WEBVTT 00:00.000 --> 00:00.530 align:start ♪♪ 00:00.530 --> 00:01.530 align:start >> PRODUCTION OF "BROAD & HIGH" 00:01.530 --> 00:03.200 align:start IS FUNDED IN PART BY THE GREATER 00:03.200 --> 00:04.300 align:start COLUMBUS ARTS COUNCIL. 00:04.300 --> 00:05.370 align:start SUPPORTING ARTS, ADVANCING 00:05.370 --> 00:06.970 align:start CULTURE AND CONNECTING THE 00:06.970 --> 00:09.600 align:start COMMUNITY TO ARTISTS, EVENTS AND 00:09.600 --> 00:13.100 align:start CLASSES AT COLUMBUSMAKESART.COM. 00:13.100 --> 00:14.300 align:start >> FROM THESE CONTRIBUTING 00:14.300 --> 00:16.100 align:start SPONSORS -- AND VIEWERS LIKE 00:16.100 --> 00:17.300 align:start YOU. 00:17.300 --> 00:21.270 align:start THANK YOU. 00:21.270 --> 00:23.900 align:start >>> THIS TIME ON BROAD AND HIGH. 00:23.900 --> 00:25.230 align:start EXPLORING THE PROMINENT ROLE 00:25.230 --> 00:26.970 align:start WOMEN PLAYED IN THE HISTORY OF 00:26.970 --> 00:29.200 align:start THE COLUMBUS SYMPHONY ORCHESTRA. 00:29.200 --> 00:30.800 align:start LOCAL AUTHOR AND EDUCATOR 00:30.800 --> 00:31.800 align:start CARLOTTA PENN HOPES YOUNG 00:31.800 --> 00:32.930 align:start CHILDREN OF COLOR CAN SEE AND 00:32.930 --> 00:33.500 align:start CELEBRATE THEMSELVES IN HER 00:33.500 --> 00:36.670 align:start PICTURE BOOKS. 00:36.670 --> 00:38.370 align:start AN ARTIST GET PHYSICAL, WITH HER 00:38.370 --> 00:41.030 align:start ABSTRACT CANVASES. 00:41.030 --> 00:42.900 align:start AND BEAUTIFUL HARMONIES FROM A 00:42.900 --> 00:44.230 align:start PAIR OF BROTHERS WHO CALL 00:44.230 --> 00:45.770 align:start THEMSELVES INGRAM STREET. 00:45.770 --> 00:47.100 align:start THIS AND MORE RIGHT NOW ON 00:47.100 --> 00:49.070 align:start “BROAD & HIGH.” 00:49.070 --> 00:51.200 align:start ♪♪ 00:51.200 --> 01:04.430 align:start ♪♪ 01:04.430 --> 01:05.700 align:start >>> HI, I'M DAVID HOLM YOUR HOST 01:05.700 --> 01:07.100 align:start FOR THIS EPISODE OF “BROAD & 01:07.100 --> 01:09.300 align:start HIGH.” 01:09.300 --> 01:10.570 align:start COLUMBUS WOMEN PLAYED A BIG ROLE 01:10.570 --> 01:13.070 align:start IN THE COLUMBUS LITTLE 01:13.070 --> 01:14.270 align:start ORCHESTRA, THAT WAS THE 01:14.270 --> 01:15.330 align:start PREDECESSOR TO TODAY'S COLUMBUS 01:15.330 --> 01:17.370 align:start SYMPHONY ORCHESTRA. 01:17.370 --> 01:19.230 align:start HISTORIAN DOREEN UHAS SAUER 01:19.230 --> 01:21.230 align:start SHOWS US HOW WOMEN ANSWERED THE 01:21.230 --> 01:22.330 align:start CALL AND HELPED SAVE COLUMBUS'S 01:22.330 --> 01:25.430 align:start SYMPHONY. 01:25.430 --> 01:27.170 align:start ♪♪ 01:27.170 --> 01:31.070 align:start ♪♪ 01:31.070 --> 01:33.570 align:start >> I AM SO PRIVILEGED TO BE ABLE 01:33.570 --> 01:35.030 align:start TO INTERVIEW THE TWO OF YOU 01:35.030 --> 01:36.330 align:start BECAUSE, TODAY WE'RE TALKING 01:36.330 --> 01:37.300 align:start ABOUT AN ORGANIZATION THAT SAVED 01:37.300 --> 01:39.430 align:start AN ORGANIZATION. 01:39.430 --> 01:40.970 align:start AND I'M WONDERING IF I COULD 01:40.970 --> 01:42.700 align:start START WITH YOU SANDY, JUST TALK 01:42.700 --> 01:44.200 align:start ABOUT WHAT THE ORGANIZATION IS 01:44.200 --> 01:47.100 align:start WERE TALKING ABOUT -- 01:47.100 --> 01:48.500 align:start >> WELL WERE TALKING ABOUT THE 01:48.500 --> 01:49.500 align:start WOMEN WHO WERE INVOLVED IN 01:49.500 --> 01:51.100 align:start CREATING AND HAVE BEEN 01:51.100 --> 01:53.100 align:start SUPPORTING THE COLUMBUS 01:53.100 --> 01:54.970 align:start SYMPHONY. 01:54.970 --> 01:56.600 align:start IT'S CURRENT NAME, FOR -- 01:56.600 --> 01:58.700 align:start SEVENTY YEARS. 01:58.700 --> 02:00.530 align:start WHICH IS AN AMAZING THOUGHT, 02:00.530 --> 02:03.970 align:start THAT HERE WE ARE AND WE'RE 02:03.970 --> 02:06.930 align:start SITTING IN AN ARCHIVE THAT HAS 02:06.930 --> 02:09.730 align:start REALLY DOCUMENTED WHAT HAPPENED 02:09.730 --> 02:12.300 align:start FROM THE BEGINNING AND HOW IT 02:12.300 --> 02:13.730 align:start HAS GROWN AND HOW MUCH ITS MEANT 02:13.730 --> 02:15.670 align:start TO PEOPLE. 02:15.670 --> 02:16.430 align:start >> THERESA, COULD YOU GIVE A 02:16.430 --> 02:18.070 align:start LITTLE MORE DETAIL ABOUT THE 02:18.070 --> 02:19.900 align:start BEGINNING AND THE IMPORTANCE OF 02:19.900 --> 02:21.400 align:start IT. 02:21.400 --> 02:22.770 align:start >> IT WAS FOUNDED PRETTY MUCH 02:22.770 --> 02:23.970 align:start STANDARDLY BY CITY FATHERS 02:23.970 --> 02:25.200 align:start AROUND 1941. 02:25.200 --> 02:29.670 align:start AND IT WAS MORE OR LESS BIRTHED 02:29.670 --> 02:32.730 align:start FULL GROWN. 02:32.730 --> 02:34.030 align:start THEY STARTED IN AN ORCHESTRA 02:34.030 --> 02:35.430 align:start WITH PROFESSIONAL MUSICIANS AND 02:35.430 --> 02:37.430 align:start THEY HIRED A FIRST CLASS 02:37.430 --> 02:41.170 align:start CONDUCTOR, IZLER SOLOMON. 02:41.170 --> 02:43.700 align:start AND THEN IT GARNERED THE SUPPORT 02:43.700 --> 02:45.200 align:start OF THE WOMEN'S ASSOCIATION OF 02:45.200 --> 02:46.400 align:start THE PHILHARMONIC, THEY WERE 02:46.400 --> 02:47.700 align:start KNOWN THEN. 02:47.700 --> 02:49.330 align:start WHO WOULD TRY TO RAISE MONEY 02:49.330 --> 02:50.500 align:start THROUGH VARIOUS MEANS AND 02:50.500 --> 02:51.870 align:start SUPPORT THEM. 02:51.870 --> 02:53.870 align:start >> I GUESS IN LOOKING THROUGH 02:53.870 --> 02:55.430 align:start THE MANY SCRAPBOOKS THAT HAVE 02:55.430 --> 02:56.000 align:start BEEN OUT, AND THIS IS JUST A 02:56.000 --> 02:57.570 align:start FRACTION OF THEM. 02:57.570 --> 02:59.030 align:start IT'S VERY EASY TO SEE THAT THERE 02:59.030 --> 03:00.670 align:start ARE LUNCHEONS AND THERE ARE 03:00.670 --> 03:01.730 align:start LOT'S OF PEOPLE WITH HATS AND 03:01.730 --> 03:04.530 align:start GLOVES ON, THE REQUIRED FASHION 03:04.530 --> 03:07.370 align:start MODE OF THE DAY. 03:07.370 --> 03:10.100 align:start AND -- THAT SORT OF LED PERHAPS 03:10.100 --> 03:11.300 align:start TO WHAT, SANDY, IT'S KIND OF IN 03:11.300 --> 03:13.030 align:start FRONT OF YOU AND IT'S ABOUT 03:13.030 --> 03:14.600 align:start USING HISTORIC THEMES AND 03:14.600 --> 03:16.870 align:start FASHION SHOW. 03:16.870 --> 03:18.330 align:start >> SO CLEARLY THERE HAVE BEEN A 03:18.330 --> 03:22.070 align:start LOT OF FASHION SHOWS THAT WERE 03:22.070 --> 03:23.130 align:start USED TO UNITE DIFFERENT SYMPHONY 03:23.130 --> 03:25.530 align:start UNITS AND HAVE A PROGRAM THAT 03:25.530 --> 03:26.830 align:start THEY ALL COULD ENJOY TOGETHER. 03:26.830 --> 03:30.430 align:start AND CERTAINLY MUSIC WAS A PART 03:30.430 --> 03:33.830 align:start OF THEM WITHOUT ANY QUESTION, 03:33.830 --> 03:35.270 align:start AND IN FACT IN OUR PARTICULAR 03:35.270 --> 03:35.870 align:start UNIT WE WOULD SPONSOR AN ANNUAL 03:35.870 --> 03:36.800 align:start LUNCHEON. 03:36.800 --> 03:38.170 align:start WHERE WE WOULD HAVE -- SOME OF 03:38.170 --> 03:39.430 align:start THE SYMPHONY MEMBERS AND THEIR 03:39.430 --> 03:41.430 align:start STUDENTS PLAY FOR US, BUT THEN 03:41.430 --> 03:46.430 align:start THERE WOULD BE A FASHION SHOW. 03:46.430 --> 03:47.700 align:start AND WE ALSO WOULD HAVE A SILENT 03:47.700 --> 03:48.900 align:start AUCTION SO THAT WE COULD BE 03:48.900 --> 03:50.830 align:start RAISING MONEY THAT WE COULD GIVE 03:50.830 --> 03:52.370 align:start TO THE SYMPHONY. 03:52.370 --> 03:53.470 align:start SO IT WAS ALWAYS SORT OF A 03:53.470 --> 03:54.930 align:start COMBINATION, BUT THERE'VE BEEN 03:54.930 --> 03:57.900 align:start SO MANY OTHER FUNDRAISING EVENTS 03:57.900 --> 04:01.970 align:start THAT DIDN'T INVOLVE THE HATS AND 04:01.970 --> 04:03.200 align:start GLOVES. 04:03.200 --> 04:04.600 align:start ♪♪ 04:04.600 --> 04:06.000 align:start ♪♪ 04:06.000 --> 04:07.430 align:start THE LECTURES OF NOTE WERE 04:07.430 --> 04:08.970 align:start SPONSORED BY THE WOMEN'S 04:08.970 --> 04:09.530 align:start ASSOCIATION OF THE COLUMBUS 04:09.530 --> 04:11.200 align:start SYMPHONY, AND WAS HELD IN THE 04:11.200 --> 04:13.200 align:start OHIO THEATRE. 04:13.200 --> 04:15.100 align:start AND THERE WAS A SERIES AND YOU 04:15.100 --> 04:17.270 align:start COULD BUY A SEASON SUBSCRIPTION 04:17.270 --> 04:20.170 align:start TO THEM. AND THEY WOULD BRING IN 04:20.170 --> 04:24.830 align:start CELEBRITIES AND HAVE THEM TALK 04:24.830 --> 04:26.030 align:start ABOUT ALL KINDS OF THINGS. 04:26.030 --> 04:27.100 align:start I MEAN -- FOR EXAMPLE HERE IS 04:27.100 --> 04:28.500 align:start RAY BOLGER TALKED ABOUT HIS 04:28.500 --> 04:29.900 align:start WORLD. 04:29.900 --> 04:32.700 align:start CELESTE HOLM, JUST ASK ME. 04:32.700 --> 04:34.500 align:start BUT THEN ALSO HERE'S 04:34.500 --> 04:36.530 align:start THOMAS HOVING, TALKING ABOUT THE 04:36.530 --> 04:38.000 align:start TOMB OF TUTANKHAMUN, SO IT WAS A 04:38.000 --> 04:40.700 align:start REAL VARIETY. 04:40.700 --> 04:41.600 align:start >> A SMORGASBORD? 04:41.600 --> 04:42.870 align:start >> YES, AND THEY WERE SELLOUTS. 04:42.870 --> 04:44.700 align:start AND WE HAD LOTS OF OTHER WAYS 04:44.700 --> 04:47.870 align:start THAT WOMEN COULD BE INVOLVED, 04:47.870 --> 04:49.370 align:start BUT COULD INVOLVE THE REST OF 04:49.370 --> 04:51.500 align:start THE COMMUNITY AS WELL. 04:51.500 --> 04:53.230 align:start >> AND WE ALSO HAVE LIKE THIS 04:53.230 --> 04:54.930 align:start LITTLE BOOKLET HERE. 04:54.930 --> 04:56.630 align:start WHICH IS ABOUT THE CANTERBURY 04:56.630 --> 04:58.670 align:start UNIT, WHAT CAN YOU TELL US ABOUT 04:58.670 --> 05:00.170 align:start THE UNITS, AND THEIR 05:00.170 --> 05:01.870 align:start ORGANIZATION. 05:01.870 --> 05:04.200 align:start AND WHAT WOULD'VE BEEN THEIR 05:04.200 --> 05:05.730 align:start RULE IN A SEASON OF THE 05:05.730 --> 05:08.030 align:start ORCHESTRA, OR PRECEDING IT? 05:08.030 --> 05:10.670 align:start >> WELL, I THINK THE UNITS WERE 05:10.670 --> 05:14.070 align:start REALLY A WONDERFUL WAY FOR A 05:14.070 --> 05:18.170 align:start VERY EXTENSIVE ORGANIZATION TO 05:18.170 --> 05:20.770 align:start HAVE SOME SMALLER GROUPS THAT 05:20.770 --> 05:21.700 align:start PLAYED A ROLE IN CARRYING OUT 05:21.700 --> 05:23.270 align:start THE MISSION, OF THE WOMEN'S 05:23.270 --> 05:25.730 align:start ASSOCIATION. 05:25.730 --> 05:28.230 align:start >> AND I THINK THAT IN THAT 05:28.230 --> 05:30.670 align:start SMALLER GROUP PEOPLE COULD COME 05:30.670 --> 05:33.170 align:start UP WITH IDEAS, BUT THEY ALL THEN 05:33.170 --> 05:35.800 align:start COULD JOIN THEIR IDEAS AND WORK 05:35.800 --> 05:37.730 align:start TOGETHER ON ALL KINDS OF 05:37.730 --> 05:39.330 align:start PROJECTS. 05:39.330 --> 05:41.430 align:start FOR FUNDRAISING AND THE 05:41.430 --> 05:43.030 align:start VOLUNTEERISM HAS BEEN EXTENSIVE 05:43.030 --> 05:44.870 align:start THROUGH THE YEARS. 05:44.870 --> 05:46.500 align:start >> THEY WERE SO ACTIVE THAT WHEN 05:46.500 --> 05:49.270 align:start THE PHILHARMONIC DISBANDED THEY 05:49.270 --> 05:51.270 align:start INSISTED ON STAYING TOGETHER. 05:51.270 --> 05:53.330 align:start ♪♪ 05:53.330 --> 05:55.100 align:start IN 1949, THEY WERE RUNNING A 05:55.100 --> 05:56.870 align:start DEFICIT. 05:56.870 --> 05:58.200 align:start THEY HAD NOT BEEN ABLE TO MAKE 05:58.200 --> 06:00.430 align:start ENDS MEET -- SO AT THAT POINT 06:00.430 --> 06:02.300 align:start THE CITY FATHERS GOT TOGETHER, 06:02.300 --> 06:04.370 align:start THE BOARD MEMBERS AND SAID “WERE 06:04.370 --> 06:05.270 align:start NOT GOING TO BE THROWING ANY 06:05.270 --> 06:06.530 align:start MORE MONEY AT THIS, BUT WE WILL 06:06.530 --> 06:08.370 align:start PAY YOUR DEBTS. AND YOU'LL HAVE 06:08.370 --> 06:11.130 align:start TO DISBAND” THE WOMEN'S 06:11.130 --> 06:14.930 align:start ASSOCIATION OF THE PHILHARMONICS 06:14.930 --> 06:17.900 align:start SAID “OH NO, WE WON'T GO” AND SO 06:17.900 --> 06:19.470 align:start THEY STAYED. 06:19.470 --> 06:20.730 align:start AND FOR THE YEARS OF FORTY-NINE, 06:20.730 --> 06:23.070 align:start FIFTY, AND EARLY FIFTY-ONE THEY 06:23.070 --> 06:25.500 align:start WERE CONTINUING TO HAVE CARD 06:25.500 --> 06:28.300 align:start PARTIES, FASHION SHOWS, ALL THE 06:28.300 --> 06:29.630 align:start WAYS THAT THEY RAISED MONEY BUT 06:29.630 --> 06:30.470 align:start THEY WERE DONATING IT TOWARDS 06:30.470 --> 06:31.970 align:start SCHOLARSHIPS -- FOR MUSIC 06:31.970 --> 06:34.070 align:start STUDENTS. 06:34.070 --> 06:35.600 align:start THEN GEORGE HARDESTY AND THE 06:35.600 --> 06:37.200 align:start GROUP OF THE ADMINISTRATION 06:37.200 --> 06:38.800 align:start DECIDED THEY COULD SWING A SMALL 06:38.800 --> 06:42.970 align:start ORCHESTRA. 06:42.970 --> 06:43.800 align:start IT WASN'T GOING TO BE THE 06:43.800 --> 06:44.570 align:start PHILHARMONIC. 06:44.570 --> 06:45.430 align:start IT WASN'T GOING TO BE A 06:45.430 --> 06:46.670 align:start PROFESSIONAL ORCHESTRA BUT IT 06:46.670 --> 06:47.670 align:start WAS GOING TO BE A PROFESSIONAL 06:47.670 --> 06:49.930 align:start ORCHESTRA --SO MUCH AS THEY 06:49.930 --> 06:51.400 align:start WOULD BE UNION RATE MUSICIANS 06:51.400 --> 06:52.330 align:start BUT THEY WOULDN'T BE -- HAVE 06:52.330 --> 06:57.400 align:start FULL TIME SALARIES. 06:57.400 --> 06:58.200 align:start SO THAT WAS HOW THE COLUMBUS 06:58.200 --> 07:01.670 align:start LITTLE SYMPHONY WAS FORMED. 07:01.670 --> 07:04.200 align:start AND THEN THERE HAD BEEN A GRANT 07:04.200 --> 07:05.670 align:start FROM THE TELL, THAT WAS A LARGE 07:05.670 --> 07:10.730 align:start SUM OF MONEY AROUND 1978, I 07:10.730 --> 07:11.500 align:start THINK, AND THAT MADE THEM DECIDE 07:11.500 --> 07:14.100 align:start TO BE ABLE TO HAVE MORE FULL 07:14.100 --> 07:15.870 align:start TIMERS. 07:15.870 --> 07:17.100 align:start FROM THAT POINT ON WE WERE A 07:17.100 --> 07:18.970 align:start PROFESSIONAL ORCHESTRA AGAIN, 07:18.970 --> 07:21.830 align:start AFTER A LAPSE OF MAYBE FORTY, 07:21.830 --> 07:23.870 align:start FIFTY YEARS BUT BY THE TIME WE 07:23.870 --> 07:26.100 align:start HAD REACHED THE YEAR 07:26.100 --> 07:27.370 align:start 2000 GRADUALLY AND INCREMENTALLY 07:27.370 --> 07:28.770 align:start THE ORCHESTRA THAT HAD BEEN, HAD 07:28.770 --> 07:29.270 align:start BEEN RECREATED AS THE FULL TIME 07:29.270 --> 07:34.170 align:start PROFESSIONAL ORCHESTRA. 07:34.170 --> 07:35.870 align:start >> ONE OF THE THINGS I NOTICED 07:35.870 --> 07:36.770 align:start IN GOING THROUGH SCRAPBOOKS, AND 07:36.770 --> 07:38.830 align:start I THINK I WAS ONLY FOUR PAGES 07:38.830 --> 07:39.700 align:start INTO LOOKING WERE THE NUMBER OF 07:39.700 --> 07:41.030 align:start WOMAN WHO WERE SO WELL KNOWN AND 07:41.030 --> 07:45.670 align:start THEY ARE STILL WELL KNOWN. 07:45.670 --> 07:48.200 align:start AND I'M THINKING YOU KNOW THERE 07:48.200 --> 07:49.400 align:start WAS ELEANOR GELPY. 07:49.400 --> 07:50.970 align:start THERE WAS MARY BISHOP, WHO LATER 07:50.970 --> 07:53.770 align:start ACTUALLY SAVES THE OHIO THEATRE 07:53.770 --> 07:55.200 align:start TO A GREAT EXTENT. 07:55.200 --> 07:56.300 align:start NOT JUST SAVING THE ORCHESTRA 07:56.300 --> 07:57.600 align:start NOW NOW, WE'RE TALKING ABOUT 07:57.600 --> 07:59.170 align:start SAVING THE HOME. 07:59.170 --> 08:00.300 align:start >> THE PHYSICAL THEATER. 08:00.300 --> 08:01.770 align:start >> FOR AN ORCHESTRA >> YES. 08:01.770 --> 08:03.500 align:start >> WHEN IT BECAME APPARENT THAT 08:03.500 --> 08:06.000 align:start THE COLUMBUS SYMPHONY AT 08:06.000 --> 08:08.170 align:start VETERANS MEMORIAL WASN'T GOING 08:08.170 --> 08:10.970 align:start TO CONTINUE, BUT AT THE SAME 08:10.970 --> 08:13.870 align:start TIME THE OHIO THEATRE WAS IN 08:13.870 --> 08:15.400 align:start DANGER OF BEING RAISED. 08:15.400 --> 08:17.470 align:start IT TOOK A LOT OF EFFORT, BUT IT 08:17.470 --> 08:18.900 align:start TURNED OUT WITH A WONDERFUL 08:18.900 --> 08:21.870 align:start OUTCOME THAT THE WOMEN AND MEN 08:21.870 --> 08:24.000 align:start CAME TOGETHER AND REALLY WORKED 08:24.000 --> 08:27.000 align:start HARD TO SAVE THE OHIO THEATRE. 08:27.000 --> 08:28.770 align:start THERE WAS A BIG PUSH FROM THE 08:28.770 --> 08:29.900 align:start WOMEN TO MAKE SURE THAT 08:29.900 --> 08:31.300 align:start HAPPENED. 08:31.300 --> 08:32.400 align:start >> AND LOOKING BACK AT ALL OF 08:32.400 --> 08:33.370 align:start THIS. 08:33.370 --> 08:34.670 align:start WHAT DO YOU THINK ARE THE 08:34.670 --> 08:37.300 align:start LEGACIES OF ALL OF THIS HISTORY, 08:37.300 --> 08:39.330 align:start AND THE IMPORTANCE OF THIS GROUP 08:39.330 --> 08:40.500 align:start TO WHERE WE ARE TODAY, AND 08:40.500 --> 08:42.200 align:start WHERE -- THE SYMPHONY HOPES TO 08:42.200 --> 08:45.330 align:start BE IN THE FUTURE? 08:45.330 --> 08:47.100 align:start >> I DO THINK THAT -- IN MANY 08:47.100 --> 08:49.070 align:start WAYS THE COLUMBUS SYMPHONY MAY 08:49.070 --> 08:50.770 align:start HAVE A UNIQUE ORIGIN STORY 08:50.770 --> 08:52.700 align:start BECAUSE GENERALLY MOST OF THESE 08:52.700 --> 08:55.100 align:start ORCHESTRAS WERE BEGUN BY CIVIC 08:55.100 --> 08:56.900 align:start MINDED CITY LEADERS WHO WANTED 08:56.900 --> 08:59.930 align:start TO HAVE THIS CULTURAL THING FOR 08:59.930 --> 09:01.630 align:start THEIR COMMUNITY AND -- OFTEN IN 09:01.630 --> 09:06.900 align:start THE WAY OF STATUS AND THIS 09:06.900 --> 09:09.030 align:start ORCHESTRA WAS BEGUN BECAUSE 09:09.030 --> 09:10.570 align:start WOMEN DUG THEIR HEELS IN. 09:10.570 --> 09:11.300 align:start ♪♪ 09:11.300 --> 09:12.230 align:start ♪♪ 09:12.230 --> 09:13.670 align:start AND DECIDED NO. 09:13.670 --> 09:14.700 align:start THE MEN HAVE FAILED, WE ARE 09:14.700 --> 09:16.170 align:start GOING TO PICK IT UP. 09:16.170 --> 09:17.470 align:start WE'RE GOING TO START SMALL, AND 09:17.470 --> 09:18.800 align:start WE'RE GOING TO BUILD IT. 09:18.800 --> 09:20.100 align:start THERE'S SOMETHING ABOUT WOMEN IN 09:20.100 --> 09:21.870 align:start THAT DAY AND THERE'S A 09:21.870 --> 09:23.100 align:start PERSISTENCE. 09:23.100 --> 09:24.930 align:start >> TENACIOUS. 09:24.930 --> 09:26.430 align:start >> YES, A TENACIOUS QUALITY OF, 09:26.430 --> 09:29.500 align:start WE WANT THIS, NOT FOR THE 09:29.500 --> 09:30.430 align:start ACCOLADES AND NOT FOR THE GLORY 09:30.430 --> 09:31.800 align:start BUT FOR OUR CHILDREN. 09:31.800 --> 09:34.370 align:start WE WANT THIS FOR A LEGACY. 09:34.370 --> 09:35.170 align:start FOR OUR CITY. 09:35.170 --> 09:36.470 align:start >> VERY WELL PUT. 09:36.470 --> 09:37.730 align:start >> THE LEGACY REALLY IS EMBODIED 09:37.730 --> 09:40.730 align:start IN ALL OF THIS. 09:40.730 --> 09:42.800 align:start YOU KNOW MUSIC IS THE HEART OF 09:42.800 --> 09:46.330 align:start SO MANY OF PEOPLE'S LIVES, AND 09:46.330 --> 09:50.470 align:start NOW ITS REALLY COME TO MEAN SO 09:50.470 --> 09:52.070 align:start MUCH FOR THE WHOLE COMMUNITY TO 09:52.070 --> 09:54.530 align:start HAVE THE KIND OF VARIETY WE 09:54.530 --> 09:55.600 align:start HAVE. 09:55.600 --> 09:58.530 align:start WE HAVE YOUNG PEOPLES CONCERTS, 09:58.530 --> 10:01.300 align:start WE HAVE CLASSICAL MUSIC SERIES, 10:01.300 --> 10:03.900 align:start WE HAVE PICNIC AT THE POPS. 10:03.900 --> 10:06.670 align:start AND IT'S A REAL COMMUNITY GEM. 10:06.670 --> 10:08.400 align:start A COMMUNITY ASSET, AND WE ALL 10:08.400 --> 10:13.130 align:start ARE THE BENEFICIARIES OF THE 10:13.130 --> 10:14.570 align:start HISTORY THAT THESE WOMEN REALLY 10:14.570 --> 10:16.000 align:start PROMOTED FROM THE BEGINNING. 10:16.000 --> 10:19.170 align:start ♪♪ 10:19.170 --> 10:24.670 align:start ♪♪ 10:24.670 --> 10:25.430 align:start ♪♪ 10:25.430 --> 10:38.730 align:start ♪♪ 10:38.730 --> 10:39.970 align:start >>> COLUMBUS AUTHOR AND EDUCATOR 10:39.970 --> 10:41.970 align:start CARLOTTA PENN WAS FRUSTRATED BY 10:41.970 --> 10:43.700 align:start THE LACK OF DIVERSITY IN 10:43.700 --> 10:45.130 align:start CHILDREN'S LITERATURE. 10:45.130 --> 10:46.570 align:start SO, SHE DID SOMETHING ABOUT IT 10:46.570 --> 10:47.500 align:start AND WROTE NOT ONE, BUT TWO BOOKS 10:47.500 --> 10:50.670 align:start FOR KIDS. 10:50.670 --> 10:51.530 align:start THE LATEST IS CALLED “THE TURTLE 10:51.530 --> 10:52.530 align:start WITH AN AFRO.” 10:52.530 --> 10:53.530 align:start AND IT ENCOURAGES YOUNG BLACK 10:53.530 --> 10:54.600 align:start GIRLS TO LOVE AND EMBRACE THE 10:54.600 --> 10:56.570 align:start VERSATILITY OF THEIR HAIR. 10:56.570 --> 11:00.870 align:start HERE'S HERE STORY. 11:00.870 --> 11:05.300 align:start ♪♪ 11:05.300 --> 11:07.900 align:start >>> TURTLE WAS FRUSTRATED. 11:07.900 --> 11:09.330 align:start IT WAS A BAD HAIR DAY. 11:09.330 --> 11:11.530 align:start HER SPRINGY, SPRIGHTLY CURLS 11:11.530 --> 11:15.530 align:start ABSOLUTLEY, POSITIVELY WOULD NOT 11:15.530 --> 11:17.700 align:start STAY IN PLACE. 11:17.700 --> 11:19.200 align:start I THINK IT'S VERY INTERESTING 11:19.200 --> 11:20.930 align:start AND VERY TELLING WHEN I THINK 11:20.930 --> 11:22.300 align:start ABOUT CULTURE AND BLACK CULTURE 11:22.300 --> 11:23.430 align:start AND AFRICAN-AMERICAN CULTURE, 11:23.430 --> 11:24.200 align:start AND THEN AFRICAN-AMERICAN 11:24.200 --> 11:26.300 align:start WOMEN'S CULTURE. 11:26.300 --> 11:27.900 align:start EVEN THOUGH AFRICAN-AMERICAN AND 11:27.900 --> 11:29.570 align:start AFRICAN-AMERICAN WOMEN ARE 11:29.570 --> 11:30.670 align:start DIVERSE. 11:30.670 --> 11:32.070 align:start THERE ARE STILL SO MANY THINGS 11:32.070 --> 11:33.430 align:start THAT TIE US TOGETHER AND ONE OF 11:33.430 --> 11:34.670 align:start THOSE THINGS IS THE HAIR 11:34.670 --> 11:35.930 align:start EXPERIENCE. 11:35.930 --> 11:38.530 align:start THEY REFUSE TO OBEY THE BRUSH OR 11:38.530 --> 11:40.000 align:start THE COMB. 11:40.000 --> 11:41.500 align:start THEY DID NOT CARE HOW LOUD SHE 11:41.500 --> 11:50.230 align:start SCREAMED, OR HOW SHE MOANED. 11:50.230 --> 11:53.230 align:start THEY WERE FANTASTIC, FABULOUS, 11:53.230 --> 11:58.600 align:start FROLICKING, AND FISTY. 11:58.600 --> 12:01.930 align:start WHY, OH WHY? TURTLE ASKED. 12:01.930 --> 12:05.770 align:start WON'T YOU JUST BE NICE TO ME? 12:05.770 --> 12:07.170 align:start YOU KNOW, MY RELATIONSHIP WITH 12:07.170 --> 12:08.500 align:start MY OWN HAIR IS A DAILY 12:08.500 --> 12:09.900 align:start EXPERIENCE. 12:09.900 --> 12:11.500 align:start AND I DON'T KNOW THAT IS NOT AN 12:11.500 --> 12:12.370 align:start EXPERIENCE THAT IS HAD IN OTHER 12:12.370 --> 12:13.430 align:start COMMUNITIES. 12:13.430 --> 12:14.630 align:start BUT, I KNOW THE WAY WE TALK 12:14.630 --> 12:17.500 align:start ABOUT OUR HAIR IS UNIQUE TO OUR 12:17.500 --> 12:19.570 align:start COMMUNITY. 12:19.570 --> 12:23.430 align:start AND SO, FOR ME THE STORY IS NOT 12:23.430 --> 12:25.100 align:start ABOUT -- 12:25.100 --> 12:25.830 align:start IT'S NOT A CONVERSATION WITH 12:25.830 --> 12:27.570 align:start MAINSTREAM ABOUT WHETHER OR NOT 12:27.570 --> 12:30.600 align:start THE HAIR IS OKAY, WHICH I THINK 12:30.600 --> 12:32.130 align:start HAS BEEN DONE IN BOOKS. 12:32.130 --> 12:32.800 align:start WHERE I THINK “THE TURTLE WITH 12:32.800 --> 12:33.930 align:start AN AFRO” IS DIFFERENT IS THAT 12:33.930 --> 12:36.630 align:start IT'S MORE OF AN ETERNAL 12:36.630 --> 12:37.430 align:start CONVERSATIONS WITH PEOPLE WHO 12:37.430 --> 12:38.330 align:start HAVE CURLY HAIR WHO WE KNOW GET 12:38.330 --> 12:39.470 align:start FRUSTRATED WITH IT. 12:39.470 --> 12:40.600 align:start WE WANT OUR CURLY HAIR. 12:40.600 --> 12:41.970 align:start YOU KNOW, IT'S NOT ABOUT ME 12:41.970 --> 12:43.500 align:start WANTING MY HAIR TO BE STRAIGHT. 12:43.500 --> 12:44.830 align:start I JUST WANT IT TO DO WHAT I WANT 12:44.830 --> 12:46.100 align:start IT TO DO AND IT DOESN'T DO THE 12:46.100 --> 12:47.970 align:start SAME THING EVERY DAY. 12:47.970 --> 12:49.730 align:start OR, IT TAKES TIME. 12:49.730 --> 12:51.030 align:start AND THAT'S FRUSTRATING. 12:51.030 --> 12:52.300 align:start BUT, THOSE CRAZY CURLS HAD 12:52.300 --> 12:54.370 align:start EXTRAVAGANT PLANS. 12:54.370 --> 12:55.370 align:start TO DANCE, AND JUMP, AND BOUNCE 12:55.370 --> 12:58.830 align:start ALL OVER HER HEAD. 12:58.830 --> 13:00.230 align:start SHIMMY, SHIMMY, SHIMMY. 13:00.230 --> 13:02.270 align:start SLIPE, SLIDE, TWIRL. 13:02.270 --> 13:04.130 align:start SHAKE, SHAKE, SHAKE IT OUT. 13:04.130 --> 13:07.130 align:start WHIRL, WHIRL, WHIRL. 13:07.130 --> 13:08.900 align:start I LIKE WHEN STORIES, YOU KNOW, 13:08.900 --> 13:11.630 align:start ARE POETRY AND ARE SONG. 13:11.630 --> 13:12.800 align:start AND KIDS LOVE POETRY AND SONG. 13:12.800 --> 13:14.900 align:start RAINBOW, BLUE SKY, OPEN UP 13:14.900 --> 13:18.770 align:start YOUR -- 13:18.770 --> 13:20.400 align:start >> EYES. 13:20.400 --> 13:21.400 align:start >> I WAS BORN AND RAISED IN 13:21.400 --> 13:23.130 align:start COLUMBUS, OHIO. 13:23.130 --> 13:24.100 align:start WE GREW UP ON THE EAST SIDE OF 13:24.100 --> 13:25.800 align:start COLUMBUS. 13:25.800 --> 13:26.830 align:start MY LOVE OF BOOKS STARTED WITH MY 13:26.830 --> 13:27.830 align:start MOTHER. 13:27.830 --> 13:28.870 align:start SHE READ A LOT TO US WHEN WE 13:28.870 --> 13:30.170 align:start WERE YOUNGER. 13:30.170 --> 13:31.700 align:start SO, JUST THE TYPICAL LIKE 13:31.700 --> 13:34.030 align:start READING STORIES AT BED TIME. 13:34.030 --> 13:35.400 align:start AND MY PARENTS WERE REALLY BIG 13:35.400 --> 13:36.270 align:start ON INSTILLING IN US JUST THE 13:36.270 --> 13:38.970 align:start BEAUTY OF BLACK CULTURE AND 13:38.970 --> 13:40.030 align:start AFRICAN CULTURE. 13:40.030 --> 13:41.300 align:start WHEN I GOT A LITTLE BIT OLDER IS 13:41.300 --> 13:42.630 align:start WHEN I CAN REMEMBER BOOKS WITH 13:42.630 --> 13:45.400 align:start BLACK CHRACTERS. 13:45.400 --> 13:46.330 align:start >> TURTLE WATCHED THEM TWIST AND 13:46.330 --> 13:49.030 align:start TURN, FULL OF SHIMMER AND SHINE. 13:49.030 --> 13:52.330 align:start A THOUSAND WORKS OF ART SHE 13:52.330 --> 13:56.670 align:start THOUGHT AND EACH ONE IS MINE. 13:56.670 --> 13:57.630 align:start >> SO, TODAY I HAVE A HUSBAND 13:57.630 --> 13:59.200 align:start AND TWO CHILDREN. 13:59.200 --> 14:00.100 align:start AND I'M AN EDUCATOR AND A 14:00.100 --> 14:02.330 align:start WRITER. 14:02.330 --> 14:03.700 align:start I'VE GOT MY MASTERS DEGREE IN 14:03.700 --> 14:04.570 align:start COMPARATIVE STUDIES WHERE I 14:04.570 --> 14:07.400 align:start STUDIED AFRICAN-AMERICAN WOMEN 14:07.400 --> 14:09.600 align:start AND THINKING ABOUT RACE AND THE 14:09.600 --> 14:12.700 align:start INFLUENCE OF COLORISM IN 14:12.700 --> 14:15.130 align:start AFIRCAN-AMERICAN WOMEN. 14:15.130 --> 14:16.200 align:start AND I EVENTUALLY WENT ON TO GET 14:16.200 --> 14:17.270 align:start MY DOCTORATE IN EDUCATION WHERE 14:17.270 --> 14:19.730 align:start MY FOCUS WAS MULTICULTURAL AND 14:19.730 --> 14:22.430 align:start EQUITY STUDIES. 14:22.430 --> 14:25.330 align:start AND SO, WHAT I THINK THE 14:25.330 --> 14:26.270 align:start THROUGHLINE THROUGH ALL OF THAT 14:26.270 --> 14:27.070 align:start IS JUST THINKING ABOUT PEOPLE 14:27.070 --> 14:28.070 align:start AND DIVERSITY IN OUR STORIES AND 14:28.070 --> 14:29.070 align:start HOW THEY MATTER TO THE LIVES 14:29.070 --> 14:31.300 align:start THAT WE LIVE. 14:31.300 --> 14:32.370 align:start >> SHE WHIPPED HER HEAD AROUND 14:32.370 --> 14:33.130 align:start AND AROUND. 14:33.130 --> 14:34.200 align:start JUMPED BACK, FORTH, UP, AND 14:34.200 --> 14:37.030 align:start DOWN. 14:37.030 --> 14:39.030 align:start STYLING AND PROFILING WITH HER 14:39.030 --> 14:42.200 align:start LOVELY LOCKS. 14:42.200 --> 14:45.970 align:start TURTLE WAS READY TO ROCK. 14:45.970 --> 14:46.900 align:start >> AND I'M NOT AN ARTIST. 14:46.900 --> 14:49.070 align:start MY FATHER WAS AN ARTIST. 14:49.070 --> 14:50.130 align:start MY BROTHER'S AN ARTIST. 14:50.130 --> 14:51.400 align:start I DIDN'T GET THE ART GENE. 14:51.400 --> 14:52.770 align:start IT WAS IMPORTANT FOR ME FOR THE 14:52.770 --> 14:54.770 align:start ILLUSTRATOR TO BE A BLACK WOMAN. 14:54.770 --> 14:56.530 align:start AND SO I FOUND HER ON INSTAGRAM. 14:56.530 --> 14:57.630 align:start I WENT THROUGH AND FOUND SOME 14:57.630 --> 14:58.500 align:start POSTS ABOUT BLACK WOMEN 14:58.500 --> 15:00.200 align:start ILLUSTRATORS. 15:00.200 --> 15:01.900 align:start WE BOTH TALKED ABOUT BEING 15:01.900 --> 15:05.430 align:start SENSATIVE TO THE TOPIC OF HAIR 15:05.430 --> 15:08.100 align:start AND THE IDEA OF THIS TURLE WAS 15:08.100 --> 15:09.570 align:start HAVING A BAD HAIR DAY. 15:09.570 --> 15:10.300 align:start HOW THAT COULD POTENTIALLY COULD 15:10.300 --> 15:12.500 align:start COME OFF AS SEEING CURLY HAIR AS 15:12.500 --> 15:13.970 align:start NEGATIVE. 15:13.970 --> 15:15.000 align:start SO, REALLY BEING INTENTIONAL 15:15.000 --> 15:16.600 align:start THROUGH THE STORY AND PICTURES 15:16.600 --> 15:18.330 align:start TO CONVEY THAT IT'S NOT THE HAIR 15:18.330 --> 15:20.870 align:start THAT WAS BAD. 15:20.870 --> 15:22.030 align:start EVERYBODY HAS BAD HAIR DAYS. 15:22.030 --> 15:23.630 align:start BUT, THIS IS A STORY ABOUT, YOU 15:23.630 --> 15:25.800 align:start KNOW, A TURTLE THAT'S 15:25.800 --> 15:26.330 align:start NEGOTIATING HER LOVE FOR HER 15:26.330 --> 15:27.830 align:start HAIR. 15:27.830 --> 15:28.970 align:start >> SO, JUST LIKE THAT TURTLE SAW 15:28.970 --> 15:30.200 align:start THE LIGHT. 15:30.200 --> 15:31.230 align:start HER CURLS WERE ABSOLUTELY, 15:31.230 --> 15:37.670 align:start POSITIVELY DYNAMITE. 15:37.670 --> 15:38.700 align:start >> WHEN THERE ARE TIMES WHEN I 15:38.700 --> 15:39.800 align:start FEEL LIKE FRUSTRATIONS WITH JUST 15:39.800 --> 15:42.370 align:start BEING AN INDEPENDENT PUBLISHER. 15:42.370 --> 15:43.470 align:start AND, YOU KNOW, THE STRUGGLES OF 15:43.470 --> 15:44.430 align:start KNOWING THAT I FEEL LIKE I HAVE 15:44.430 --> 15:45.470 align:start A GOOD STORY AND I WANT THE 15:45.470 --> 15:48.070 align:start EXPOSURE. 15:48.070 --> 15:49.330 align:start YOU KNOW, YOU GET THOSE VOICES 15:49.330 --> 15:50.770 align:start IN YOUR HEAD AND THEN I HEAR 15:50.770 --> 15:52.430 align:start BACK FROM PEOPLE WHO ARE LIKE 15:52.430 --> 15:54.270 align:start THIS STORY MATTERS. 15:54.270 --> 15:55.370 align:start MY KIDS LIKE THIS STORY. 15:55.370 --> 15:56.700 align:start IT'S IMPORTANT AND DRIVES YOU TO 15:56.700 --> 15:57.830 align:start GO AHEAD AND KEEP PUTTING THOSE 15:57.830 --> 15:59.000 align:start STORIES OUT THERE BECAUSE PEOPLE 15:59.000 --> 16:01.870 align:start WANT THEM AND APPRECIATE THEM. 16:01.870 --> 16:02.970 align:start AND THEIR LIVES ARE CHANGED BY 16:02.970 --> 16:04.370 align:start STORIES. 16:04.370 --> 16:05.700 align:start JUST LIKE MY LIFE WAS CHANGED BY 16:05.700 --> 16:07.200 align:start STORIES. 16:07.200 --> 16:08.370 align:start SO, IT MATTERS. 16:08.370 --> 16:10.230 align:start ♪♪ 16:10.230 --> 16:11.370 align:start >> FLOW, FIERCE, AND FLY FREE 16:11.370 --> 16:12.770 align:start TURTLE SAID. 16:12.770 --> 16:14.730 align:start AND LOOK AT THAT AFRO. 16:14.730 --> 16:16.230 align:start A CROWN ON HER HEAD. 16:16.230 --> 16:18.930 align:start ♪♪ 16:18.930 --> 16:29.670 align:start ♪♪ 16:29.670 --> 16:31.070 align:start >>> ARTIST SUSAN HANDAU'S 16:31.070 --> 16:32.430 align:start CANVASES ARE OF A MINIMALISTIC 16:32.430 --> 16:34.030 align:start NATURE. 16:34.030 --> 16:35.270 align:start WITH COLOR AND TEXTURE, SHE 16:35.270 --> 16:36.700 align:start CREATES ABSTRACT SHAPES 16:36.700 --> 16:39.330 align:start SURROUNDED BY NEUTRAL HUES. 16:39.330 --> 16:40.430 align:start WE HAD TO RENO, NEVADA FOR HER 16:40.430 --> 16:44.470 align:start STORY. 16:44.470 --> 16:52.270 align:start ♪♪ 16:52.270 --> 16:54.170 align:start >>> MY NAME IS SUSAN HANDAU AND 16:54.170 --> 16:56.470 align:start I'M AN ABSTRACT ARTIST. 16:56.470 --> 16:58.300 align:start I WORK IN MIXED MEDIA. 16:58.300 --> 17:00.170 align:start I DO ACRYLIC, OIL, SOMETIMES 17:00.170 --> 17:03.130 align:start WAX. 17:03.130 --> 17:04.770 align:start I PUT GYPSUM, MIX IT WIT GLUE 17:04.770 --> 17:06.970 align:start FOR TEXTURE. 17:06.970 --> 17:09.370 align:start AND SOMETIMES I CUT UP PAINTINGS 17:09.370 --> 17:14.670 align:start AND SEW THEM BACK TOGETHER. 17:14.670 --> 17:16.170 align:start I DO COLOR BLOCKING. 17:16.170 --> 17:18.470 align:start IT'S JUST BLOCKS OF COLOR THAT 17:18.470 --> 17:20.530 align:start ARE THATCHED AWAY. 17:20.530 --> 17:22.070 align:start IT'S AN ORGANIC KIND OF SHAPE. 17:22.070 --> 17:23.730 align:start IT'S NOT LIKE A SQUARE ANYMORE. 17:23.730 --> 17:26.170 align:start I'VE BEEN CHIPPING AWAY AT IT, 17:26.170 --> 17:27.930 align:start SCRATCHING AWAY AT IT. 17:27.930 --> 17:29.230 align:start AND THEN I'LL DO THE BORDER OR 17:29.230 --> 17:29.970 align:start THE BACKGROUND IN A NEUTRAL 17:29.970 --> 17:33.830 align:start COLOR. 17:33.830 --> 17:34.870 align:start CAN'T REALLY SAY WELL, THAT'S A 17:34.870 --> 17:36.270 align:start TREE OR SOMETHING. 17:36.270 --> 17:40.070 align:start OR, THAT'S LIKE EVEN LIKE A BOX 17:40.070 --> 17:40.970 align:start OR SOMETHING. 17:40.970 --> 17:41.730 align:start YOU KIND OF SAY OH, IT ALMOST 17:41.730 --> 17:42.570 align:start LOOKS LIKE THIS, BUT NO IT'S 17:42.570 --> 17:44.100 align:start NOT. 17:44.100 --> 17:55.130 align:start ♪♪ 17:55.130 --> 17:56.630 align:start WHEN I START A PAINTING, ALL I 17:56.630 --> 17:57.900 align:start KNOW IS THAT I'M GOING TO DO 17:57.900 --> 17:59.970 align:start COLOR BLOCKING. 17:59.970 --> 18:01.500 align:start AND REALLY I DO A LAYER OF 18:01.500 --> 18:05.430 align:start COLORS UPON COLORS. 18:05.430 --> 18:07.230 align:start AND THEN I PUT THE GYPSUM IN. 18:07.230 --> 18:08.800 align:start I CALL IT MUD. 18:08.800 --> 18:10.030 align:start YOU KNOW, IT'S NOT REALLY MUD, 18:10.030 --> 18:11.170 align:start BUT I JUST PUT THE MUD DOWN 18:11.170 --> 18:14.030 align:start THERE TO BUILD THE TEXTURE UP. 18:14.030 --> 18:14.830 align:start AND THEN YOU CAN SEE THAT IT 18:14.830 --> 18:17.970 align:start CRACKS A LOT. 18:17.970 --> 18:19.530 align:start IT DRIES AND THEN I START 18:19.530 --> 18:20.670 align:start PUTTING DIFFENT COLOR ON THERE 18:20.670 --> 18:22.170 align:start AND PUSH THE COLOR AROUND IN THE 18:22.170 --> 18:24.300 align:start CRACKS. 18:24.300 --> 18:25.300 align:start THEN I'LL PAINT ANOTHER COLOR 18:25.300 --> 18:26.470 align:start OVER TOP OF IT AND THEN THE ONE 18:26.470 --> 18:28.170 align:start COLOR WILL STAY IN THE CRACK AND 18:28.170 --> 18:30.470 align:start THEN I REALLY SCRAPE IT. 18:30.470 --> 18:32.870 align:start I START SCRAPING AND MARKING, 18:32.870 --> 18:33.500 align:start IN. 18:33.500 --> 18:34.870 align:start BECAUSE THEN YOU GET DIFFERENT 18:34.870 --> 18:37.130 align:start LAYERS THAT POP OUT. 18:37.130 --> 18:44.470 align:start ♪♪ 18:44.470 --> 18:46.700 align:start SO, THAT'S MY CANVASES. 18:46.700 --> 18:47.500 align:start SO, WITH MY PAPER THAT'S A WHOLE 18:47.500 --> 18:48.500 align:start DIFFERENT STORY. 18:48.500 --> 18:49.430 align:start WITH MY PAPER OUTPUT, A LITTLE 18:49.430 --> 18:50.470 align:start TEXTURE ON THERE. 18:50.470 --> 18:51.430 align:start AND THEN I'LL DO THE SAME KIND 18:51.430 --> 18:52.470 align:start OF THING WITH THE PAINT, THE 18:52.470 --> 18:55.430 align:start COLOR BLOCKING. 18:55.430 --> 18:56.930 align:start AND THEN WHEN I GET IT JUST SO, 18:56.930 --> 18:58.500 align:start JUST HOW I LIKE IT; THEN I CUT 18:58.500 --> 18:59.370 align:start IT UP. 18:59.370 --> 19:00.870 align:start I ACUTALLY CUT THE PAPER. 19:00.870 --> 19:01.630 align:start AND THEN I SEW IT ON TO ANOTHER 19:01.630 --> 19:05.870 align:start PIECE OF PAPER. 19:05.870 --> 19:07.230 align:start THEN I'LL JUST SEE HOW IT GOES 19:07.230 --> 19:08.130 align:start AND I DON'T REALLY EVER HAVE 19:08.130 --> 19:09.130 align:start ANYTHING PLANNED. 19:09.130 --> 19:12.600 align:start ♪♪ 19:12.600 --> 19:15.230 align:start COLOR TO ME IS PRETTY IMPORTANT. 19:15.230 --> 19:16.200 align:start WHEN I'M MIXING COLORS TO FIND 19:16.200 --> 19:17.800 align:start AN UNUSUAL COLOR, BIZARRE COLOR 19:17.800 --> 19:19.830 align:start COMBINATIONS, OR ONES THAT 19:19.830 --> 19:21.300 align:start REALLY YOU DON'T EXPECT TO SEE 19:21.300 --> 19:25.570 align:start TOGETHER. 19:25.570 --> 19:27.300 align:start AND THEN OF COURSE SHAPE. 19:27.300 --> 19:28.370 align:start I REALLY LIKE TO CUT AWAY AT AN 19:28.370 --> 19:30.830 align:start IMAGE TO MAKE IT REALLY MORE 19:30.830 --> 19:34.770 align:start ORGANIC. 19:34.770 --> 19:37.500 align:start IF IT'S NOT RIGHT IN MY MIND, I 19:37.500 --> 19:40.800 align:start CAN'T SHOW IT. 19:40.800 --> 19:41.670 align:start JUST KEEP WORKING ON IT UNTIL 19:41.670 --> 19:43.030 align:start ITS RIGHT FOR ME. 19:43.030 --> 19:44.400 align:start EVEN THEN, AFTER A SHOW, IF A 19:44.400 --> 19:46.470 align:start PAINTING DOESN'T FEEL RIGHT; 19:46.470 --> 19:47.500 align:start I'LL CHANGE IT. 19:47.500 --> 19:48.970 align:start I'LL PAINT OVER IT. 19:48.970 --> 19:49.630 align:start I'VE PAINTED OVER SO MANY 19:49.630 --> 19:50.670 align:start PAINTINGS. 19:50.670 --> 19:53.600 align:start THIS ONE HERE BEHIND ME. 19:53.600 --> 19:54.500 align:start THAT LIKE -- 19:54.500 --> 19:55.770 align:start THERE MIGHT BE TWO OR THREE 19:55.770 --> 20:00.400 align:start PAINTINGS UNDER THAT ONE. 20:00.400 --> 20:01.400 align:start I REALLY LIKE BEAUTIFUL THINGS 20:01.400 --> 20:05.100 align:start AND THAT'S LIKE MY GOAL IS TO 20:05.100 --> 20:06.670 align:start FOR MYSELF TO REALLY LIKE IT. 20:06.670 --> 20:08.100 align:start THEN I'M SO PROUD OF IT BECAUSE 20:08.100 --> 20:11.530 align:start I LOVE IT SO MUCH. 20:11.530 --> 20:12.870 align:start WHEN SOMEBODY BUYS MY PAINTING 20:12.870 --> 20:14.330 align:start I'M LIKE OH MY GOSH. 20:14.330 --> 20:17.770 align:start THEY FEEL THE SAME WAY I FEEL. 20:17.770 --> 20:20.100 align:start IT'S NOT THE MONEY THING. 20:20.100 --> 20:23.070 align:start IT'S THE FACT THAT WOW, SOMEBODY 20:23.070 --> 20:24.130 align:start REALLY LIKES WHAT I LIKE. 20:24.130 --> 20:25.800 align:start THAT'S WHAT MAKES ME FEEL GOOD. 20:25.800 --> 20:29.770 align:start IT'S ALWAYS BEEN THAT WAY. 20:29.770 --> 20:38.900 align:start ♪♪ 20:38.900 --> 20:54.200 align:start ♪♪ 20:54.200 --> 20:55.170 align:start WOODY AND MINQUEL INGRAM GREW UP 20:55.170 --> 20:57.030 align:start SINGING FOR SCHOOL TALENT SHOWS 20:57.030 --> 20:59.130 align:start AND REGIONAL SHOWCASES. 20:59.130 --> 21:00.430 align:start THEY'RE CONTINIUING THEIR MUSIC 21:00.430 --> 21:01.930 align:start JOURNEY AS INGRAM STREET, A 21:01.930 --> 21:03.700 align:start COLUMBUS BASED R&B BROTHER DUO 21:03.700 --> 21:05.630 align:start DISHING OUT SMOOTH VOCALS AND 21:05.630 --> 21:07.600 align:start CATCHY VERSES. 21:07.600 --> 21:08.600 align:start JOINING THEM IS WIB SCHNEIDER ON 21:08.600 --> 21:09.870 align:start GUITAR. 21:09.870 --> 21:11.270 align:start ENJOY THE MUSIC OF INGRAM 21:11.270 --> 21:14.530 align:start STREET. 21:14.530 --> 21:29.330 align:start ♪♪ 21:29.330 --> 21:31.830 align:start ♪ BABY BEING WITH YOU IS 21:31.830 --> 21:33.830 align:start BEAUTIFUL ♪ 21:33.830 --> 21:37.670 align:start ♪ HOLDING YOU IS BEAUTIFUL ♪ 21:37.670 --> 21:40.570 align:start ♪ IS THERE A POSSIBILITY FOR 21:40.570 --> 21:44.130 align:start US ♪ 21:44.130 --> 21:46.700 align:start ♪ BABY TOUCHING YOU IS 21:46.700 --> 21:48.800 align:start BEAUTIFUL ♪ 21:48.800 --> 21:51.830 align:start ♪ KISSING YOU IS BEAUTIFUL ♪ 21:51.830 --> 21:55.400 align:start ♪ IS THERE A POSSIBLITY FOR 21:55.400 --> 21:59.770 align:start LOVE ♪ 21:59.770 --> 22:01.730 align:start ♪ IT'S BEEN SO HEAVY IN MY 22:01.730 --> 22:03.300 align:start MIND ♪ 22:03.300 --> 22:05.170 align:start ♪ CONSTANTLY PLAYING ALL THE 22:05.170 --> 22:07.130 align:start TIME ♪ 22:07.130 --> 22:11.730 align:start ♪ SO MANY EXPECTATIONS ♪ 22:11.730 --> 22:16.100 align:start ♪ AND UNSEEN REVELATIONS ♪ 22:16.100 --> 22:20.300 align:start ♪ ANCIENT ANTICIPATING ♪ 22:20.300 --> 22:22.800 align:start ♪ OH YES I'VE BEEN HERE 22:22.800 --> 22:24.630 align:start WAITING ♪ 22:24.630 --> 22:25.470 align:start ♪ TO FIGURE OUT THIS LOVE ♪ 22:25.470 --> 22:26.370 align:start ♪ AND DIFFERENCE GREW BETWEEN ME 22:26.370 --> 22:27.370 align:start AND YOU ♪ 22:27.370 --> 22:29.130 align:start ♪ BABY BEING WITH YOU IS 22:29.130 --> 22:31.200 align:start BEAUTIFUL ♪ 22:31.200 --> 22:36.070 align:start ♪ HOLDING YOU IS BEAUTIFUL ♪ 22:36.070 --> 22:42.730 align:start ♪ IS THERE A POSSIBLITY FOR US ♪ 22:42.730 --> 22:45.700 align:start ♪ BABY TOUCHING YOU IS 22:45.700 --> 22:46.700 align:start BEAUTIFUL ♪ 22:46.700 --> 22:48.900 align:start ♪ KISSING YOU IS BEAUTIFUL ♪ 22:48.900 --> 22:52.930 align:start ♪ IS THERE A POSSIBILITY FOR 22:52.930 --> 22:58.630 align:start LOVE♪ 22:58.630 --> 23:00.730 align:start ♪ THIS IS A SIMPLE QUESTION ♪ 23:00.730 --> 23:02.400 align:start ♪ THE ANSWER LEAVES NO 23:02.400 --> 23:04.970 align:start GUESSING ♪ 23:04.970 --> 23:07.030 align:start ♪ A LITTLE TREPIDATION ♪ 23:07.030 --> 23:10.100 align:start ♪ MY HEART JUST NEEDS SOME 23:10.100 --> 23:12.070 align:start CONFIRMATION ♪ 23:12.070 --> 23:14.570 align:start ♪ I'LL FIND A TRILLION REASONS ♪ 23:14.570 --> 23:17.070 align:start ♪ OUR LOVE WILL LAST FOR ALL 23:17.070 --> 23:18.330 align:start SEASONS ♪ 23:18.330 --> 23:20.870 align:start ♪ WINTER I'LL FALL FOR YOU ♪ 23:20.870 --> 23:22.730 align:start ♪ THE WHOLE SPRING AND SUMMER 23:22.730 --> 23:24.470 align:start THROUGH ♪ 23:24.470 --> 23:26.930 align:start ♪ BABY BEING WITH YOU IS 23:26.930 --> 23:28.230 align:start BEAUTIFUL ♪ 23:28.230 --> 23:31.770 align:start ♪ HOLDING YOU IS BEAUTIFUL ♪ 23:31.770 --> 23:35.200 align:start ♪ IS THERE A POSSIBILITY FOS 23:35.200 --> 23:38.870 align:start US ♪ 23:38.870 --> 23:41.430 align:start ♪ BABY TOUCHING YOU IS 23:41.430 --> 23:44.130 align:start BEAUTIFUL ♪ 23:44.130 --> 23:45.900 align:start ♪ KISSING YOU IS BEAUTIFUL ♪ 23:45.900 --> 23:49.800 align:start ♪ IS THERE A POSSIBILITY FOR 23:49.800 --> 23:52.300 align:start LOVE ♪ 23:52.300 --> 24:01.870 align:start ♪♪ 24:01.870 --> 24:07.600 align:start ♪♪ 24:07.600 --> 24:15.100 align:start ♪ OOO ♪ 24:15.100 --> 24:23.070 align:start ♪♪ 24:23.070 --> 24:26.030 align:start >> FROM THE MOMENT THAT WE MET, 24:26.030 --> 24:29.630 align:start I'VE ONLY HAD EYES FOR YOU. 24:29.630 --> 24:30.530 align:start I THINK ABOUT YOU MORNING AND 24:30.530 --> 24:33.330 align:start NOON. 24:33.330 --> 24:36.670 align:start AND EVERY SINGLE NIGHT. 24:36.670 --> 24:37.930 align:start AND THE THOUGHTS THAT GO THROUGH 24:37.930 --> 24:42.170 align:start MY MIND ABOUT ME AND YOU, 24:42.170 --> 24:43.730 align:start THEY'RE BEAUTIFUL. 24:43.730 --> 24:45.430 align:start SO, IF THERE'S A POSSIBILITY FOR 24:45.430 --> 24:48.970 align:start ME AND YOU, CHECK THIS OUT. 24:48.970 --> 24:51.670 align:start ♪ BABY BEING WITH YOU IS 24:51.670 --> 24:53.100 align:start BEAUTIFUL ♪ 24:53.100 --> 24:55.370 align:start (♪ BEING WITH YOU ♪) ♪ HOLDING 24:55.370 --> 24:57.670 align:start YOU IS BEAUITFUL ♪ 24:57.670 --> 24:58.630 align:start >>> THANKS FOR BEING WITH US FOR 24:58.630 --> 25:00.270 align:start THIS EDITION OF “BROAD & HIGH.” 25:00.270 --> 25:01.870 align:start YOU CAN FIND ALL OF OUR STORIES 25:01.870 --> 25:03.900 align:start ONLINE AT WOSU.ORG, AS WELL AS 25:03.900 --> 25:06.000 align:start ON OUR FREE WOSU MOBILE APP. 25:06.000 --> 25:07.200 align:start WE'LL BE BACK NEXT WEEK WITH 25:07.200 --> 25:08.830 align:start MORE STORIES ABOUT COLUMBUS ARTS 25:08.830 --> 25:11.270 align:start AND ARTISTS. 25:11.270 --> 25:14.300 align:start ♪ IS THERE A POSSIBILITY FOR 25:14.300 --> 25:17.400 align:start LOVE ♪ 25:17.400 --> 25:19.000 align:start ♪ BEEN HEAVY ON MY MIND LATELY ♪ 25:19.000 --> 25:23.230 align:start ♪ BEEN SPINNING ♪ 25:23.230 --> 25:25.930 align:start ♪ IT DRIVES ME CRAZY ♪ 25:25.930 --> 25:28.070 align:start ♪ GOT TO KNOW WHAT YOU WANT TO 25:28.070 --> 25:32.500 align:start DO ♪ 25:32.500 --> 25:35.600 align:start ♪ YOU SO REAL THIS FEELING ♪ 25:35.600 --> 25:38.030 align:start ♪ I BET THAT YOU ARE WILLING ♪ 25:38.030 --> 25:43.500 align:start ♪ TO MAKE MY FANTASY COME TRUE ♪ 25:43.500 --> 25:51.830 align:start ♪ YEAH ♪ 25:51.830 --> 25:58.270 align:start ♪ OHH ♪ 25:58.270 --> 25:59.800 align:start ♪ A POSSIBILITY FOR US ♪ 25:59.800 --> 26:24.330 align:start ♪♪ 26:24.330 --> 26:25.700 align:start >> PRODUCTION OF 26:25.700 --> 26:27.170 align:start "BROAD AND HIGH" IS FUNDED IN 26:27.170 --> 26:29.430 align:start PART BY THE GREATER COLUMBUS 26:29.430 --> 26:30.370 align:start ARTS COUNCIL. 26:30.370 --> 26:31.400 align:start SUPPORTING ARTS, ADVANCING 26:31.400 --> 26:32.570 align:start CULTURE AND CONNECTING THE 26:32.570 --> 26:34.930 align:start COMMUNITY TO ARTISTS, EVENTS AND 26:34.930 --> 26:38.230 align:start CLASSES AT COLUMBUSMAKESART.COM. 26:38.230 --> 26:39.330 align:start >> FROM THESE CONTRIBUTING 26:39.330 --> 26:41.170 align:start SPONSORS -- AND VIEWERS LIKE 26:41.170 --> 26:42.670 align:start YOU. 26:42.670 --> 26:47.670 align:start THANK YOU.