WEBVTT

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- [Jim] For two
high school friends

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who started out with
a guitar, an accordion

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and some prerecorded
drum tracks,

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John Flansburgh and John Linnell

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of They Might Be Giants have
had a very good run indeed.

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In the past 35 years,
they've released 20 albums,

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and contributed
songs to films, TV

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and most recently, Broadway.

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But one thing they've never
managed is a US hit single,

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and that, says John Linnell,

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has turned out to
be an advantage.

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- We're not annoying the hell
out of anybody, you know.

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There's not some thing
in our repertoire

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that people are groaning about.

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I think the people
who recognize us

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and remember us

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do so generally with a
kind of pleasant feeling.

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- [Jim] More than just
a pleasant feeling,

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but a level of devotion that
keeps them singing along

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three decades later.

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Generations of die-hard
fans have been taken

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with the Giant's
infectious melodies,

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and reliably clever,
occasionally absurd, lyrics.

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But while this music
sounds like fun,

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the group's founders
are deadly serious.

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- We are very uptight, in a
way, about what we're doing.

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- Most people who work with us

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quickly come to understand
that we are control freaks,

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(John Linnen laughs)

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and I am very
specifically, like,

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this huge gatekeeper.

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I'm more than happy
to be the bad cop

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if a bad cop is needed.

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- [Jim] If the
duo is particular,

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it's because they've
been captains

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of their own, fairly offbeat,
creative ship for a long time.

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Even now, John and John retain

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the gritty
do-it-yourself attitude

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that brought them
success early on.

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In 1983, they
started Dial-A-Song,

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which offered new They
Might Be Giants songs

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as the outgoing message
on the answering machine

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at John Flansburgh's
Brooklyn apartment.

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Their early music videos,

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mostly homemade on
a shoestring budget,

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earned them national
exposure on MTV.

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But their real
breakthrough came in 1990,

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with the band's
third album, Flood,

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which has sold more
than a million copies
worldwide to date,

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thanks in part to
Birdhouse In Your Soul,

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quirky tales of ancient history,

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as told by a blue
canary nightlight.

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It reached number six
on the UK pop charts.

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And though the group's
light hearted approach

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resonated with
British audiences,

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some in the media
were less amused.

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- "Admit it, this funny
thing can't last."

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"What were you thinking

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"when you thought
you could succeed

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"with this humorous music?

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"Doesn't it seem like a mistake

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"that you're doing music
with a sense of humor?"

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- The same question
over and over.

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- The reiteration of the same
question over and over again.

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And we're just like

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"Yeah, lady, it's cool."

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- [Reporter] Don't
you ever get fed up

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with the sort of gimmicks,

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and do you ever think that they
might wear thin, the humor?

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Are you into sort of gimmicks
and everything, or ... ?

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- It's completely a gimmick.

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- We don't have a problem like,

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saying very glib
things about our work,

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but we really have
a difficult time

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hearing other people say it.

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- [Jim] But this sense of humor

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that so offended that reporter

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has made They Might Be Giants
a big hit with young children,

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for whom they've
made several albums.

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- We didn't want it to
be some kinda remedial,

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good-for-you type of thing.

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- I mean, I don't think
we're uniquely qualified

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for many things,

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but I think what happened
with the kids stuff

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was we actually had a
transferrable skill.

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- [Jim] Of their four
children's albums,

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three have gone gold.

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One even earned a Grammy,

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but the duo still writes
mainly music for grown ups.

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Despite its title, their
2018 album, I Like Fun,

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explores more weighty topics.

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I Left My Body is
what it suggests?

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- [John Linnen] Mm-hmm.

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It's a visit to
the pearly gates?

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- Possibly, that's one, yeah.

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I mean, I think we don't,

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we're not nailing
everything completely down,

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but there's a strong
element of death

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throughout the album,

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but there's also fun.

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You know.

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- The fun of death (laughs)

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- There's also some
fairly unveiled references

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to opiod addiction,
if I'm not mistaken?

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- I Like Fun is about
prescription drugs,

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which of, I guess
there are some,

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- Could be opioid

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- It's in a sense a
cautionary tale, it's sort of,

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I think one of the
things that people,

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when people talk about
drugs, is so strange to me,

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is the reason people
get into drugs

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is that it's fun.

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So, it's like, you
know, that part

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they skip over really gingerly,

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and the song is kind of
about that confusion,

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how can something as
simple as the idea of fun

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get so messed up by this,

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by this addiction stuff?

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- [Jim] With each new project,

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Flansburgh and Linnell
strive to impress

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their most difficult
critics, each other.

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- I put something together

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and I think "What
will John think?"

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and even without him
there, I'm already,

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I can see it possibly
curdling, you know.

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- Oh, so you're
almost self editing

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before it gets to
the other person?

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- Yeah, absolutely, yeah, yeah.

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- [Jim] Oh, that's interesting.

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- I think the idea
of the other person

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being the first
audience is very,

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in a way, I think that's
what defines us as a group

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more than anything else.

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That's a part of,

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sort of invisible, part
of the collaboration,

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it's that, you know,
you just wanna kind of

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impress the other person.

40:43.700 --> 40:45.466 align:left position:12.5%,start line:0% size:87.5%
- [Jim] For your chance
to win autographed

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They Might Be Giants swag,

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including an actual
blue canary nightlight

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autographed by the
band, visit our website.

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- [John Linnell]
Thank you so much!

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(audience cheering)

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(gentle music)

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- [Announcer] Articulate,
with Jim Cotter

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is made possible
with generous funding

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from the Neubauer
Family Foundation.

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(upbeat music)
