WEBVTT 00:02.033 --> 00:05.533 align:left position:20% line:71% size:70% GUEST: My aunt was, started buying up these vases from Tiffany's, so I guess she ordered 00:06.266 --> 00:08.333 align:left position:20% line:89% size:70% some by the crate-load. 00:08.333 --> 00:11.833 align:left position:10% line:77% size:80% APPRAISER: It actually says, "Louis C. Tiffany Studios," with an address. The crate in itself, 00:13.800 --> 00:18.033 align:left position:20% line:71% size:70% it's something you don't see very often, with "glass" plastered all over the sides. But 00:18.033 --> 00:20.066 align:left position:20% line:83% size:70% I also want to point out the straw. 00:20.066 --> 00:22.033 align:left position:20% line:89% size:70% GUEST: (chuckles) 00:22.033 --> 00:24.466 align:left position:10% line:77% size:80% APPRAISER: Because it's not often that people keep the shipping crates. The first piece 00:24.466 --> 00:28.833 align:left position:20% line:77% size:70% of glass over here, which is what we would call pastel glass... 00:28.833 --> 00:30.733 align:left position:30% line:89% size:60% GUEST: Mm-hmm. 00:30.733 --> 00:32.633 align:left position:10% line:77% size:80% APPRAISER: Is later-production Tiffany-- it was made in the '20s. 00:32.633 --> 00:35.133 align:left position:30% line:89% size:60% GUEST: Okay. 00:35.133 --> 00:37.266 align:left position:10% line:71% size:80% APPRAISER: It was made in multiples, and it came in different colors. These are the colors 00:37.266 --> 00:39.566 align:left position:10% line:83% size:80% that you see in some of the Depression glass of the era... 00:39.566 --> 00:41.600 align:left position:30% line:89% size:60% GUEST: Mm-hmm. 00:41.600 --> 00:44.566 align:left position:10% line:77% size:80% APPRAISER: But this was a lot more expensive than your average piece of Depression glass. 00:44.566 --> 00:48.633 align:left position:20% line:83% size:70% Now, this piece is a paperweight glass vase. 00:48.633 --> 00:50.733 align:left position:30% line:89% size:60% GUEST: Mm-hmm. 00:50.733 --> 00:54.600 align:left position:20% line:71% size:70% APPRAISER: Leslie Nash, who worked for Louis Comfort Tiffany, claims that while they were 00:56.533 --> 01:00.166 align:left position:10% line:77% size:80% working with paperweight glass, Louis Tiffany himself, who was a painter, came into the 01:02.033 --> 01:05.766 align:left position:10% line:77% size:80% glass-working shop, handed them a painting of morning glories that he had painted, and 01:06.966 --> 01:10.033 align:left position:20% line:83% size:70% said, "I want you to make this in glass." 01:10.033 --> 01:11.500 align:left position:30% line:89% size:60% GUEST: Wow. 01:11.500 --> 01:14.466 align:left position:10% line:83% size:80% APPRAISER: Supposedly, it took $12,000 in R&D... 01:14.466 --> 01:16.533 align:left position:30% line:89% size:60% GUEST: Mm-hmm. 01:16.533 --> 01:20.466 align:left position:10% line:77% size:80% APPRAISER: to create this kind of glassware. 1914 is when they first introduced it. Your 01:22.500 --> 01:26.366 align:left position:10% line:77% size:80% piece, on the bottom, actually says "exhibition piece" on it. I know from the date letter, 01:28.833 --> 01:32.833 align:left position:10% line:83% size:80% which is a suffix L, that that would be somewhere around 1915. 01:32.833 --> 01:34.866 align:left position:30% line:89% size:60% GUEST: Okay. 01:34.866 --> 01:38.833 align:left position:10% line:77% size:80% APRAISER: So it's possible that this could've gone to the 1915 San Francisco International 01:40.833 --> 01:44.700 align:left position:10% line:77% size:80% Exhibition. I think it came back to the studios, that's the interesting part. You may have 01:46.200 --> 01:49.133 align:left position:10% line:83% size:80% seen vases like this. They're in many museums all over the world. 01:49.133 --> 01:51.266 align:left position:10% line:83% size:80% GUEST: I think I saw one at the Met in New York, mm-hmm. 01:51.266 --> 01:55.433 align:left position:10% line:77% size:80% APPRAISER: Yes, and the one at the Met has a number on the bottom, which is 1130-L. Yours 01:57.300 --> 02:02.033 align:left position:10% line:83% size:80% is 1132-L. Oh. So this is two numbers after the Met's vase. 02:02.033 --> 02:04.066 align:left position:30% line:89% size:60% GUEST: Okay. 02:04.066 --> 02:08.033 align:left position:10% line:77% size:80% APPRAISER: The Met acquired it in 1924, even though it was probably made in 1915. So these 02:10.033 --> 02:13.966 align:left position:10% line:77% size:80% things still were sold later. The crate, in a retail setting, this is something for Tiffany 02:15.966 --> 02:20.266 align:left position:10% line:77% size:80% geeks everywhere-- collectors, museums. They would actually be very excited about this, 02:21.633 --> 02:23.700 align:left position:10% line:83% size:80% and it would be worth between $5,000 and $10,000. 02:23.700 --> 02:25.733 align:left position:30% line:89% size:60% GUEST: Holy cow! 02:25.733 --> 02:30.166 align:left position:10% line:77% size:80% APPRAISER: This piece, which is not as sought-after as some of the other art glass... 02:31.933 --> 02:34.000 align:left position:30% line:89% size:60% GUEST: Mm-hmm. 02:34.000 --> 02:37.933 align:left position:10% line:77% size:80% APPRAISER: would retail probably between $2,000 and $3,000. But this piece, in a retail shop, 02:39.633 --> 02:42.566 align:left position:10% line:83% size:80% it could be sold for anywhere between $50,000 and $75,000. 02:42.566 --> 02:47.566 align:left position:10% line:77% size:80% GUEST: No way! Oh, my gosh! I was... thinking maybe $8,000 to $10,000, I was hoping. Wow. 02:51.766 --> 02:56.466 align:left position:20% line:83% size:70% APPRAISER: Well, that was a long time ago. 02:56.466 --> 03:01.433 align:left position:10% line:77% size:80% GUEST: Wow, I really didn't know what the market had done, you know, if it had gone 03:02.600 --> 03:05.333 align:left position:20% line:83% size:70% sideways or up or down, but... wow. (inhales) 03:05.333 --> 03:10.333 align:left position:10% line:77% size:80% APPRAISER: So there's one other thing in here that I want to talk about. This vase. This 03:15.433 --> 03:20.433 align:left position:10% line:77% size:80% practically stopped my heart when I saw it in the box. (giggling) This is the piece I 03:21.433 --> 03:23.233 align:left position:10% line:89% size:80% was waiting for for 20 years. 03:23.233 --> 03:25.700 align:left position:30% line:89% size:60% GUEST: Oh, wow. 03:25.700 --> 03:28.833 align:left position:10% line:71% size:80% APPRAISER: And every night before the ROADSHOW, people would always say, "What is on your 03:28.833 --> 03:33.833 align:left position:10% line:77% size:80% wish list? What would you like to come in to the show tomorrow?" And I always say, "A 03:34.566 --> 03:35.233 align:left position:20% line:89% size:70% Tiffany Lava vase." 03:35.233 --> 03:37.866 align:left position:30% line:89% size:60% GUEST: Wow. 03:37.866 --> 03:41.233 align:left position:10% line:71% size:80% APPRAISER: And that's what this is. It's extremely special. It is meant to look like molten lava... 03:43.833 --> 03:45.800 align:left position:30% line:89% size:60% GUEST: Mm-hmm. 03:45.800 --> 03:49.600 align:left position:10% line:77% size:80% APPRAISER: on the surface of the vase, and this one is particularly interesting because 03:49.600 --> 03:54.600 align:left position:10% line:77% size:80% you also have these protrusions here. It's very similar to a vase that was shown in the 03:56.900 --> 03:59.533 align:left position:10% line:89% size:80% 1906 Paris Salon Exhibition. 03:59.533 --> 04:01.633 align:left position:30% line:89% size:60% GUEST: Oh! 04:01.633 --> 04:05.500 align:left position:10% line:77% size:80% APPRAISER: A very similar example is in the collection of the Musèe des Arts Dècoratifs 04:06.633 --> 04:10.433 align:left position:20% line:83% size:70% in Paris, and it's been there since 1906. 04:10.433 --> 04:12.133 align:left position:30% line:89% size:60% GUEST: Gee. 04:12.133 --> 04:15.600 align:left position:20% line:77% size:70% APPRAISER: So when I saw this... I was kind of excited. (laughing) 04:15.600 --> 04:17.633 align:left position:30% line:89% size:60% GUEST: Oh. 04:17.633 --> 04:21.500 align:left position:10% line:77% size:80% APPRAISER: The thing about Lava is, it was very hard to make. They get cracked in the 04:21.500 --> 04:22.500 align:left position:40% line:89% size:50% making. 04:22.500 --> 04:24.500 align:left position:30% line:89% size:60% GUEST: Oh. 04:24.500 --> 04:27.600 align:left position:10% line:77% size:80% APPRAISER: And I did go over your Lava with my special light and a magnifying glass, and 04:27.600 --> 04:32.600 align:left position:10% line:71% size:80% I couldn't find any imperfections. An example like this, in a retail shop, could sell between 04:34.166 --> 04:36.233 align:left position:20% line:89% size:70% $100,000 and $150,000. 04:36.233 --> 04:41.100 align:left position:10% line:77% size:80% GUEST: (laughing) Where's my brother? He... (laughs) Wow. That's unbelievable. I had no 04:45.000 --> 04:46.966 align:left position:40% line:89% size:50% idea. 04:46.966 --> 04:51.000 align:left position:10% line:77% size:80% APPRAISER: I just can't believe that your aunt bought all of this in the late '20s and 04:51.600 --> 04:52.533 align:left position:30% line:89% size:60% the early '30s. 04:52.533 --> 04:53.700 align:left position:30% line:89% size:60% GUEST: Yeah. 04:53.700 --> 04:54.166 align:left position:20% line:83% size:70% APPRAISER: It's... it's pretty remarkable.