WEBVTT 00:01.900 --> 00:05.166 align:left position:12.5% line:89% size:77.5% (sings in foreign language) 00:05.166 --> 00:07.766 align:left position:22.5% line:83% size:67.5% - I think, people are afraid that age 00:07.766 --> 00:10.200 align:left position:15% line:89% size:75% and dance don't go together, 00:10.200 --> 00:12.000 align:left position:27.5% line:83% size:62.5% and they associate it with youth. 00:13.733 --> 00:17.400 align:left position:12.5% line:89% size:77.5% (sings in foreign language) 00:18.466 --> 00:22.633 align:left position:22.5% line:83% size:67.5% My name is Ranee Ramaswamy, and the art 00:22.633 --> 00:25.333 align:left position:22.5% line:5% size:67.5% that I practice is Bharatanatyam. 00:25.333 --> 00:29.033 align:left position:12.5% line:5% size:77.5% (sings in foreign language) 00:31.266 --> 00:35.900 align:left position:10% line:83% size:80% Bharatanatyam is one of the five classical styles in India. 00:37.133 --> 00:38.933 align:left position:15% line:89% size:75% I started learning this form 00:38.933 --> 00:41.666 align:left position:22.5% line:83% size:67.5% in India when I was about seven years old, 00:43.200 --> 00:46.900 align:left position:22.5% line:83% size:67.5% came to Minneapolis in 1978 with my family. 00:50.533 --> 00:55.533 align:left position:20% line:83% size:70% In 1992, I formed Ragamala Dance Company, 00:57.000 --> 00:59.966 align:left position:15% line:83% size:75% mainly to make this art form accessible to all audiences. 01:02.300 --> 01:04.166 align:left position:22.5% line:83% size:67.5% The two aspects of Bharatanatyam, 01:04.166 --> 01:09.166 align:left position:15% line:5% size:75% one is called Nrita which is pure dance, rhythmic dance. 01:09.933 --> 01:11.066 align:left position:20% line:5% size:70% It uses the entire body. 01:12.166 --> 01:15.833 align:left position:12.5% line:89% size:77.5% (sings in foreign language) 01:17.300 --> 01:20.966 align:left position:12.5% line:5% size:77.5% We dance bare feet, and it uses hand gestures with it. 01:22.266 --> 01:25.666 align:left position:15% line:5% size:75% The other aspect is Abhinaya or expressive dance, 01:26.966 --> 01:29.666 align:left position:10% line:89% size:80% where the dancer tells a story, 01:33.333 --> 01:37.100 align:left position:20% line:83% size:70% where she is not only describing the exterior, 01:37.100 --> 01:39.033 align:left position:22.5% line:89% size:67.5% but also the interior. 01:39.033 --> 01:41.933 align:left position:22.5% line:83% size:67.5% So, how she feels or what is going on 01:41.933 --> 01:45.600 align:left position:27.5% line:83% size:62.5% in that particular time and space. 01:45.600 --> 01:49.300 align:left position:12.5% line:89% size:77.5% (sings in foreign language) 01:52.000 --> 01:57.000 align:left position:15% line:83% size:75% So, as Bharatanatyam dancers start about seven years old, 01:58.133 --> 02:02.066 align:left position:20% line:83% size:70% we have so much of physical training to use 02:02.666 --> 02:03.466 align:left position:35% line:89% size:55% the feet, 02:03.466 --> 02:04.866 align:left position:25% line:89% size:65% the knees, the legs, 02:04.866 --> 02:08.166 align:left position:12.5% line:83% size:77.5% and for us, the basic positions, the play position. 02:08.166 --> 02:12.933 align:left position:17.5% line:83% size:72.5% As you age, that play position becomes difficult 02:12.933 --> 02:15.133 align:left position:22.5% line:83% size:67.5% because your knee starts to bother. 02:18.800 --> 02:23.700 align:left position:17.5% line:83% size:72.5% When we had this two years of not really performing 02:23.700 --> 02:25.533 align:left position:20% line:89% size:70% or rehearsing together, 02:26.833 --> 02:29.400 align:left position:12.5% line:89% size:77.5% I've made a conscious decision 02:29.400 --> 02:34.433 align:left position:10% line:83% size:80% that I do not want to do Nrita, rhythmic dance on stage. 02:35.766 --> 02:38.333 align:left position:12.5% line:83% size:77.5% I still practice it because it keeps you agile. 02:38.333 --> 02:42.333 align:left position:12.5% line:89% size:77.5% (sings in foreign language) 02:42.333 --> 02:47.300 align:left position:20% line:83% size:70% This change that I made to concentrate more 02:48.166 --> 02:49.166 align:left position:15% line:89% size:75% on the expressive aspect, 02:50.500 --> 02:54.333 align:left position:27.5% line:83% size:62.5% actually, mines my lived experience 02:54.333 --> 02:59.333 align:left position:17.5% line:83% size:72.5% and understanding of myth, stories, spirituality, 03:00.500 --> 03:02.833 align:left position:20% line:83% size:70% knowledge that I have gathered over the years, 03:02.833 --> 03:04.600 align:left position:12.5% line:89% size:77.5% they all match up together. 03:09.700 --> 03:14.700 align:left position:22.5% line:83% size:67.5% And so, the output that comes out is a much more 03:15.300 --> 03:16.433 align:left position:35% line:89% size:55% truthful. 03:16.433 --> 03:20.100 align:left position:12.5% line:89% size:77.5% (sings in foreign language) 03:26.966 --> 03:31.500 align:left position:10% line:89% size:80% Aging is a mystery, so different 03:31.500 --> 03:33.733 align:left position:20% line:89% size:70% in the West versus East, 03:33.733 --> 03:36.033 align:left position:25% line:89% size:65% until very recently, 03:36.033 --> 03:39.900 align:left position:12.5% line:83% size:77.5% we don't have a system where the elderly move away 03:39.900 --> 03:43.366 align:left position:22.5% line:83% size:67.5% to a old age home or a senior citizen's home. 03:43.366 --> 03:47.700 align:left position:17.5% line:83% size:72.5% We all lived together, and I lived with my grandmother, 03:47.700 --> 03:50.033 align:left position:15% line:89% size:75% and my mother lives with me. 03:50.033 --> 03:52.266 align:left position:22.5% line:89% size:67.5% She's 93 years old, 03:52.266 --> 03:55.266 align:left position:22.5% line:83% size:67.5% and I see where I am going to be. 03:56.166 --> 03:58.933 align:left position:30% line:83% size:60% So, I think that I'm very excited 03:58.933 --> 04:02.133 align:left position:20% line:83% size:70% about the possibilities of being old, 04:02.133 --> 04:06.300 align:left position:22.5% line:83% size:67.5% yet being a carrier of the art form. 04:07.900 --> 04:12.900 align:left position:12.5% line:83% size:77.5% We all can only hope and work towards getting older. 04:14.066 --> 04:15.700 align:left position:22.5% line:83% size:67.5% As my husband says, if we are lucky, 04:16.900 --> 04:21.300 align:left position:22.5% line:83% size:67.5% we may get to see what we can do in the future. 04:21.300 --> 04:22.900 align:left position:22.5% line:89% size:67.5% But right this moment, 04:22.900 --> 04:26.933 align:left position:15% line:83% size:75% I'm hoping year by year that I can continue doing 04:26.933 --> 04:30.533 align:left position:17.5% line:83% size:72.5% in a small way what I love most, which is dance. 04:30.533 --> 04:34.166 align:left position:12.5% line:89% size:77.5% (sings in foreign language) 04:42.200 --> 04:45.200 align:left position:22.5% line:89% size:67.5% (bright upbeat music)