:04:50,660
AND TO WELLNESS, RESILIENCE.

144
00:04:50,660 --> 00:04:52,700
ALL OF THAT IS CONNECTED TO THAT

145
00:04:52,700 --> 00:04:55,070
AESTHETIC SENSE IN US.

146
00:04:55,070 --> 00:04:56,970
BUT ALSO THE ART MUSEUM

147
00:04:56,970 --> 00:04:58,190
CHALLENGES YOU.

148
00:04:58,190 --> 00:04:59,710
SO COMING TO SEE ART THAT

149
00:04:59,710 --> 00:05:00,710
CHALLENGES YOU.

150
00:05:00,710 --> 00:05:01,710
IT MAKES YOU SEE THE WORLD

151
00:05:01,710 --> 00:05:02,710
DIFFERENTLY.

152
00:05:02,710 --> 00:05:04,380
IT MAKES YOU QUESTION AND THINK.

153
00:05:04,380 --> 00:05:05,990
ALL OF THAT IS JUST AS

154
00:05:05,990 --> 00:05:07,190
IMPORTANT, AND PEOPLE HAVE

155
00:05:07,190 --> 00:05:08,190
MISSED IT.

156
00:05:08,190 --> 00:05:09,700
PEOPLE ARE HUNGRY FOR ART, AND

157
00:05:09,700 --> 00:05:10,780
THEY'RE HUNGRY FOR EACH OTHER --

158
00:05:10,780 --> 00:05:12,040
TO BE TOGETHER WITH ART IS THE

159
00:05:12,040 --> 00:05:13,040
BEST OF ALL.

160
00:05:13,040 --> 00:05:18,040
♪♪