WEBVTT 00:00.000 --> 00:00.460 align:start >> Announcer: PRODUCTION OF 00:00.460 --> 00:01.030 align:start "BROAD & HIGH" IS FUNDED IN PART 00:01.030 --> 00:01.960 align:start BY THE GREATER COLUMBUS ARTS 00:01.960 --> 00:03.960 align:start COUNCIL. 00:03.960 --> 00:04.760 align:start SUPPORTING ARTS, ADVANCING AND 00:04.760 --> 00:06.360 align:start CONNECTING THE COMMUNITY TO 00:06.360 --> 00:07.330 align:start ARTISTS, EVENTS AND CLASSES AT 00:07.330 --> 00:12.460 align:start COLUMBUSMAKESART.COM. 00:12.460 --> 00:15.070 align:start !!musiC@!!!musiC@! 00:15.070 --> 00:18.360 align:start >> THIS TIME ON "BROAD & HIGH," 00:18.360 --> 00:19.260 align:start EXPLORE THE RICH AND RECENT 00:19.260 --> 00:19.830 align:start HISTORY OF VALENTINE'S DAY 00:19.830 --> 00:22.830 align:start CARDS. 00:22.830 --> 00:23.170 align:start SATISFY YOUR SWEET TOOTH WITH A 00:23.170 --> 00:25.660 align:start VISIT TO MMELO CONFECTIONS, AND 00:25.660 --> 00:27.300 align:start WE WILL VISIT THE FICTIONAL TOWN 00:27.300 --> 00:29.430 align:start OF CHARLOTTESVILLE WHERE 00:29.430 --> 00:32.890 align:start EVERYONE IS LOVED. 00:32.890 --> 00:33.890 align:start THIS AND MORE RIGHT NOW ON 00:33.890 --> 00:38.330 align:start "BROAD & HIGH." 00:38.330 --> 00:47.790 align:start !!musiC@!!!musiC@! 00:47.790 --> 00:51.860 align:start WELCOME TO "BROAD & HIGH." 00:51.860 --> 00:54.330 align:start I AM YOUR HOST KATE QUICKEL, AND 00:54.330 --> 00:57.260 align:start WILL YOU BE MY VALENTINE? 00:57.260 --> 00:58.500 align:start THE TRADITION OF GIVING YOUR 00:58.500 --> 01:00.430 align:start SWEETHEART A WRITTEN LOVE NOTE 01:00.430 --> 01:01.730 align:start ON FEBRUARY 14th DATES BACK WAY 01:01.730 --> 01:02.360 align:start BEFORE HALLMARK. 01:02.360 --> 01:03.630 align:start IN FACT, THE OLDEST VALENTINE ON 01:03.630 --> 01:04.890 align:start RECORD IS A POEM WRITTEN IN THE 01:04.890 --> 01:06.660 align:start 1400s. 01:06.660 --> 01:08.590 align:start BUT THE MASS PRODUCED FACTORY 01:08.590 --> 01:10.230 align:start MADE CARDS THAT WE ARE ALL 01:10.230 --> 01:11.030 align:start FAMILIAR WITH TODAY HAVE A MUCH 01:11.030 --> 01:12.300 align:start MORE RECENT PAST. 01:12.300 --> 01:12.960 align:start THEY'VE ONLY BEEN AROUND SINCE 01:12.960 --> 01:14.960 align:start THE 19TH CENTURY, WHEN THEY 01:14.960 --> 01:15.920 align:start STARTED TO REPLACE ALL OF THOSE 01:15.920 --> 01:16.730 align:start HANDMADE AND HAND WRITTEN LOVE 01:16.730 --> 01:18.690 align:start NOTES. 01:18.690 --> 01:19.660 align:start I RECENTLY MET WITH LOCAL 01:19.660 --> 01:21.500 align:start COLLECTOR GEORGE JOHNSON IN 01:21.500 --> 01:22.560 align:start LANCASTER TO TALK ABOUT HOW THIS 01:22.560 --> 01:23.920 align:start TRADITION HAS EVOLVED THOUGH THE 01:23.920 --> 01:29.230 align:start AGES. 01:29.230 --> 01:44.830 align:start !!musiC@!!!musiC@! 01:44.830 --> 01:45.530 align:start ALL RIGHT, GEORGE, YOU ARE A BIG 01:45.530 --> 01:48.560 align:start OF A VALENTINE HISTORIAN IN A 01:48.560 --> 01:49.400 align:start WAY, RIGHT? 01:49.400 --> 01:50.000 align:start >> YES. 01:50.000 --> 01:50.360 align:start >> SO TELL ME ABOUT YOUR 01:50.360 --> 01:50.660 align:start COLLECTION, HOW DID YOU GET 01:50.660 --> 01:51.920 align:start STARTED WITH THIS? 01:51.920 --> 01:53.300 align:start >> I STARTED COLLECTING IN THE 01:53.300 --> 01:55.830 align:start 1970s, AND I REALLY ADMIRED THE 01:55.830 --> 01:57.300 align:start ARTWORK AND HOW LOVELY THEY 01:57.300 --> 02:00.630 align:start WERE. 02:00.630 --> 02:01.130 align:start I STARTED COLLECTING WHAT 02:01.130 --> 02:02.560 align:start COLLECTORS TODAY CALL FOLD DOWN 02:02.560 --> 02:04.000 align:start VALENTINES THAT PULL DOWN AND 02:04.000 --> 02:05.920 align:start OPEN UP. 02:05.920 --> 02:07.000 align:start >> OH, COOL. 02:07.000 --> 02:09.100 align:start >> BEAUTIFUL SCENES. 02:09.100 --> 02:09.820 align:start >> YOU AREN'T JUST GOING TO THE 02:09.820 --> 02:10.730 align:start DRUG STORE AND BUYING 02:10.730 --> 02:11.260 align:start VALENTINES, HOW ARE YOU FINDING 02:11.260 --> 02:12.630 align:start THESE? 02:12.630 --> 02:13.760 align:start >> I WAS BUYING THEM AT ANTIQUE 02:13.760 --> 02:16.300 align:start SHOWS AND ANTIQUE SHOPS, PLACES 02:16.300 --> 02:17.790 align:start LIKE THAT. 02:17.790 --> 02:21.030 align:start YOU KNOW, FLEA MARKETS. 02:21.030 --> 02:21.890 align:start A LOT OF TIMES VALENTINES HAVE 02:21.890 --> 02:23.890 align:start BEEN SAVED FOR MANY, MANY YEARS. 02:23.890 --> 02:25.070 align:start I HAVE SEVERAL IN THE COLLECTION 02:25.070 --> 02:26.000 align:start THAT ARE 200 YEARS OLD. 02:26.000 --> 02:27.170 align:start >> WOW. 02:27.170 --> 02:30.530 align:start >> AND STILL IN GOOD SHAPE. 02:30.530 --> 02:31.530 align:start >> DO YOU HAVE ANY CONCEPT OF 02:31.530 --> 02:32.630 align:start HOW MANY YOU HAVE COLLECTED, AND 02:32.630 --> 02:33.500 align:start HOW YOUR COLLECTION HAS GROWN 02:33.500 --> 02:37.200 align:start OVER THE YEARS? 02:37.200 --> 02:38.860 align:start >> UMM, NOT REALLY. 02:38.860 --> 02:39.300 align:start BUT THERE IS PROBABLY 02:39.300 --> 02:40.070 align:start 200-300 VALENTINES ON DISPLAY 02:40.070 --> 02:42.890 align:start HERE. 02:42.890 --> 02:44.170 align:start >> SO MUCH LOVE. 02:44.170 --> 02:44.560 align:start IT'S KIND OF GREAT >> THAT'S 02:44.560 --> 02:49.460 align:start RIGHT. 02:49.460 --> 02:51.760 align:start THIS PARTICULAR ONE IS THE 02:51.760 --> 02:52.460 align:start EARLIEST ONE THAT WE HAVE IN THE 02:52.460 --> 02:53.230 align:start COLLECTION. 02:53.230 --> 02:55.170 align:start SO THIS ONE IS ESSENTIALLY, YOU 02:55.170 --> 02:57.730 align:start KNOW, 200 YEARS OLD. 02:57.730 --> 02:58.400 align:start >> WOW. 02:58.400 --> 02:59.760 align:start >> ON THE BACK THEN IS THE HAND 02:59.760 --> 03:02.730 align:start WRITTEN. 03:02.730 --> 03:03.170 align:start >> THAT IS HAND WRITTEN? 03:03.170 --> 03:03.590 align:start >> POEM. 03:03.590 --> 03:04.400 align:start >> OUR PENMANSHIP SKILLS HAVE 03:04.400 --> 03:06.890 align:start GONE DOWN. 03:06.890 --> 03:07.590 align:start I LIKE THIS "MANY WATERS CANNOT 03:07.590 --> 03:12.660 align:start QUENCH LOVE." 03:12.660 --> 03:14.790 align:start >> THIS ONE, IT DATES FROM THE 03:14.790 --> 03:17.130 align:start 1840s, AND IT HAS PERFORATED 03:17.130 --> 03:20.300 align:start LACE ON IT. 03:20.300 --> 03:21.860 align:start IT HAS SATIN IN THE CENTER. 03:21.860 --> 03:23.230 align:start AND IT'S A VERY LOVELY CARD, BUT 03:23.230 --> 03:24.960 align:start THE MOST INTERESTING PART, AT 03:24.960 --> 03:26.530 align:start LEAST TO ME, IS THAT EACH OF 03:26.530 --> 03:30.000 align:start THESE WREATHS -- MONDAY, 03:30.000 --> 03:30.590 align:start TUESDAY, WEDNESDAY, THURSDAY, 03:30.590 --> 03:32.430 align:start FRIDAY, SATURDAY -- AND EACH OF 03:32.430 --> 03:37.960 align:start THESE WILL LIFT TO REVEAL -- 03:37.960 --> 03:38.630 align:start >> A LITTLE MESSAGE. 03:38.630 --> 03:40.660 align:start >> A LITTLE MESSAGE BEHIND IT. 03:40.660 --> 03:41.330 align:start >> THAT'S SO CUTE! 03:41.330 --> 03:42.830 align:start >> AND EVERY ONE -- EXCEPT 03:42.830 --> 03:43.560 align:start SUNDAY, BECAUSE SUNDAY IS FOR 03:43.560 --> 03:44.630 align:start CHURCH AND WE'RE NOT GOING TO DO 03:44.630 --> 03:47.400 align:start ANY OF THAT HANKY-PANKY TYPE 03:47.400 --> 03:49.630 align:start STUFF. 03:49.630 --> 03:50.860 align:start [ LAUGHTER ] 03:50.860 --> 03:52.100 align:start >> AND THESE LITTLE ENVELOPES -- 03:52.100 --> 03:53.460 align:start >> EACH ONE OF THE SIX DAYS OF 03:53.460 --> 03:55.500 align:start THE WEEK. 03:55.500 --> 03:57.400 align:start >> WOW. 03:57.400 --> 03:58.860 align:start >> HAS A LITTLE TINY ENVELOPE. 03:58.860 --> 04:01.920 align:start >> THAT DOESN'T OPEN? 04:01.920 --> 04:03.460 align:start >> AND IT OPENS. 04:03.460 --> 04:06.630 align:start >> OH, STOP. 04:06.630 --> 04:09.130 align:start >> AND INSIDE IS ANOTHER SMALL 04:09.130 --> 04:14.030 align:start HANDWRITTEN MESSAGE. 04:14.030 --> 04:16.070 align:start THIS ONE IS FROM THE 1870s, 04:16.070 --> 04:17.790 align:start PROBABLY. 04:17.790 --> 04:18.960 align:start AND IT'S GILDED, PERFORATED LACE 04:18.960 --> 04:21.830 align:start PAPER. 04:21.830 --> 04:25.300 align:start IT'S VERY UNUSUAL IN THE SENSE 04:25.300 --> 04:26.300 align:start THAT THE BACK IS JUST AS 04:26.300 --> 04:27.660 align:start DECORATED AS THE FRONT. 04:27.660 --> 04:27.920 align:start >> OH MY GOSH, IT IS. 04:27.920 --> 04:28.300 align:start >> WITH A -- THAT'S A SPUN GLASS 04:28.300 --> 04:28.630 align:start MEDALLION IN IT. 04:28.630 --> 04:28.890 align:start >> WHAT? 04:28.890 --> 04:29.500 align:start THAT'S AMAZING. 04:29.500 --> 04:29.960 align:start >> AND THIS IS THE HIDDEN 04:29.960 --> 04:31.030 align:start PICTURE. 04:31.030 --> 04:33.130 align:start TAKE THAT OTHER SIDE AND WE'LL 04:33.130 --> 04:34.830 align:start OPEN IT UP. 04:34.830 --> 04:35.890 align:start >> AND THERE'S THE LITTLE 04:35.890 --> 04:37.790 align:start COUPLE. 04:37.790 --> 04:39.230 align:start RUNNING AWAY TOGETHER. 04:39.230 --> 04:42.560 align:start !!musiC@!!!musiC@! 04:42.560 --> 04:44.260 align:start >> SO THIS IS A, WHAT THEY 04:44.260 --> 04:45.400 align:start CALLED THE TRICK VALENTINE. 04:45.400 --> 04:48.000 align:start SO WE'VE GOT A LITTLE SILK CORD 04:48.000 --> 04:49.960 align:start WITH A LITTLE PIECE OF SILVER 04:49.960 --> 04:51.230 align:start CARDBOARD ON IT. 04:51.230 --> 04:51.730 align:start AND WHEN YOU PULL THE STRING IT 04:51.730 --> 04:53.460 align:start WILL STOP INTO A 04:53.460 --> 04:58.460 align:start THREE-DIMENSIONAL FORM WITH A 04:58.460 --> 05:00.890 align:start LOVE NOTE AT THE TOP. 05:00.890 --> 05:01.760 align:start >> THAT'S BEAUTIFUL. 05:01.760 --> 05:03.070 align:start HOW ELABORATE. 05:03.070 --> 05:03.500 align:start >> LET GO OF IT, AND IT LAYS 05:03.500 --> 05:04.690 align:start FLAT. 05:04.690 --> 05:05.260 align:start SO IT'LL GO THROUGH THE MAIL 05:05.260 --> 05:06.560 align:start LIKE THAT. 05:06.560 --> 05:07.730 align:start >> RIGHT. 05:07.730 --> 05:08.500 align:start >> AND THEN SIMPLY PULLING THE 05:08.500 --> 05:09.070 align:start STRING -- 05:09.070 --> 05:10.560 align:start >> WHAT ERA IS THIS FROM? 05:10.560 --> 05:11.430 align:start >> THIS AGAIN IS PROBABLY 1870s, 05:11.430 --> 05:13.760 align:start MAYBE 1880s. 05:13.760 --> 05:14.730 align:start >> WOW, SO INTRICATE. 05:14.730 --> 05:23.530 align:start >> THE MAJORITY OF THE DISPLAY 05:23.530 --> 05:28.560 align:start HERE RUNS FROM 1820 TO 1930s, 05:28.560 --> 05:30.500 align:start '40s. 05:30.500 --> 05:31.690 align:start BUT THERE'S A FEW WHERE YOUNGER 05:31.690 --> 05:33.730 align:start KIDS WILL RECOGNIZE, TOO. 05:33.730 --> 05:47.690 align:start !!musiC@!!!musiC@! 05:47.690 --> 05:48.500 align:start >> EXPRESSIONS OF LOVE, THE 05:48.500 --> 05:49.360 align:start VALENTINE COLLECTION OF GEORGE 05:49.360 --> 05:50.630 align:start JOHNSON IS ON DISPLAY AT THE 05:50.630 --> 05:51.730 align:start DECORATIVE ARTS CENTER AT 05:51.730 --> 05:55.200 align:start LANCASTER THROUGH FEBRUARY 28th. 05:55.200 --> 05:56.070 align:start VISIT THEM ONLINE AT 05:56.070 --> 05:59.230 align:start DECARTSOHIO.ORG TO LEARN MORE. 05:59.230 --> 06:06.070 align:start !!musiC@!!!musiC@! 06:06.070 --> 06:07.200 align:start >>> AS WE JUST SAW, FOLKS SEND 06:07.200 --> 06:08.890 align:start CARDS FOR VALENTINE'S DAY. 06:08.890 --> 06:10.070 align:start SOME SEND FLOWERS. 06:10.070 --> 06:11.200 align:start AND SOME SEND CANDY. 06:11.200 --> 06:12.890 align:start WE MET UP WITH MICHELLE ALLEN AT 06:12.890 --> 06:14.230 align:start HER NEW SHOP IN THE ARENA 06:14.230 --> 06:15.030 align:start DISTRICT TO CHECK OUT HER TASTY 06:15.030 --> 06:17.500 align:start CONFECTIONS THAT ARE SWEET TO 06:17.500 --> 06:22.590 align:start RECEIVE ANY TIME OF THE YEAR. 06:22.590 --> 06:35.400 align:start !!musiC@!!!musiC@! 06:35.400 --> 06:37.560 align:start >> WE ARE IN MY NEW CAF…, MY 06:37.560 --> 06:39.730 align:start CONFECTIONARY CAF…, MMELO 06:39.730 --> 06:42.920 align:start BOUTIQUE CONFECTIONS. 06:42.920 --> 06:44.230 align:start M-M-E-L-O, WHICH FUNNILY ENOUGH 06:44.230 --> 06:45.000 align:start CAME OUT OF A SOUND THAT MY 06:45.000 --> 06:45.730 align:start HUSBAND WOULD HEAR, BECAUSE I 06:45.730 --> 06:46.890 align:start STARTED KIND OF DOING THIS IN 06:46.890 --> 06:48.300 align:start SPAIN. 06:48.300 --> 06:49.100 align:start AND MY HUSBAND -- PEOPLE WOULD 06:49.100 --> 06:50.300 align:start TRY MY FOOD, AND PEOPLE WOULD GO 06:50.300 --> 06:51.230 align:start "MMM." 06:51.230 --> 06:51.890 align:start AND IT JUST KIND OF GREW OUT OF 06:51.890 --> 06:54.430 align:start THAT SOUND. 06:54.430 --> 06:55.430 align:start SO YEAH, THAT'S WHERE MMELO 06:55.430 --> 06:58.000 align:start COMES FROM. 06:58.000 --> 06:58.590 align:start YOU KNOW, MARSHMALLOWS HAVE 06:58.590 --> 06:59.860 align:start REALLY FALLEN FROM GRACE. 06:59.860 --> 07:00.830 align:start THEY WERE A CONFECTION FOR 07:00.830 --> 07:01.920 align:start KINGS. 07:01.920 --> 07:03.860 align:start AND THE REASON FOR THAT IS YOU 07:03.860 --> 07:07.530 align:start CAN DO SO MANY THINGS WITH THE 07:07.530 --> 07:09.760 align:start KNOW, YOU RAISE IT A FEW DEGREES 07:09.760 --> 07:10.830 align:start AND YOU GET A SWEDISH 07:10.830 --> 07:12.070 align:start MARSHMALLOW, WHICH IS A BIT 07:12.070 --> 07:13.200 align:start RUBBERY. 07:13.200 --> 07:14.760 align:start AND THAT'S HOW THEY LIKE IT. 07:14.760 --> 07:15.890 align:start OR, YOU KNOW, YOU ADD A BIT OF 07:15.890 --> 07:16.690 align:start EGG WHITE TO IT AND IT'S ALMOST 07:16.690 --> 07:19.630 align:start LIKE A FOAM. 07:19.630 --> 07:22.070 align:start THE FRENCH CALL THAT A GUIMAUVE. 07:22.070 --> 07:23.500 align:start SO THAT'S ONE OF THE REASONS I'M 07:23.500 --> 07:25.130 align:start KIND OF PUSHING THE VIRTUES OF 07:25.130 --> 07:32.760 align:start MARSHMALLOWS. 07:32.760 --> 07:34.760 align:start WE ARE ON THE CLOCK NOW. 07:34.760 --> 07:35.590 align:start I GREW UP JUST OFF OF LIVINGSTON 07:35.590 --> 07:39.730 align:start AVENUE AND THE SOUTH EAST SIDE, 07:39.730 --> 07:40.460 align:start AND WENT TO OHIO STATE. 07:40.460 --> 07:41.300 align:start AND WAS JUST CHOMPING AT THE BIT 07:41.300 --> 07:44.560 align:start TO GET OUT OF TOWN. 07:44.560 --> 07:45.460 align:start I TRAVELLED ALL OVER THE WORLD, 07:45.460 --> 07:46.460 align:start AND A LOT OF THAT TRAVEL 07:46.460 --> 07:48.170 align:start ACTUALLY ENDED UP FORMING THE 07:48.170 --> 07:53.130 align:start RECIPES I DESIGN NOW. 07:53.130 --> 07:56.400 align:start IN SEPTEMBER OF 2015, I QUICKLY 07:56.400 --> 08:07.960 align:start CAME BACK TO THE UNITED STATES, 08:07.960 --> 08:09.230 align:start INCORPORATED MMELO, CONTACTED A 08:09.230 --> 08:13.860 align:start CONTACT THAT I HAD OVER AT 08:13.860 --> 08:15.300 align:start EASTON. 08:15.300 --> 08:15.890 align:start THEY GAVE ME THIS CR»ME DE LA 08:15.890 --> 08:16.200 align:start CR»ME SPOT ON THE STRAND. 08:16.200 --> 08:16.830 align:start I HAD LOUIS VITTON ACROSS THE 08:16.830 --> 08:17.170 align:start STREET AND APPLE ONE SIDE AND 08:17.170 --> 08:17.730 align:start MICHAEL KORS ON THE OTHER. 08:17.730 --> 08:18.130 align:start IT WAS MAD. 08:18.130 --> 08:18.730 align:start THAT WOULD NEVER IN A MILLION 08:18.730 --> 08:20.460 align:start YEARS HAPPEN IN EUROPE. 08:20.460 --> 08:22.070 align:start I WAS THERE FOR EIGHT WEEKS. 08:22.070 --> 08:23.070 align:start BASED ON THE STRENGTH OF THAT, I 08:23.070 --> 08:25.030 align:start GOT CORPORATE CLIENTS. 08:25.030 --> 08:26.300 align:start I FOUND THE FUNDING FOR MY 08:26.300 --> 08:29.460 align:start BUSINESS. 08:29.460 --> 08:30.460 align:start I WOULD NEVER HAVE GOTTEN THIS 08:30.460 --> 08:31.690 align:start FAR IN SPAIN. 08:31.690 --> 08:36.000 align:start EVER. 08:36.000 --> 08:38.030 align:start PART OF THE RESEARCH THAT I'VE 08:38.030 --> 08:40.530 align:start DONE IN FOOD IS REALLY TRYING TO 08:40.530 --> 08:43.430 align:start MAKE SURE THAT I AND MY TEAM 08:43.430 --> 08:45.170 align:start REALLY UNDERSTAND WHY YOU MAKE 08:45.170 --> 08:47.200 align:start THE INGREDIENT CHOICE THAT YOU 08:47.200 --> 08:51.430 align:start MAKE AND HOW THAT BASICALLY 08:51.430 --> 08:53.460 align:start INTERACTS WITH THE HUMAN BODY. 08:53.460 --> 08:55.400 align:start THAT, IN ADDITION TO THE 08:55.400 --> 08:56.860 align:start COMMITMENT TO USING AND 08:56.860 --> 08:59.000 align:start DESIGNING ALL THE RECIPES AROUND 08:59.000 --> 09:03.590 align:start REAL FOOD, WHOLE FOOD 09:03.590 --> 09:04.730 align:start INGREDIENTS, NOT USING 09:04.730 --> 09:05.660 align:start UBER-REFINED FLOURS, NOT USING 09:05.660 --> 09:06.400 align:start UBER-REFINED SUGARS, NOT USING 09:06.400 --> 09:07.590 align:start ARTIFICIAL FLAVORS OR 09:07.590 --> 09:10.030 align:start SWEETENERS. 09:10.030 --> 09:12.960 align:start ALL THAT SORT OF STUFF THAT WE 09:12.960 --> 09:13.890 align:start NOW KNOW WE SHOULDN'T REALLY 09:13.890 --> 09:15.330 align:start CONSUME. 09:15.330 --> 09:16.660 align:start YOU KNOW, PEOPLE ASK ME ALL THE 09:16.660 --> 09:17.530 align:start TIME -- CAN YOU DO A SUGAR-FREE 09:17.530 --> 09:20.430 align:start TREAT? 09:20.430 --> 09:21.860 align:start AND MY RESPONSE TO THAT IS, I 09:21.860 --> 09:22.960 align:start WOULD LOVE TO, BUT THERE ISN'T A 09:22.960 --> 09:24.960 align:start NATURAL WAY TO DO THAT. 09:24.960 --> 09:26.860 align:start WE CAN DO LOW-GLYCEMIC, BUT WE 09:26.860 --> 09:30.530 align:start CAN'T DO SUGAR FREE. 09:30.530 --> 09:31.500 align:start I'M NOT TRYING TO SAY THAT MMELO 09:31.500 --> 09:32.530 align:start IS HEALTH FOOD, BUT IT IS FOOD. 09:32.530 --> 09:34.860 align:start IT IS NOT JUNK. 09:34.860 --> 09:35.360 align:start IT IS NOT MADE WITH JUNKY 09:35.360 --> 09:38.360 align:start INGREDIENTS. 09:38.360 --> 09:39.760 align:start THERE'S THOUGHT BEHIND THE WAY 09:39.760 --> 09:40.360 align:start THAT IT WAS BUILT AND 09:40.360 --> 09:44.330 align:start CONSTRUCTED. 09:44.330 --> 09:45.130 align:start A LOT OF PEOPLE HERE IN COLUMBUS 09:45.130 --> 09:46.130 align:start HAVE DONE SOME AMAZING WORK IN 09:46.130 --> 09:48.000 align:start TERMS OF CREATING THE FOOD 09:48.000 --> 09:49.300 align:start LANDSCAPE HERE IN COLUMBUS. 09:49.300 --> 09:52.790 align:start IT'S SO IMPRESSIVE, AND I'M SO 09:52.790 --> 09:54.660 align:start PROUD OF MY HOMETOWN. 09:54.660 --> 09:56.130 align:start AND I HOPE THAT MMELO CAN 09:56.130 --> 09:57.100 align:start CONTRIBUTE TO THAT IN A REALLY 09:57.100 --> 10:04.690 align:start POSITIVE WAY. 10:04.690 --> 10:07.100 align:start !!musiC@!!!musiC@! 10:07.100 --> 10:08.400 align:start >> FROM GOURMET MARSHMALLOWS TO 10:08.400 --> 10:10.170 align:start HAND-MADE TEACAKES, YOU CAN FIND 10:10.170 --> 10:11.430 align:start ALL MANNER OF SWEET TREATS AT 10:11.430 --> 10:12.590 align:start THE STORE FRONT AT THE ARENA 10:12.590 --> 10:13.560 align:start DISTRICT. 10:13.560 --> 10:18.070 align:start AND CHECK THEM OUT ON INSTAGRAM. 10:18.070 --> 10:19.830 align:start !!musiC@!!!musiC@! 10:19.830 --> 10:21.070 align:start >> THIS NEXT STORY IS ABOUT 10:21.070 --> 10:24.630 align:start FINDING LOVE AND ACCEPTANCE. 10:24.630 --> 10:25.730 align:start WHEN CHARLOTTE MCGRAW WAS A 10:25.730 --> 10:27.200 align:start TEENAGER, SHE WAS IN DESPERATE 10:27.200 --> 10:28.790 align:start NEED OF LOVE AND GUIDANCE. 10:28.790 --> 10:29.530 align:start INSTEAD SHE WAS 10:29.530 --> 10:30.590 align:start INSTITUTIONALIZED. 10:30.590 --> 10:32.430 align:start BUT NOW THROUGH HER ART SHE HAS 10:32.430 --> 10:34.530 align:start CREATED THE KIND OF PLACE SHE 10:34.530 --> 10:35.130 align:start CRAVED AS A CHILD. 10:35.130 --> 10:35.860 align:start ONE WHERE EVERYONE IS WELCOME 10:35.860 --> 10:40.000 align:start AND NO ONE IS TURNED AWAY. 10:40.000 --> 10:43.230 align:start SHE CALLS IT CHARLOTTESVILLE. 10:43.230 --> 10:44.430 align:start >> CODY USED TO ALWAYS TRY TO 10:44.430 --> 10:47.460 align:start GET ME IN THE ART ROOM. 10:47.460 --> 10:49.200 align:start AND I TOLD CODY, I SAID, "LOOK. 10:49.200 --> 10:50.860 align:start I DON'T DO ART." 10:50.860 --> 10:52.960 align:start HE SAID, "CHARLOTTE, YOU DON'T 10:52.960 --> 10:56.790 align:start KNOW UNLESS YOU COME IN A TRY." 10:56.790 --> 10:58.130 align:start AND I TOLD HIM, "NOPE, I DON'T 10:58.130 --> 10:59.920 align:start DO ART!" 10:59.920 --> 11:04.300 align:start SO HE KEPT BUGGING ME AND 11:04.300 --> 11:05.500 align:start BUGGING ME AND BUGGING ME. 11:05.500 --> 11:06.690 align:start SO I SAID, "OH GOD. 11:06.690 --> 11:07.230 align:start LET ME GO IN HERE AND KEEP HIM 11:07.230 --> 11:14.300 align:start QUIET." 11:14.300 --> 11:15.630 align:start !!musiC@!!!musiC@! 11:15.630 --> 11:18.030 align:start WELL, CHARLOTTESVILLE IS A 11:18.030 --> 11:18.920 align:start LITTLE TOWN. 11:18.920 --> 11:28.560 align:start WHERE MY CREATURES CAN COME. 11:28.560 --> 11:29.360 align:start AND THEY'RE NOT LOOKED AT LIKE 11:29.360 --> 11:34.660 align:start THEY HAVE A DISEASE. 11:34.660 --> 11:35.400 align:start THEY'RE LOOKED AT LIKE THEY'RE 11:35.400 --> 11:36.300 align:start HUMAN. 11:36.300 --> 11:36.630 align:start AND EVERYONE IN CHARLOTTESVILLE 11:36.630 --> 11:41.460 align:start IS LOVED. 11:41.460 --> 11:42.590 align:start NO ONE GETS TURNED AWAY. 11:42.590 --> 11:44.690 align:start NO ONE GETS MADE FUN OF. 11:44.690 --> 11:46.400 align:start WE IN CHARLOTTESVILLE LOVE EACH 11:46.400 --> 11:50.460 align:start OTHER. 11:50.460 --> 11:52.860 align:start AND I HAPPEN TO BE THE MAYOR. 11:52.860 --> 11:54.830 align:start >> WHEN SHE FIRST STARTED 11:54.830 --> 11:56.400 align:start WORKING WITH US AND WE HAD THAT 11:56.400 --> 11:57.530 align:start BACKDROP, IT WAS ONE OF THE 11:57.530 --> 11:58.030 align:start FIRST CREATURES SHE DID. 11:58.030 --> 12:00.300 align:start AND JUST SANG. 12:00.300 --> 12:02.070 align:start IT JUST, IT WAS JUST WONDERFUL. 12:02.070 --> 12:02.860 align:start IT HAD SO MUCH CHARACTER AND IT 12:02.860 --> 12:09.360 align:start REALLY CONVEYED A LOT ABOUT WHO 12:09.360 --> 12:10.230 align:start CHARLOTTE WAS AS A PERSON AND 12:10.230 --> 12:11.000 align:start HER IDEA OF WHAT LIFE SHOULD 12:11.000 --> 12:14.890 align:start LOOK LIKE. 12:14.890 --> 12:15.660 align:start >> MY CREATURES SOMETIMES GO 12:15.660 --> 12:16.330 align:start THROUGH THE SAME THINGS I'VE 12:16.330 --> 12:19.100 align:start BEEN THROUGH. 12:19.100 --> 12:22.070 align:start SO I UNDERSTAND HOW THEY FEEL. 12:22.070 --> 12:23.260 align:start >> THEY COME TO CHARLOTTESVILLE. 12:23.260 --> 12:24.230 align:start THEY'RE GIVEN A JOB AND THEY'RE 12:24.230 --> 12:25.030 align:start AN INTEGRAL PART OF THE 12:25.030 --> 12:26.630 align:start COMMUNITY. 12:26.630 --> 12:27.830 align:start THEY'RE ACCEPTED. 12:27.830 --> 12:28.920 align:start THEY'RE SEEN. 12:28.920 --> 12:32.030 align:start THEY'RE LOVED. 12:32.030 --> 12:33.330 align:start >> GENERALLY I DO COLLAGING, 12:33.330 --> 12:35.230 align:start PAINTING. 12:35.230 --> 12:36.590 align:start SOME DRAWING. 12:36.590 --> 12:38.170 align:start >> I MEAN, A LOT OF HER IMAGES, 12:38.170 --> 12:40.430 align:start THERE'S A CERTAIN SWEETNESS 12:40.430 --> 12:41.630 align:start ABOUT THEM BUT SOME OF THEM ARE 12:41.630 --> 12:43.660 align:start A LITTLE BIT. 12:43.660 --> 12:44.690 align:start A LITTLE INTIMIDATING. 12:44.690 --> 12:45.630 align:start >> CRAZY. 12:45.630 --> 12:50.790 align:start [ LAUGHTER ] 12:50.790 --> 12:52.200 align:start BECAUSE THEY LOOK AT MY ART AND 12:52.200 --> 12:56.860 align:start THEY'RE LIKE, "WHERE DOES YOUR 12:56.860 --> 12:58.430 align:start MIND GO?" 12:58.430 --> 13:00.230 align:start AND I SAID, "I HAVE MY OWN 13:00.230 --> 13:02.030 align:start LITTLE WORLD, YOU KNOW." 13:02.030 --> 13:03.500 align:start AND THEY SAY, "WHAT MAKES YOU DO 13:03.500 --> 13:05.230 align:start CREATURES?" 13:05.230 --> 13:05.760 align:start I SAID, "BECAUSE I LOVE IT." 13:05.760 --> 13:17.130 align:start I SAID, "THEY'RE MY OWN PEOPLE." 13:17.130 --> 13:21.300 align:start I WAS IN AN INSTITUTION AND I 13:21.300 --> 13:22.030 align:start WENT THERE WHEN I WAS 16 YEARS 13:22.030 --> 13:23.200 align:start OLD. 13:23.200 --> 13:25.300 align:start AND I DIDN'T GET OUT UNTIL I WAS 13:25.300 --> 13:27.500 align:start ABOUT 27, 28 YEARS OLD. 13:27.500 --> 13:29.070 align:start AND IT'S FOR PEOPLE THAT HAVE 13:29.070 --> 13:30.560 align:start PHYSICAL AND MENTAL 13:30.560 --> 13:31.920 align:start DISABILITIES. 13:31.920 --> 13:33.430 align:start BUT IT WAS A ROUGH GO. 13:33.430 --> 13:34.500 align:start YOU JUST NEVER KNOW WHAT YOU'RE 13:34.500 --> 13:45.690 align:start GOING TO SEE WHEN YOU GO INTO 13:45.690 --> 13:48.590 align:start ONE OF THESE PLACES. 13:48.590 --> 13:49.100 align:start AND A LOT OF PEOPLE DON'T NEED 13:49.100 --> 13:53.920 align:start TO BE THERE. 13:53.920 --> 13:56.920 align:start I THINK WHAT IT IS, PEOPLE GET 13:56.920 --> 14:01.360 align:start PUT IN THESE PLACES BECAUSE NO 14:01.360 --> 14:02.100 align:start ONE WANTS TO TAKE THE TIME. 14:02.100 --> 14:04.500 align:start IT'S NOT NECESSARILY THAT 14:04.500 --> 14:07.860 align:start THERE'S SOMETHING WRONG WITH 14:07.860 --> 14:09.300 align:start THEM. 14:09.300 --> 14:10.100 align:start IT'S JUST THAT THEY NEED SOMEONE 14:10.100 --> 14:10.890 align:start TO GUIDE THEM. 14:10.890 --> 14:14.760 align:start AND WHEN I WENT IN THERE AT 16, 14:14.760 --> 14:15.690 align:start I WAS JUST A HOT HEADED 14:15.690 --> 14:17.330 align:start TEENAGER. 14:17.330 --> 14:22.690 align:start AND I DIDN'T WANT TO LISTEN TO 14:22.690 --> 14:23.860 align:start ANYONE. 14:23.860 --> 14:26.100 align:start BUT I WAS LABELED. 14:26.100 --> 14:27.000 align:start I HAD PROBLEMS AT HOME SO I 14:27.000 --> 14:27.860 align:start REALLY DIDN'T HAVE ANYONE THAT I 14:27.860 --> 14:35.960 align:start COULD GO TALK TO. 14:35.960 --> 14:38.630 align:start MISSING A LOT OF LOVE FROM HOME. 14:38.630 --> 14:45.890 align:start IT MAKES YOU DO THINGS THAT YOU 14:45.890 --> 14:46.630 align:start NORMALLY WOULDN'T DO BECAUSE YOU 14:46.630 --> 14:47.590 align:start DON'T HAVE THAT STABILIZATION AT 14:47.590 --> 14:50.760 align:start HOME. 14:50.760 --> 14:53.890 align:start I WORKED MY WAY OUT. 14:53.890 --> 14:56.690 align:start I SHOWED THEM THAT I COULD 14:56.690 --> 14:58.560 align:start SUCCEED IN SOCIETY AND THAT I 14:58.560 --> 15:01.500 align:start WAS NOT INCAPABLE OF TAKING CARE 15:01.500 --> 15:16.360 align:start OF MYSELF. 15:16.360 --> 15:17.360 align:start RIGHT NOW I'M DOING A SERIES AND 15:17.360 --> 15:23.000 align:start IT'S CALLED "POPO." 15:23.000 --> 15:24.660 align:start AND I DON'T KNOW IF A LOT OF 15:24.660 --> 15:28.100 align:start PEOPLE KNOW WHAT "POPO" IS. 15:28.100 --> 15:34.300 align:start BUT IT'S THE POLICE. 15:34.300 --> 15:35.130 align:start I DO CREATURES THAT ARE COMING 15:35.130 --> 15:38.830 align:start TO JAIL. 15:38.830 --> 15:41.730 align:start IT'S CALLED "CHARLOTTE'S 15:41.730 --> 15:45.920 align:start CORRECTIONAL FITNESS CENTER." 15:45.920 --> 15:47.730 align:start ONCE THEY LEAVE MY JAIL THEY 15:47.730 --> 15:53.100 align:start HAVE LOST A LOT OF WEIGHT. 15:53.100 --> 15:54.130 align:start AND THEY GO TELL THEY'RE 15:54.130 --> 15:54.890 align:start FRIENDS, "IF YOU WANT TO LOSE 15:54.890 --> 15:57.760 align:start WEIGHT. 15:57.760 --> 15:59.030 align:start YOU KNOW, GO TO CHARLOTTE'S 15:59.030 --> 16:01.070 align:start FITNESS CENTER. 16:01.070 --> 16:01.890 align:start YOU'LL LOSE SOME WEIGHT GOING 16:01.890 --> 16:03.560 align:start THERE." 16:03.560 --> 16:08.890 align:start SO IT'S BASICALLY YOU COME TO MY 16:08.890 --> 16:10.100 align:start JAIL, I'M GOING TO WORK YOU. 16:10.100 --> 16:11.400 align:start AND YOU'RE NOT GOING TO GET A 16:11.400 --> 16:12.030 align:start LOT TO EAT. 16:12.030 --> 16:16.590 align:start [ LAUGHTER ] 16:16.590 --> 16:17.630 align:start >> OKAY, SO WE'RE GOING TO HAVE 16:17.630 --> 16:17.960 align:start THE POPO, WE'RE GOING TO HAVE 16:17.960 --> 16:18.730 align:start THE SIGN THERE. 16:18.730 --> 16:19.760 align:start >> IF IT WASN'T FOR DEBBIE AND 16:19.760 --> 16:22.130 align:start KATE AND CODY. 16:22.130 --> 16:23.860 align:start THIS WOULDN'T BE HAPPENING. 16:23.860 --> 16:29.000 align:start SO I APPRECIATE ALL OF THEM. 16:29.000 --> 16:30.560 align:start EVERYBODY THAT'S IN HERE, AND 16:30.560 --> 16:31.660 align:start LIKE I SAID BEFORE, THEY'RE 16:31.660 --> 16:35.260 align:start FAMILY. 16:35.260 --> 16:36.590 align:start YOU KNOW, WE ALL LOOK OUT FOR 16:36.590 --> 16:38.000 align:start EACH OTHER. 16:38.000 --> 16:40.260 align:start SO, IT MAKES IT WORTH WHILE. 16:40.260 --> 16:45.560 align:start !!musiC@!!!musiC@! 16:45.560 --> 16:47.630 align:start >> YOU CAN SEE MORE OF 16:47.630 --> 16:50.830 align:start CHARLOTTE'S WORK AT THE GOODWILL 16:50.830 --> 16:52.500 align:start ART STUDIO AND GALLERY ON 16:52.500 --> 16:52.920 align:start EDGEHILL ROAD IN GRANDVIEW. 16:52.920 --> 16:53.260 align:start CHECK OUT THEIR FACEBOOK PAGE 16:53.260 --> 16:57.300 align:start FOR DETAILS. 16:57.300 --> 16:58.030 align:start LET'S GET BACK TO CANDY BECAUSE 16:58.030 --> 16:58.890 align:start IT'S THE SOURCE OF INSPIRATION 16:58.890 --> 17:02.790 align:start FOR OUR NEXT ARTIST. 17:02.790 --> 17:03.460 align:start AT FIRST GLANCE HIS WORK MIGHT 17:03.460 --> 17:04.490 align:start LEAVE YOU LONGING FOR CANDY 17:04.490 --> 17:06.490 align:start NECKLACES OR A BAG OF SWEET 17:06.490 --> 17:07.960 align:start TARTS. 17:07.960 --> 17:09.460 align:start BUT A CLOSER LOOK WILL REVEAL A 17:09.460 --> 17:10.830 align:start SLIGHTLY DARKER SIDE TO HIS 17:10.830 --> 17:16.330 align:start COLORFUL ILLUSTRATIONS. 17:16.330 --> 17:17.000 align:start >> WHEN I SIT DOWN AT A BLANK 17:17.000 --> 17:18.890 align:start CANVAS OR A BLANK PIECE OF PAPER 17:18.890 --> 17:20.070 align:start AND THE PROCESS THAT GOES 17:20.070 --> 17:22.630 align:start THROUGH MY HEAD IS, I WANT TO 17:22.630 --> 17:23.400 align:start TAKE WHATEVER HAPPENED IN THE 17:23.400 --> 17:24.560 align:start DAY, GOOD OR BAD, AND TRANSLATE 17:24.560 --> 17:29.360 align:start IT INTO MY WORLD. 17:29.360 --> 17:30.360 align:start AND THEREFORE I FEEL LIKE I HAVE 17:30.360 --> 17:31.890 align:start CONTROL IN SUCH A CHAOTIC WORLD. 17:31.890 --> 17:32.630 align:start SOMEONE DESCRIBED IT AND I LOVE 17:32.630 --> 17:33.530 align:start THE TERM. 17:33.530 --> 17:34.230 align:start THEY SAID, HE CREATES SUGAR RUSH 17:34.230 --> 17:36.130 align:start ART. 17:36.130 --> 17:37.070 align:start I'M INSPIRED BY CARTOONS AND 17:37.070 --> 17:39.630 align:start ACTUAL CANDY, THE COLORS IN 17:39.630 --> 17:40.890 align:start CANDY. 17:40.890 --> 17:42.070 align:start AND THE WHIMSY AND KIND OF 17:42.070 --> 17:43.360 align:start CHILDLIKE FEEL THAT GOES ALONG 17:43.360 --> 17:45.690 align:start WITH ALL THAT. 17:45.690 --> 17:46.400 align:start BUT THERE'S ALSO A SLIGHT 17:46.400 --> 17:47.560 align:start DARKNESS TO IT WITHIN THE 17:47.560 --> 17:51.860 align:start COLORS, THE BRIGHT COLORS. 17:51.860 --> 17:56.200 align:start LIKE, CANDY IS DELICIOUS AND 17:56.200 --> 17:57.590 align:start GOOD, IT'S NOT REALLY GOOD FOR 17:57.590 --> 18:01.830 align:start YOU TECHNICALLY. 18:01.830 --> 18:02.170 align:start I GET A LOT OF MIXED REACTIONS 18:02.170 --> 18:02.630 align:start WITH MY WORK. 18:02.630 --> 18:03.130 align:start I'LL HAVE KIDS THAT JUST TOTALLY 18:03.130 --> 18:03.690 align:start GET IT AND THEY'LL COME UP AND 18:03.690 --> 18:04.400 align:start I'M THINKING THEY'RE JUST 18:04.400 --> 18:05.100 align:start ATTRACTED TO THE COLORS WHICH 18:05.100 --> 18:05.590 align:start MAY HAVE BROUGHT THEM TO IT AT 18:05.590 --> 18:06.260 align:start FIRST. 18:06.260 --> 18:06.890 align:start BUT THEY GET THE MONSTERS, THEY 18:06.890 --> 18:07.690 align:start LOVE THE MONSTERS. 18:07.690 --> 18:09.170 align:start IT'S FUNNY WITH ADULTS, SOME 18:09.170 --> 18:09.790 align:start ADULTS DO GET IT, BUT THERE ARE 18:09.790 --> 18:10.400 align:start SOME ADULTS WHO REFUSE TO SEE 18:10.400 --> 18:12.490 align:start THE DARKNESS. 18:12.490 --> 18:13.260 align:start THEY'LL SEE THE LIGHT COLORS AND 18:13.260 --> 18:14.200 align:start THEY'LL SEE IT'S ADORABLE AND I 18:14.200 --> 18:16.100 align:start ALMOST HAVE TO POINT OUT, "LOOK, 18:16.100 --> 18:19.200 align:start IT'S NOT ALL SWEET." 18:19.200 --> 18:20.430 align:start THAT CONFUSES THEM AT FIRST. 18:20.430 --> 18:21.460 align:start THEY'LL BUY A PIECE AND 18:21.460 --> 18:22.200 align:start SOMETIMES THEY'LL MESSAGE ME 18:22.200 --> 18:23.070 align:start LATER AND SAY, "I DID NOT SEE 18:23.070 --> 18:24.530 align:start THAT THERE WAS THIS DARKNESS 18:24.530 --> 18:26.360 align:start HAPPENING OR THIS MONSTER THAT'S 18:26.360 --> 18:27.630 align:start RIGHT IN THAT BACKGROUND." 18:27.630 --> 18:29.070 align:start IT'S JUST A MATTER OF WHAT THEY 18:29.070 --> 18:30.630 align:start EXPERIENCE FIRST. 18:30.630 --> 18:31.730 align:start YOU HAVE THESE TALENTS, WHY NOT 18:31.730 --> 18:32.560 align:start DRAW WHATEVER YOU WANT TO? 18:32.560 --> 18:33.330 align:start I'M NOT REALLY WORRIED ABOUT 18:33.330 --> 18:33.920 align:start WHAT PEOPLE ARE GOING TO THINK 18:33.920 --> 18:35.330 align:start ABOUT IT. 18:35.330 --> 18:37.960 align:start THERE'S ALWAYS JUST THE PERSONAL 18:37.960 --> 18:40.170 align:start THING THAT'S GOING ON WITH ME 18:40.170 --> 18:41.530 align:start THAT I'M JUST GETTING IT OUT. 18:41.530 --> 18:46.130 align:start ALMOST LIKE, IT'S ALMOST LIKE 18:46.130 --> 18:47.100 align:start THERAPY SORT OF. 18:47.100 --> 18:47.730 align:start HOWEVER, PEOPLE WILL SEE IT AND 18:47.730 --> 18:49.920 align:start THEY WILL TRANSLATE MESSAGES TO 18:49.920 --> 18:54.490 align:start IT AND HOW THEY APPLY IT TO 18:54.490 --> 18:59.490 align:start THEIR LIVES AND WHAT THEY'RE 18:59.490 --> 19:01.260 align:start GOING THROUGH. 19:01.260 --> 19:02.300 align:start AND I DON'T THINK IT'S WRONG 19:02.300 --> 19:02.590 align:start INTERPRETATIONS. 19:02.590 --> 19:03.000 align:start I THINK ALL OF THOSE 19:03.000 --> 19:03.690 align:start INTERPRETATIONS ARE RIGHT. 19:03.690 --> 19:04.000 align:start THAT'S ALMOST WHERE THE ART 19:04.000 --> 19:04.490 align:start BECOMES SOMETHING NEW TO ME. 19:04.490 --> 19:04.830 align:start AS FAR AS MY INSPIRATION WITH 19:04.830 --> 19:05.200 align:start THE DARK SIDE OF THINGS AND THE 19:05.200 --> 19:05.860 align:start LIGHTER SIDE OF THINGS IS, I 19:05.860 --> 19:06.490 align:start FEEL LIFE IS JUST FULL OF THAT. 19:06.490 --> 19:08.230 align:start THERE'S SO MUCH BEAUTY AND UGLY 19:08.230 --> 19:09.070 align:start HAPPENING AT THE SAME EXACT 19:09.070 --> 19:09.830 align:start TIME. 19:09.830 --> 19:10.660 align:start SO I PUT THAT IN MY WORK. 19:10.660 --> 19:12.260 align:start WHEN I FIRST STARTED THIS WHOLE 19:12.260 --> 19:15.300 align:start ART THING I NEVER THOUGHT IT CAN 19:15.300 --> 19:16.260 align:start ACTUALLY GET TO WHERE I'M AT 19:16.260 --> 19:17.260 align:start NOW. 19:17.260 --> 19:18.920 align:start I'VE HAD OPPORTUNITIES I NEVER 19:18.920 --> 19:20.460 align:start THOUGHT WOULD BE POSSIBLE. 19:20.460 --> 19:21.630 align:start I'VE HAD IT IN MUSEUMS, I'VE 19:21.630 --> 19:22.890 align:start BEEN PUBLISHED IN MAGAZINES LIKE 19:22.890 --> 19:24.030 align:start "THE NEW YORKER" AND I DON'T 19:24.030 --> 19:25.530 align:start HAVE A SPECIFIC GOAL. 19:25.530 --> 19:26.730 align:start JUST SEE WHERE IT GOES, I KIND 19:26.730 --> 19:27.890 align:start OF LIKE THE ORGANIC BRANCHING OF 19:27.890 --> 19:29.460 align:start IT. 19:29.460 --> 19:30.830 align:start I JUST KIND OF LIKE SEEING WHERE 19:30.830 --> 19:32.200 align:start IT TAKES ME. 19:32.200 --> 19:36.000 align:start SORT OF A DESTINY THING I GUESS. 19:36.000 --> 19:45.660 align:start !!musiC@!!!musiC@! 19:45.660 --> 19:46.560 align:start !!musiC@!!!musiC@! 19:46.560 --> 19:46.960 align:start >> THE COUPLE IN OUR FINAL STORY 19:46.960 --> 19:47.560 align:start TODAY ENJOYED A LIFETIME OF 19:47.560 --> 19:50.790 align:start COLLECTING GLASS ART. 19:50.790 --> 19:51.860 align:start THAT IS, UNTIL THEY RETIRED AND 19:51.860 --> 19:53.360 align:start DECIDED THEY WANTED TO START 19:53.360 --> 19:55.960 align:start MAKING IT. 19:55.960 --> 20:02.960 align:start !!musiC@!!!musiC@! 20:02.960 --> 20:04.860 align:start >> I WOULD HOPE THAT SOMEONE 20:04.860 --> 20:06.760 align:start COMING INTO THE STUDIO FOR THE 20:06.760 --> 20:07.960 align:start FIRST TIME TO LOOK AND CHOOSING 20:07.960 --> 20:08.660 align:start TO TAKE SOMETHING HOME FOR THEIR 20:08.660 --> 20:09.760 align:start OWN WOULD BE FINDING SOME OF THE 20:09.760 --> 20:11.560 align:start JOY THAT WE FIND IN MAKING THE 20:11.560 --> 20:13.530 align:start GLASS. 20:13.530 --> 20:19.590 align:start !!musiC@!!!musiC@! 20:19.590 --> 20:21.400 align:start >> NEITHER OF US HAVE HAD ANY 20:21.400 --> 20:22.460 align:start ART BACKGROUND BEFORE WE GOT 20:22.460 --> 20:24.860 align:start INVOLVED IN BUILDING THE GLASS 20:24.860 --> 20:26.490 align:start BLOWING STUDIO. 20:26.490 --> 20:28.960 align:start I'M DICK MOIEL. 20:28.960 --> 20:29.400 align:start I WAS IN THE MEDICAL FIELD AS A 20:29.400 --> 20:30.100 align:start NEUROSURGEON. 20:30.100 --> 20:31.170 align:start >> AND I'M KATHY POEPPEL. 20:31.170 --> 20:32.260 align:start FOR THE LAST 25 YEARS I'VE BEEN 20:32.260 --> 20:34.920 align:start MARRIED TO DICK MOIEL AND FOR 20:34.920 --> 20:35.860 align:start THE LAST 20 YEARS WE'VE HAD A 20:35.860 --> 20:38.860 align:start GLASS BLOWING STUDIO TOGETHER. 20:38.860 --> 20:42.360 align:start !!musiC@!!!musiC@! 20:42.360 --> 20:43.660 align:start BEFORE WE TOOK ON THIS VENTURE I 20:43.660 --> 20:48.130 align:start WAS A PHYSICIAN ASSISTANT, AND 20:48.130 --> 20:48.860 align:start BEFORE THAT AN OPERATING ROOM 20:48.860 --> 20:49.530 align:start NURSE. 20:49.530 --> 20:51.170 align:start SO DICK AND I WERE ACCUSTOMED TO 20:51.170 --> 20:53.130 align:start SPENDING A LOT OF TIME TOGETHER 20:53.130 --> 20:55.230 align:start AND WORKING TOGETHER. 20:55.230 --> 20:56.030 align:start THE ROLES MAY HAVE CHANGED A 20:56.030 --> 20:56.660 align:start LITTLE BIT ONCE WE GOT INTO THE 20:56.660 --> 20:59.530 align:start GLASS BLOWING STUDIO. 20:59.530 --> 21:01.000 align:start BUT THERE WAS STILL A DYNAMIC 21:01.000 --> 21:01.760 align:start THAT SEEMED TO TRANSFER PRETTY 21:01.760 --> 21:03.100 align:start WELL TO THIS SETTING. 21:03.100 --> 21:03.960 align:start COULD YOU GET THE DOOR FOR ME? 21:03.960 --> 21:07.460 align:start AND THEN I'M GOING TO GO PAST 21:07.460 --> 21:09.330 align:start YOU TO COOL THE PIPE BEFORE I GO 21:09.330 --> 21:09.730 align:start TO THE BENCH. 21:09.730 --> 21:10.100 align:start >> OKAY. 21:10.100 --> 21:10.830 align:start >> THE PROCESS OF GLASS BLOWING 21:10.830 --> 21:11.890 align:start IS REALLY SEDUCTIVE AND 21:11.890 --> 21:15.100 align:start ADDICTIVE APPARENTLY. 21:15.100 --> 21:17.230 align:start SO WE JUST WANTED TO TRY IT AND 21:17.230 --> 21:19.430 align:start DIDN'T HAVE THE TIME TO DO THAT 21:19.430 --> 21:25.260 align:start BEFORE RETIREMENT. 21:25.260 --> 21:26.170 align:start SO AFTER RETIREMENT WE STARTED 21:26.170 --> 21:26.660 align:start TAKING CLASSES. 21:26.660 --> 21:27.200 align:start DON'T YOU THINK WE TENDED TO BE 21:27.200 --> 21:27.890 align:start THE OLDEST STUDENTS IN THE 21:27.890 --> 21:29.760 align:start CLASS? 21:29.760 --> 21:32.230 align:start >> I THINK WE'RE THE OLDEST AS 21:32.230 --> 21:34.130 align:start THEY REFER TO US AS MA'AM AND 21:34.130 --> 21:35.070 align:start SIR. 21:35.070 --> 21:35.790 align:start BUT WE'VE LEARNED A LOT. 21:35.790 --> 21:42.560 align:start !!musiC@!!!musiC@! 21:42.560 --> 21:43.690 align:start THERE WAS AN ART CLASS COMMUNITY 21:43.690 --> 21:46.860 align:start IN HOUSTON. 21:46.860 --> 21:47.560 align:start WE MADE ATTEMPTS TO CHECK THE 21:47.560 --> 21:48.530 align:start VARIOUS COLLEGES AND 21:48.530 --> 21:51.860 align:start UNIVERSITIES. 21:51.860 --> 21:53.230 align:start AND THERE WASN'T A PROGRAM SO WE 21:53.230 --> 21:55.690 align:start DECIDED TO BUILD OUR OWN STUDIO 21:55.690 --> 21:56.630 align:start I THINK WE'RE THE OLDEST AS THEY 21:56.630 --> 22:02.300 align:start REFER TO US AS MA'AM AND SIR. 22:02.300 --> 22:03.560 align:start BUT WE'VE LEARNED A LOT. 22:03.560 --> 22:06.400 align:start !!musiC@!!!musiC@! 22:06.400 --> 22:07.430 align:start THERE WAS AN ART CLASS COMMUNITY 22:07.430 --> 22:10.790 align:start IN HOUSTON. 22:10.790 --> 22:11.630 align:start WE MADE ATTEMPTS TO CHECK THE 22:11.630 --> 22:11.920 align:start VARIOUS COLLEGES AND 22:11.920 --> 22:12.460 align:start UNIVERSITIES. 22:12.460 --> 22:12.790 align:start AND THERE WASN'T A PROGRAM SO WE 22:12.790 --> 22:13.200 align:start DECIDED TO BUILD OUR OWN STUDIO. 22:13.200 --> 22:13.330 align:start !!musiC@!!!musiC@! 22:13.330 --> 22:13.690 align:start >> BEGINNING GLASS BLOWERS ALL 22:13.690 --> 22:13.960 align:start HAVE THE SAME STYLE. 22:13.960 --> 22:14.300 align:start IT'S THE GLASS BEING ITSELF. 22:14.300 --> 22:14.690 align:start OVER TIME, WITH AN UNDERSTANDING 22:14.690 --> 22:15.030 align:start OF HOW THE MATERIAL WORKS AND 22:15.030 --> 22:15.630 align:start HOW IT HANDLES, THEN YOU CAN 22:15.630 --> 22:15.920 align:start START TO ASK IT TO DO SOME 22:15.920 --> 22:16.260 align:start THINGS WE'RE INTERESTED IN 22:16.260 --> 22:16.530 align:start HAVING IT DO. 22:16.530 --> 22:17.000 align:start BUT IT'S REALLY A RELATIONSHIP 22:17.000 --> 22:17.360 align:start THAT CONTINUES TO GO ON WITH THE 22:17.360 --> 22:20.460 align:start MATERIAL. 22:20.460 --> 22:21.500 align:start THERE'S SOME BASIC STEPS FOR ALL 22:21.500 --> 22:23.460 align:start BLOWN OBJECTS. 22:23.460 --> 22:24.690 align:start GETTING ENOUGH GLASS ON THE END 22:24.690 --> 22:25.730 align:start OF THE BLOWPIPE TO ACCOMPLISH 22:25.730 --> 22:27.830 align:start THE PIECE. 22:27.830 --> 22:29.000 align:start USUALLY TAKES UP THE MOST AMOUNT 22:29.000 --> 22:30.330 align:start OF TIME BECAUSE THAT'S WHERE THE 22:30.330 --> 22:30.890 align:start COLORING AND THE PATTERNING 22:30.890 --> 22:33.460 align:start OCCURS. 22:33.460 --> 22:34.530 align:start WE START OUT WITH THE SHAPE IDEA 22:34.530 --> 22:35.400 align:start BUT IF THE FEEDBACK WE'RE 22:35.400 --> 22:37.330 align:start GETTING FROM THE PIECE RUNS 22:37.330 --> 22:38.330 align:start COUNTER TO THAT THEN WE MAKE 22:38.330 --> 22:40.730 align:start ADJUSTMENTS DURING THE PROCESS. 22:40.730 --> 22:42.860 align:start SO ONCE ALL OF THE PATTERN AND 22:42.860 --> 22:44.230 align:start THE GLASS IS ON THE END OF THE 22:44.230 --> 22:47.000 align:start BLOWPIPE THE GLASS IS BLOWN OUT, 22:47.000 --> 22:48.560 align:start THE WALLS ARE THINNED, THE SHAPE 22:48.560 --> 22:49.730 align:start IS REFINED AND THEN THE GLASS IS 22:49.730 --> 22:51.070 align:start TRANSFERRED FROM THE BLOWPIPE TO 22:51.070 --> 22:54.560 align:start ANOTHER STEEL ROD SO THAT THE 22:54.560 --> 22:56.030 align:start RAW END THAT'S BROKEN OFF THE 22:56.030 --> 22:58.000 align:start BLOWPIPE CAN BE SHAPED AND 22:58.000 --> 23:01.230 align:start FORMED. 23:01.230 --> 23:02.130 align:start AND WHEN THAT'S DONE THE GLASS 23:02.130 --> 23:03.790 align:start IS PUT INTO AN ANNEALING OVEN 23:03.790 --> 23:05.230 align:start WHERE IT IS COOLED AT A VERY 23:05.230 --> 23:05.920 align:start PRESCRIBED RATE DEPENDING ON THE 23:05.920 --> 23:07.830 align:start THICKNESS OF THE GLASS. 23:07.830 --> 23:08.760 align:start TO RELIEVE THE STRESS IN THE 23:08.760 --> 23:11.460 align:start GLASS. 23:11.460 --> 23:12.100 align:start TO BRING IT DOWN TO ROOM 23:12.100 --> 23:13.170 align:start TEMPERATURE. 23:13.170 --> 23:14.860 align:start >> THE CHALLENGE HAS BEEN TO 23:14.860 --> 23:16.360 align:start KNOW WHAT OUR LIMITATIONS. 23:16.360 --> 23:19.560 align:start WE HAVE SMALLER SIZED EQUIPMENT 23:19.560 --> 23:21.230 align:start SO WE'RE NOT GOING TO BE ABLE TO 23:21.230 --> 23:23.660 align:start DO GIGANTIC PIECES. 23:23.660 --> 23:25.590 align:start >> HOW DOES IT FEEL? 23:25.590 --> 23:26.830 align:start >> IT FEELS GOOD. 23:26.830 --> 23:28.070 align:start I'LL GO RIGHT TO THE GLORY HOLE 23:28.070 --> 23:29.530 align:start THEN AS SOON AS YOU BREAK IT 23:29.530 --> 23:30.460 align:start OFF. 23:30.460 --> 23:31.070 align:start >> I THINK THE BIGGEST 23:31.070 --> 23:33.070 align:start DIFFERENCE IS THAT THERE'S ROOM 23:33.070 --> 23:34.500 align:start FOR PLAY AND EXPERIMENTATION 23:34.500 --> 23:35.690 align:start HERE WHEREAS IN THE OPERATING 23:35.690 --> 23:36.400 align:start ROOM THERE WAS NONE OF THAT AND 23:36.400 --> 23:40.230 align:start THERE WAS A STRESS THAT'S HARD 23:40.230 --> 23:40.760 align:start TO KIND OF DEFINE. 23:40.760 --> 23:41.560 align:start BUT THAT'S SOMETHING THAT WE 23:41.560 --> 23:46.300 align:start DON'T FEEL AT ALL HERE. 23:46.300 --> 23:53.300 align:start BLOW AGAIN. 23:53.300 --> 23:58.260 align:start >> WHEN WE'RE IN THE OPERATING 23:58.260 --> 23:58.830 align:start ROOM, THE PATIENT'S ASLEEP. 23:58.830 --> 23:59.100 align:start >> STOP. 23:59.100 --> 24:00.130 align:start >> STOP. 24:00.130 --> 24:00.400 align:start >> NICE. 24:00.400 --> 24:00.890 align:start >> AND EVERYTHING THAT'S 24:00.890 --> 24:01.300 align:start MOVEMENT IS MOVEMENT WITH THE 24:01.300 --> 24:02.260 align:start HANDS. 24:02.260 --> 24:03.230 align:start BUT HERE THE GLASS IS MOVING AND 24:03.230 --> 24:04.590 align:start WE'RE GETTING UP AND REHEATING 24:04.590 --> 24:06.860 align:start AND COOLING. 24:06.860 --> 24:08.560 align:start SO IT'S THAT ASPECT. 24:08.560 --> 24:09.630 align:start WE'RE NOT STABLE IN ONE POSITION 24:09.630 --> 24:11.130 align:start FOR HOURS. 24:11.130 --> 24:14.860 align:start >> GLASS BLOWING IS A TEAM 24:14.860 --> 24:20.660 align:start EFFORT. 24:20.660 --> 24:21.000 align:start [ GASP ] 24:21.000 --> 24:21.560 align:start >> GOT IT. 24:21.560 --> 24:22.730 align:start TORCH. 24:22.730 --> 24:23.460 align:start >> BECAUSE IT'S SAFER TO DO WITH 24:23.460 --> 24:27.130 align:start SOMEONE HELPING. 24:27.130 --> 24:28.530 align:start BUT IT'S ALSO A COMMUNITY 24:28.530 --> 24:30.100 align:start PROJECT AND PROCESS. 24:30.100 --> 24:33.170 align:start AND THAT'S PART OF THE JOY OF 24:33.170 --> 24:33.730 align:start WORKING WITH GLASS AND BLOWING 24:33.730 --> 24:35.170 align:start GLASS. 24:35.170 --> 24:37.260 align:start AND TO BE ABLE TO PARTNER WITH 24:37.260 --> 24:39.360 align:start MY PARTNER IS REALLY SOMETHING 24:39.360 --> 24:41.200 align:start THAT'S PRETTY SPECIAL. 24:41.200 --> 24:43.070 align:start WE WOULDN'T GIVE THAT UP FOR 24:43.070 --> 24:44.430 align:start ANYTHING. 24:44.430 --> 24:45.860 align:start [ LAUGHTER ] 24:45.860 --> 24:50.760 align:start TEAMWORK! 24:50.760 --> 24:51.360 align:start >> THAT'S OUR SHOW. 24:51.360 --> 24:52.100 align:start YOU CAN SEE ALL OF TODAY'S 24:52.100 --> 24:55.130 align:start STORIES AT WOSU.ORG. 24:55.130 --> 24:55.960 align:start AND OF COURSE BE SURE TO CHECK 24:55.960 --> 24:57.300 align:start US OUT ON FACEBOOK, TWITTER AND 24:57.300 --> 24:59.200 align:start INSTAGRAM. 24:59.200 --> 24:59.560 align:start WE'RE CLOSING THE SHOW WITH A 24:59.560 --> 25:01.130 align:start BALLAD BY LOCAL POP BAND 25:01.130 --> 25:02.860 align:start TRUSLOW. 25:02.860 --> 25:04.130 align:start THE TRACK IS CALLED "LOVER" AND 25:04.130 --> 25:04.790 align:start IT CAN BE FOUND ON THEIR 25:04.790 --> 25:06.960 align:start 2014 ALBUM "HURRICANE." 25:06.960 --> 25:07.830 align:start THANKS FOR WATCHING, WE'LL CATCH 25:07.830 --> 25:09.530 align:start YOU BACK HERE NEXT WEEK ON BROAD 25:09.530 --> 25:12.460 align:start AND HIGH. 25:12.460 --> 25:14.400 align:start !!musiC@! YOU, YOU AND I 25:14.400 --> 25:18.070 align:start IN THE SPELL OF THE NIGHT !!musiC@! 25:18.070 --> 25:19.660 align:start !!musiC@! THE BUTTERFLIES 25:19.660 --> 25:21.530 align:start THEY DREAM !!musiC@! 25:21.530 --> 25:22.860 align:start !!musiC@! JUST TO FEEL 25:22.860 --> 25:24.960 align:start WHAT WE'VE SEEN !!musiC@! 25:24.960 --> 25:28.690 align:start !!musiC@! TO BE LOST IN THE BEAUTY OF 25:28.690 --> 25:33.590 align:start LOVE !!musiC@! 25:33.590 --> 25:37.830 align:start !!musiC@!!!musiC@! 25:37.830 --> 25:38.590 align:start >> CARLA RISCH CHAFFIN. 25:38.590 --> 25:41.500 align:start SCENIC DESIGN ARTIST. 25:41.500 --> 25:42.500 align:start I LOVE MAKING A WHOLE NEW PLACE 25:42.500 --> 25:44.560 align:start OUT OF BLANK CANVAS. 25:44.560 --> 25:45.560 align:start I COLLABORATE WITH THE DIRECTOR 25:45.560 --> 25:47.330 align:start AND THE DESIGNERS OF LIGHT, 25:47.330 --> 25:49.000 align:start SOUND AND COSTUMES. 25:49.000 --> 25:50.500 align:start RESEARCH AND CLEAR COMMUNICATION 25:50.500 --> 25:52.200 align:start ARE MY BEST TOOLS. 25:52.200 --> 25:52.590 align:start IT TAKES ME DAYS TO PAINT A 25:52.590 --> 25:56.330 align:start BACKDROP. 25:56.330 --> 25:57.070 align:start IT'S HARD AND JOYFUL WORK. 25:57.070 --> 25:57.920 align:start I'VE TRAINED HORSES, I'VE DRAWN 25:57.920 --> 25:58.760 align:start FLOWERS IN CHURCH. 25:58.760 --> 25:59.760 align:start I'VE BEEN IN AN ALTERNATIVE ROCK 25:59.760 --> 26:01.200 align:start BAND. 26:01.200 --> 26:02.200 align:start THE PATH OF AN ARTIST IS NOT 26:02.200 --> 26:03.130 align:start LINEAR AND COLUMBUS UNDERSTANDS 26:03.130 --> 26:05.230 align:start THAT. 26:05.230 --> 26:06.100 align:start I CAN EARN A LIVING HERE AND I 26:06.100 --> 26:07.890 align:start GET TO EXPLORE IN A PLACE WHERE 26:07.890 --> 26:09.130 align:start THE WORKS OF OTHER ARTISTS 26:09.130 --> 26:11.330 align:start INSPIRE ME TOO. 26:11.330 --> 26:12.960 align:start I AM CARLA RISCH CHAFFIN. 26:12.960 --> 26:14.300 align:start SCENIC DESIGN IS MY ART. 26:14.300 --> 26:15.170 align:start AND THERE'S NO PLACE I'D RATHER 26:15.170 --> 26:22.500 align:start MAKE IT. 26:22.500 --> 26:31.830 align:start !!musiC@!!!musiC@! 26:31.830 --> 26:32.890 align:start >> Announcer: PRODUCTION OF 26:32.890 --> 26:33.960 align:start "BROAD & HIGH" IS FUNDED IN PART 26:33.960 --> 26:34.560 align:start BY THE GREATER COLUMBUS ARTS 26:34.560 --> 26:35.890 align:start COUNCIL. 26:35.890 --> 26:37.130 align:start SUPPORTING ARTS, ADVANCING AND 26:37.130 --> 26:39.560 align:start CONNECTING THE COMMUNITY TO 26:39.560 --> 26:41.400 align:start ARTISTS, EVENTS AND CLASSES AT 26:41.400 --> 26:46.400 align:start COLUMBUSMAKESART.COM.