WEBVTT 00:00.800 --> 00:01.968 align:left position:10% line:89% size:80% >>> PRODUCTION OF "BROAD & HIGH" 00:01.968 --> 00:03.269 align:left position:20% line:89% size:70% IS FUNDED BY THE GREATER 00:03.269 --> 00:05.005 align:left position:22.5% line:89% size:67.5% COLUMBUS ARTS COUNCIL, 00:05.005 --> 00:06.339 align:left position:17.5% line:89% size:72.5% SUPPORTING ARTS, ADVANCING 00:06.339 --> 00:08.408 align:left position:10% line:89% size:80% CULTURE AND CONNECTING COMMUNITY 00:08.408 --> 00:11.111 align:left position:12.5% line:89% size:77.5% ARTISTS, EVENTS AND CLASSES AT 00:11.111 --> 00:13.913 align:left position:32.5% line:89% size:57.5% COLUMBUS.COM. 00:13.913 --> 00:14.914 align:left position:17.5% line:89% size:72.5% >> FROM THESE CONTRIBUTING 00:14.914 --> 00:19.152 align:left position:12.5% line:89% size:77.5% SPONSORS AND VIEWERS LIKE YOU. 00:19.152 --> 00:21.254 align:left position:37.5% line:89% size:52.5% THANK YOU. 00:21.254 --> 00:22.689 align:left position:10% line:89% size:80% >>> THIS TIME ON "BROAD & HIGH" 00:22.689 --> 00:24.557 align:left position:15% line:89% size:75% MEET A MULTIMEDIA ARTIST WHO 00:24.557 --> 00:25.925 align:left position:27.5% line:89% size:62.5% COMBINES JAPANESE. 00:25.925 --> 00:26.926 align:left position:27.5% line:89% size:62.5% FRENCH AESTHETICS. 00:26.926 --> 00:29.029 align:left position:10% line:89% size:80% A VISUAL ARTIST DESCRIBES HOW A 00:29.029 --> 00:30.497 align:left position:10% line:89% size:80% LOCAL RESTAURANT CHAIN MADE HIS 00:30.497 --> 00:32.432 align:left position:30% line:89% size:60% DREAM COME TRUE. 00:32.432 --> 00:33.833 align:left position:12.5% line:89% size:77.5% SEE HOW THE SCIENCE OF HUMANS 00:33.833 --> 00:37.370 align:left position:20% line:89% size:70% INFLUENCED THE COLORADO 00:37.370 --> 00:40.940 align:left position:15% line:89% size:75% WOODWORKER AND THIS AND MORE 00:40.940 --> 00:53.053 align:left position:15% line:89% size:75% RIGHT NOW ON "BROAD & HIGH." 00:53.053 --> 00:55.455 align:left position:37.5% line:89% size:52.5% [ music ] 00:55.455 --> 00:57.891 align:left position:37.5% line:89% size:52.5% [ music ] 00:57.891 --> 01:00.293 align:left position:37.5% line:89% size:52.5% [ music ] 01:00.293 --> 01:02.729 align:left position:37.5% line:89% size:52.5% [ music ] 01:02.729 --> 01:03.730 align:left position:12.5% line:89% size:77.5% >>> WELCOME TO "BROAD & HIGH." 01:03.730 --> 01:05.899 align:left position:15% line:89% size:75% I'M YOUR HOST, KATE QUICKEL. 01:05.899 --> 01:07.700 align:left position:10% line:89% size:80% TIFFANY LAWSON IS A MIXED MEDIA 01:07.700 --> 01:09.736 align:left position:17.5% line:89% size:72.5% ARTIST WHO ATTRIBUTES HER 01:09.736 --> 01:10.904 align:left position:17.5% line:89% size:72.5% ARTISTS TO COMMUNITY ARTS 01:10.904 --> 01:13.873 align:left position:10% line:89% size:80% PROGRAM IN GALLERIES AND MUSEUMS 01:13.873 --> 01:15.375 align:left position:35% line:89% size:55% ACROSS OHIO. 01:15.375 --> 01:16.910 align:left position:10% line:89% size:80% HER GALLERIES IS A TESTAMENT TO 01:16.910 --> 01:20.580 align:left position:15% line:89% size:75% THOSE NATURE AND NURTURE TO 01:20.580 --> 01:22.549 align:left position:10% line:89% size:80% OTHER LOCAL ARTISTS LIKE AMINAH 01:22.549 --> 01:24.784 align:left position:10% line:89% size:80% ROBINSON AND BROOKS IN HER LIFE. 01:24.784 --> 01:28.888 align:left position:15% line:89% size:75% WE MET HER IN HER OFFICE AND 01:28.888 --> 01:31.891 align:left position:17.5% line:89% size:72.5% COMMON THEMES IN HER WORK. 01:31.891 --> 01:35.495 align:left position:10% line:89% size:80% >> I REALLY MAKE WORK BASED OFF 01:35.495 --> 01:37.931 align:left position:10% line:89% size:80% OF WHAT I'M EXPERIENCING AND THE 01:37.931 --> 01:39.199 align:left position:27.5% line:89% size:62.5% BOOKS THAT I READ. 01:39.199 --> 01:41.734 align:left position:17.5% line:89% size:72.5% SO THAT'S A BIG PART OF MY 01:41.734 --> 01:42.735 align:left position:40% line:89% size:50% PROCESS. 01:42.735 --> 01:44.504 align:left position:17.5% line:89% size:72.5% GROWING UP, I ALWAYS WAS A 01:44.504 --> 01:47.373 align:left position:25% line:89% size:65% DRAWER, IF YOU WILL. 01:47.373 --> 01:48.942 align:left position:10% line:89% size:80% MY FAVORITE PLACE TO DRAW WAS IN 01:48.942 --> 01:51.277 align:left position:10% line:89% size:80% THE END TABLE DRAWER AND BEHIND 01:51.277 --> 01:53.213 align:left position:37.5% line:89% size:52.5% THE COUCH. 01:53.213 --> 01:54.547 align:left position:12.5% line:89% size:77.5% MY MOTHER WASN'T A FAN OF THAT 01:54.547 --> 01:56.916 align:left position:17.5% line:89% size:72.5% AT ALL, AND I SIGNED THEM. 01:56.916 --> 01:58.284 align:left position:10% line:89% size:80% THEY WERE ALL MASTERPIECES IN MY 01:58.284 --> 01:59.285 align:left position:42.5% line:89% size:47.5% MIND. 01:59.285 --> 02:00.553 align:left position:12.5% line:89% size:77.5% SO IT'S ALWAYS BEEN SORT OF MY 02:00.553 --> 02:03.089 align:left position:42.5% line:89% size:47.5% THING. 02:03.089 --> 02:04.924 align:left position:10% line:89% size:80% MOM RAN A CHURCH PROGRAM ACROSS 02:04.924 --> 02:05.925 align:left position:35% line:89% size:55% THE STREET. 02:05.925 --> 02:07.994 align:left position:10% line:89% size:80% OHIO AVENUE METHODIST CHURCH AND 02:07.994 --> 02:09.462 align:left position:10% line:89% size:80% WE HAVE AN ARTS SQUAD CALLED THE 02:09.462 --> 02:13.266 align:left position:12.5% line:89% size:77.5% BEBE SQUAD AND THE WORK SHOPS 02:13.266 --> 02:14.901 align:left position:12.5% line:89% size:77.5% BROUGHT IN LOCAL ARTISTS LIKE 02:14.901 --> 02:17.303 align:left position:12.5% line:89% size:77.5% AMINAH ROBINSON, QUEEN BROOKS 02:17.303 --> 02:21.674 align:left position:10% line:89% size:80% AND GRANDPA SMOKEY BROWN, SO ART 02:21.674 --> 02:23.643 align:left position:15% line:89% size:75% HAS ALWAYS BEEN A PART OF MY 02:23.643 --> 02:25.178 align:left position:42.5% line:89% size:47.5% LIFE. 02:25.178 --> 02:29.482 align:left position:17.5% line:89% size:72.5% IT HAS VERY MUCH GIVEN ME 02:29.482 --> 02:33.786 align:left position:10% line:89% size:80% FREEDOM BECAUSE IT IS VERY HARD 02:33.786 --> 02:35.288 align:left position:10% line:89% size:80% TO SIT IN FRONT OF A STARK WHITE 02:35.288 --> 02:37.290 align:left position:12.5% line:89% size:77.5% CANVAS AND FIGURE OUT WHERE TO 02:37.290 --> 02:38.658 align:left position:22.5% line:89% size:67.5% MAKE YOUR FIRST MONTH. 02:38.658 --> 02:41.594 align:left position:15% line:89% size:75% SO WITH WABI SABI, NO MATTER 02:41.594 --> 02:43.363 align:left position:20% line:89% size:70% WHERE I MADE MY MARK AS 02:43.363 --> 02:45.899 align:left position:10% line:89% size:80% IMPERFECT AS IT COULD BE IT WAS 02:45.899 --> 02:48.735 align:left position:17.5% line:89% size:72.5% BEAUTIFUL AND IT FREED MY 02:48.735 --> 02:50.170 align:left position:15% line:89% size:75% PRACTICE AND SO WHEN I MAKE 02:50.170 --> 02:52.572 align:left position:10% line:89% size:80% MISTAKES THEY'RE HAPPY MISTAKES 02:52.572 --> 02:54.974 align:left position:32.5% line:89% size:57.5% LIKE BOB ROSS. 02:54.974 --> 02:56.643 align:left position:22.5% line:89% size:67.5% IT IS AN AESTHETIC OF 02:56.643 --> 02:59.179 align:left position:10% line:89% size:80% IMPERMANENCE AND THERE'S BEAUTY 02:59.179 --> 03:01.214 align:left position:15% line:89% size:75% IN THAT AS IT CONTINUES, AS 03:01.214 --> 03:03.349 align:left position:10% line:89% size:80% THOSE IMPERFECTIONS CONTINUE TO 03:03.349 --> 03:07.720 align:left position:10% line:89% size:80% BUILD EVEN OR AGE THROUGH TIME. 03:07.720 --> 03:10.156 align:left position:20% line:89% size:70% THERE'S BEAUTY IN THOSE. 03:10.156 --> 03:11.925 align:left position:37.5% line:89% size:52.5% [ music ] 03:11.925 --> 03:13.493 align:left position:10% line:89% size:80% >> A SEAT AT THE TABLE ACTUALLY 03:13.493 --> 03:17.197 align:left position:10% line:89% size:80% STARTED OFF AS A DAILY SKETCH-- 03:17.197 --> 03:19.232 align:left position:20% line:89% size:70% PRACTICE SKETCH, AND IT 03:19.232 --> 03:21.367 align:left position:20% line:89% size:70% DEVELOPED INTO A SERIES. 03:21.367 --> 03:24.504 align:left position:10% line:89% size:80% IN EXPLORING BLACK LIFE OR EVEN 03:24.504 --> 03:26.539 align:left position:15% line:89% size:75% THE HEALING COMPONENT OF IT, 03:26.539 --> 03:27.774 align:left position:10% line:89% size:80% IT'S IMPORTANT FOR US TO HAVE A 03:27.774 --> 03:29.108 align:left position:12.5% line:89% size:77.5% SEAT AT THE TABLE TO BEGIN TO 03:29.108 --> 03:31.344 align:left position:10% line:89% size:80% HAVE THESE CONVERSATIONS SO THAT 03:31.344 --> 03:34.314 align:left position:12.5% line:89% size:77.5% NEW WORK CAN BE DONE, AND IN A 03:34.314 --> 03:35.882 align:left position:12.5% line:89% size:77.5% LOT OF WAYS THERE HAVEN'T BEEN 03:35.882 --> 03:38.084 align:left position:22.5% line:89% size:67.5% THOSE SEATS OR TABLE. 03:38.084 --> 03:40.353 align:left position:17.5% line:89% size:72.5% SO IN REGARD TO MY SEVERAL 03:40.353 --> 03:42.222 align:left position:10% line:89% size:80% SEATS, I'LL BRING MY OWN SEATS, 03:42.222 --> 03:44.123 align:left position:10% line:89% size:80% SEVERAL OF THEM, AS A MATTER OF 03:44.123 --> 03:45.124 align:left position:42.5% line:89% size:47.5% FACT. 03:45.124 --> 03:46.960 align:left position:12.5% line:89% size:77.5% NO TWO PEOPLE'S SEAT IS ALIKE. 03:46.960 --> 03:47.961 align:left position:17.5% line:89% size:72.5% EVERYBODY BRINGS SOMETHING 03:47.961 --> 03:49.429 align:left position:10% line:89% size:80% DIFFERENT TO THE TABLE SO IT WAS 03:49.429 --> 03:51.364 align:left position:15% line:89% size:75% IMPORTANT TO MAKE EACH SEAT 03:51.364 --> 03:54.667 align:left position:17.5% line:89% size:72.5% SEPARATE FROM EACH OTHER. 03:54.667 --> 03:56.236 align:left position:12.5% line:89% size:77.5% >> IN MY OPINION, BLACK ART OF 03:56.236 --> 03:58.304 align:left position:10% line:89% size:80% THE PAST AS WE ARE MOVING INTO A 03:58.304 --> 04:00.173 align:left position:10% line:89% size:80% NEWER GENERATION AND THAT'S WHAT 04:00.173 --> 04:04.377 align:left position:10% line:89% size:80% I MEAN IN TERMS OF CAPTURING JOY 04:04.377 --> 04:06.446 align:left position:12.5% line:89% size:77.5% AND HEALING AS OPPOSED TO JUST 04:06.446 --> 04:11.551 align:left position:10% line:89% size:80% THE-- I GUESS, THERE IS DESPAIR 04:11.551 --> 04:13.953 align:left position:15% line:89% size:75% WITH BLACK ART SPECIFICALLY 04:13.953 --> 04:16.422 align:left position:10% line:89% size:80% REGARDING SLAVERY AND THE GREAT 04:16.422 --> 04:19.092 align:left position:10% line:89% size:80% MIGRATION AND DISCRIMINATION AND 04:19.092 --> 04:20.426 align:left position:10% line:89% size:80% ALL THOSE THINGS ARE STILL VERY 04:20.426 --> 04:22.562 align:left position:10% line:89% size:80% MUCH IMPORTANT, BUT I DO BELIEVE 04:22.562 --> 04:24.631 align:left position:10% line:89% size:80% THOSE STORIES HAVE BEEN TOLD AND 04:24.631 --> 04:25.732 align:left position:15% line:89% size:75% THOSE AREN'T NECESSARILY THE 04:25.732 --> 04:29.335 align:left position:20% line:89% size:70% STORIES THAT I CAN TELL. 04:29.335 --> 04:31.137 align:left position:12.5% line:89% size:77.5% I WOULD LIKE TO HIGHLIGHT THE 04:31.137 --> 04:32.872 align:left position:12.5% line:89% size:77.5% THINGS THAT ARE MORE PREVALENT 04:32.872 --> 04:35.575 align:left position:12.5% line:89% size:77.5% TODAY FOR BLACK PEOPLE WHICH, 04:35.575 --> 04:38.378 align:left position:15% line:89% size:75% AGAIN, ARE SIMILAR, BUT MOST 04:38.378 --> 04:40.046 align:left position:10% line:89% size:80% IMPORTANTLY THE HEALING PROCESS 04:40.046 --> 04:42.548 align:left position:10% line:89% size:80% LIKE WHERE WE HAVE COME FROM TO 04:42.548 --> 04:44.350 align:left position:12.5% line:89% size:77.5% WHERE WE ARE NOW BECAUSE THERE 04:44.350 --> 04:45.885 align:left position:22.5% line:89% size:67.5% IS GREATER WORK TO DO. 04:45.885 --> 04:48.888 align:left position:12.5% line:89% size:77.5% SO THE HEALING ASPECT OF BLACK 04:48.888 --> 04:52.325 align:left position:10% line:89% size:80% LIFE, IT EXISTS, BUT I THINK, IN 04:52.325 --> 04:57.263 align:left position:10% line:89% size:80% A LOT OF WAYS JUST NOT EXPLORED. 04:57.263 --> 04:58.865 align:left position:12.5% line:89% size:77.5% THERE IS A COMPONENT OF BLACK 04:58.865 --> 05:00.533 align:left position:10% line:89% size:80% RESILIENCE, I THINK, THAT NEEDS 05:00.533 --> 05:02.368 align:left position:12.5% line:89% size:77.5% TO BE CAPTURED IN A DIFFERENT 05:02.368 --> 05:03.536 align:left position:45% line:89% size:45% WAY. 05:03.536 --> 05:07.674 align:left position:15% line:89% size:75% >> IT IS A FRENCH WORD THAT 05:07.674 --> 05:10.109 align:left position:15% line:89% size:75% MEANS USING BASICALLY THINGS 05:10.109 --> 05:11.744 align:left position:27.5% line:89% size:62.5% THAT ARE AT HAND. 05:11.744 --> 05:13.846 align:left position:32.5% line:89% size:57.5% THIS IS A BOX. 05:13.846 --> 05:18.818 align:left position:10% line:89% size:80% MY BELIEF IS THAT I AM EXPLORING 05:18.818 --> 05:20.386 align:left position:12.5% line:89% size:77.5% BLACK RESILIENCE IN A WAY THAT 05:20.386 --> 05:23.389 align:left position:15% line:89% size:75% WE ALWAYS HAD TO MAKE USE OF 05:23.389 --> 05:24.724 align:left position:35% line:89% size:55% WHAT WE HAD. 05:24.724 --> 05:26.426 align:left position:10% line:89% size:80% USE WHAT YOU'VE GOT AND THAT IS 05:26.426 --> 05:27.994 align:left position:15% line:89% size:75% VERY MUCH A BIG COMPONENT OF 05:27.994 --> 05:29.529 align:left position:35% line:89% size:55% BLACK LIFE. 05:29.529 --> 05:31.998 align:left position:12.5% line:89% size:77.5% >> MOSTLY, IN GENERAL THE TIE 05:31.998 --> 05:34.233 align:left position:12.5% line:89% size:77.5% THAT BINDS IS MOSTLY THE BROWN 05:34.233 --> 05:36.035 align:left position:37.5% line:89% size:52.5% PAPER BAG. 05:36.035 --> 05:38.037 align:left position:15% line:89% size:75% SO A LOT OF TIMES I'LL START 05:38.037 --> 05:39.839 align:left position:12.5% line:89% size:77.5% WITH JUST OPENING UP THE BROWN 05:39.839 --> 05:42.008 align:left position:20% line:89% size:70% PAPER BAG AND ATTEMPT TO 05:42.008 --> 05:44.277 align:left position:10% line:89% size:80% CONSIDER WHAT WAS IN THE BAG OR 05:44.277 --> 05:45.878 align:left position:10% line:89% size:80% BECAUSE BROWN PAPER IS RECYCLED 05:45.878 --> 05:50.516 align:left position:17.5% line:89% size:72.5% AND I TEND TO THINK OF THE 05:50.516 --> 05:51.751 align:left position:15% line:89% size:75% RECYCLE AND WHO HAD THE BAG 05:51.751 --> 05:53.786 align:left position:10% line:89% size:80% BEFORE ME AND WHO WAS IN THE BAG 05:53.786 --> 05:57.323 align:left position:12.5% line:89% size:77.5% AND THAT'S A BIG PART OF WHAT 05:57.323 --> 06:00.960 align:left position:17.5% line:89% size:72.5% SHOWS UP ON THE BROWN BAG. 06:00.960 --> 06:02.195 align:left position:10% line:89% size:80% IT GIVES ME DIFFERENT ASPECTS TO 06:02.195 --> 06:03.830 align:left position:15% line:89% size:75% KIND OF BE CREATIVE WITH IN 06:03.830 --> 06:05.665 align:left position:12.5% line:89% size:77.5% REGARDS WITH THE IMPERFECTIONS 06:05.665 --> 06:06.933 align:left position:35% line:89% size:55% OF THE BAG. 06:06.933 --> 06:08.901 align:left position:12.5% line:89% size:77.5% SO IT BRINGS A LITTLE BIT MORE 06:08.901 --> 06:11.404 align:left position:17.5% line:89% size:72.5% CHARACTER, I THINK, TO THE 06:11.404 --> 06:12.405 align:left position:42.5% line:89% size:47.5% PIECE. 06:12.405 --> 06:13.406 align:left position:37.5% line:89% size:52.5% [ music ] 06:13.406 --> 06:14.374 align:left position:37.5% line:89% size:52.5% [ music ] 06:14.374 --> 06:15.375 align:left position:15% line:89% size:75% >> FROM THE BEGINNING I JUST 06:15.375 --> 06:17.276 align:left position:10% line:89% size:80% THINK OF A STORY THAT I'M TRYING 06:17.276 --> 06:18.277 align:left position:40% line:89% size:50% TO TELL. 06:18.277 --> 06:19.479 align:left position:10% line:89% size:80% THE PROJECT THAT I'M WORKING ON 06:19.479 --> 06:21.981 align:left position:15% line:89% size:75% NOW IS-- HER NAME IS MOTHER 06:21.981 --> 06:23.149 align:left position:42.5% line:89% size:47.5% DRUM. 06:23.149 --> 06:26.586 align:left position:12.5% line:89% size:77.5% I'M EXPLORING THE TROMBONE AND 06:26.586 --> 06:28.921 align:left position:17.5% line:89% size:72.5% THE SEVEN SERMONS THAT HE 06:28.921 --> 06:31.491 align:left position:10% line:89% size:80% BELIEVES THAT BLACK PEOPLE HAVE 06:31.491 --> 06:36.362 align:left position:25% line:89% size:65% KIND OF THRIVED ON. 06:36.362 --> 06:37.697 align:left position:10% line:89% size:80% I GENERALLY START FROM SOMETHING 06:37.697 --> 06:40.666 align:left position:10% line:89% size:80% THAT I'M READING OR A STORY I'M 06:40.666 --> 06:44.871 align:left position:17.5% line:89% size:72.5% TRYING TO TELL AND I SIFT 06:44.871 --> 06:47.173 align:left position:12.5% line:89% size:77.5% THROUGH MEDIA OR TEAR OUT FROM 06:47.173 --> 06:49.242 align:left position:22.5% line:89% size:67.5% MAGAZINES AND CUT OUT. 06:49.242 --> 06:51.310 align:left position:10% line:89% size:80% A LOT OF TEXTURE IS WHAT I FIND 06:51.310 --> 06:54.280 align:left position:32.5% line:89% size:57.5% MYSELF USING. 06:54.280 --> 06:56.649 align:left position:10% line:89% size:80% AROUND THE WAY USA VERY MUCH IS 06:56.649 --> 07:00.186 align:left position:15% line:89% size:75% AN EXPLORATION OF COMMUNITY. 07:00.186 --> 07:02.121 align:left position:17.5% line:89% size:72.5% IT'S A TALE OF TWO CITIES. 07:02.121 --> 07:04.190 align:left position:22.5% line:89% size:67.5% ON ONE SIDE YOU HAVE A 07:04.190 --> 07:06.626 align:left position:15% line:89% size:75% BEAUTIFUL, THRIVING, VIBRANT 07:06.626 --> 07:07.627 align:left position:10% line:89% size:80% COMMUNITY AND ON THE OTHER SIDE 07:07.627 --> 07:12.398 align:left position:17.5% line:89% size:72.5% IT'S DILAPIDATED AND I WAS 07:12.398 --> 07:15.668 align:left position:10% line:89% size:80% EXPLORING COMMUNITY, IF THERE IS 07:15.668 --> 07:17.737 align:left position:10% line:89% size:80% A DIFFERENCE BETWEEN A COMMUNITY 07:17.737 --> 07:19.772 align:left position:10% line:89% size:80% AND THE NEIGHBORHOOD BECAUSE IN 07:19.772 --> 07:21.274 align:left position:12.5% line:89% size:77.5% A LOT OF CASES ESPECIALLY HERE 07:21.274 --> 07:23.176 align:left position:10% line:89% size:80% IN COLUMBUS AS NEIGHBORHOODS ARE 07:23.176 --> 07:26.279 align:left position:10% line:89% size:80% BEING GENTRIFIED, YOU LOSE THAT. 07:26.279 --> 07:28.247 align:left position:17.5% line:89% size:72.5% IT ALMOST SEEMS LIKE THEY 07:28.247 --> 07:29.549 align:left position:20% line:89% size:70% PRESERVE COMMUNITIES OR 07:29.549 --> 07:31.250 align:left position:10% line:89% size:80% NEIGHBORHOODS THAT THEY DEEM, I 07:31.250 --> 07:35.655 align:left position:10% line:89% size:80% GUESS, WORTH IT, IT SEEMS LIKE. 07:35.655 --> 07:37.190 align:left position:15% line:89% size:75% SO THE COMMUNITIES THAT GET 07:37.190 --> 07:40.059 align:left position:10% line:89% size:80% WASHED OUT WE'LL NEVER REMEMBER 07:40.059 --> 07:41.461 align:left position:10% line:89% size:80% THEM BECAUSE THEY'RE COMPLETELY 07:41.461 --> 07:43.095 align:left position:42.5% line:89% size:47.5% GONE. 07:43.095 --> 07:44.730 align:left position:37.5% line:89% size:52.5% [ music ] 07:44.730 --> 07:46.365 align:left position:37.5% line:89% size:52.5% [ music ] 07:46.365 --> 07:50.203 align:left position:15% line:89% size:75% >> SO ROLLER SKATES IS A BIG 07:50.203 --> 07:52.839 align:left position:10% line:89% size:80% PART OF MY PROCESS AND WHEN I'M 07:52.839 --> 07:56.075 align:left position:10% line:89% size:80% STUCK OR CAN'T FIGURE OUT THINGS 07:56.075 --> 07:58.044 align:left position:15% line:89% size:75% AND THE WORK AND IT'S THE 3D 07:58.044 --> 08:03.349 align:left position:10% line:89% size:80% ELEMENTS AND HOW TO BUILD AND I 08:03.349 --> 08:04.917 align:left position:17.5% line:89% size:72.5% HAVE TO FIGURE OUT HOW TO 08:04.917 --> 08:07.220 align:left position:15% line:89% size:75% ENGINEER THEM SO THEY DO NOT 08:07.220 --> 08:08.221 align:left position:35% line:89% size:55% FALL APART. 08:08.221 --> 08:10.289 align:left position:10% line:89% size:80% A LOT OF THAT I DO ON MY SKATE. 08:10.289 --> 08:12.558 align:left position:12.5% line:89% size:77.5% I HAVE A STROBE LIGHT, I CLOSE 08:12.558 --> 08:14.727 align:left position:12.5% line:89% size:77.5% MY DRAPES AND I TURN THE MUSIC 08:14.727 --> 08:19.398 align:left position:10% line:89% size:80% ON AS LOUD AS I CAN AND I TWIRL 08:19.398 --> 08:20.633 align:left position:35% line:89% size:55% AROUND HERE. 08:20.633 --> 08:21.734 align:left position:32.5% line:89% size:57.5% IT DOES HELP. 08:21.734 --> 08:24.604 align:left position:12.5% line:89% size:77.5% IT TAKES ME OUT OF MY MIND IN 08:24.604 --> 08:26.973 align:left position:10% line:89% size:80% REGARD TO MY CREATIVITY IN JUST 08:26.973 --> 08:28.307 align:left position:12.5% line:89% size:77.5% A MOMENT LONG ENOUGH TO FIGURE 08:28.307 --> 08:36.249 align:left position:10% line:89% size:80% OUT HOW THE PIECES FIT TOGETHER. 08:36.249 --> 08:38.217 align:left position:10% line:89% size:80% >> TO SEE MORE OF HER CREATIONS, 08:38.217 --> 08:39.519 align:left position:20% line:89% size:70% CHECK HER OUT ONLINE OR 08:39.519 --> 08:45.825 align:left position:10% line:89% size:80% INSTAGRAM AT THE 100MARK STUDIO. 08:45.825 --> 08:47.593 align:left position:12.5% line:89% size:77.5% BRYAN MOSS IS A CARTOONIST AND 08:47.593 --> 08:50.396 align:left position:17.5% line:89% size:72.5% PAINTER INSPIRED BY AMINAH 08:50.396 --> 08:54.734 align:left position:22.5% line:89% size:67.5% ROBINSON, HE DRAWS HIS 08:54.734 --> 08:56.836 align:left position:12.5% line:89% size:77.5% MOTIVATIONS FROM MANY SOURCES. 08:56.836 --> 08:58.337 align:left position:15% line:89% size:75% HE TALKED ABOUT HIS CREATIVE 08:58.337 --> 09:00.406 align:left position:22.5% line:89% size:67.5% PROCESS AND MUCH MORE. 09:00.406 --> 09:01.407 align:left position:37.5% line:89% size:52.5% [ music ] 09:01.407 --> 09:02.408 align:left position:37.5% line:89% size:52.5% [ music ] 09:02.408 --> 09:05.945 align:left position:20% line:89% size:70% >> HOW MANY DO YOU OWN? 09:05.945 --> 09:06.946 align:left position:35% line:89% size:55% [ laughter ] 09:06.946 --> 09:12.018 align:left position:12.5% line:89% size:77.5% >> LET'S PUT IT LIKE THIS, HOW 09:12.018 --> 09:15.621 align:left position:17.5% line:89% size:72.5% MANY COMIC BOOKS DO I OWN? 09:15.621 --> 09:16.923 align:left position:37.5% line:89% size:52.5% [ music ] 09:16.923 --> 09:18.257 align:left position:40% line:89% size:50% [ MUSIC 09:18.257 --> 09:21.894 align:left position:15% line:89% size:75% ]>> I OWN 20 BOOKSHELVES OF 09:21.894 --> 09:22.895 align:left position:30% line:89% size:60% GRAPHIC NOVELS. 09:22.895 --> 09:23.896 align:left position:37.5% line:89% size:52.5% [ music ] 09:23.896 --> 09:26.032 align:left position:10% line:89% size:80% >> AND I'LL HAVE MY OWN LIBRARY 09:26.032 --> 09:28.034 align:left position:40% line:89% size:50% ONE DAY. 09:28.034 --> 09:29.835 align:left position:37.5% line:89% size:52.5% [ music ] 09:29.835 --> 09:31.571 align:left position:37.5% line:89% size:52.5% [ music ] 09:31.571 --> 09:33.506 align:left position:15% line:89% size:75% SO I WAS BORN IN 1981 ON THE 09:33.506 --> 09:35.775 align:left position:10% line:89% size:80% SOUTH END OF COLUMBUS, BORN AND 09:35.775 --> 09:36.776 align:left position:40% line:89% size:50% RAISED. 09:36.776 --> 09:38.711 align:left position:10% line:89% size:80% NOW THAT I REFLECT BACK ON IT, I 09:38.711 --> 09:39.712 align:left position:25% line:89% size:65% GREW UP REALLY POOR. 09:39.712 --> 09:41.380 align:left position:10% line:89% size:80% WHEN YOU SAY IT IT SOUNDS PRETTY 09:41.380 --> 09:44.050 align:left position:12.5% line:89% size:77.5% TRIGGERING AND I LEARNED A LOT 09:44.050 --> 09:46.519 align:left position:10% line:89% size:80% AND THAT'S HOW I LEARNED HOW TO 09:46.519 --> 09:48.854 align:left position:12.5% line:89% size:77.5% MAKE ART THROUGH A GRASSROOTS 09:48.854 --> 09:49.855 align:left position:40% line:89% size:50% PROCESS. 09:49.855 --> 09:52.725 align:left position:12.5% line:89% size:77.5% I SIGNED UP FOR ART AND THAT'S 09:52.725 --> 09:54.927 align:left position:10% line:89% size:80% WHEN I DISCOVERED AND UNDERSTOOD 09:54.927 --> 09:56.362 align:left position:17.5% line:89% size:72.5% THAT I WAS GOING TO BE AN 09:56.362 --> 09:57.363 align:left position:40% line:89% size:50% ARTIST. 09:57.363 --> 09:58.397 align:left position:15% line:89% size:75% AFTER THAT, IT WAS MORE JUST 09:58.397 --> 10:01.467 align:left position:12.5% line:89% size:77.5% LIKE DRAWING, DRAWING SUBJECTS 10:01.467 --> 10:03.836 align:left position:12.5% line:89% size:77.5% NONSTOP AND JUST OBSESSED WITH 10:03.836 --> 10:06.205 align:left position:45% line:89% size:45% IT. 10:06.205 --> 10:08.674 align:left position:10% line:89% size:80% >> SO WHEN I WAS 10 OR 11 THAT'S 10:08.674 --> 10:10.209 align:left position:12.5% line:89% size:77.5% WHEN I DISCOVERED COMIC BOOKS 10:10.209 --> 10:12.912 align:left position:15% line:89% size:75% AND THEN IT SHIFTED SO I WAS 10:12.912 --> 10:16.449 align:left position:30% line:89% size:60% DRAWING COMICS. 10:16.449 --> 10:19.251 align:left position:37.5% line:89% size:52.5% [ music ] 10:19.251 --> 10:22.054 align:left position:37.5% line:89% size:52.5% [ music ] 10:22.054 --> 10:24.824 align:left position:37.5% line:89% size:52.5% [ music ] 10:24.824 --> 10:25.958 align:left position:12.5% line:89% size:77.5% >> THE CURRENT PROJECT I JUST 10:25.958 --> 10:26.959 align:left position:17.5% line:89% size:72.5% FINISHED UP AND I'M STILL 10:26.959 --> 10:29.362 align:left position:12.5% line:89% size:77.5% WORKING ON HERE AND THERE IS A 10:29.362 --> 10:32.465 align:left position:12.5% line:89% size:77.5% COMIC BOOK CALLED "EIGHT FOOT 10:32.465 --> 10:33.699 align:left position:42.5% line:89% size:47.5% PASS." 10:33.699 --> 10:35.935 align:left position:10% line:89% size:80% THE TURNAROUND TIME FOR THE BOOK 10:35.935 --> 10:38.270 align:left position:12.5% line:89% size:77.5% WAS SIX MONTHS AND THERE IS A 10:38.270 --> 10:40.272 align:left position:15% line:89% size:75% TEAM OF US OF AROUND SIX TO 10:40.272 --> 10:42.041 align:left position:10% line:89% size:80% EIGHT PEOPLE WORKING AROUND THE 10:42.041 --> 10:43.175 align:left position:25% line:89% size:65% CLOCK ON THIS BOOK. 10:43.175 --> 10:45.411 align:left position:12.5% line:89% size:77.5% I AM IN THE BEGINNING AND THE 10:45.411 --> 10:48.681 align:left position:10% line:89% size:80% END OF IT WHICH MEANS WHAT GOES 10:48.681 --> 10:49.915 align:left position:17.5% line:89% size:72.5% THROUGH AND WHAT DOESN'T. 10:49.915 --> 10:52.785 align:left position:10% line:89% size:80% SO IT'S ALMOST LIKE A DIRECTOR. 10:52.785 --> 10:53.786 align:left position:37.5% line:89% size:52.5% [ music ] 10:53.786 --> 10:54.787 align:left position:37.5% line:89% size:52.5% [ music ] 10:54.787 --> 10:55.788 align:left position:15% line:89% size:75% >> THE IDEA OF CONVERTING A 10:55.788 --> 10:59.291 align:left position:15% line:89% size:75% SCRIPT INTO A COMIC BOOK IS 10:59.291 --> 11:00.926 align:left position:17.5% line:89% size:72.5% ACTUALLY A VERY DIFFICULT 11:00.926 --> 11:01.927 align:left position:40% line:89% size:50% PROCESS. 11:01.927 --> 11:04.597 align:left position:15% line:89% size:75% YOU GO THROUGH THIS PROCESS 11:04.597 --> 11:05.965 align:left position:12.5% line:89% size:77.5% CALLED THUMB NAILING WHICH IS 11:05.965 --> 11:08.334 align:left position:12.5% line:89% size:77.5% WHERE YOU LITERALLY SKETCH OFF 11:08.334 --> 11:10.236 align:left position:10% line:89% size:80% THE IDEA AND THEN AFTER THAT YOU 11:10.236 --> 11:13.139 align:left position:15% line:89% size:75% GO INTO YOUR OFFICIAL PENCIL 11:13.139 --> 11:14.173 align:left position:12.5% line:89% size:77.5% WHERE YOU'RE, LIKE, OKAY THIS 11:14.173 --> 11:16.175 align:left position:17.5% line:89% size:72.5% WORKS AND NOW LET'S DO THE 11:16.175 --> 11:18.310 align:left position:12.5% line:89% size:77.5% PANELLING AND LET'S DRAW IN IN 11:18.310 --> 11:21.347 align:left position:17.5% line:89% size:72.5% PENCIL AND MAKE THAT WORK. 11:21.347 --> 11:22.581 align:left position:37.5% line:89% size:52.5% [ music ] 11:22.581 --> 11:23.816 align:left position:37.5% line:89% size:52.5% [ music ] 11:23.816 --> 11:25.484 align:left position:20% line:89% size:70% >> AFTER THAT WE INK IT. 11:25.484 --> 11:28.054 align:left position:12.5% line:89% size:77.5% >> THE INKING PART IS THE FUN 11:28.054 --> 11:30.489 align:left position:15% line:89% size:75% AND THE JAZZ OF IT AND AFTER 11:30.489 --> 11:32.658 align:left position:10% line:89% size:80% THAT WE SCAN IT IN AND DIGITALLY 11:32.658 --> 11:35.795 align:left position:17.5% line:89% size:72.5% COLOR IT AND MAKE IT THIS 11:35.795 --> 11:39.198 align:left position:15% line:89% size:75% HITCHCOCKIAN MASTERPIECE AND 11:39.198 --> 11:41.734 align:left position:17.5% line:89% size:72.5% THEY'RE, LIKE, ALL RIGHT. 11:41.734 --> 11:46.138 align:left position:17.5% line:89% size:72.5% WE BUILD IT WHILE WE FLY. 11:46.138 --> 11:47.606 align:left position:10% line:89% size:80% SO ANOTHER PROJECT THAT I WORKED 11:47.606 --> 11:49.742 align:left position:10% line:89% size:80% ON THAT WAS SUPER AWESOME, SUPER 11:49.742 --> 11:50.743 align:left position:42.5% line:89% size:47.5% EPIC. 11:50.743 --> 11:51.744 align:left position:27.5% line:89% size:62.5% A DREAM COME TRUE. 11:51.744 --> 11:52.878 align:left position:17.5% line:89% size:72.5% WHITE CASTLE AND COCA-COLA 11:52.878 --> 11:56.248 align:left position:10% line:89% size:80% CALLED ME AND ASKED WOULD YOU DO 11:56.248 --> 11:57.983 align:left position:22.5% line:89% size:67.5% THE ART FOR OUR 100th 11:57.983 --> 11:58.984 align:left position:35% line:89% size:55% ANNIVERSARY? 11:58.984 --> 11:59.985 align:left position:17.5% line:89% size:72.5% WOULD YOU BE INTERESTED IN 11:59.985 --> 12:01.554 align:left position:30% line:89% size:60% DESIGNING A CUP? 12:01.554 --> 12:04.990 align:left position:27.5% line:89% size:62.5% I WAS, LIKE, YEAH. 12:04.990 --> 12:07.560 align:left position:12.5% line:89% size:77.5% WE SHOULD DO, LIKE, THREE CUPS 12:07.560 --> 12:10.463 align:left position:20% line:89% size:70% LIKE A COLLECTOR THING. 12:10.463 --> 12:12.531 align:left position:37.5% line:89% size:52.5% [ music ] 12:12.531 --> 12:14.633 align:left position:37.5% line:89% size:52.5% [ music ] 12:14.633 --> 12:16.302 align:left position:12.5% line:89% size:77.5% >> NOW I DON'T KNOW ABOUT YOU 12:16.302 --> 12:18.070 align:left position:15% line:89% size:75% GUYS, BUT I ALWAYS WANTED TO 12:18.070 --> 12:19.772 align:left position:12.5% line:89% size:77.5% DESIGN SOMETHING LIKE THIS AND 12:19.772 --> 12:20.806 align:left position:17.5% line:89% size:72.5% EVEN FROM WHEN I WAS A KID 12:20.806 --> 12:22.575 align:left position:15% line:89% size:75% BECAUSE WHAT I HAVE A LOT OF 12:22.575 --> 12:25.277 align:left position:10% line:89% size:80% PASSION ABOUT IS ACTUALLY, LIKE, 12:25.277 --> 12:28.414 align:left position:10% line:89% size:80% MAKING PRODUCTS COOL, AND SO WE 12:28.414 --> 12:30.249 align:left position:12.5% line:89% size:77.5% DEVELOPED A NARRATIVE FROM THE 12:30.249 --> 12:33.219 align:left position:10% line:89% size:80% BEGINNING AND THE ORIGINAL BILLY 12:33.219 --> 12:35.888 align:left position:10% line:89% size:80% INGRAM, THE FOUNDER, THAT SHOWS 12:35.888 --> 12:36.889 align:left position:20% line:89% size:70% THE DINER WITH THE FIRST 12:36.889 --> 12:39.325 align:left position:10% line:89% size:80% LOCATION AND WHAT THE FIRST GIFT 12:39.325 --> 12:41.260 align:left position:27.5% line:89% size:62.5% CARD LOOKED LIKE. 12:41.260 --> 12:42.828 align:left position:10% line:89% size:80% THIS IS MY NARRATIVE OF MY STORY 12:42.828 --> 12:44.497 align:left position:10% line:89% size:80% TELLING THAT I CAME UP WITH AND 12:44.497 --> 12:47.500 align:left position:10% line:89% size:80% OBVIOUSLY ME THERE AT THE END AS 12:47.500 --> 12:49.668 align:left position:12.5% line:89% size:77.5% ANY GREAT RENAISSANCE PAINTER 12:49.668 --> 12:50.836 align:left position:17.5% line:89% size:72.5% WOULD DO WHICH IS INCLUDE 12:50.836 --> 12:54.140 align:left position:10% line:89% size:80% THEMSELVES INTO THE MASTERPIECE. 12:54.140 --> 12:56.442 align:left position:37.5% line:89% size:52.5% SO, YEAH. 12:56.442 --> 12:58.677 align:left position:10% line:89% size:80% SO IF YOU GET A CHANCE LOOK FOR 12:58.677 --> 13:05.151 align:left position:17.5% line:89% size:72.5% THIS CUP ONLINE, YOU KNOW? 13:05.151 --> 13:07.186 align:left position:37.5% line:89% size:52.5% [ music ] 13:07.186 --> 13:09.188 align:left position:37.5% line:89% size:52.5% [ music ] 13:09.188 --> 13:10.723 align:left position:17.5% line:89% size:72.5% >> FOR ME LIFTING UP OTHER 13:10.723 --> 13:12.391 align:left position:15% line:89% size:75% PEOPLE WITHIN THE COMMUNITY 13:12.391 --> 13:14.093 align:left position:15% line:89% size:75% THROUGH MY WORK, I WOULD SAY 13:14.093 --> 13:15.494 align:left position:10% line:89% size:80% IT'S A ARE VERY CRITICAL PART OF 13:15.494 --> 13:18.264 align:left position:37.5% line:89% size:52.5% WHAT I DO. 13:18.264 --> 13:19.265 align:left position:37.5% line:89% size:52.5% [ music ] 13:19.265 --> 13:20.266 align:left position:37.5% line:89% size:52.5% [ music ] 13:20.266 --> 13:21.300 align:left position:20% line:89% size:70% >> THE MURAL I RECENTLY 13:21.300 --> 13:24.203 align:left position:10% line:89% size:80% COMPLETED WAS ONE AND ONLY HANIV 13:24.203 --> 13:29.775 align:left position:12.5% line:89% size:77.5% AND IT IS ON MILLER AND MAIN. 13:29.775 --> 13:31.076 align:left position:37.5% line:89% size:52.5% [ music ] 13:31.076 --> 13:32.378 align:left position:37.5% line:89% size:52.5% [ music ] 13:32.378 --> 13:33.379 align:left position:22.5% line:89% size:67.5% >> HANIF IS A WRITER. 13:33.379 --> 13:34.680 align:left position:22.5% line:89% size:67.5% HE'S A FAMOUS WRITER. 13:34.680 --> 13:39.752 align:left position:12.5% line:89% size:77.5% THERE IS AN AGE DIFFERENCE AND 13:39.752 --> 13:41.520 align:left position:25% line:89% size:65% THERE IS AN INDIRECT 13:41.520 --> 13:43.088 align:left position:12.5% line:89% size:77.5% RELATIONSHIP THAT WE'VE ALWAYS 13:43.088 --> 13:44.390 align:left position:45% line:89% size:45% HAD. 13:44.390 --> 13:45.658 align:left position:37.5% line:89% size:52.5% [ music ] 13:45.658 --> 13:48.794 align:left position:12.5% line:89% size:77.5% >> WITH HANIF, THE COOL THING 13:48.794 --> 13:52.298 align:left position:12.5% line:89% size:77.5% ABOUT IT IS THAT HE STAYED IN 13:52.298 --> 13:54.333 align:left position:37.5% line:89% size:52.5% COLUMBUS. 13:54.333 --> 13:56.302 align:left position:10% line:89% size:80% THAT WAS MY PERSONAL GOAL, TOO. 13:56.302 --> 13:59.405 align:left position:10% line:89% size:80% I CAN MOVE, BUT I CHOOSE NOT TO 13:59.405 --> 14:01.207 align:left position:10% line:89% size:80% BECAUSE OF THE IDEA OF BUILDING 14:01.207 --> 14:04.710 align:left position:35% line:89% size:55% UP COLUMBUS. 14:04.710 --> 14:06.045 align:left position:17.5% line:89% size:72.5% WE ENDED UP CALLING IT THE 14:06.045 --> 14:07.413 align:left position:12.5% line:89% size:77.5% PEOPLE'S MURAL BECAUSE OF HOW 14:07.413 --> 14:09.782 align:left position:15% line:89% size:75% THE COMMUNITY GOT BEHIND IT. 14:09.782 --> 14:10.916 align:left position:15% line:89% size:75% THE PROCESS FOR THE PEOPLE'S 14:10.916 --> 14:13.752 align:left position:15% line:89% size:75% MURAL WAS TO SHOW HANIF AS A 14:13.752 --> 14:15.054 align:left position:40% line:89% size:50% MOSAIC. 14:15.054 --> 14:21.927 align:left position:10% line:89% size:80% THERE'S A WAY OF SETTING EYES ON 14:21.927 --> 14:23.162 align:left position:17.5% line:89% size:72.5% THE PEOPLE WHO HOLD YOU UP 14:23.162 --> 14:26.932 align:left position:15% line:89% size:75% INSTEAD OF PEOPLE IMAGINING 14:26.932 --> 14:27.933 align:left position:42.5% line:89% size:47.5% THEM. 14:27.933 --> 14:30.769 align:left position:12.5% line:89% size:77.5% THE IDEA OF THIS IS WHERE THE 14:30.769 --> 14:32.504 align:left position:10% line:89% size:80% CHARACTERS IN THE BACKGROUND AND 14:32.504 --> 14:34.673 align:left position:10% line:89% size:80% THESE ARE PEOPLE THAT ARE IN THE 14:34.673 --> 14:35.841 align:left position:30% line:89% size:60% COMMUNITY, TOO. 14:35.841 --> 14:37.376 align:left position:15% line:89% size:75% I PUT THEM ALL IN BLACK AND 14:37.376 --> 14:39.044 align:left position:12.5% line:89% size:77.5% WHITE AND I PUT HANIF IN COLOR 14:39.044 --> 14:41.146 align:left position:15% line:89% size:75% BECAUSE I REALIZE AS ARTISTS 14:41.146 --> 14:43.415 align:left position:30% line:89% size:60% WE'RE ISOLATED. 14:43.415 --> 14:44.416 align:left position:17.5% line:89% size:72.5% IN A SENSE WE THINK WE'RE 14:44.416 --> 14:46.752 align:left position:12.5% line:89% size:77.5% ISOLATED AND IT'S ACTUALLY NOT 14:46.752 --> 14:47.786 align:left position:37.5% line:89% size:52.5% THE CASE. 14:47.786 --> 14:50.322 align:left position:15% line:89% size:75% WE ACTUALLY HAVE PEOPLE WHO 14:50.322 --> 14:52.358 align:left position:17.5% line:89% size:72.5% SUPPORT US AND THAT CARE. 14:52.358 --> 14:53.525 align:left position:17.5% line:89% size:72.5% SO JUST GOING THROUGH THAT 14:53.525 --> 14:55.461 align:left position:10% line:89% size:80% PROCESS YOU GET KIND OF LOST AND 14:55.461 --> 14:57.096 align:left position:20% line:89% size:70% IT'S PRETTY EXHAUSTING. 14:57.096 --> 14:59.765 align:left position:15% line:89% size:75% SO IT HAS A LOT OF PERSONAL 14:59.765 --> 15:06.605 align:left position:15% line:89% size:75% MEANING WHEN I DESIGN THIS. 15:06.605 --> 15:09.141 align:left position:10% line:89% size:80% SO IN THE SUMMER OF 2020 I MOVED 15:09.141 --> 15:11.210 align:left position:15% line:89% size:75% INTO AMINAH ROBINSON'S HOME 15:11.210 --> 15:14.780 align:left position:17.5% line:89% size:72.5% THROUGH THE MUSEUM OF ART. 15:14.780 --> 15:16.615 align:left position:37.5% line:89% size:52.5% [ music ] 15:16.615 --> 15:18.484 align:left position:37.5% line:89% size:52.5% [ music ] 15:18.484 --> 15:20.419 align:left position:10% line:89% size:80% >> NOW WHAT I SERVED AS WAS THE 15:20.419 --> 15:22.187 align:left position:12.5% line:89% size:77.5% MANAGER, BUT THERE'S KIND OF A 15:22.187 --> 15:24.189 align:left position:12.5% line:89% size:77.5% DUALITY TO IT WHICH MEANS THAT 15:24.189 --> 15:25.925 align:left position:12.5% line:89% size:77.5% AMINAH ROBINSON WAS MY MENTOR. 15:25.925 --> 15:28.093 align:left position:12.5% line:89% size:77.5% I MEANT AMINAH ROBINSON IN THE 15:28.093 --> 15:31.497 align:left position:12.5% line:89% size:77.5% COLUMBUS MUSEUM OF ART IN MAY 15:31.497 --> 15:32.498 align:left position:42.5% line:89% size:47.5% 2001. 15:32.498 --> 15:35.200 align:left position:12.5% line:89% size:77.5% SO IT HAD A HIGHER PURPOSE FOR 15:35.200 --> 15:36.235 align:left position:45% line:89% size:45% ME. 15:36.235 --> 15:37.703 align:left position:15% line:89% size:75% IT'S A CURATED MUSEUM SPACE. 15:37.703 --> 15:40.072 align:left position:15% line:89% size:75% SO YOU'RE ESSENTIALLY INSIDE 15:40.072 --> 15:41.540 align:left position:30% line:89% size:60% AMINAH ROBINSON. 15:41.540 --> 15:43.409 align:left position:10% line:89% size:80% THE SPIRIT IS DEFINITELY THERE, 15:43.409 --> 15:44.944 align:left position:25% line:89% size:65% THE ENERGY IS THERE. 15:44.944 --> 15:47.012 align:left position:12.5% line:89% size:77.5% IT WAS PROBABLY THE LEAST ART 15:47.012 --> 15:49.615 align:left position:12.5% line:89% size:77.5% PRODUCTIVE I WAS, BUT THE MOST 15:49.615 --> 15:51.617 align:left position:17.5% line:89% size:72.5% HEALING PROCESS I'VE HAD. 15:51.617 --> 15:53.485 align:left position:15% line:89% size:75% I WAS ABLE TO SLOW DOWN AND, 15:53.485 --> 15:56.555 align:left position:10% line:89% size:80% LIKE, ACTUALLY, LIKE, RELAX, YOU 15:56.555 --> 15:57.556 align:left position:42.5% line:89% size:47.5% KNOW? 15:57.556 --> 15:59.325 align:left position:10% line:89% size:80% BECAUSE OF THE RESIDENCY AND NOT 15:59.325 --> 16:01.327 align:left position:17.5% line:89% size:72.5% HAVING TO WORRY ABOUT THE 16:01.327 --> 16:03.495 align:left position:12.5% line:89% size:77.5% FINANCES AND STUFF LIKE THAT. 16:03.495 --> 16:04.897 align:left position:10% line:89% size:80% IT'S THE ONLY SPACE WHERE I CAN 16:04.897 --> 16:06.131 align:left position:27.5% line:89% size:62.5% REALLY, LIKE, FLY. 16:06.131 --> 16:08.901 align:left position:15% line:89% size:75% WHERE I CAN, JUST, LIKE, DO 16:08.901 --> 16:10.002 align:left position:27.5% line:89% size:62.5% WHATEVER I WANTED. 16:10.002 --> 16:16.241 align:left position:10% line:89% size:80% IT WAS A HEALING SPACE, I WOULD 16:16.241 --> 16:17.843 align:left position:45% line:89% size:45% SAY. 16:17.843 --> 16:19.445 align:left position:37.5% line:89% size:52.5% [ music ] 16:19.445 --> 16:21.046 align:left position:37.5% line:89% size:52.5% [ music ] 16:21.046 --> 16:22.081 align:left position:10% line:89% size:80% >> THE ONE THING AMINAH SAID TO 16:22.081 --> 16:24.083 align:left position:10% line:89% size:80% ME THAT STILL RESONATES WITH ME 16:24.083 --> 16:25.718 align:left position:22.5% line:89% size:67.5% TODAY IS KEEP DRAWING. 16:25.718 --> 16:27.519 align:left position:12.5% line:89% size:77.5% DON'T STOP DRAWING AND AT THE 16:27.519 --> 16:29.321 align:left position:12.5% line:89% size:77.5% TIME I'M, LIKE, DON'T TELL ME 16:29.321 --> 16:30.322 align:left position:42.5% line:89% size:47.5% THAT. 16:30.322 --> 16:31.323 align:left position:20% line:89% size:70% I DRAW ALL OF THE TIME. 16:31.323 --> 16:32.324 align:left position:32.5% line:89% size:57.5% THAT'S ABSURD. 16:32.324 --> 16:33.759 align:left position:12.5% line:89% size:77.5% I WILL NEVER STOP DRAWING AND 16:33.759 --> 16:36.462 align:left position:12.5% line:89% size:77.5% THEN WHAT HAPPENS IS THAT LIFE 16:36.462 --> 16:38.464 align:left position:40% line:89% size:50% HAPPENS. 16:38.464 --> 16:40.466 align:left position:35% line:89% size:55% [ laughter ] 16:40.466 --> 16:42.368 align:left position:12.5% line:89% size:77.5% >> LIFE OCCURS AND AS YOU GET 16:42.368 --> 16:45.270 align:left position:10% line:89% size:80% OLDER AND DRAWING BECOMES HARDER 16:45.270 --> 16:47.806 align:left position:15% line:89% size:75% SO THAT MESSAGE, JUST, LIKE, 16:47.806 --> 16:50.342 align:left position:10% line:89% size:80% KEEP DRAWING HAS MORE IMPORTANCE 16:50.342 --> 16:53.612 align:left position:10% line:89% size:80% TO ME NOW THAN WHEN SHE TOLD ME 16:53.612 --> 16:55.981 align:left position:12.5% line:89% size:77.5% THAT WHEN I WAS 22 YEARS OLD, 16:55.981 --> 16:57.082 align:left position:37.5% line:89% size:52.5% YOU KNOW? 16:57.082 --> 16:59.051 align:left position:15% line:89% size:75% IT'S LIKE A MASTER TEACHER, 16:59.051 --> 17:00.085 align:left position:42.5% line:89% size:47.5% RIGHT? 17:00.085 --> 17:01.120 align:left position:35% line:89% size:55% [ laughter ] 17:01.120 --> 17:06.325 align:left position:17.5% line:89% size:72.5% SO, YES, IT'S PRETTY COOL. 17:06.325 --> 17:07.359 align:left position:37.5% line:89% size:52.5% [ music ] 17:07.359 --> 17:08.394 align:left position:37.5% line:89% size:52.5% [ music ] 17:08.394 --> 17:09.428 align:left position:37.5% line:89% size:52.5% [ music ] 17:09.428 --> 17:10.462 align:left position:37.5% line:89% size:52.5% [ music ] 17:10.462 --> 17:11.764 align:left position:10% line:89% size:80% >>> TO SEE MORE OF HIS WORK FIND 17:11.764 --> 17:13.332 align:left position:15% line:89% size:75% HIM ON INSTAGRAM AT STRANGE 17:13.332 --> 17:15.300 align:left position:35% line:89% size:55% THINGS MOSS. 17:15.300 --> 17:16.702 align:left position:37.5% line:89% size:52.5% [ music ] 17:16.702 --> 17:18.103 align:left position:37.5% line:89% size:52.5% [ music ] 17:18.103 --> 17:19.505 align:left position:12.5% line:89% size:77.5% >> THE CREATIONS OF WOODWORKER 17:19.505 --> 17:21.774 align:left position:10% line:89% size:80% GREG VIGIL HAS BEEN DESCRIBED AS 17:21.774 --> 17:24.109 align:left position:20% line:89% size:70% ANTHROPOLOGY MEETS ART. 17:24.109 --> 17:25.344 align:left position:17.5% line:89% size:72.5% HE WORKS WITH MOSTLY FOUND 17:25.344 --> 17:27.012 align:left position:15% line:89% size:75% OBJECTS AND SPENDS COUNTLESS 17:27.012 --> 17:28.414 align:left position:10% line:89% size:80% HOURS OF MAKING THEM INTO WORKS 17:28.414 --> 17:29.415 align:left position:40% line:89% size:50% OF ART. 17:29.415 --> 17:30.983 align:left position:10% line:89% size:80% LET'S TAKE A LOOK AT HIS ONE OF 17:30.983 --> 17:34.953 align:left position:27.5% line:89% size:62.5% A KIND CREATIONS. 17:34.953 --> 17:36.221 align:left position:15% line:89% size:75% >> I LIKE WORKING WITH WOOD 17:36.221 --> 17:38.724 align:left position:12.5% line:89% size:77.5% BECAUSE I LIKE TO RECYCLE THE 17:38.724 --> 17:40.259 align:left position:12.5% line:89% size:77.5% WOOD THAT IS AROUND THE VALLEY 17:40.259 --> 17:41.260 align:left position:42.5% line:89% size:47.5% HERE. 17:41.260 --> 17:42.995 align:left position:10% line:89% size:80% WHETHER IT'S ABSTRACT OR REALISM 17:42.995 --> 17:45.464 align:left position:45% line:89% size:45% ART. 17:45.464 --> 17:47.332 align:left position:10% line:89% size:80% I LOOK AT MY PAST EXPERIENCE IN 17:47.332 --> 17:49.802 align:left position:10% line:89% size:80% ANTHROPOLOGY AND THE CULTURE OF 17:49.802 --> 17:52.938 align:left position:12.5% line:89% size:77.5% MAN, WHETHER IT BE CULTURE OR 17:52.938 --> 17:55.007 align:left position:10% line:89% size:80% PHYSICAL ANTHROPOLOGY AND THEN I 17:55.007 --> 17:56.608 align:left position:10% line:89% size:80% TRY TO INCORPORATE THAT INTO THE 17:56.608 --> 17:59.211 align:left position:17.5% line:89% size:72.5% WOOD WHETHER IT BE NATIVE 17:59.211 --> 18:03.248 align:left position:12.5% line:89% size:77.5% AMERICAN IMAGES OR IMAGES THAT 18:03.248 --> 18:06.051 align:left position:12.5% line:89% size:77.5% PROJECT CERTAIN LIFESTYLES OF 18:06.051 --> 18:07.052 align:left position:45% line:89% size:45% MAN. 18:07.052 --> 18:08.654 align:left position:10% line:89% size:80% THAT'S WHAT I CREATE MY WORK ON. 18:08.654 --> 18:10.956 align:left position:10% line:89% size:80% I STUDY THE WOOD AND WILL CREATE 18:10.956 --> 18:14.059 align:left position:12.5% line:89% size:77.5% A SCULPTURE THAT WILL ENHANCE 18:14.059 --> 18:16.795 align:left position:22.5% line:89% size:67.5% AND CREATE MY PIECES. 18:16.795 --> 18:19.098 align:left position:37.5% line:89% size:52.5% I LOVE IT. 18:19.098 --> 18:20.599 align:left position:12.5% line:89% size:77.5% A LOT OF TIMES WHEN I DO START 18:20.599 --> 18:22.668 align:left position:12.5% line:89% size:77.5% WITH A PIECE OF WOOD SUCH AS A 18:22.668 --> 18:26.271 align:left position:10% line:89% size:80% BLOCK, A LOG OR ASH OR WHATEVER 18:26.271 --> 18:28.273 align:left position:10% line:89% size:80% THE TYPE OF WOOD IT MAY BE, AND 18:28.273 --> 18:30.542 align:left position:12.5% line:89% size:77.5% I START TO WORK THE WOOD INTO 18:30.542 --> 18:33.011 align:left position:10% line:89% size:80% THE SCULPTURE AND THEN I FIGURE 18:33.011 --> 18:35.147 align:left position:20% line:89% size:70% OUT LATER ON THERE IS AN 18:35.147 --> 18:36.882 align:left position:10% line:89% size:80% IMPERFECTION IN THE WOOD WHETHER 18:36.882 --> 18:38.717 align:left position:12.5% line:89% size:77.5% IT BE A KNOT OR A SPLIT IN THE 18:38.717 --> 18:40.119 align:left position:25% line:89% size:65% MIDDLE OF THE WOOD. 18:40.119 --> 18:42.121 align:left position:15% line:89% size:75% I JUST MAKE THAT PART OF THE 18:42.121 --> 18:44.389 align:left position:15% line:89% size:75% SCULPTURE AND WORK WITH IT. 18:44.389 --> 18:45.991 align:left position:15% line:89% size:75% SOMETIMES IMPERFECTIONS IN A 18:45.991 --> 18:47.826 align:left position:17.5% line:89% size:72.5% PIECE OF WOODEN HANSES MY 18:47.826 --> 18:49.895 align:left position:37.5% line:89% size:52.5% SCULPTURE. 18:49.895 --> 18:51.730 align:left position:12.5% line:89% size:77.5% I DON'T USE ANY LIQUID STAINS 18:51.730 --> 18:52.965 align:left position:17.5% line:89% size:72.5% AND I LIKE TO USE THE MORE 18:52.965 --> 18:54.967 align:left position:12.5% line:89% size:77.5% NATURAL STAINS AND I LIKE THE 18:54.967 --> 18:56.969 align:left position:12.5% line:89% size:77.5% MORE NATURAL FINISH TO ENHANCE 18:56.969 --> 18:58.570 align:left position:15% line:89% size:75% THE WOOD GRAIN AND ALSO THE 18:58.570 --> 19:00.105 align:left position:42.5% line:89% size:47.5% WOOD. 19:00.105 --> 19:01.974 align:left position:10% line:89% size:80% WHEN I DO FINISH THE WOOD AS FAR 19:01.974 --> 19:03.976 align:left position:15% line:89% size:75% AS WAXED IN IT, AND IT'S ALL 19:03.976 --> 19:06.478 align:left position:20% line:89% size:70% WAXED AND HAND POLISHED. 19:06.478 --> 19:08.881 align:left position:12.5% line:89% size:77.5% I'VE ALWAYS BEEN INTERESTED IN 19:08.881 --> 19:11.083 align:left position:20% line:89% size:70% THE ARTS, BUT LATER ON I 19:11.083 --> 19:12.718 align:left position:15% line:89% size:75% DEVELOPED THAT INTEREST INTO 19:12.718 --> 19:14.686 align:left position:12.5% line:89% size:77.5% MORE OF THE MUSEUM FIELD, AND 19:14.686 --> 19:16.989 align:left position:12.5% line:89% size:77.5% NOW THAT I'M RETIRED I CAN GO 19:16.989 --> 19:18.824 align:left position:15% line:89% size:75% BACK INTO THE ART FIELD AND 19:18.824 --> 19:20.359 align:left position:10% line:89% size:80% SHARE IT WITH MY FELLOW ARTISTS 19:20.359 --> 19:24.062 align:left position:12.5% line:89% size:77.5% AND WITH THE COMMUNITY IN THE 19:24.062 --> 19:25.430 align:left position:40% line:89% size:50% VALLEY. 19:25.430 --> 19:27.699 align:left position:12.5% line:89% size:77.5% >> SAM AND STEWART ARE IN THE 19:27.699 --> 19:31.637 align:left position:15% line:89% size:75% GROUP SWEET TEETH, ONE IS A 19:31.637 --> 19:33.372 align:left position:10% line:89% size:80% CELLIST AND THE OTHER ROCKS OUT 19:33.372 --> 19:34.373 align:left position:35% line:89% size:55% ON A GUITAR. 19:34.373 --> 19:35.374 align:left position:10% line:89% size:80% BROAD & HIGH PRESENTS RECORDING, 19:35.374 --> 19:36.375 align:left position:12.5% line:89% size:77.5% WE QUICKLY DISCOVERED HOW THE 19:36.375 --> 19:37.376 align:left position:20% line:89% size:70% OFF-KILTER PAIRING FINDS 19:37.376 --> 19:38.343 align:left position:40% line:89% size:50% BALANCE. 19:38.343 --> 19:39.344 align:left position:37.5% line:89% size:52.5% [ music ] 19:39.344 --> 19:40.345 align:left position:37.5% line:89% size:52.5% [ music ] 19:40.345 --> 19:41.346 align:left position:30% line:89% size:60% IT'S SO COOL 19:41.346 --> 19:42.347 align:left position:17.5% line:89% size:72.5% I CAN'T EVEN PICTURE IT 19:42.347 --> 19:43.348 align:left position:40% line:89% size:50% BETTER 19:43.348 --> 19:44.349 align:left position:25% line:89% size:65% BROKE THE RULES 19:44.349 --> 19:45.350 align:left position:30% line:89% size:60% IT'S SO FINE 19:45.350 --> 19:46.351 align:left position:22.5% line:89% size:67.5% SO EVERYONE KNOWS 19:46.351 --> 19:47.352 align:left position:12.5% line:89% size:77.5% IT'S MY TIME, MY REFLECTION 19:47.352 --> 19:48.353 align:left position:27.5% line:89% size:62.5% GETS TO BE SHOWN 19:48.353 --> 19:49.354 align:left position:37.5% line:89% size:52.5% [ music ] 19:49.354 --> 19:50.355 align:left position:37.5% line:89% size:52.5% [ music ] 19:50.355 --> 19:51.356 align:left position:17.5% line:89% size:72.5% I DON'T KNOW WHAT I WAS 19:51.356 --> 19:52.357 align:left position:12.5% line:89% size:77.5% THINKING WHEN WE WENT BACK TO 19:52.357 --> 19:53.358 align:left position:35% line:89% size:55% THE FUTURE 19:53.358 --> 19:54.359 align:left position:37.5% line:83% size:52.5% [ music ] [ music ] 19:54.359 --> 19:55.360 align:left position:12.5% line:89% size:77.5% IS IT TRUE THAT ONCE YOU GO 19:55.360 --> 19:56.828 align:left position:17.5% line:89% size:72.5% THERE'S NO COMING BACK " 19:56.828 --> 19:59.665 align:left position:12.5% line:89% size:77.5% FROM THE SCHOOL IT WILL MACH 19:59.665 --> 20:02.801 align:left position:35% line:89% size:55% YOU WRECK M 20:02.801 --> 20:16.114 align:left position:37.5% line:83% size:52.5% [ music ] YOU KNOW THAT IT IS EASIER TO 20:16.114 --> 20:17.115 align:left position:42.5% line:89% size:47.5% STAY 20:17.115 --> 20:20.652 align:left position:10% line:89% size:80% THEY TRY TO SATISFY, AND BUILD 20:20.652 --> 20:24.756 align:left position:25% line:89% size:65% A SHELTER AT HOME 20:24.756 --> 20:30.462 align:left position:17.5% line:89% size:72.5% I DON'T KNOW WHAT I WAS 20:30.462 --> 20:34.833 align:left position:12.5% line:89% size:77.5% THINKING WHEN WE WENT BACK TO 20:34.833 --> 20:38.203 align:left position:35% line:89% size:55% THE OCEAN 20:38.203 --> 20:41.573 align:left position:42.5% line:89% size:47.5% YEAH 20:41.573 --> 20:48.313 align:left position:37.5% line:83% size:52.5% [ music ] [ music ] 20:48.313 --> 20:57.856 align:left position:25% line:89% size:65% EVERY TIME I GO 20:57.856 --> 21:03.895 align:left position:22.5% line:89% size:67.5% I'VE GOT A FEELING 21:03.895 --> 21:05.464 align:left position:15% line:89% size:75% ESCAPING FROM MY BODY AND 21:05.464 --> 21:06.465 align:left position:27.5% line:89% size:62.5% THINKING OF JOY 21:06.465 --> 21:10.269 align:left position:27.5% line:89% size:62.5% I KNOW MYSELF 21:10.269 --> 21:12.304 align:left position:37.5% line:89% size:52.5% [ music ] 21:12.304 --> 21:14.373 align:left position:37.5% line:89% size:52.5% [ music ] 21:14.373 --> 21:16.475 align:left position:37.5% line:89% size:52.5% [ music ] 21:16.475 --> 21:18.510 align:left position:37.5% line:89% size:52.5% [ music ] 21:18.510 --> 21:20.579 align:left position:37.5% line:89% size:52.5% [ music ] 21:20.579 --> 21:22.648 align:left position:37.5% line:89% size:52.5% [ music ] 21:22.648 --> 21:24.716 align:left position:37.5% line:89% size:52.5% [ music ] 21:24.716 --> 21:26.785 align:left position:37.5% line:89% size:52.5% [ music ] 21:26.785 --> 21:28.854 align:left position:37.5% line:89% size:52.5% [ music ] 21:28.854 --> 21:30.922 align:left position:37.5% line:89% size:52.5% [ music ] 21:30.922 --> 21:43.335 align:left position:17.5% line:89% size:72.5% I DON'T KNOW WHAT I WAS 21:43.335 --> 22:08.160 align:left position:12.5% line:89% size:77.5% THINKING WHEN WE WENT BACK TO 22:08.160 --> 22:20.105 align:left position:35% line:89% size:55% THE OCEAN 22:20.105 --> 22:32.084 align:left position:37.5% line:89% size:52.5% [ music ] 22:32.084 --> 22:44.062 align:left position:40% line:89% size:50% YEAH 22:44.062 --> 23:43.855 align:left position:12.5% line:89% size:77.5% BUT I GUESS WE'LL FIGURE IT 23:43.855 --> 23:45.624 align:left position:42.5% line:89% size:47.5% OUT 23:45.624 --> 23:47.392 align:left position:37.5% line:89% size:52.5% [ music ] 23:47.392 --> 23:49.127 align:left position:37.5% line:89% size:52.5% [ music ] 23:49.127 --> 23:50.896 align:left position:37.5% line:89% size:52.5% [ music ] 23:50.896 --> 23:52.664 align:left position:37.5% line:89% size:52.5% [ music ] 23:52.664 --> 23:57.335 align:left position:10% line:89% size:80% >> TO LEARN MORE FROM THESE TWO, 23:57.335 --> 23:58.570 align:left position:12.5% line:89% size:77.5% FIND THEM ON FACEBOOK AT SWEET 23:58.570 --> 24:00.672 align:left position:12.5% line:89% size:77.5% TEETH COLUMBUS OR ON INSTAGRAM 24:00.672 --> 24:04.376 align:left position:27.5% line:89% size:62.5% ON SWEETTEETHBAND. 24:04.376 --> 24:06.845 align:left position:22.5% line:89% size:67.5% WELL, THAT'S OUR SHOW. 24:06.845 --> 24:08.213 align:left position:12.5% line:89% size:77.5% REMEMBER, YOU CAN FIND ALL OF 24:08.213 --> 24:11.016 align:left position:12.5% line:89% size:77.5% OUR STORIES ONLINE AT WOSU.ORG 24:11.016 --> 24:12.284 align:left position:17.5% line:89% size:72.5% AS WELL AS ON OUR YOUTUBE 24:12.284 --> 24:13.285 align:left position:40% line:89% size:50% CHANNEL. 24:13.285 --> 24:15.120 align:left position:10% line:89% size:80% FOR ALL OF US HERE AT WOSU, I'M 24:15.120 --> 24:16.121 align:left position:32.5% line:89% size:57.5% KATE QUICKEL. 24:16.121 --> 24:29.134 align:left position:25% line:89% size:65% THANKS FOR WATCHING. 24:29.134 --> 24:35.674 align:left position:37.5% line:89% size:52.5% [ music ] 24:35.674 --> 24:42.214 align:left position:37.5% line:89% size:52.5% [ music ] 24:42.214 --> 24:48.720 align:left position:37.5% line:89% size:52.5% [ music ] 24:48.720 --> 24:55.260 align:left position:37.5% line:89% size:52.5% [ music ] 24:55.260 --> 25:01.766 align:left position:37.5% line:89% size:52.5% [ music ] 25:01.766 --> 25:08.306 align:left position:37.5% line:89% size:52.5% [ music ] 25:08.306 --> 25:14.846 align:left position:37.5% line:89% size:52.5% [ music ] 25:14.846 --> 25:21.386 align:left position:37.5% line:89% size:52.5% [ music ] 25:21.386 --> 25:27.893 align:left position:37.5% line:89% size:52.5% [ music ] 25:27.893 --> 25:34.432 align:left position:37.5% line:89% size:52.5% [ music ] 25:34.432 --> 25:40.939 align:left position:37.5% line:89% size:52.5% [ music ] 25:40.939 --> 25:47.479 align:left position:37.5% line:89% size:52.5% [ music ] 25:47.479 --> 25:54.019 align:left position:37.5% line:89% size:52.5% [ music ] 25:54.019 --> 26:00.525 align:left position:37.5% line:89% size:52.5% [ music ] 26:00.525 --> 26:07.065 align:left position:37.5% line:89% size:52.5% [ music ] 26:07.065 --> 26:13.605 align:left position:37.5% line:89% size:52.5% [ music ] 26:13.605 --> 26:20.111 align:left position:37.5% line:89% size:52.5% [ music ] 26:20.111 --> 26:26.651 align:left position:37.5% line:89% size:52.5% [ music ] 26:26.651 --> 26:33.158 align:left position:37.5% line:89% size:52.5% [ music ] 26:33.158 --> 26:34.593 align:left position:10% line:89% size:80% >>> PRODUCTION OF "BROAD & HIGH" 26:34.593 --> 26:35.894 align:left position:10% line:89% size:80% IS BROUGHT TO YOU BY THE GREATER 26:35.894 --> 26:38.964 align:left position:10% line:89% size:80% COLUMBUS ART COUNCIL, SUPPORTING 26:38.964 --> 26:40.265 align:left position:22.5% line:89% size:67.5% CULTURE AND CONNECTING 26:40.265 --> 26:42.300 align:left position:12.5% line:89% size:77.5% COMMUNITY, ARTISTS, EVENTS AND 26:42.300 --> 26:44.135 align:left position:17.5% line:89% size:72.5% CLASSES AT COLUMBUS MAKES 26:44.135 --> 26:49.240 align:left position:40% line:89% size:50% ART.COM.