1 00:00:02,433 --> 00:00:04,700 GUEST: It actually belonged to my father-in-law. Um, he was in the boys' choir at the Washington 2 00:00:04,700 --> 00:00:09,700 National Cathedral, and when his voice changed, he worked on the custodial crew at the cathedral 3 00:00:11,733 --> 00:00:15,000 to help pay his tuition. And he said he found this lamp in the trash, being disposed of, 4 00:00:15,000 --> 00:00:20,000 and he rescued it. When he passed away, no one in the family wanted Dad's ugly lamp, 5 00:00:22,033 --> 00:00:24,100 and my mother-in-law was going to call someone to pick it up for scrap metal. I asked her 6 00:00:24,100 --> 00:00:28,200 not to do that, to let me look it over. When I saw that it was marked Samuel Yellin, I 7 00:00:28,200 --> 00:00:32,333 did a little bit of research, and my husband and I visited the Washington National Cathedral 8 00:00:32,333 --> 00:00:36,733 to kind of learn a little bit more about Yellin, and we were shocked to find what appears to 9 00:00:36,733 --> 00:00:41,700 be an identical lamp hanging on the wall of the Chapel of the Resurrection. When my father-in-law 10 00:00:43,733 --> 00:00:46,200 had it displayed in his home, he had that shade on it. I don't know if it was original 11 00:00:46,200 --> 00:00:50,033 to the lamp, or something that he created to go with it, but that's how we got it. 12 00:00:50,033 --> 00:00:52,366 APPRAISER: Well, I'll tell you what: It has nothing to do with it whatsoever. 13 00:00:52,366 --> 00:00:54,466 GUEST: (laughing) 14 00:00:54,466 --> 00:00:56,800 APPRAISER: I think it was just a nice, decorative shade that fit well. But no, it has nothing 15 00:00:56,800 --> 00:00:57,866 to do with the piece at all. 16 00:00:57,866 --> 00:00:59,933 GUEST: Okay. 17 00:00:59,933 --> 00:01:02,633 APPRAISER: I love the story, and what's really wonderful about this piece is this the mark 18 00:01:02,633 --> 00:01:06,833 on it of Samuel Yellin is so very clear, and Samuel Yellin was a metalworker based in Philadelphia. 19 00:01:08,800 --> 00:01:11,466 And he started his business in around 1907, and at the peak of the business, had over 20 00:01:11,466 --> 00:01:16,466 200 people working for him, providing metalwork and lighting for great American homes. Also, 21 00:01:18,566 --> 00:01:23,500 national monuments-- the Washington Cathedral. From my little research I could do, he continued 22 00:01:25,400 --> 00:01:28,333 to supply pieces for the National Cathedral throughout a period of time. What's lovely 23 00:01:28,333 --> 00:01:32,833 about the piece is that we're here at Winterthur today, and there are actually drawings in 24 00:01:32,833 --> 00:01:35,333 the museum collection of Samuel Yellin's work. 25 00:01:35,333 --> 00:01:37,300 APPRAISER: Really? 26 00:01:37,300 --> 00:01:39,633 GUEST: Yes, so really wonderful to see this here. This is a single light fixture, and 27 00:01:39,633 --> 00:01:43,933 it's more ecclesiastical in design, so the value's, uh, a little on the softer side for 28 00:01:43,933 --> 00:01:48,133 his pieces. But if I were to see this come up for auction, I would expect to see an estimate 29 00:01:48,133 --> 00:01:50,433 of around about $3,000 to $4,000. 30 00:01:50,433 --> 00:01:53,633 GUEST: That's fantastic. That's an expensive piece of scrap metal. (laughs)