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Host: COMING UP NEXT

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A NEW ANGLE ON "STREET-WISE"...

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THE BONDS OF SURVIVAL...

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THE STROKE OF JUSTICE...

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AND THE RUSSIAN BALLET'S

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NEXT - ON ARTWORKS !

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CLOSED CAPTIONING HAS BEEN MADE

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EMPOWERING THOSE WHO ARE DEAF,

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OR SPEECH DISABLED TO STAY

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*

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Announcer: ARTWORKS IS MADE

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BY THE CITIZENS

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THIS IS ARTWORKS

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TONIGHT WE FEATURE ARTISTS

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THEY EXPLORE DIFFICULT

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THEY LOOK OUTSIDE OF THEMSELVES

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BUT FIRST, I WANT TO WELCOME MY

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WITH THESE COMMITTED ARTISTS.

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Randi: THANK YOU, RHEA.

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I'M RANDI PUPKIN,

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OF THE NONPROFIT ORGANIZATION

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BASED IN BALTIMORE.

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Rhea: OKAY SO NOW LOTS

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WHAT EXACTLY IS

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Randi: "ART WITH A HEART"

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ART ORGANIZATION THAT BRINGS

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UNDERSERVED COMMUNITIES.

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WE TAKE CLASSES INTO SCHOOLS,

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COMMUNITY CENTERS, HOSPITALS,

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Rhea: SO YOU HAVE A WIDE RANGE

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Randi: YES.

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WE PROGRAM WITH

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2 TO 102.

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Rhea: NOW YOU HAVE SOMETHING

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A JOB PROGRAM.

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I'D LOVE YOU TO

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Randi: WE COMBINE WORKFORCE

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SO WE USE ART AS A VEHICLE

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IT'S A 6 WEEK PROGRAM.

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OUR STUDENTS IN THAT PROGRAM ARE

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YOUTH AND WE HOPE THAT AFTER

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THEY WILL TRANSITION INTO A JOB.

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MOST, 75 PERCENT DO.

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Rhea: THAT IS JUST ABSOLUTELY

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AND YOU'RE ALSO IN THE SCHOOLS.

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NOW THERE IS NOT AS MUCH ART

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IN THE SCHOOLS.

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Randi: CORRECT.

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EVERY SCHOOL DOES NOT HAVE AN

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LOOKING TO SUPPLANT

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DOES NOT HAVE AN ART TEACHER,

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THAT VOID AND PROVIDE VISUAL ART

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Rhea: WELL EVERYTHING YOU DO IS

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ART REALLY DOES TRANSFORM LIVES

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IS DOING JUST THAT.

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SO PLEASE CHECK OUT THE WEBSITE,

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AND NOW, ON TO OUR FIRST STORY,

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WHERE TEENS TOOK TO THE STREETS

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AND PERSONALITIES OF

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Randi: THE PROJECT WAS CALLED

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AND THESE YOUNG ARTISTS TOOK

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*

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Terrence Cribbs Lorrant: PLAY TO

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BE PART OF THEIR UM, THEIR

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AND MAKE IT A REALITY

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GIVING STUDENTS THE OPPORTUNITY

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TO TAKE PICTURES AND CAPTURE

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Elijah Wells: THEY'RE

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GROUP OF KIDS FROM THE

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HIGH TECH PHONES TO TAKE

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AND SHOW IT IN THIS GALLERY.

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Jackie Mansfield: WE THOUGHT IT

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THE STUDENTS FROM ALL OVER TOWN

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PHOTOGRAPHY PROJECT AND-

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HERE AT ART BASEL.

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Ryan Everett: CW GRIFFIN HE CAME

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LIKE BEST PHOTOGRAPHERS AND HE

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AND THEY JUST SHOWED US THE

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C.W. Griffin: IT'S SOMETHING

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FOR YEARS.

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I'VE ALWAYS ENJOYED IT I'VE

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PEOPLE THAT TOOK INTEREST IN

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TO MOLD ME INTO WHERE I AM

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ACTUALLY A PRIVILEGE.

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Karen Vital: I DID THINGS I

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LIKE NOT BEING AFRAID TO

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WHEN I OPEN UP TO YOU, I MAKE

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FOR ME TO TAKE YOUR PICTURE.

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I DIDN'T KNOW THAT.

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I JUST, I WOULD JUST COME UP TO

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IT DOESN'T WORK LIKE THAT.

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SO THAT'S SOMETHING I LEARNED.

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Philips Julien: THAT WHEN YOU

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MANY STORIES AND MANY THINGS.

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AND... IT DEPENDS HOW YOU SEE IT

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WHOLE WORLD SEES IT BUT YOU HAVE

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TO EXPRESS HOW YOU THINK

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WE CAN LIKE TRY THE PHOTOS WE

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TO SEE HOW THE WORLD LIKE

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INTERACT WITH IT.

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Ryan: I HAVE THIS ONE PICTURE

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PLAY CHESS OUT HERE EVERY DAY

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STAY OUT HERE FROM 6 O'CLOCK IN

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UNTIL 6 AT NIGHT.

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THEIR TIME AND WHAT THEY DO TO

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OF STRESS AND EVERYTHING, THAT

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I TOOK A GREAT PICTURE OF THEM.

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I SUBMITTED TEN PHOTOGRAPHS BUT

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150 TO GET THOSE GOOD 10.

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Karen: I JUST WANT TO MOVE

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DIRECTION BECAUSE LIKE AS I WAS

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HMM... THIS COULD BE FOR ME.

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BECAUSE LIKE IT'S NOT ONLY

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LIKE I SAID BEFORE

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C.W. Griffin: THE ACTUAL FINAL

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WHAT THE TALENT LEVEL WAS.

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Jackie: I REALLY WAS BLOWN AWAY

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THAN I WAS EXPECTING.

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I JUST THINK THE KIDS REALLY

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THEIR OWN COMMUNITY AND THEY

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SOMETHING ELSE THAT WAS

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AND I THINK THAT THEIR WORK

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Ryan: THE MOST REWARDING

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HOW IT CAN BE SO...

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IT JUST TOUCHED ME JUST

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Karen: THERE'S A LOT OF STUDENTS

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SCHOOL THAT DO NOT...

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ACTIVITIES THAT YOU

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MANY PLACES THAT YOU DON'T EVEN

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AND OPEN THE DOORS

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THAT THESE PROGRAMS

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Philips: AFTER ALL, KIDS IS

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BE RESPONSIBLE AND LIKE TAKE

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THE COMMUNITY.

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C.W. Griffin: I WOULD LIKE TO

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CONTINUE TO GROW AND CONTINUE TO

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SORT OF SEE TO THEIR SUCCESS.

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Elijah: ONE THING THAT OUR

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OPPORTUNITY TO TRAVEL

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THAT'S ONE THING I WANT TO DO

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SO PHOTOGRAPHY I WANT TO PURSUE

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PICTURES BRING IT BACK AND YOU

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TRAVELED CAN SEE WHAT'S GOING ON

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Terrance: THE GOOD THING ABOUT

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IS BECAUSE IT'S IN THEIR HAND.

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IT'S SOMETHING THAT MOST

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MOST ADULTS USE EVERY DAY.

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SO NOW IT'S BECOME LIKE THEIR

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WELL IF I CAN GET THEM TO MAKE A

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AND THEIR DREAMS AND THEIR

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AS BEING IN THEIR RIGHT HAND

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IT MAKES ALL THE DIFFERENCE.

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Rhea: OUR NEXT STORY EXPLORES

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A MAN AND HIS DOG.

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BUT HOLD ON... THIS IS

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IT'S ABOUT LOYALTY,

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OF ART.

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[DRAMATIC MUSIC]

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Logan: DIEGO!

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[SIGHS HEAVILY]

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[LIGHT INSTRUMENTAL MUSIC]

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Logan: THE SAME DREAM AGAIN.

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Narrator: BASED ON HIS 2006 TOUR

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THE RELATIONSHIP BETWEEN LOGAN

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PARTNER DIEGO.

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IT ALL STARTED IN 1996, WHEN,

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LOGAN JOINED

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IN 2004, IN DEFERENCE TO 9/11,

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UNDERGRAD STUDIES AND WENT

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BUT THERE WAS JUST ONE PROBLEM.

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Logan: THE JOB I HAD THERE

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MILITARY, SO THEY SAID,

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AND MAKE YOU A COMBAT ENGINEER.

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SO PRIMARILY DEALING WITH

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AND THAT SORT OF THING.

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IT'S A TERRIFYING JOB.

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I FOUND OUT ABOUT A NEW DOG

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IN CONJUNCTION WITH THE BRITISH

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PERSONNEL BRANCH OF THE PENTAGON

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RIGHT, FOR ENGINEERS?"

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AND THEY SAID, "YEAH." AND I

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AND TWO WEEKS LATER,

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I FIRST MET DIEGO IN 2005 AS

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COURSE IN FORT LAUDERDALE,

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THESE GUYS HAD OVER 40 YEARS OF

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AND THEY WERE GENIUSES.

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ALL RIGHT, LADS!

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WELCOME TO THE SPECIALIZED

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OVER THE NEXT 14 WEEKS, YOU AND

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OVER 40 INDIVIDUAL

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IEDS, IMPROVISED EXPLOSIVE

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LETHAL WEAPON INSURGENTS ARE

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AND THEY'RE DAMN GOOD AT IT.

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Narrator: AS DESTINY WOULD

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POSSIBLE DOGS, LOGAN WAS PAIRED

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Logan: WE CLICKED INSTANTLY.

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AND HE WAS SMART, SO SMART.

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HE WOULD CHEAT.

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ABOUT HALFWAY THROUGH, DIEGO

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THAN ANY OTHER DOG, AND I DON'T

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IN 20 MINUTES.

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I MEAN HE WOULD ALWAYS

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AFTER A FEW DAYS OF THIS, RON

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HIS SCENT TO WHERE HE

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[LAUGHTER]

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WE HAD TO START CHANGING UP

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DIEGO WOULD JUST SEARCH.

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OH, HE WAS THE PERFECT MIXTURE

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AND INTELLIGENCE.

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AND HIS NOSE...

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Narrator: LOGAN AND DIEGO WERE

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MAKING INCREDIBLE FINDS.

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TOGETHER, THEY DISCOVERED

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OF WEAPONS, EXPLOSIVES,

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BECAUSE OF THE SPECIALIZED TASK

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PART OF A SPECIFIC UNIT, INSTEAD

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EVERYONE FROM THE SEALS

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BUT THIS CONSTANT SHIFTING

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ISOLATION.

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Logan: THERE WAS

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I'D DO A MISSION.

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I'D GO BACK TO MY TRAILER, GET

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I WAS LEFT ON MY OWN TO PROCESS

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HAPPENING...

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NO!

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DIEGO, THIS WAY!

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COME!

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COME, COME,

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[SMOOCHES] COME HERE.

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COME HERE.

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NO NO NO NO NO.

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[SIGHS] [RADIO CRACKLES] MOVING

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EVERY FIBER IN MY BODY IS

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A CAR BOMB.

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COME ON, BUDDY.

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[SMOOCHES] WHAT'S THIS?

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SO I KNOW WITHOUT HIM, HAD I

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OR HAD I EVEN BEEN WITH A DOG

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CONNECTION ON TOP OF THE

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WORKING CONNECTION, I DON'T KNOW

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HE ABSOLUTELY KEPT ME HEALTHY.

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Narrator: WHEN THEIR TIME

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DIEGO WAS TRANSFERRED TO ANOTHER

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KANSAS CITY TO PURSUE AN MFA IN

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ALL THE WHILE TRYING IN VAIN TO

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ELIGIBILITY.

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THEY WOULD BE APART FOR SEVEN

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IN 2012 AFTER LOGAN MOUNTED A

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TO FIND HIS BELOVED BOY.

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Logan: IT'S BEEN FANTASTIC.

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I PICKED HIM UP THREE YEARS AGO

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HE STILL WANTS TO WORK.

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ALL OF HIS TRAINING IS STILL

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A NEW SPACE.

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HE ALWAYS DOES A LEFT TO RIGHT

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HE LOOKS AT EVERYTHING, SMELLS

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"OKAY, DAD. IT'S GOOD.

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"NOW I'M JUST GONNA LAY DOWN,

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PET ME."

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[LAUGHTER]

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SO HE'S LIVING THE PRETTY

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Narrator: BUT WE MAY HAVE NEVER

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IF THIS PAST MARCH, WHILE

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AMERICA SHAKESPEARE FESTIVAL'S

265
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LOGAN HADN'T POSED A QUESTION TO

266
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Logan: I SAID, "HEY, WHAT

267
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FRINGE THAT ARE 60 MINUTES?"

268
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AND HE SAID, "OH, THAT'S EASY.

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YOURS."

270
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AND SO THAT KIND

271
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IT TOOK ME PROBABLY ABOUT THREE

272
00:14:00,873 --> 00:14:04,310
AND THEN A MONTH

273
00:14:04,410 --> 00:14:06,946
AND IT WAS VERY MUCH

274
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I SPENT A LOT OF TIME DOING

275
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THAT WOULD TRIGGER MY PTSD.

276
00:14:12,852 --> 00:14:17,456
AND I WOULD FIND THAT I HAD JUST

277
00:14:17,556 --> 00:14:21,393
OTHER TIMES, IT WAS VERY

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EVENT, NOW THAT I HAVE

279
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IT, AND BREAK IT DOWN AND GO,

280
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I WORKED VERY HARD TO NEVER TAKE

281
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GOOD, WHETHER IT WAS RIGHT,

282
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OR WERE WE NOT.

283
00:14:39,044 --> 00:14:40,312
THAT'S NOT WHAT

284
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IT'S JUST ABOUT MY

285
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Narrator: AND IT'S AN

286
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RESONATED WITH AUDIENCES, A FACT

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00:14:49,622 --> 00:14:51,423
FIRST PLAYWRITING EFFORT.

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Logan: IT'S THE TYPE OF THEATER

289
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WE WANT TO EFFECT A CHANGE

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00:14:58,664 --> 00:15:05,604
AND SUDDENLY, I WAS SEEING THAT

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00:15:05,704 --> 00:15:07,673
AND I SAW HIM.

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DIEGO!

293
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COME!

294
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COME HERE, BUDDY!

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OH!

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GOOD BOY!

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YEAH, BOY!

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[LAUGHING] [APPLAUSE]

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THE SHOW ENDS, EVERYONE CLAPS,

300
00:15:23,322 --> 00:15:25,090
TO PET HIM,

301
00:15:25,190 --> 00:15:28,994
THAT ARE SHAKING MY HAND

302
00:15:29,094 --> 00:15:31,964
I HAD ONE VETERAN

303
00:15:32,064 --> 00:15:33,866
HE FOUGHT IN VIETNAM.

304
00:15:33,966 --> 00:15:38,070
AND HE TOLD ME THAT IF SOMEBODY

305
00:15:38,170 --> 00:15:43,876
ABLE TO TELL THEIR STORY IN THIS

306
00:15:43,976 --> 00:15:46,879
30 YEARS WANDERING IN DARKNESS.

307
00:15:46,979 --> 00:15:51,617
SO WHEN I HAVE A VET TELL ME

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CONTINUE TELLING THE STORY THEN.

309
00:15:54,787 --> 00:16:01,126
I THINK THAT TELLING THEIR

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00:16:01,226 --> 00:16:03,062
SO I HOPE THE SHOW INSPIRES.

311
00:16:03,162 --> 00:16:09,768
IF IT INSPIRES ONE VET TO WRITE

312
00:16:09,868 --> 00:16:12,137
HAVE SUCCEEDED.

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00:16:12,237 --> 00:16:13,872
GOOD BOY.

314
00:16:13,973 --> 00:16:16,442
[GENTLE MUSIC]

315
00:16:18,644 --> 00:16:21,013
*

316
00:17:09,795 --> 00:17:12,831
Randi: OUR NEXT STORY FEATURES

317
00:17:12,931 --> 00:17:15,734
BROOKE HILL HAS BEEN MAKING ART

318
00:17:15,834 --> 00:17:19,071
BUT HER SUBJECT

319
00:17:22,808 --> 00:17:24,610
I'M BROOKE HILL

320
00:17:24,710 --> 00:17:25,844
AT THE FIRST ACADEMY.

321
00:17:25,944 --> 00:17:27,946
AND I'M CURRENTLY

322
00:17:30,616 --> 00:17:32,951
I GOT STARTED IN ART WHEN I WAS

323
00:17:33,051 --> 00:17:34,453
LIKE PROBABLY TWO YEARS OLD.

324
00:17:34,553 --> 00:17:37,256
I WOULD ALWAYS WATCH "VEGGIE

325
00:17:37,356 --> 00:17:38,924
DRAW MY FAVORITE CHARACTERS.

326
00:17:39,024 --> 00:17:41,894
SO I DEFINITELY THINK IT WAS A

327
00:17:41,994 --> 00:17:45,164
ALWAYS JUST HAD THAT DESIRE

328
00:17:45,264 --> 00:17:46,331
JUST TO CREATE.

329
00:17:49,001 --> 00:17:53,105
ART IS USED TO TALK, TO SPEAK TO

330
00:17:53,205 --> 00:17:56,375
TO MAKE SOMETHING THAT WILL

331
00:17:56,475 --> 00:17:59,478
HIDDEN MEANING OR HAVE SOMETHING

332
00:17:59,578 --> 00:18:01,747
THE ACTUAL PICTURE ITSELF.

333
00:18:01,847 --> 00:18:03,715
Marsha Gegerson:

334
00:18:03,816 --> 00:18:05,317
OF EXPRESSING HERSELF.

335
00:18:05,417 --> 00:18:09,221
A LOT OF ARTISTS EXPRESS

336
00:18:09,321 --> 00:18:12,091
VISUAL VOICE OF WHAT THEY SEE

337
00:18:12,191 --> 00:18:13,592
ON A CANVAS.

338
00:18:13,692 --> 00:18:20,599
BROOKE THINKS AND FEELS, AND HAS

339
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SOMETHING THAT

340
00:18:22,568 --> 00:18:26,472
AND THAT IS A REAL HARD THING

341
00:18:27,873 --> 00:18:30,008
Brooke: THE HUMAN TRAFFICKING

342
00:18:30,109 --> 00:18:35,247
BECAUSE I LOVE JUSTICE AND I

343
00:18:35,347 --> 00:18:38,450
AND SINCE I HAVE A TALENT FOR

344
00:18:38,550 --> 00:18:41,453
AND I CAN BRING AWARENESS TO

345
00:18:41,553 --> 00:18:45,190
PHYSICALLY DO

346
00:18:45,290 --> 00:18:47,726
I REALLY LIKE THE MOTHER

347
00:18:47,826 --> 00:18:50,496
THAT ONE TOOK ME FOREVER TO

348
00:18:50,596 --> 00:18:52,931
I REALLY LOVE DOING EYES AND IF

349
00:18:53,031 --> 00:18:54,733
THEY HAVE A LOT OF EMOTION.

350
00:18:54,833 --> 00:18:59,104
AND IN THESE PAINTINGS THEY

351
00:18:59,204 --> 00:19:00,439
HUMAN TRAFFICKING.

352
00:19:00,539 --> 00:19:02,040
SO, THAT PAINTING WITH THE

353
00:19:02,141 --> 00:19:05,177
THAT'S THE FIRST PAINTING

354
00:19:05,277 --> 00:19:09,214
Marsha: I'M HAPPY TO SEE THAT

355
00:19:09,314 --> 00:19:12,518
TO THE WORLD AROUND THEM AND

356
00:19:12,618 --> 00:19:15,420
THEY ARE AWARE OF THEIR WORLD

357
00:19:15,521 --> 00:19:16,855
WANT TO MAKE IT BETTER.

358
00:19:18,757 --> 00:19:22,194
Brooke: ART IS VERY IMPORTANT IN

359
00:19:22,294 --> 00:19:22,961
I LOVE PAINTING.

360
00:19:23,061 --> 00:19:24,029
I LOVE DRAWING.

361
00:19:24,129 --> 00:19:26,265
IT'S JUST SOMETHING THAT

362
00:19:36,909 --> 00:19:39,144
Rhea: NOW IT'S TIME TO GET

363
00:19:39,244 --> 00:19:42,848
THE MOSCOW BALLET'S RECENT

364
00:19:42,948 --> 00:19:45,217
YOUNG DANCERS FROM BATON ROUGE.

365
00:19:45,317 --> 00:19:49,855
THESE LUCKY STUDENTS PERFORMED

366
00:19:49,955 --> 00:19:53,125
IN THE HOLIDAY CLASSIC,

367
00:19:54,860 --> 00:19:57,129
*

368
00:20:02,100 --> 00:20:06,338
Molly Bongiovanni: I HAVE BEEN

369
00:20:06,438 --> 00:20:08,807
AND I'M READY FOR THE SHOW.

370
00:20:08,907 --> 00:20:13,412
I'M GOING TO BE A SNOW SPRITE

371
00:20:13,512 --> 00:20:17,082
LIKE THIS, IT FEELS LIKE I'M

372
00:20:19,318 --> 00:20:22,287
Gwen Roland: I HAVE BEEN DANCING

373
00:20:22,387 --> 00:20:23,822
SINCE I WAS THREE.

374
00:20:23,922 --> 00:20:25,424
I'M DOUBLE CAST.

375
00:20:25,524 --> 00:20:27,359
SO I AM IN THE PARTY SCENE.

376
00:20:27,459 --> 00:20:28,594
I'M A PARTY GIRL.

377
00:20:28,694 --> 00:20:35,400
AND, I'M ALSO A BUTTERFLY

378
00:20:35,500 --> 00:20:38,036
IT'S REALLY EXCITING,

379
00:20:38,136 --> 00:20:39,738
WITH A PROFESSIONAL

380
00:20:39,838 --> 00:20:43,542
AND I IMAGINE THE COSTUMES ARE

381
00:20:43,642 --> 00:20:45,143
AND REALLY EXPENSIVE.

382
00:20:45,244 --> 00:20:47,779
Narrator: MOLLY BONGIOVANNI AND

383
00:20:47,879 --> 00:20:50,082
ARE PART OF A VERY SPECIAL CLUB.

384
00:20:50,182 --> 00:20:52,851
THEY ARE AMONG THOUSANDS OF

385
00:20:52,951 --> 00:20:56,121
STAGE, IN FRONT OF SELL-OUT

386
00:20:56,221 --> 00:20:58,857
OF THE GREAT RUSSIAN NUTCRACKER.

387
00:20:58,957 --> 00:21:02,361
THE MOSCOW BALLET'S FAMOUS

388
00:21:02,461 --> 00:21:05,831
AMERICAN CITIES EVERY YEAR,

389
00:21:05,931 --> 00:21:11,503
TO PERFORM WITH, AND LEARN FROM,

390
00:21:11,603 --> 00:21:14,306
Lana Popova: I LOVE AMERICA

391
00:21:14,406 --> 00:21:19,278
AND UH, I ENJOY IT, EVERY TIME

392
00:21:19,378 --> 00:21:21,346
CITIES AND CHILDREN.

393
00:21:21,446 --> 00:21:24,850
AND I CAN... AND I GIVE THEM

394
00:21:24,950 --> 00:21:27,219
IT'S SO IMPORTANT

395
00:21:27,319 --> 00:21:28,854
Mary Talmi:

396
00:21:28,954 --> 00:21:32,557
BALLET HAS BEEN THE

397
00:21:32,658 --> 00:21:36,795
IT HAS ALWAYS SERVED IN THE

398
00:21:36,895 --> 00:21:42,401
WHEN THE RUSSIAN BALLET HAS

399
00:21:42,501 --> 00:21:46,805
REGARDLESS OF WHAT'S HAPPENING

400
00:21:46,905 --> 00:21:52,344
AND ENJOYS, APPRECIATES

401
00:21:52,444 --> 00:21:54,746
Narrator: PARTICIPATING YOUNG

402
00:21:54,846 --> 00:21:57,549
ROLES A COUPLE OF MONTHS BEFORE

403
00:21:57,649 --> 00:21:58,917
MOSCOW BALLET.

404
00:21:59,017 --> 00:22:02,654
BUT, THE OPERATOR OF ONE DANCE

405
00:22:02,754 --> 00:22:05,957
HASN'T BEEN AN INSURMOUNTABLE

406
00:22:06,058 --> 00:22:07,426
Jennifer White: STARTING AT A

407
00:22:07,526 --> 00:22:10,562
I TEACH THE CHILDREN THAT BALLET

408
00:22:10,662 --> 00:22:12,097
IT'S AN ART.

409
00:22:12,197 --> 00:22:15,233
AND IT'S A DISCIPLINE AND SO YOU

410
00:22:15,334 --> 00:22:17,903
IN THE STUDIO, BUT ACTUALLY ON

411
00:22:18,003 --> 00:22:21,707
SO THEY'RE ALREADY PREPARED FOR

412
00:22:21,807 --> 00:22:26,545
MOSCOW BALLET HOW BEAUTIFUL OUR

413
00:22:26,645 --> 00:22:28,580
Narrator: NOT ONLY IS THE

414
00:22:28,680 --> 00:22:31,683
TIMELESS CHOREOGRAPHY, SOME

415
00:22:31,783 --> 00:22:36,221
CLASSICAL BALLET, IT IS ALSO

416
00:22:36,321 --> 00:22:38,990
AND TCHAIKOVSKY'S

417
00:22:39,091 --> 00:22:40,792
White: THE GREAT RUSSIAN

418
00:22:40,892 --> 00:22:45,664
MOSCOW BALLET PERFORMS

419
00:22:45,764 --> 00:22:51,303
INCLUDING THE PROLOGUE AND ALSO

420
00:22:51,403 --> 00:22:56,675
IN THE OPENING SCENE THERE IS

421
00:22:56,775 --> 00:23:00,245
MANY VERSIONS OF THE PRODUCTION

422
00:23:00,345 --> 00:23:03,982
NUTCRACKER PRINCE BACK TO HIS

423
00:23:04,082 --> 00:23:07,919
Talmi: AT THE TIME THE WORLD

424
00:23:08,019 --> 00:23:11,923
A LOT OF... OF WARS, AND THE

425
00:23:12,023 --> 00:23:14,359
VLADIMIR TKACHENKO,

426
00:23:14,459 --> 00:23:17,362
WANTED TO DO SOMETHING

427
00:23:17,462 --> 00:23:19,798
THE LAND OF PEACE AND HARMONY

428
00:23:19,898 --> 00:23:21,833
AND NO CHILDREN SUFFER.

429
00:23:21,933 --> 00:23:23,435
OH, I LOVED THE

430
00:23:23,535 --> 00:23:26,071
BUT, WHEN I SAW IT,

431
00:23:26,171 --> 00:23:28,707
THIS IS A REALLY WONDERFUL IDEA.

432
00:23:28,807 --> 00:23:33,311
AND SO WE INTEGRATED THE ROLE OF

433
00:23:33,412 --> 00:23:37,282
THE SECOND ACT AND THEY HAVE

434
00:23:37,382 --> 00:23:39,284
COSTUMES WHICH ARE REALLY

435
00:23:39,384 --> 00:23:40,452
AND VERY BEAUTIFUL.

436
00:23:40,552 --> 00:23:43,054
White: THE COSTUMES

437
00:23:43,155 --> 00:23:47,426
HANDMADE, HAND-BEADED,

438
00:23:47,526 --> 00:23:49,761
A LOT OF ATTENTION TO DETAIL,

439
00:23:49,861 --> 00:23:53,698
AND UH, NOT JUST THE PRINCIPAL

440
00:23:53,799 --> 00:23:56,501
THE LOCAL DANCERS THAT WILL BE

441
00:23:56,601 --> 00:23:58,703
Lana Popova:

442
00:23:58,804 --> 00:24:04,843
OUR UNIQUE COSTUME DESIGNER,

443
00:24:04,943 --> 00:24:09,714
BEAUTIFUL FOR US AND IMPORTANT

444
00:24:09,815 --> 00:24:13,118
COSTUMES ON THE STAGE

445
00:24:13,218 --> 00:24:17,823
WE FEEL VERY BEAUTIFUL, VERY

446
00:24:17,923 --> 00:24:20,592
FOR EACH BALLET DANCER.

447
00:24:32,537 --> 00:24:37,876
Rhea: THAT'S ALL FOR TONIGHT,

448
00:24:37,976 --> 00:24:40,312
AND WATCH MANY MORE SHOWS.

449
00:24:40,412 --> 00:24:43,548
AND RANDI, THANK YOU SO MUCH FOR

450
00:24:43,648 --> 00:24:44,382
WITH US.

451
00:24:44,483 --> 00:24:45,584
Randi: THANK YOU, RHEA.

452
00:24:45,684 --> 00:24:48,420
I'M RANDI PUPKIN, EXECUTIVE

453
00:24:48,520 --> 00:24:49,688
"ART WITH A HEART."

454
00:24:49,788 --> 00:24:52,190
Rhea: I'M RHEA FEIKIN AND WE'LL

455
00:24:52,290 --> 00:24:53,725
THANKS FOR WATCHING!

456
00:24:53,825 --> 00:24:55,427
AND THANK YOU VERY MUCH...

457
00:24:57,762 --> 00:25:00,332
Announcer: ARTWORKS IS MADE

458
00:25:00,432 --> 00:25:01,666
OF BALTIMORE COUNTY.

459
00:25:05,437 --> 00:25:07,973
CLOSED CAPTIONING HAS BEEN MADE

460
00:25:08,073 --> 00:25:09,841
EMPOWERING THOSE WITH

461
00:25:09,941 --> 00:25:11,810
TO STAY CONNECTED.

462
00:25:11,910 --> 00:25:14,379
*

463
00:25:21,853 --> 00:25:24,756
* Alone on a bus *

464
00:25:24,856 --> 00:25:27,759
* It's cold and

465
00:25:27,859 --> 00:25:34,799
* And I'm taken from all

466
00:25:34,900 --> 00:25:37,669
* And you on a flight *

467
00:25:37,769 --> 00:25:41,106
* Crossing the ocean *

468
00:25:41,206 --> 00:25:45,877
* Says you are not coming home *

469
00:25:45,977 --> 00:25:49,514
*

470
00:25:49,614 --> 00:25:52,684
* The strange thing about love

471
00:25:52,784 --> 00:25:55,053
*

472
00:25:55,153 --> 00:26:02,127
* They say it gets stronger

473
00:26:02,227 --> 00:26:08,300
* I hope I live long enough

474
00:26:08,400 --> 00:26:13,872
* This day erased from my mind *

475
00:26:13,972 --> 00:26:17,275
* And life carried on *

476
00:26:17,375 --> 00:26:20,345
* You know that it had to *

477
00:26:20,445 --> 00:26:25,884
* No matter how far

478
00:26:25,984 --> 00:26:30,055
* But you left me

479
00:26:30,155 --> 00:26:33,491
* That somehow I caused this *

480
00:26:33,592 --> 00:26:38,363
* Not that you are not