1 00:00:00,668 --> 00:00:01,599 (upbeat jazz piano music) 2 00:00:01,702 --> 00:00:02,734 - [Announcer] This presentation 3 00:00:02,837 --> 00:00:06,771 of the American Pianists 4 00:00:06,874 --> 00:00:08,773 is made possible through the 5 00:00:08,876 --> 00:00:11,476 of REI Real Estate Services, 6 00:00:11,579 --> 00:00:13,945 supporting the American 7 00:00:14,048 --> 00:00:16,014 and the arts community. 8 00:00:16,117 --> 00:00:19,217 More at reirealestate.com. 9 00:00:20,755 --> 00:00:23,554 Additional support comes 10 00:00:23,657 --> 00:00:26,958 advancing the role of art 11 00:00:31,065 --> 00:00:33,831 (big band music) 12 00:01:10,704 --> 00:01:14,605 (audience applauds and cheers) 13 00:01:15,509 --> 00:01:17,308 - Well, good evening everyone, 14 00:01:17,411 --> 00:01:20,545 and welcome to the American 15 00:01:20,648 --> 00:01:23,781 American Pianists Awards in 16 00:01:23,884 --> 00:01:27,518 presented by REI Real Estate 17 00:01:27,621 --> 00:01:30,455 Now, we are live here at 18 00:01:30,558 --> 00:01:33,157 in downtown Indianapolis, 19 00:01:33,260 --> 00:01:35,893 I'm Dee Dee Bridgewater, and I 20 00:01:35,996 --> 00:01:39,130 (audience applauding) 21 00:01:39,233 --> 00:01:40,298 Thank you so much. 22 00:01:41,936 --> 00:01:43,668 I'm so happy to be here. 23 00:01:43,771 --> 00:01:45,336 Now this isn't my first time. 24 00:01:45,439 --> 00:01:49,507 I was the guest singer 25 00:01:49,610 --> 00:01:51,709 Ooh! 26 00:01:51,812 --> 00:01:55,980 Eons ago, but this time 27 00:01:56,083 --> 00:01:58,216 Kurt who gets to do the singing, 28 00:01:58,319 --> 00:02:00,718 and I get to do all the talking! 29 00:02:00,821 --> 00:02:01,752 (audience laughing) 30 00:02:01,856 --> 00:02:03,454 But it's always good to be in 31 00:02:03,557 --> 00:02:04,922 and a part of this terrific 32 00:02:05,025 --> 00:02:07,191 of the American Pianists 33 00:02:07,294 --> 00:02:10,361 Every four years, America's 34 00:02:10,464 --> 00:02:14,765 compete for APA's Cole 35 00:02:14,869 --> 00:02:18,803 The award is valued at well over 36 00:02:18,906 --> 00:02:22,140 Mm-hm! 37 00:02:22,243 --> 00:02:27,245 And, and, and, it includes 38 00:02:28,415 --> 00:02:31,649 which is the largest in 39 00:02:31,752 --> 00:02:34,285 It's an invitation also to 40 00:02:34,388 --> 00:02:36,220 on the Mack Avenue label 41 00:02:36,323 --> 00:02:39,857 as well as career assistance 42 00:02:39,960 --> 00:02:43,594 for two years through the B 43 00:02:43,697 --> 00:02:47,298 public relations through 44 00:02:47,401 --> 00:02:50,067 and being named Artist 45 00:02:50,171 --> 00:02:53,404 at the University of 46 00:02:53,507 --> 00:02:55,840 (audience applauds and cheers) 47 00:02:55,943 --> 00:02:56,774 Pretty cool. 48 00:02:59,947 --> 00:03:02,180 Okay, tonight we are fortunate 49 00:03:02,283 --> 00:03:04,815 the one and only, Kurt 50 00:03:04,919 --> 00:03:06,884 with each of the finalists. 51 00:03:06,987 --> 00:03:10,688 Kurt is one of the preminent, 52 00:03:10,791 --> 00:03:12,456 Preeminent, what was preminent? 53 00:03:12,560 --> 00:03:15,560 (audience laughing) 54 00:03:17,565 --> 00:03:20,097 I'm a little ahead of myself. 55 00:03:20,201 --> 00:03:21,832 I do apologize. 56 00:03:21,936 --> 00:03:26,537 Preeminent jazz singers of the 57 00:03:27,408 --> 00:03:29,807 I'm getting us off to a really 58 00:03:29,910 --> 00:03:32,677 He is called the standout 59 00:03:32,780 --> 00:03:34,078 by the "New York Times". 60 00:03:34,181 --> 00:03:37,848 He is a Grammy Award winner 61 00:03:37,952 --> 00:03:42,186 Please welcome my dear 62 00:03:42,289 --> 00:03:46,224 (audience applauds and cheers) 63 00:03:50,531 --> 00:03:53,364 (kisses smacking) 64 00:03:55,269 --> 00:03:56,200 Well, Kurt. 65 00:03:57,304 --> 00:03:58,135 - I gotta say that outfit of 66 00:03:58,239 --> 00:03:59,570 is pretty preminent as well. 67 00:03:59,673 --> 00:04:01,906 (audience laughing) 68 00:04:02,009 --> 00:04:03,241 It's a new word. 69 00:04:03,344 --> 00:04:04,542 - Oh, it's working. 70 00:04:04,645 --> 00:04:06,544 - I am the disco ball of the 71 00:04:06,647 --> 00:04:08,212 I just want you to... 72 00:04:08,315 --> 00:04:12,416 (audience applauding and cheers) 73 00:04:14,922 --> 00:04:17,288 - [Kurt] It's definitely 74 00:04:17,391 --> 00:04:18,189 - What is that, darling? 75 00:04:18,292 --> 00:04:19,290 - [Kurt] I said it's good. 76 00:04:19,393 --> 00:04:20,157 - Is it good? 77 00:04:20,261 --> 00:04:21,959 - I'm a fan! 78 00:04:22,062 --> 00:04:25,096 (Dee Dee moans lightly) 79 00:04:25,199 --> 00:04:27,465 - I gotta text message that 80 00:04:27,568 --> 00:04:30,234 very sparkly, and my 81 00:04:30,337 --> 00:04:32,803 that sent it was, "Oh, I got 82 00:04:32,906 --> 00:04:35,606 (audience laughing) 83 00:04:35,709 --> 00:04:37,775 I mean, yeah, you know what I'm 84 00:04:37,878 --> 00:04:40,111 But it's all about you 85 00:04:41,248 --> 00:04:42,380 It is all about you. 86 00:04:42,483 --> 00:04:44,215 - I got a text that said, come 87 00:04:44,318 --> 00:04:46,450 as a middle-aged white man. 88 00:04:46,553 --> 00:04:50,655 (audience laughing and cheering) 89 00:04:58,299 --> 00:05:00,731 - That's okay. 90 00:05:00,834 --> 00:05:05,503 You middle-aged white 91 00:05:05,606 --> 00:05:08,939 bald, black woman are going 92 00:05:09,043 --> 00:05:09,840 Is that okay with you, Kurt? 93 00:05:09,943 --> 00:05:11,108 - We're already doing it, my 94 00:05:11,211 --> 00:05:12,710 - [Dee Dee] Is that we're doing? 95 00:05:12,813 --> 00:05:14,512 - That's it, this is what it 96 00:05:14,615 --> 00:05:18,516 - All right, everybody are you 97 00:05:18,619 --> 00:05:22,687 (audience cheering) 98 00:05:22,790 --> 00:05:25,156 Okay, here we go, here we go, 99 00:05:25,259 --> 00:05:28,926 The first finalist grew 100 00:05:29,029 --> 00:05:31,662 He studied in New York and 101 00:05:31,765 --> 00:05:33,931 and he continues to live in 102 00:05:34,034 --> 00:05:36,967 Keelan Dimick is 27. 103 00:05:37,071 --> 00:05:42,073 Please welcome jazz pianist 104 00:05:42,576 --> 00:05:46,677 (audience applauds and cheering) 105 00:06:05,599 --> 00:06:09,533 (gentle and lively jazz piano) 106 00:06:32,159 --> 00:06:35,292 ♪ Pack up my care and woe ♪ 107 00:06:35,396 --> 00:06:40,364 ♪ Here I go swinging low ♪ 108 00:06:44,805 --> 00:06:47,738 ♪ Where someone waits for me ♪ 109 00:06:47,841 --> 00:06:52,843 ♪ Sugar's sweet and so is she ♪ 110 00:06:57,284 --> 00:07:02,253 ♪ No one here can ever try 111 00:07:03,157 --> 00:07:08,159 ♪ Oh, what hard luck 112 00:07:09,563 --> 00:07:12,797 ♪ Make my bed and light the 113 00:07:12,900 --> 00:07:15,699 ♪ Try to arrive late tonight ♪ 114 00:07:15,803 --> 00:07:19,603 ♪ Blackbird, fare thee bye ♪ 115 00:07:19,706 --> 00:07:23,073 ♪ It's bye, bye, bye, bye, bye, 116 00:07:23,177 --> 00:07:25,876 ♪ Fare thee well ♪ 117 00:07:25,979 --> 00:07:30,981 ♪ Fare thee well I tell 118 00:07:31,185 --> 00:07:34,218 ♪ I'll pack up my cares and woes 119 00:07:34,321 --> 00:07:37,721 ♪ And spread my wings a spell ♪ 120 00:07:37,825 --> 00:07:41,625 ♪ Sick of city lights that 121 00:07:41,728 --> 00:07:46,730 ♪ Blackbird, blackbird, 122 00:07:48,936 --> 00:07:53,938 ♪ (Scats) Here can love 123 00:07:55,142 --> 00:07:58,209 ♪ I can see pretty clear ♪ 124 00:07:58,312 --> 00:08:01,145 ♪ Everybody gotta story to hear 125 00:08:01,248 --> 00:08:02,780 ♪ Make up my bed tonight ♪ 126 00:08:02,883 --> 00:08:05,149 ♪ Light the place all right ♪ 127 00:08:05,252 --> 00:08:08,586 ♪ I'm coming home tonight ♪ 128 00:08:08,689 --> 00:08:12,223 ♪ They flying high through 129 00:08:12,326 --> 00:08:13,958 ♪ Blackbird bye, bye ♪ 130 00:08:14,061 --> 00:08:17,728 ♪ Said here life isn't clean ♪ 131 00:08:17,831 --> 00:08:22,633 ♪ Pretty cold and really pretty 132 00:08:22,736 --> 00:08:27,738 ♪ So I'm gonna quit the scene ♪ 133 00:08:27,841 --> 00:08:31,041 ♪ To where someone waits for me 134 00:08:31,144 --> 00:08:34,345 ♪ Sugar's sweet and so is she ♪ 135 00:08:34,448 --> 00:08:37,548 ♪ So pretty blackbird 136 00:08:37,651 --> 00:08:40,584 ♪ Bye bye ♪ 137 00:08:40,687 --> 00:08:45,689 ♪ Ain't nobody here who 138 00:08:47,528 --> 00:08:49,827 ♪ I can see pretty clear ♪ 139 00:08:49,930 --> 00:08:53,831 ♪ Everybody here gotta story 140 00:08:53,934 --> 00:08:58,302 ♪ So I better make my bed up ♪ 141 00:08:58,405 --> 00:08:59,937 ♪ Lighten up my light ♪ 142 00:09:00,040 --> 00:09:02,973 ♪ Blackbird, I'm coming home ♪ 143 00:09:03,076 --> 00:09:08,045 ♪ Pack up my flight and 144 00:09:08,148 --> 00:09:11,315 (audience applauding) 145 00:10:37,838 --> 00:10:39,703 (audience applauding) 146 00:10:39,806 --> 00:10:44,808 ♪ Ain't nobody here to love 147 00:10:45,445 --> 00:10:50,414 ♪ No what hard luck stories 148 00:10:51,752 --> 00:10:54,451 ♪ Make my bed and light my light 149 00:10:54,554 --> 00:10:57,221 ♪ And I'll arrive back tonight ♪ 150 00:10:57,324 --> 00:11:00,157 ♪ So blackbird fare thee well ♪ 151 00:11:00,260 --> 00:11:03,227 ♪ And bye bye ♪ 152 00:11:03,330 --> 00:11:05,896 ♪ So blackbird ♪ 153 00:11:05,999 --> 00:11:09,099 ♪ Talking 'bout bye bye 154 00:11:09,202 --> 00:11:12,236 ♪ Packing up my care and woes ♪ 155 00:11:12,339 --> 00:11:15,239 ♪ Talking 'bout here I go ♪ 156 00:11:15,342 --> 00:11:18,642 ♪ Hey, doo-doo blackbird ♪ 157 00:11:18,745 --> 00:11:23,747 ♪ Bye bye ♪ 158 00:11:24,718 --> 00:11:26,884 ♪ Bye bye ♪ 159 00:11:29,156 --> 00:11:33,090 (audience applauds and cheers) 160 00:11:44,404 --> 00:11:45,235 - [Dee Dee] Ladies and 161 00:11:45,338 --> 00:11:46,670 - Keelan Dimick! 162 00:11:50,177 --> 00:11:52,676 - That was Keelan Dimick with 163 00:11:52,779 --> 00:11:55,546 and "Bye Bye Blackbird". 164 00:11:55,649 --> 00:11:58,916 Dave Meder, our next 165 00:11:59,019 --> 00:12:02,186 originally from Tampa, 166 00:12:02,289 --> 00:12:05,656 and Julliard, lived in 167 00:12:05,759 --> 00:12:09,093 when he accepted a position 168 00:12:09,196 --> 00:12:13,263 of Jazz Piano at the 169 00:12:13,366 --> 00:12:16,467 Dave is a pianist, composer, and 170 00:12:16,570 --> 00:12:21,071 and at the tender age of 28 171 00:12:21,174 --> 00:12:21,939 (audience laughing) 172 00:12:22,042 --> 00:12:24,174 Please welcome Dave Meder! 173 00:12:25,779 --> 00:12:28,946 (audience applauding) 174 00:12:40,060 --> 00:12:41,625 - Well, the beautiful 175 00:12:41,728 --> 00:12:43,761 that was "Bye Bye Blackbird", 176 00:12:43,864 --> 00:12:48,232 and we have an Alec Wilder 177 00:12:48,335 --> 00:12:51,368 that is I feel bespoke for the 178 00:12:54,141 --> 00:12:57,641 (gentle jazz piano music) 179 00:13:09,723 --> 00:13:14,725 ♪ Deep is the midnight sea ♪ 180 00:13:15,629 --> 00:13:20,631 ♪ Warm is the fragrant night ♪ 181 00:13:22,469 --> 00:13:27,471 ♪ Sweet are your lips to me ♪ 182 00:13:29,242 --> 00:13:34,244 ♪ As soft as the moon and sand ♪ 183 00:13:36,650 --> 00:13:41,652 ♪ When shall we meet again ♪ 184 00:13:42,823 --> 00:13:47,825 ♪ When the night has left us ♪ 185 00:13:48,228 --> 00:13:52,663 ♪ Will the spell remain ♪ 186 00:13:52,766 --> 00:13:56,867 ♪ The waves invade the shore ♪ 187 00:13:56,970 --> 00:14:01,972 ♪ And though we may kiss no more 188 00:14:04,811 --> 00:14:09,813 ♪ Night is at our command ♪ 189 00:14:10,317 --> 00:14:13,817 ♪ Moon and sand ♪ 190 00:14:13,920 --> 00:14:17,221 ♪ And the magic of love ♪ 191 00:16:51,578 --> 00:16:55,746 (audience applauds) 192 00:16:55,849 --> 00:17:00,817 ♪ Warm is the fragrant night ♪ 193 00:17:01,554 --> 00:17:06,556 ♪ Sweet are your lips to me ♪ 194 00:17:07,560 --> 00:17:12,529 ♪ As soft as the moon and sand ♪ 195 00:17:14,434 --> 00:17:19,436 ♪ Oh, when shall we meet again ♪ 196 00:17:21,474 --> 00:17:25,242 ♪ When the night has left us ♪ 197 00:17:25,345 --> 00:17:30,013 ♪ Will the spell remain ♪ 198 00:17:30,116 --> 00:17:33,650 ♪ The waves invade the shore ♪ 199 00:17:33,753 --> 00:17:38,755 ♪ Though we may kiss no more ♪ 200 00:17:39,692 --> 00:17:44,694 ♪ Night is at our command ♪ 201 00:17:45,832 --> 00:17:49,399 ♪ Moon and sand ♪ 202 00:17:49,502 --> 00:17:54,471 ♪ And the magic of love ♪ 203 00:17:56,209 --> 00:18:01,211 ♪ Moon and sand ♪ 204 00:18:02,048 --> 00:18:05,382 ♪ And the magic of love ♪ 205 00:18:38,985 --> 00:18:42,152 (audience applauding) 206 00:18:46,960 --> 00:18:47,858 Dave Meder! 207 00:18:53,399 --> 00:18:54,231 - Wow. 208 00:18:56,202 --> 00:18:58,034 What a beautiful song. 209 00:18:59,205 --> 00:19:02,072 Let's talk about our next 210 00:19:02,175 --> 00:19:04,608 He's originally from Columbus, 211 00:19:04,711 --> 00:19:06,576 but he now lives in Atlanta. 212 00:19:07,881 --> 00:19:12,716 Kenny Banks, Jr. is the son of 213 00:19:12,819 --> 00:19:17,320 who are both musicians, 214 00:19:17,423 --> 00:19:22,092 Please welcome jazz 215 00:19:22,195 --> 00:19:26,263 (audience applauding and cheers) 216 00:19:36,976 --> 00:19:41,111 - (sighs) Yeah, yeah, 217 00:19:41,214 --> 00:19:44,214 (audience laughing) 218 00:19:49,589 --> 00:19:54,591 Y'all saw them? 219 00:19:55,995 --> 00:20:00,063 (gentle upbeat jazz piano music) 220 00:20:28,361 --> 00:20:29,192 - Yessir. 221 00:20:41,007 --> 00:20:46,009 ♪ Georgia ♪ 222 00:20:47,614 --> 00:20:52,616 ♪ Georgia ♪ 223 00:20:53,686 --> 00:20:58,688 ♪ All day through ♪ 224 00:20:59,926 --> 00:21:04,928 ♪ Just an old sweet song ♪ 225 00:21:09,168 --> 00:21:12,769 ♪ Keeps Georgia on my mind ♪ 226 00:21:19,612 --> 00:21:21,778 ♪ Georgia ♪ 227 00:21:31,891 --> 00:21:36,893 ♪ A song of you ♪ 228 00:21:37,263 --> 00:21:42,265 ♪ Comes as sweet and clear ♪ 229 00:21:44,971 --> 00:21:49,039 ♪ As moonlight through the pines 230 00:22:15,301 --> 00:22:20,303 ♪ Other arms reach out to me ♪ 231 00:22:24,544 --> 00:22:28,211 ♪ Other eyes smile tenderly ♪ 232 00:22:34,787 --> 00:22:39,789 ♪ Still in peaceful dreams I see 233 00:22:40,960 --> 00:22:45,195 ♪ The road ♪ 234 00:22:45,298 --> 00:22:48,465 ♪ Leading back to you ♪ 235 00:22:52,105 --> 00:22:55,238 (audience applauding) 236 00:23:03,383 --> 00:23:06,216 (people laughing) 237 00:23:17,497 --> 00:23:20,597 (people cheering on) 238 00:23:21,634 --> 00:23:24,601 (audience laughing) 239 00:23:37,016 --> 00:23:37,847 Yessir. 240 00:23:53,900 --> 00:23:57,233 (Kenny singing faintly) 241 00:24:00,206 --> 00:24:04,107 (audience applauds and cheers) 242 00:24:20,560 --> 00:24:25,562 ♪ Other arms reach out to me ♪ 243 00:24:33,372 --> 00:24:38,341 ♪ Other eyes smile tenderly ♪ 244 00:24:41,380 --> 00:24:46,382 ♪ Still in peaceful dreams I see 245 00:24:48,387 --> 00:24:52,322 ♪ The road leading back to you ♪ 246 00:25:03,236 --> 00:25:08,204 ♪ Georgia ♪ 247 00:25:09,809 --> 00:25:14,811 ♪ No peace I find ♪ 248 00:25:16,716 --> 00:25:21,684 ♪ Just an old sweet song ♪ 249 00:25:21,787 --> 00:25:25,355 ♪ Keeps Georgia on my mind ♪ 250 00:25:34,734 --> 00:25:39,702 ♪ And just an old sweet song ♪ 251 00:25:40,606 --> 00:25:44,173 ♪ Keeps Georgia on my mind ♪ 252 00:25:47,914 --> 00:25:52,148 (audience applauding and 253 00:26:07,500 --> 00:26:08,798 Kenny Banks, Jr.! 254 00:26:25,051 --> 00:26:27,550 - Hello, I'm Joel Harrison, 255 00:26:27,653 --> 00:26:30,954 and artistic director of the 256 00:26:31,057 --> 00:26:34,157 Thank you for being a part 257 00:26:34,260 --> 00:26:37,760 The American Pianists Awards 258 00:26:37,863 --> 00:26:40,396 We are so proud to be 259 00:26:40,499 --> 00:26:43,600 and so inspired by the 260 00:26:43,703 --> 00:26:45,068 who have been a part of our work 261 00:26:45,171 --> 00:26:48,471 since our founding in 1979. 262 00:26:48,574 --> 00:26:51,507 Tonight we add one more 263 00:26:51,611 --> 00:26:53,543 bringing the total to 47. 264 00:26:54,447 --> 00:26:57,880 Our process is unique in the 265 00:26:57,984 --> 00:27:00,416 Participation is by nomination 266 00:27:00,519 --> 00:27:02,452 and winners must be American 267 00:27:02,555 --> 00:27:05,221 between the ages of 18 and 30. 268 00:27:05,324 --> 00:27:08,057 Those chosen as finalists are 269 00:27:08,160 --> 00:27:09,359 in this country. 270 00:27:09,462 --> 00:27:11,694 The five jazz pianists 271 00:27:11,797 --> 00:27:14,063 are at the top of their game, 272 00:27:14,166 --> 00:27:16,766 have already won $20,000 each 273 00:27:16,869 --> 00:27:20,336 and very shortly, we will hear 274 00:27:20,439 --> 00:27:23,806 the 2019 winner of the 275 00:27:23,909 --> 00:27:26,576 and the Cole Porter 276 00:27:26,679 --> 00:27:31,681 the $100,000 prize, the largest 277 00:27:32,084 --> 00:27:35,551 On behalf of the board of the 278 00:27:35,655 --> 00:27:36,853 our fabulous guest artists, 279 00:27:36,956 --> 00:27:39,155 Kurt Elling and Dee Dee 280 00:27:39,258 --> 00:27:41,457 the Buselli-Wallarab Jazz 281 00:27:41,560 --> 00:27:44,427 and most especially, the 282 00:27:44,530 --> 00:27:46,729 we are hearing, thank you for 283 00:27:46,832 --> 00:27:48,531 for this exciting evening. 284 00:27:50,936 --> 00:27:53,036 - So we had a great first 285 00:27:53,139 --> 00:27:54,470 did we not? 286 00:27:54,573 --> 00:27:57,740 (audience applauding) 287 00:27:58,978 --> 00:28:00,677 So now we come back for more. 288 00:28:00,780 --> 00:28:05,048 This time with the 289 00:28:05,151 --> 00:28:07,216 Now the Buselli-Wallarab Jazz 290 00:28:07,319 --> 00:28:09,352 is a 17-piece orchestra led 291 00:28:09,455 --> 00:28:12,822 by its conductor, Brent 292 00:28:12,925 --> 00:28:14,624 (audience applauding) 293 00:28:15,661 --> 00:28:18,261 And Mark Buselli who is 294 00:28:18,364 --> 00:28:20,163 in the trumpet section. 295 00:28:20,266 --> 00:28:24,901 Hey! 296 00:28:25,004 --> 00:28:29,372 They have played a role in the 297 00:28:29,475 --> 00:28:32,475 so I wanna say thank you to 298 00:28:32,578 --> 00:28:35,878 and the members of this 299 00:28:35,981 --> 00:28:40,783 Thank you, lady and gentlemen. 300 00:28:40,886 --> 00:28:42,585 ♪ Ooh ♪ 301 00:28:42,688 --> 00:28:43,820 (audience laughing) 302 00:28:43,923 --> 00:28:45,655 How are you all feeling? 303 00:28:45,758 --> 00:28:48,458 (audience cheers) 304 00:28:48,561 --> 00:28:51,694 Okay, our fourth finalist, 305 00:28:51,797 --> 00:28:54,097 he's originally from 306 00:28:54,200 --> 00:28:57,400 and studied in New 307 00:28:57,503 --> 00:29:01,137 Billy Test is 30, and this year 308 00:29:01,240 --> 00:29:03,940 he's living in Cologne, Germany 309 00:29:04,043 --> 00:29:08,144 where he is pianist with the WDR 310 00:29:08,247 --> 00:29:10,413 Please welcome Billy Test! 311 00:29:11,717 --> 00:29:16,319 (audience applauds and cheers) 312 00:29:38,744 --> 00:29:41,744 (gentle jazz music) 313 00:32:47,967 --> 00:32:52,134 (more intense, upbeat jazz 314 00:36:01,960 --> 00:36:06,228 (audience applauding and 315 00:39:42,614 --> 00:39:46,882 (audience applauding and 316 00:39:55,994 --> 00:39:57,092 - Billy Test! 317 00:40:00,732 --> 00:40:03,866 Our last finalist of the 318 00:40:03,969 --> 00:40:04,967 ♪ Ooh ♪ 319 00:40:05,070 --> 00:40:06,535 is Emmet Cohen. 320 00:40:06,638 --> 00:40:09,772 (audience applauding and 321 00:40:09,875 --> 00:40:12,875 Okay, so those of you that went, 322 00:40:12,978 --> 00:40:15,477 you know that he's originally 323 00:40:15,580 --> 00:40:17,646 He studied there and in New 324 00:40:17,749 --> 00:40:20,816 and he continues to live in 325 00:40:20,919 --> 00:40:24,353 his performing and touring 326 00:40:24,456 --> 00:40:27,589 Emmet is 28 years old. 327 00:40:28,727 --> 00:40:33,462 Emmet Cohen! 328 00:40:46,511 --> 00:40:49,978 (people lightly laughing) 329 00:40:52,350 --> 00:40:55,350 (bright jazz music) 330 00:43:24,035 --> 00:43:27,202 (audience applauding) 331 00:46:00,058 --> 00:46:03,225 (audience applauding) 332 00:50:17,181 --> 00:50:21,416 (audience applauding and 333 00:50:30,294 --> 00:50:32,627 (men laughing) 334 00:50:32,730 --> 00:50:33,728 Emmet Cohen! 335 00:50:35,366 --> 00:50:36,364 Emmet Cohen! 336 00:50:39,003 --> 00:50:39,834 Wow. 337 00:50:41,706 --> 00:50:44,139 This is just thrilling. 338 00:50:44,242 --> 00:50:46,241 What outstanding performances. 339 00:50:46,344 --> 00:50:50,111 Congratulations to all of the 340 00:50:50,214 --> 00:50:52,981 and this has been 341 00:50:53,084 --> 00:50:56,351 (audience applauding) 342 00:50:56,454 --> 00:50:57,285 Wow. 343 00:50:59,057 --> 00:51:01,289 Well the performances are all 344 00:51:01,392 --> 00:51:05,193 and now the jury must 345 00:51:05,296 --> 00:51:07,862 to tabulate the scores. 346 00:51:07,965 --> 00:51:11,132 (audience applauding) 347 00:51:12,437 --> 00:51:14,002 - Okay, here we go. 348 00:51:14,105 --> 00:51:17,639 Here's the envelope. 349 00:51:17,742 --> 00:51:21,609 It's sealed. 350 00:51:21,712 --> 00:51:24,612 The winner of the 2019 351 00:51:24,715 --> 00:51:29,717 and the Cole Porter 352 00:51:30,188 --> 00:51:34,456 (audience applauding and 353 00:52:00,651 --> 00:52:03,651 (upbeat jazz music) 354 00:52:49,600 --> 00:52:50,665 - [Announcer] This presentation 355 00:52:50,768 --> 00:52:54,669 of the American Pianists 356 00:52:54,772 --> 00:52:56,704 is made possible through the 357 00:52:56,807 --> 00:52:59,374 of REI Real Estate Services, 358 00:52:59,477 --> 00:53:01,809 supporting the American 359 00:53:01,913 --> 00:53:03,978 and the arts community. 360 00:53:04,081 --> 00:53:06,948 More at reirealestate.com. 361 00:53:08,686 --> 00:53:11,452 Additional support comes 362 00:53:11,556 --> 00:53:14,856 advancing the world of 363 00:53:17,061 --> 00:53:18,626 (people cheering) 364 00:53:18,729 --> 00:53:22,096 (light jazz piano music) 365 00:53:22,200 --> 00:53:24,132 - [Emmet] Well, I guess we're 366 00:53:24,235 --> 00:53:27,702 and it's important to have as 367 00:53:27,805 --> 00:53:29,637 just like it's important as a 368 00:53:29,740 --> 00:53:31,940 if you wanna culture 369 00:53:32,043 --> 00:53:34,542 about the world, to travel 370 00:53:34,645 --> 00:53:36,110 to experience different 371 00:53:36,214 --> 00:53:37,712 to experience different foods, 372 00:53:37,815 --> 00:53:39,214 to have different mentors. 373 00:53:39,317 --> 00:53:40,648 The more influences you have, 374 00:53:40,751 --> 00:53:43,484 the less like anyone in 375 00:53:43,588 --> 00:53:44,986 You want as many teachers 376 00:53:45,089 --> 00:53:47,555 and as many points of view as 377 00:53:47,658 --> 00:53:50,158 I have gained different 378 00:53:50,261 --> 00:53:52,727 from Christian McBride and from 379 00:53:52,830 --> 00:53:54,662 and from Jimmy Cobb and from 380 00:53:54,765 --> 00:53:55,930 and from Benny Golson. 381 00:53:56,033 --> 00:53:58,366 I definitely try to spend as 382 00:53:58,469 --> 00:54:00,368 and as many minutes and 383 00:54:00,471 --> 00:54:04,205 around the oldest possible jazz 384 00:54:04,308 --> 00:54:06,674 who have been closest to the 385 00:54:06,777 --> 00:54:09,978 Really just spending time 386 00:54:10,081 --> 00:54:13,214 has been my way of soaking all 387 00:54:13,317 --> 00:54:16,818 and learning from them, but 388 00:54:16,921 --> 00:54:19,520 and preach in my own original 389 00:54:24,929 --> 00:54:25,793 - Emmet is great. 390 00:54:25,896 --> 00:54:27,795 He's very real, so coming in, 391 00:54:27,898 --> 00:54:30,164 it was wonderful to watch 392 00:54:30,268 --> 00:54:31,232 If a kid didn't wanna like, for 393 00:54:31,335 --> 00:54:32,400 take out their instrument and 394 00:54:32,503 --> 00:54:33,901 He was like, "Well, I just 395 00:54:34,005 --> 00:54:36,137 "to work with you, but 396 00:54:36,240 --> 00:54:38,206 "take your saxophone out of its 397 00:54:38,309 --> 00:54:40,675 and just really leveled with the 398 00:54:40,778 --> 00:54:44,345 in a way that let them know 399 00:54:44,448 --> 00:54:46,781 than just them, but at the same 400 00:54:46,884 --> 00:54:49,384 how cool music is and inspiring 401 00:54:49,487 --> 00:54:51,686 - One nugget is to just keep 402 00:54:51,789 --> 00:54:53,488 Practice every day. 403 00:54:53,591 --> 00:54:56,858 Don't give up practice for 404 00:54:56,961 --> 00:54:59,427 He also told me to 405 00:54:59,530 --> 00:55:02,096 'cause you have to know 406 00:55:02,199 --> 00:55:03,931 So I'll keep practicing them. 407 00:55:04,035 --> 00:55:05,566 - Emmet is very kind and 408 00:55:05,670 --> 00:55:07,235 He likes to talk with everybody 409 00:55:07,338 --> 00:55:09,704 and discuss multiple 410 00:55:09,807 --> 00:55:11,739 just the culture and 411 00:55:11,842 --> 00:55:13,107 and where he came from as well. 412 00:55:13,210 --> 00:55:15,043 My biggest takeaway is that you 413 00:55:15,146 --> 00:55:17,779 when you play music, you should 414 00:55:17,882 --> 00:55:20,415 behind it and by learning 415 00:55:20,518 --> 00:55:21,883 you're able to play better. 416 00:55:23,154 --> 00:55:27,722 (uptempo jazz and ragtime piano 417 00:56:29,954 --> 00:56:34,222 (audience applauding and