1 00:00:02,100 --> 00:00:05,500 GUEST: My son and I go to auctions and estate sales looking for junk. It was a rainy morning, 2 00:00:07,466 --> 00:00:10,600 and there were box slats out on the grass of this auction. And, uh, nobody wanted to 3 00:00:12,633 --> 00:00:16,233 get their feet wet. We really didn't look in the box, you know, and, you know, the frame 4 00:00:18,200 --> 00:00:21,633 looked really nice, so we ended up getting the box for $45. Now, the box was in the garage 5 00:00:23,100 --> 00:00:24,833 drying out for a couple of days. 6 00:00:24,833 --> 00:00:26,900 APPRAISER: Wow. 7 00:00:26,900 --> 00:00:30,833 GUEST: And so my son got around to it, brought the box in. This was wrapped up with another 8 00:00:32,033 --> 00:00:34,700 one in very old Saran Wrap. 9 00:00:34,700 --> 00:00:38,700 APPRAISER: This is exciting. It's a really beautiful example. You've seen the signature, 10 00:00:38,700 --> 00:00:43,666 you know the artist, Benny Andrews. Benny Andrews is a favorite artist of mine, an African-American 11 00:00:46,200 --> 00:00:49,333 artist who did incredible work. He's an expressive figurative artist working in the 1950s until 12 00:00:52,366 --> 00:00:57,333 his passing in 2006. He was born in 1930. And what's striking about this painting is 13 00:00:59,333 --> 00:01:04,066 its beauty, its interest in nature, the yellow dress, the colors. He's known primarily as 14 00:01:06,100 --> 00:01:10,766 a New York artist, but he was born in Georgia. A lot of his artwork that people know are 15 00:01:10,766 --> 00:01:15,766 images of the South from his childhood. He was a very enterprising, talented young artist. 16 00:01:17,666 --> 00:01:21,600 He studied at the Art Institute of Chicago in the 1950s, and moved to New York in 1958. 17 00:01:23,533 --> 00:01:26,800 And he was picked up by a gallery and had his first solo show in New York in 1962. Looks 18 00:01:28,733 --> 00:01:31,733 like oil with tempera. It's got a wonderful pattern. It doesn't have his collage, which 19 00:01:31,733 --> 00:01:36,733 he's really known for in the late '60s, but it's got a lot going for it: the size, the 20 00:01:38,700 --> 00:01:43,066 early interest in color, the pattern. And probably another image from his childhood. 21 00:01:45,066 --> 00:01:48,666 We don't see many Benny Andrews from the early '60s, and most of those are works on paper. 22 00:01:50,666 --> 00:01:54,433 So this is a work on board, and it's a painting. This is a beautiful image. Of course, the 23 00:01:56,433 --> 00:01:59,033 woman in the yellow dress is, is a zinger-- it's, really draws your eye in. Few works 24 00:01:59,033 --> 00:02:03,233 like this have come to auction, but those that have have done well. Do you have any 25 00:02:03,233 --> 00:02:04,466 sense of what it might be worth? 26 00:02:04,466 --> 00:02:06,000 GUEST: Well, my son's salivating. 27 00:02:06,000 --> 00:02:08,000 APPRAISER: (chuckles) 28 00:02:08,000 --> 00:02:12,600 GUEST: Online, asked about it, so I go, "I don't know, let's find out." 29 00:02:14,533 --> 00:02:17,633 APPRAISER: I would put it at auction, conservatively, at $7,000 to $10,000. 30 00:02:17,633 --> 00:02:22,633 GUEST: You're freakin' kidding me. (chuckles) All right, well, guess it's not going online. 31 00:02:24,100 --> 00:02:25,100 All right, cool. 32 00:02:25,100 --> 00:02:26,533 APPRAISER: It's an amazing find. 33 00:02:26,533 --> 00:02:27,533 GUEST: Right. 34 00:02:27,533 --> 00:02:28,533 APPRAISER: Congratulations. 35 00:02:28,533 --> 00:02:29,800 GUEST: Thank you. 36 00:02:29,800 --> 00:02:30,600 APPRAISER: Thank you for bringing it in. 37 00:02:30,600 --> 00:02:30,733 GUEST: I appreciate it.