WEBVTT 00:00.000 --> 00:15.350 align:start MUSIC 00:15.350 --> 00:16.770 align:start >> SO WE ARE HERE AT GLASS AXIS, 00:16.770 --> 00:18.140 align:start AND THIS IS THE FOURTH YEAR OF 00:18.140 --> 00:19.280 align:start THE FANTASTICAL CREATURES 00:19.280 --> 00:23.830 align:start PROGRAM. 00:23.830 --> 00:25.500 align:start FANTASTICAL CREATURES IS A GREAT 00:25.500 --> 00:28.030 align:start PROGRAM TO ALLOW CHILDREN AND 00:28.030 --> 00:30.450 align:start PROFESSIONAL ARTIST TO VIEW THE 00:30.450 --> 00:32.690 align:start WORLD IN A REALLY FUN WAY AND 00:32.690 --> 00:34.150 align:start PUT A CREATURE IN THE WORLD THAT 00:34.150 --> 00:36.730 align:start HAS NEVER EXISTED BEFORE. 00:36.730 --> 00:37.730 align:start WE ARE WORKING WITH SIX 00:37.730 --> 00:38.790 align:start DIFFERENT SCHOOLS. 00:38.790 --> 00:40.040 align:start THESE ARE ALL THIRD, FOURTH, AND 00:40.040 --> 00:46.190 align:start FIFTH GRADERS. 00:46.190 --> 00:47.190 align:start WE GOT A WONDERFUL GRANT FROM 00:47.190 --> 00:48.870 align:start PNC ARTS ALIVE THIS YEAR TO 00:48.870 --> 00:51.000 align:start OFFER THE PROGRAM AT NO COST TO 00:51.000 --> 00:52.000 align:start THE SCHOOLS. 00:52.000 --> 00:54.110 align:start SO WE SENT ART SUPPLIES. 00:54.110 --> 00:55.820 align:start WE WERE ABLE TO SEND DRAFT 00:55.820 --> 00:58.020 align:start PAPER, CARD STOCK, DRAWING 00:58.020 --> 00:59.850 align:start PAPER, WE ALSO SENT COLORED 00:59.850 --> 01:00.850 align:start MARKERS. 01:00.850 --> 01:01.850 align:start AND WE SAID, "WE WANT YOU TO 01:01.850 --> 01:02.850 align:start THINK OF A CREATURE THAT HAS 01:02.850 --> 01:04.810 align:start NEVER EXISTED BEFORE AND WRITE 01:04.810 --> 01:07.510 align:start US A STORY ABOUT IT." 01:07.510 --> 01:09.410 align:start MUSIC 01:09.410 --> 01:16.130 align:start >> SO IT HAS TO COMPLETELY 01:16.130 --> 01:18.640 align:start ORIGINAL, NOT ABOUT A VIDEO GAME 01:18.640 --> 01:19.640 align:start OR SOMETHING LIKE THAT. 01:19.640 --> 01:21.530 align:start THEY HAVE TO COME UP WITH IT, 01:21.530 --> 01:22.530 align:start THEY HAVE TO INSPIRE IT 01:22.530 --> 01:23.530 align:start THEMSELVES. 01:23.530 --> 01:24.530 align:start NOT ONLY DO THEY HAVE TO DRAW A 01:24.530 --> 01:25.530 align:start PICTURE, THEY HAVE TO WRITE A 01:25.530 --> 01:26.900 align:start STORY THAT GOES ALONG WITH IT. 01:26.900 --> 01:28.430 align:start AND THAT'S ALMOST THE MOST 01:28.430 --> 01:30.100 align:start IMPORTANT PIECE, ESPECIALLY WITH 01:30.100 --> 01:32.110 align:start THIRD GRADERS, THEY HAVE STATE 01:32.110 --> 01:33.310 align:start TESTING AND THEY ARE WRITING 01:33.310 --> 01:35.170 align:start ESSAYS, SO THE NARRATIVE WRITING 01:35.170 --> 01:37.340 align:start PIECE IS EVEN BETTER. 01:37.340 --> 01:38.420 align:start >> WE WANTED TO MAKE THIS A 01:38.420 --> 01:40.230 align:start CROSS-CURRICULUM PROJECT FOR THE 01:40.230 --> 01:41.230 align:start SCHOOLS. 01:41.230 --> 01:42.230 align:start THE SCHOOLS HAVE TO BE FOCUSED 01:42.230 --> 01:44.240 align:start ON WHAT THEY NEED TO GET IN 01:44.240 --> 01:45.690 align:start DURING A SCHOOL YEAR, WE WANT TO 01:45.690 --> 01:46.740 align:start TRY TO MAKE THAT A LITTLE EASIER 01:46.740 --> 01:47.740 align:start FOR THEM. 01:47.740 --> 01:49.660 align:start SO BY OFFERING THIS, USE 01:49.660 --> 01:51.210 align:start CREATIVITY AND THEN WRITE ABOUT 01:51.210 --> 01:53.810 align:start IT, USE DETAILS, USE THOSE 01:53.810 --> 01:54.900 align:start SENTENCE STRUCTURES, USE THE 01:54.900 --> 01:56.240 align:start THINGS YOU'VE LEARNED. 01:56.240 --> 01:57.610 align:start AND THEN WE TURN IT INTO ART. 01:57.610 --> 01:58.610 align:start SO IT'S REALLY A CHANCE FOR 01:58.610 --> 02:00.230 align:start PEOPLE TO SEE HOW ALL OF THESE 02:00.230 --> 02:01.670 align:start DIFFERENT POINTS IN SCHOOL'S 02:01.670 --> 02:03.970 align:start CURRICULUM CAN MELD RIGHT INTO 02:03.970 --> 02:05.540 align:start ART. 02:05.540 --> 02:06.830 align:start >> WHEN WE WERE ORIGINALLY 02:06.830 --> 02:08.480 align:start LOOKING AT THE SUBMISSIONS WE 02:08.480 --> 02:09.930 align:start WERE THINKING ABOUT HOW THEY 02:09.930 --> 02:11.210 align:start WERE BEING MADE AS WE WERE 02:11.210 --> 02:12.210 align:start LOOKING AT THEM AND READING THE 02:12.210 --> 02:13.770 align:start STORIES AND SEEING IF IT WAS 02:13.770 --> 02:14.770 align:start POSSIBLE. 02:14.770 --> 02:15.770 align:start SO THAT WAS PART OF THE 02:15.770 --> 02:17.240 align:start BEGINNING PROCESS OF CHOOSING, 02:17.240 --> 02:18.920 align:start DECIDING IF IT COULD BE DONE IN 02:18.920 --> 02:20.790 align:start GLASS. 02:20.790 --> 02:22.200 align:start >> IT'S LIKE FIRST, I LOOK AT 02:22.200 --> 02:24.360 align:start THE PICTURE AND GO, "CAN I MAKE 02:24.360 --> 02:25.760 align:start THIS, IS IT POSSIBLE?" 02:25.760 --> 02:28.030 align:start BUT THEN WHEN YOU READ THE STORY 02:28.030 --> 02:29.970 align:start IT JUST SEALS THE DEAL, I THINK 02:29.970 --> 02:31.100 align:start FOR SURE. 02:31.100 --> 02:33.120 align:start "SHE LIVES IN THE UNICORN 02:33.120 --> 02:35.290 align:start HEAVENS, YUNA LIKES TO DO WORK 02:35.290 --> 02:37.110 align:start AT THE SLIME GLITTERY FACTORY. 02:37.110 --> 02:38.920 align:start RAINBOWS, GLITTER, AND SLIME 02:38.920 --> 02:40.450 align:start MAKE HER HAPPY." 02:40.450 --> 02:42.010 align:start I FEEL LIKE THAT MAKES ME HAPPY TOO. 02:42.010 --> 02:44.100 align:start YOU GUYS, THIS IS GOING TO BE SO 02:44.100 --> 02:45.760 align:start HARD, THEY'RE ALL SO AMAZING. 02:45.760 --> 02:47.530 align:start >> I KNOW. 02:47.530 --> 02:48.530 align:start >> WE CHOSE AT LEAST ONE FROM 02:48.530 --> 02:49.530 align:start EACH SCHOOL. 02:49.530 --> 02:50.530 align:start IN THIS CASE WE DID -- THERE'S 02:50.530 --> 02:51.530 align:start AT LEAST TWO FROM EVERY SCHOOL 02:51.530 --> 02:52.640 align:start WE CHOSE THIS YEAR. 02:52.640 --> 02:53.760 align:start AND THEN WE INVITE THE CLASSES 02:53.760 --> 02:55.560 align:start TO COME HERE. 02:55.560 --> 03:01.460 align:start MUSIC 03:01.460 --> 03:03.040 align:start >> TODAY WE ARE MAKING THE 03:03.040 --> 03:06.460 align:start PEANUT-BUTTER-AND-JELLYFISH. 03:06.460 --> 03:07.920 align:start >> WE'RE RUNNING AT ABOUT 03:07.920 --> 03:09.290 align:start 2,000 DEGREES IN BOTH OF OUR 03:09.290 --> 03:10.540 align:start FURNACES AND THE REHEATING 03:10.540 --> 03:11.780 align:start CHAMBER IS ROUGHLY 03:11.780 --> 03:14.060 align:start 2,300 DEGREES, A LITTLE HOTTER 03:14.060 --> 03:15.610 align:start THAN THE FURNACE, JUST SO THAT 03:15.610 --> 03:16.800 align:start WE CAN -- THE GLASS TURNS INTO A 03:16.800 --> 03:18.290 align:start SOLID AT A RAPID RATE, SO WE 03:18.290 --> 03:19.290 align:start WANT TO KEEP IT WARM AND 03:19.290 --> 03:21.560 align:start WORKABLE AS WE'RE TOUCHING. 03:21.560 --> 03:22.560 align:start WE DO LIKE TO TALK ABOUT THE 03:22.560 --> 03:24.370 align:start SCIENCE ASPECT OF GLASS, THERE'S 03:24.370 --> 03:26.700 align:start A LOT OF MOLECULAR CHANGE THAT 03:26.700 --> 03:27.700 align:start HAPPENS. 03:27.700 --> 03:28.700 align:start WE'RE WORKING WITH HEAT AND 03:28.700 --> 03:30.530 align:start GRAVITY AND TOUCH SO IT'S 03:30.530 --> 03:31.560 align:start INTERESTING TO SHOW THE KIDS 03:31.560 --> 03:33.030 align:start THAT WE ARE PLAYING WITH A LAVA 03:33.030 --> 03:36.810 align:start SUBSTANCE AND WE'RE OKAY. 03:36.810 --> 03:37.810 align:start I THINK THE KIDS ARE REALLY 03:37.810 --> 03:39.020 align:start EXCITED WHEN THE GLASS IS IN ITS 03:39.020 --> 03:40.370 align:start MOLTEN STATE, THAT WE'RE 03:40.370 --> 03:41.450 align:start TOUCHING IT AND SHAPING IT AND 03:41.450 --> 03:46.080 align:start IT'S COMING TOGETHER. 03:46.080 --> 03:47.170 align:start I THINK THE EXCITEMENT COMES 03:47.170 --> 03:48.390 align:start WHEN WE'RE ABLE TO TAME THE 03:48.390 --> 03:50.050 align:start GLASS AS IT'S MOVING CAUSE IT'S 03:50.050 --> 03:51.460 align:start WAGGING AROUND AND THEN WE TOUCH 03:51.460 --> 03:53.040 align:start AND IT STOPS AND THE KIDS GO 03:53.040 --> 03:58.940 align:start "OOH." 03:58.940 --> 03:59.970 align:start DID YOU HEAR THEM IN THE 03:59.970 --> 04:01.470 align:start AUDIENCE, THEY WERE -- YEAH SHE 04:01.470 --> 04:02.510 align:start WAS "AH IT LOOKS JUST LIKE THE 04:02.510 --> 04:04.140 align:start PICTURE!" 04:04.140 --> 04:05.600 align:start THAT'S THE GOAL, I REALLY WANT 04:05.600 --> 04:07.160 align:start TO GET AS CLOSE TO THE CHILD'S 04:07.160 --> 04:11.340 align:start IMAGINATION AS POSSIBLE. 04:11.340 --> 04:13.000 align:start THIS ISN'T SOMETHING THEY SEE 04:13.000 --> 04:14.700 align:start EVERY DAY AND I FEEL LIKE ART IS 04:14.700 --> 04:15.700 align:start NOT ALWAYS SOMETHING THAT'S 04:15.700 --> 04:16.700 align:start PUSHED. 04:16.700 --> 04:17.710 align:start IT'S LIKE "THEY WANT TO BE A 04:17.710 --> 04:19.040 align:start DOCTOR" "THEY WANT TO BE A 04:19.040 --> 04:20.040 align:start LAWYER", THEY DON'T REALIZE THEY 04:20.040 --> 04:21.170 align:start COULD BE AN ARTIST TOO. 04:21.170 --> 04:23.140 align:start AND AFTER LEAVING THEY ALL WANT 04:23.140 --> 04:26.800 align:start TO BE GLASS BLOWERS. 04:26.800 --> 04:28.240 align:start I FEEL PRIVILEGED TO BE PART OF 04:28.240 --> 04:29.240 align:start THIS PROCESS. 04:29.240 --> 04:30.240 align:start PEOPLE ARE LIKE "DO YOU LOVE 04:30.240 --> 04:31.240 align:start YOUR JOB?" 04:31.240 --> 04:36.240 align:start YES, YES.